{"id":9702,"date":"2020-02-25T20:11:47","date_gmt":"2020-02-25T20:11:47","guid":{"rendered":"https:\/\/artzine.is\/?p=9702"},"modified":"2021-02-17T10:31:24","modified_gmt":"2021-02-17T10:31:24","slug":"samtal-i-vatni-og-litum","status":"publish","type":"post","link":"https:\/\/artzine.is\/?p=9702","title":{"rendered":"Samtal \u00ed vatni og litum"},"content":{"rendered":"

[et_pb_section fb_built=“1″ fullwidth=“on“ custom_padding_last_edited=“on|desktop“ _builder_version=“3.22″ custom_padding_tablet=“50px|0|50px|0″ custom_padding_phone=““ transparent_background=“off“ padding_mobile=“off“ make_fullwidth=“off“ use_custom_width=“off“ width_unit=“off“ custom_width_px=“1080px“ custom_width_percent=“80%“][et_pb_fullwidth_image src=“https:\/\/artzine.is\/wp-content\/uploads\/2020\/02\/Filmstill3.jpg“ _builder_version=“4.3.2″ animation=“off“][\/et_pb_fullwidth_image][\/et_pb_section][et_pb_section fb_built=“1″ custom_padding_last_edited=“on|desktop“ admin_label=“section“ _builder_version=“3.22″ custom_padding_tablet=“50px|0|50px|0″ custom_padding_phone=““ transparent_background=“off“ padding_mobile=“off“ make_fullwidth=“off“ use_custom_width=“off“ width_unit=“off“ custom_width_px=“1080px“ custom_width_percent=“80%“][et_pb_row padding_mobile=“off“ column_padding_mobile=“on“ _builder_version=“3.25″ background_size=“initial“ background_position=“top_left“ background_repeat=“repeat“ make_fullwidth=“off“ use_custom_width=“off“ width_unit=“off“ custom_width_px=“1080px“ custom_width_percent=“80%“][et_pb_column type=“4_4″ _builder_version=“3.25″ custom_padding=“|||“ custom_padding__hover=“|||“][et_pb_post_title meta=“off“ date_format=“j.m. Y“ featured_image=“off“ _builder_version=“4.8.2″ title_font=“|300||on|||||“ title_text_align=“center“ title_font_size=“40px“ title_letter_spacing=“1px“ title_line_height=“1.4em“ title_all_caps=“on“ background_color=“rgba(255,255,255,0)“ parallax=“on“ parallax_method=“off“ width=“80%“ width_last_edited=“on|phone“ max_width=“100%“ module_alignment=“center“ title_font_size_tablet=“30px“ title_font_size_phone=“26px“ title_font_size_last_edited=“on|phone“ use_border_color=“off“ border_color=“#ffffff“ border_style=“solid“ parallax_effect=“on“ module_bg_color=“rgba(255,255,255,0)“ global_module=“3887″ saved_tabs=“all“ locked=“off“][\/et_pb_post_title][et_pb_text admin_label=“ilc“ _builder_version=“4.8.2″ background_size=“initial“ background_position=“top_left“ background_repeat=“repeat“ hover_enabled=“0″ width=“80%“ module_alignment=“center“ module_alignment_last_edited=“on|phone“ sticky_enabled=“0″ module_alignment_tablet=“center“ module_alignment_phone=“center“]<\/p>\n

\u00dea\u00f0 var \u00e1ri\u00f0 1996 sem Gj\u00f6rningakl\u00fabburinn kom me\u00f0 l\u00e1tum inn \u00ed \u00edslenska myndlistarsenu me\u00f0 gj\u00f6rningaverki\u00f0 ‘Kiss’ \u2013 koss sem er a\u00f0eins lengri en venjulegur vinakoss en a\u00f0eins styttri en koss elskenda – sem fluttur var \u00ed \u00fe\u00e1 geysivins\u00e6lum Dagslj\u00f3sar\u00fe\u00e6tti R\u00edkissj\u00f3nvarpsins. Gj\u00f6rningurinn enda\u00f0i me\u00f0 a\u00f0 \u00fe\u00e1verandi me\u00f0limur Gj\u00f6rningakl\u00fabbsins Sigr\u00fan Hr\u00f3lfsd\u00f3ttir kyssti alla \u00fej\u00f3\u00f0ina me\u00f0 \u00fev\u00ed a\u00f0 kyssa linsu myndav\u00e9larinnar. \u00deannig m\u00e1 segja a\u00f0 \u00e1starsamband Gj\u00f6rningakl\u00fabbsins vi\u00f0 kvikmyndaformi\u00f0 hafi hafist og \u00fe\u00e6r rutt brautina fyrir gj\u00f6rningakvikmyndaverkum \u00ed \u00edslensku myndlistarsenunni. Gj\u00f6rningurinn var saminn fyrir myndav\u00e9lina og virka\u00f0i vegna hennar.<\/strong><\/p>\n

R\u00famum tuttugu \u00e1rum og nokkur hundru\u00f0 s\u00fdningum seinna \u00e1kv\u00e1\u00f0u n\u00faverandi me\u00f0limir Gj\u00f6rningakl\u00fabbsins Eir\u00fan Sigur\u00f0ard\u00f3ttir og J\u00f3n\u00ed J\u00f3nsd\u00f3ttir a\u00f0 b\u00faa til n\u00fdtt verk \u00fear sem \u00fe\u00e6r s\u00e6ktu innbl\u00e1stur \u00ed l\u00edf og list \u00c1sgr\u00edms J\u00f3nssonar. Afraksturinn er verki\u00f0 ‘Vatn og Bl\u00f3\u00f0’ sem s\u00fdnt hefur veri\u00f0 sem einkas\u00fdning Gj\u00f6rningakl\u00fabbsins \u00ed Sal 2 \u00ed Listasafni \u00cdslands fr\u00e1 \u00fev\u00ed snemma \u00ed n\u00f3vember 2019 og l\u00fdkur n\u00fana 1. mars.<\/p>\n

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Fyrir \u00fe\u00e1 sem ekki eru me\u00f0 \u00e1 hreinu hver \u00c1sgr\u00edmur J\u00f3nsson var \u00fe\u00e1 var hann impressj\u00f3n\u00edskur vatnslita-landslagsm\u00e1lari sem uppi var \u00e1 \u00e1ratugunum sitthvoru megin vi\u00f0 aldam\u00f3tin 1900 og var einna fyrstur \u00edslenskra myndlistarmanna til a\u00f0 starfa eing\u00f6ngu a\u00f0 listinni. \u00dea\u00f0 er ekki sj\u00e1lfgefi\u00f0 a\u00f0 gj\u00f6rninga og v\u00edde\u00f3 kollekt\u00edf sem starfar \u00e1 21. \u00f6ldinni og er skipa\u00f0 konum eing\u00f6ngu finni snertifleti vi\u00f0 l\u00edfshlaup e\u00f0a list sl\u00edks manns. \u00cd s\u00fdningarskr\u00e1 minnast J\u00f3n\u00ed og Eir\u00fan \u00e1 a\u00f0 \u00feeim finnist \u00fe\u00e6r tengjast \u00c1sgr\u00edmi ‘…bl\u00f3\u00f0b\u00f6ndum \u00ed gegnum sk\u00f6punarkraftinn, inns\u00e6i\u00f0 og n\u00e1tt\u00faruna.’<\/p>\n

Vi\u00f0 frekari eftirgrennslan kemur \u00ed lj\u00f3s a\u00f0 eins og svo margir a\u00f0rir eru \u00fe\u00e6r aldnar upp me\u00f0 eftiprentanir af vatnslitam\u00e1lverkum \u00c1sgr\u00edms \u00e1 veggjum \u00e6skuheimilisins. \u00cd b\u00e1\u00f0um tilfellum voru verkin af heimasveit og \u00fev\u00ed \u00feekktu \u00fe\u00e6r fyrirmyndina vel og verkin h\u00f6f\u00f0u mikil \u00e1hrif \u00e1 \u00fe\u00e6r sem b\u00f6rn og s\u00ed\u00f0ar sem listnema. Jafnframt sj\u00e1 \u00fe\u00e6r tengingu \u00ed vatninu sem er undirsta\u00f0a \u00ed vatnslitum en \u00fe\u00e6r telja vatn sameiningart\u00e1kn \u00feeirra beggja, \u00c1sgr\u00edms og Gj\u00f6rningakl\u00fabbsins en \u00fe\u00e6r hafa unni\u00f0 me\u00f0 vatnsliti \u00e1 t\u00e1knr\u00e6nan h\u00e1tt, til d\u00e6mis \u00ed verkinu Aqua Maria. Vatn skipti \u00fe\u00e6r miklu m\u00e1li enda s\u00e9u l\u00edkamar okkar 75% vatn. S\u00fdningin ver\u00f0ur \u00ed raun samtal milli Gj\u00f6rningakl\u00fabbsins sem hefur veri\u00f0 starfandi fr\u00e1 1996 og \u00c1sgr\u00edms J\u00f3nssonar sem h\u00f3f sinn ferill \u00ed byrjun 20. aldar.<\/p>\n

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\u00c1\u00f0ur en gengi\u00f0 er inn \u00ed salinn er gengi\u00f0 framhj\u00e1 gj\u00f6rningab\u00faningssk\u00falpt\u00farum vi\u00f0 innganginn. Form og efni eru kunnugleg \u00feeim sem \u00feekkja til verka Gj\u00f6rningakl\u00fabbsins. Vakti \u00fea\u00f0 s\u00e9rstaka athygli a\u00f0 b\u00fai\u00f0 var a\u00f0 taka n\u00e1tt\u00faruger\u00f0ar bl\u00e1skeljar me\u00f0 og sauma \u00fe\u00e6r af mikilli \u00fatstj\u00f3narsemi inn \u00ed b\u00faningana\/sk\u00falpt\u00faranna. Gaf \u00fea\u00f0 t\u00f3ninn fyrir bl\u00e1mann sem er \u00fer\u00e1\u00f0ur \u00fat \u00ed gegnum s\u00fdninguna. Salurinn sj\u00e1lfur er svo tv\u00edskiptur. Fyrri salurinn er dimmur kvikmyndasalur s\u00e9rger\u00f0ur fyrir innlifun \u00e1 kvikmyndaverki og seinni salurinn er uppl\u00fdstur salur fyrir sk\u00falpt\u00fara og veggverk.<\/p>\n

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\u00deungami\u00f0ja s\u00fdningarinnar er n\u00fdtt 25 m\u00edn\u00fatna kvikmyndaverk sem s\u00fdnt er \u00ed myrka\u00f0a salnum og liggur \u00e1horfandinn l\u00edkt og sj\u00f3nvarps\u00e1horfendur heima \u00ed stofu \u00e1 vatnslitu\u00f0um tungus\u00f3fa en \u00f3l\u00edkt \u00fev\u00ed sem gerist \u00ed heimastofunni er \u00e1horfandi umlukinn fimm hlj\u00f3\u00f0r\u00e1sum eins og \u00ed dolby-kvikmyndasal og upplifun \u00e1horfandans ver\u00f0ur kannski meira \u00ed \u00e6tt vi\u00f0 a\u00f0 vera \u00ed l\u00faxus sal sem tekinn hefur veri\u00f0 alla lei\u00f0. \u00c1horfandinn sekkur inn verki\u00f0 og gleymir s\u00e9r \u00ed andr\u00famsloftinu sem af \u00fev\u00ed stafar. Kvikmyndaverki\u00f0 l\u00edkt og innsetningin sj\u00e1lf er unnin \u00e1 mj\u00f6g faglegan h\u00e1tt \u00fear sem huga\u00f0 er a\u00f0 hverju sm\u00e1atri\u00f0i. Fagmenn hafa veri\u00f0 fengnir til a\u00f0 nota s\u00e9r\u00feekkingu s\u00edna til a\u00f0 \u00fej\u00f3na hugmynd Gj\u00f6rningakl\u00fabbsins. Kvikmyndataka, klipping, l\u00fdsing, hlj\u00f3\u00f0h\u00f6nnun, t\u00f3nlist, b\u00faningar og f\u00f6\u00f0run mynda saman sterkan merkingarheim sem dr\u00edfur samtali\u00f0 \u00e1fram, b\u00e6\u00f0i innan myndarinnar sj\u00e1lfrar og \u00ed gegnum \u00fer\u00e6\u00f0ina sem liggja \u00fat \u00ed salinn.<\/p>\n

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Kvikmyndaverki\u00f0 er einskonar skr\u00e1setning \u00e1 undirb\u00faningsferli s\u00fdningarinnar \u00fear sem mi\u00f0ill var fenginn til a\u00f0sto\u00f0ar til a\u00f0 tengja konurnar \u00ed Gj\u00f6rningakl\u00fabbnum vi\u00f0 \u00c1sgr\u00edm \u00e1 fyrrum heimili hans og vinnustofu \u00e1 Bergsta\u00f0astr\u00e6tinu og f\u00e1 \u00c1sgr\u00edm til a\u00f0 r\u00e6\u00f0a tengingar \u00feeirra \u00ed milli. Mi\u00f0illinn sj\u00e1lfur var ekki \u00e1 sta\u00f0num og \u00fev\u00ed var stu\u00f0st vi\u00f0 facetime og snjalls\u00edma til a\u00f0 mi\u00f0illinn g\u00e6ti skynja\u00f0 andann \u00e1 Bergsta\u00f0astr\u00e6tinu. \u00deessa a\u00f0fer\u00f0 sem Gj\u00f6rningakl\u00fabburinn notar n\u00fana \u00ed anna\u00f0 sinn kalla \u00fe\u00e6r mi\u00f0ill-mi\u00f0ill. A\u00f0rar senur \u00ed kvikmyndaverkinu s\u00fdna \u00fe\u00e6r Gj\u00f6rningakl\u00fabbskonur \u00fat \u00ed n\u00e1tt\u00farunni og vi\u00f0 vatn \u00fear sem \u00fe\u00e6r blanda vatnsliti og fremja a\u00f0ra vatnstengda r\u00edt\u00faala. Litir koma endurteki\u00f0 vi\u00f0 s\u00f6gu og markvisst nota\u00f0ir \u00ed fr\u00e1s\u00f6gninni.<\/p>\n

Til d\u00e6mis er myrka\u00f0i salurinn sem umlykur kvikmyndaverki\u00f0 lita\u00f0ur me\u00f0 d\u00f6kkbl\u00e1um lit en ekki sv\u00f6rtum en \u00fea\u00f0 skiptir m\u00e1li fyrir heildarmerkingu. Litah\u00f6nnunin er ger\u00f0 me\u00f0 l\u00fdsingu \u00ed senum teknum \u00ed kvikmyndast\u00fad\u00ed\u00f3i \u00fear sem dansarar fremja trylltan \u00f3rei\u00f0ukenndan trans \u00e1 hv\u00edtum bl\u00f6\u00f0um \u00ed senu sem kviknar \u00ed vinnustofur\u00fdmi \u00c1sgr\u00edms \u00e1 efri h\u00e6\u00f0 h\u00fassins. Hv\u00edtu bl\u00f6\u00f0in krumpu\u00f0 \u00ed hamaganginum birtast s\u00ed\u00f0an \u00ed salnum sj\u00e1lfum \u00ed \u00f6\u00f0ru afm\u00f6rku\u00f0u r\u00fdmi sem er innan af myrka\u00f0a r\u00fdminu og eru \u00fear or\u00f0in a\u00f0 papp\u00edssk\u00falpt\u00far litu\u00f0um af penslum kvikmyndaformsins, l\u00fdsingunni, l\u00edkt og \u00ed kvikmyndinni \u00e1\u00f0ur.<\/p>\n

\u00c1horfandi fer \u00f3sj\u00e1lfr\u00e1tt a\u00f0 bera saman vatnslitanotkun og notkun \u00e1 l\u00fdsingu til a\u00f0 lita. \u00deetta er s\u00ed\u00f0an undirstrika\u00f0 \u00e1 veggnum fyrir ofan \u00fear sem stillt er upp b\u00fat \u00far kvikmyndaverkinu sem s\u00fdnir hreyfimynda sj\u00e1lfsmynd af Gj\u00f6rningakl\u00fabbskonum me\u00f0 vatnslitu\u00f0 andlit stillt upp vi\u00f0 hli\u00f0ina af innramma\u00f0ri vatnslita-sj\u00e1lfsmynd \u00c1sgr\u00edms sj\u00e1lfs. Samtalshringnum sem h\u00f3fst vi\u00f0 hringbor\u00f0 mi\u00f0ilsins er loka\u00f0.<\/p>\n

Hulda R\u00f3s Gu\u00f0nad\u00f3ttir<\/em><\/p>\n

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\u00dea\u00f0 var \u00e1ri\u00f0 1996 sem Gj\u00f6rningakl\u00fabburinn kom me\u00f0 l\u00e1tum inn \u00ed \u00edslenska myndlistarsenu me\u00f0 gj\u00f6rningaverki\u00f0 ‘Kiss’ \u2013 koss sem er a\u00f0eins lengri en venjulegur vinakoss en a\u00f0eins styttri en koss elskenda – sem fluttur var \u00ed \u00fe\u00e1 geysivins\u00e6lum Dagslj\u00f3sar\u00fe\u00e6tti R\u00edkissj\u00f3nvarpsins. Gj\u00f6rningurinn enda\u00f0i me\u00f0 a\u00f0 \u00fe\u00e1verandi me\u00f0limur Gj\u00f6rningakl\u00fabbsins Sigr\u00fan Hr\u00f3lfsd\u00f3ttir kyssti alla \u00fej\u00f3\u00f0ina me\u00f0 \u00fev\u00ed a\u00f0 […]<\/p>\n","protected":false},"author":16,"featured_media":9715,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_et_pb_use_builder":"on","_et_pb_old_content":"

\u00dea\u00f0 var \u00e1ri\u00f0 1996 sem Gj\u00f6rningakl\u00fabburinn kom me\u00f0 l\u00e1tum inn \u00ed \u00edslenska myndlistarsenu me\u00f0 gj\u00f6rningaverki\u00f0 'Kiss' \u2013 koss sem er a\u00f0eins lengri en venjulegur vinakoss en a\u00f0eins styttri en koss elskenda - sem fluttur var \u00ed \u00fe\u00e1 geysivins\u00e6lum Dagslj\u00f3sar\u00fe\u00e6tti R\u00edkissj\u00f3nvarpsins. Gj\u00f6rningurinn enda\u00f0i me\u00f0 a\u00f0 \u00fe\u00e1verandi me\u00f0limur Gj\u00f6rningakl\u00fabbsins Sigr\u00fan Hr\u00f3lfsd\u00f3ttir kyssti alla \u00fej\u00f3\u00f0ina me\u00f0 \u00fev\u00ed a\u00f0 kyssa linsu myndav\u00e9larinnar. \u00deannig m\u00e1 segja a\u00f0 \u00e1starsamband Gj\u00f6rningakl\u00fabbsins vi\u00f0 kvikmyndaformi\u00f0 hafi hafist og \u00fe\u00e6r rutt brautina fyrir gj\u00f6rningakvikmyndaverkum \u00ed \u00edslensku myndlistarsenunni. Gj\u00f6rningurinn var saminn fyrir myndav\u00e9lina og virka\u00f0i vegna hennar.<\/strong><\/p>

R\u00famum tuttugu \u00e1rum og nokkur hundru\u00f0 s\u00fdningum seinna kom Harpa \u00de\u00f3rsd\u00f3ttir \u00e1 m\u00e1l vi\u00f0 n\u00faverandi me\u00f0limi Gj\u00f6rningakl\u00fabbsins Eir\u00fanu Sigur\u00f0ard\u00f3ttur og J\u00f3n\u00ed J\u00f3nsd\u00f3ttur og ba\u00f0 \u00fe\u00e6r um a\u00f0 b\u00faa til n\u00fdtt verk og innsetningu \u00fear sem \u00fe\u00e6r s\u00e6ktu innbl\u00e1stur \u00ed l\u00edf og list \u00c1sgr\u00edms J\u00f3nssonar. Afraksturinn er verki\u00f0 'Vatn og Bl\u00f3\u00f0' sem s\u00fdnt hefur veri\u00f0 sem einkas\u00fdning Gj\u00f6rningakl\u00fabbsins \u00ed Sal 2 \u00ed Listasafni \u00cdslands fr\u00e1 \u00fev\u00ed snemma \u00ed n\u00f3vember 2019 og l\u00fdkur n\u00fana 1. mars. Fyrir \u00fe\u00e1 sem ekki eru me\u00f0 \u00e1 hreinu hver \u00c1sgr\u00edmur J\u00f3nsson var \u00fe\u00e1 var hann impressj\u00f3n\u00edskur vatnslita-landslagsm\u00e1lari sem uppi var \u00e1 \u00e1ratugunum sitthvoru megin vi\u00f0 aldam\u00f3tin 1900 og var einna fyrstur \u00edslenskra myndlistarmanna til a\u00f0 starfa eing\u00f6ngu a\u00f0 listinni. \u00dea\u00f0 er ekki sj\u00e1lfgefi\u00f0 a\u00f0 gj\u00f6rninga og v\u00edde\u00f3 kollekt\u00edf sem starfar \u00e1 21. \u00f6ldinni og er skipa\u00f0 konum eing\u00f6ngu finni snertifleti vi\u00f0 l\u00edfshlaup e\u00f0a list sl\u00edks manns. \u00cd s\u00fdningarskr\u00e1 minnast J\u00f3n\u00ed og Eir\u00fan \u00e1 a\u00f0 \u00feeim finnist \u00fe\u00e6r tengjast \u00c1sgr\u00edmi '...bl\u00f3\u00f0b\u00f6ndum \u00ed gegnum sk\u00f6punarkraftinn, inns\u00e6i\u00f0 og n\u00e1tt\u00faruna.'<\/p>

Vi\u00f0 frekari eftirgrennslan kemur \u00ed lj\u00f3s a\u00f0 eins og svo margir a\u00f0rir eru \u00fe\u00e6r aldnar upp me\u00f0 eftiprentanir af vatnslitam\u00e1lverkum \u00c1sgr\u00edms \u00e1 veggjum \u00e6skuheimilisins. \u00cd b\u00e1\u00f0um tilfellum voru verkin af heimasveit og \u00fev\u00ed \u00feekktu \u00fe\u00e6r fyrirmyndina vel og verkin h\u00f6f\u00f0u mikil \u00e1hrif \u00e1 \u00fe\u00e6r sem b\u00f6rn og s\u00ed\u00f0ar sem listnema. Jafnframt sj\u00e1 \u00fe\u00e6r tengingu \u00ed vatninu sem er undirsta\u00f0a \u00ed vatnslitum en \u00fe\u00e6r telja vatn sameiningart\u00e1kn \u00feeirra beggja, \u00c1sgr\u00edms og Gj\u00f6rningakl\u00fabbsins en \u00fe\u00e6r hafa unni\u00f0 me\u00f0 vatnsliti \u00e1 t\u00e1knr\u00e6nan h\u00e1tt, til d\u00e6mis \u00ed verkinu Aqua Maria. Vatn skipti \u00fe\u00e6r miklu m\u00e1li enda s\u00e9u l\u00edkamar okkar 75% vatn. S\u00fdningin ver\u00f0ur \u00ed raun samtal milli Gj\u00f6rningakl\u00fabbsins sem hefur veri\u00f0 starfandi fr\u00e1 1996 og \u00c1sgr\u00edms J\u00f3nssonar sem h\u00f3f sinn ferill \u00ed byrjun 20. aldar.<\/p>

\u00c1\u00f0ur en gengi\u00f0 er inn \u00ed salinn er gengi\u00f0 framhj\u00e1 gj\u00f6rningab\u00faningssk\u00falpt\u00farum vi\u00f0 innganginn. Form og efni eru kunnugleg \u00feeim sem \u00feekkja til verka Gj\u00f6rningakl\u00fabbsins. Vakti \u00fea\u00f0 s\u00e9rstaka athygli a\u00f0 b\u00fai\u00f0 var a\u00f0 taka n\u00e1tt\u00faruger\u00f0ar bl\u00e1skeljar me\u00f0 og sauma \u00fe\u00e6r af mikilli \u00fatstj\u00f3narsemi inn \u00ed b\u00faningana\/sk\u00falpt\u00faranna. Gaf \u00fea\u00f0 t\u00f3ninn fyrir bl\u00e1mann sem er \u00fer\u00e1\u00f0ur \u00fat \u00ed gegnum s\u00fdninguna. Salurinn sj\u00e1lfur er svo tv\u00edskiptur. Fyrri salurinn er dimmur kvikmyndasalur s\u00e9rger\u00f0ur fyrir innlifun \u00e1 kvikmyndaverki og seinni salurinn er uppl\u00fdstur salur fyrir sk\u00falpt\u00fara og veggverk.<\/p>

\u00deungami\u00f0ja s\u00fdningarinnar er n\u00fdtt 25 m\u00edn\u00fatna kvikmyndaverk sem s\u00fdnt er \u00ed myrka\u00f0a salnum og liggur \u00e1horfandinn l\u00edkt og sj\u00f3nvarps\u00e1horfendur heima \u00ed stofu \u00e1 vatnslitu\u00f0um tungus\u00f3fa en \u00f3l\u00edkt \u00fev\u00ed sem gerist \u00ed heimastofunni er \u00e1horfandi umlukinn fimm hlj\u00f3\u00f0r\u00e1sum eins og \u00ed dolby-kvikmyndasal og upplifun \u00e1horfandans ver\u00f0ur kannski meira \u00ed \u00e6tt vi\u00f0 a\u00f0 vera \u00ed l\u00faxus sal sem tekinn hefur veri\u00f0 alla lei\u00f0. \u00c1horfandinn sekkur inn verki\u00f0 og gleymir s\u00e9r \u00ed andr\u00famsloftinu sem af \u00fev\u00ed stafar. Kvikmyndaverki\u00f0 l\u00edkt og innsetningin sj\u00e1lf er unnin \u00e1 mj\u00f6g faglegan h\u00e1tt \u00fear sem huga\u00f0 er a\u00f0 hverju sm\u00e1atri\u00f0i. Fagmenn hafa veri\u00f0 fengnir til a\u00f0 nota s\u00e9r\u00feekkingu s\u00edna til a\u00f0 \u00fej\u00f3na hugmynd Gj\u00f6rningakl\u00fabbsins. Kvikmyndataka, klipping, l\u00fdsing, hlj\u00f3\u00f0h\u00f6nnun, t\u00f3nlist, b\u00faningar og f\u00f6\u00f0run mynda saman sterkan merkingarheim sem dr\u00edfur samtali\u00f0 \u00e1fram, b\u00e6\u00f0i innan myndarinnar sj\u00e1lfrar og \u00ed gegnum \u00fer\u00e6\u00f0ina sem liggja \u00fat \u00ed salinn.<\/p>

Kvikmyndaverki\u00f0 er einskonar skr\u00e1setning \u00e1 undirb\u00faningsferli s\u00fdningarinnar \u00fear sem mi\u00f0ill var fenginn til a\u00f0sto\u00f0ar til a\u00f0 tengja konurnar \u00ed Gj\u00f6rningakl\u00fabbnum vi\u00f0 \u00c1sgr\u00edm \u00e1 fyrrum heimili hans og vinnustofu \u00e1 Bergsta\u00f0astr\u00e6tinu og f\u00e1 \u00c1sgr\u00edm til a\u00f0 r\u00e6\u00f0a tengingar \u00feeirra \u00ed milli. Mi\u00f0illinn sj\u00e1lfur var ekki \u00e1 sta\u00f0num og \u00fev\u00ed var stu\u00f0st vi\u00f0 facetime og snjalls\u00edma til a\u00f0 mi\u00f0illinn g\u00e6ti skynja\u00f0 andann \u00e1 Bergsta\u00f0astr\u00e6tinu. \u00deessa a\u00f0fer\u00f0 sem Gj\u00f6rningakl\u00fabburinn notar n\u00fana \u00ed anna\u00f0 sinn kalla \u00fe\u00e6r mi\u00f0ill-mi\u00f0ill. A\u00f0rar senur \u00ed kvikmyndaverkinu s\u00fdna \u00fe\u00e6r Gj\u00f6rningakl\u00fabbskonur \u00fat \u00ed n\u00e1tt\u00farunni og vi\u00f0 vatn \u00fear sem \u00fe\u00e6r blanda vatnsliti og fremja a\u00f0ra vatnstengda r\u00edt\u00faala. Litir koma endurteki\u00f0 vi\u00f0 s\u00f6gu og markvisst nota\u00f0ir \u00ed fr\u00e1s\u00f6gninni. Til d\u00e6mis er myrka\u00f0i salurinn sem umlykur kvikmyndaverki\u00f0 lita\u00f0ur me\u00f0 d\u00f6kkbl\u00e1um lit en ekki sv\u00f6rtum en \u00fea\u00f0 skiptir m\u00e1li fyrir heildarmerkingu. Litah\u00f6nnunin er ger\u00f0 me\u00f0 l\u00fdsingu \u00ed senum teknum \u00ed kvikmyndast\u00fad\u00ed\u00f3i \u00fear sem dansarar fremja trylltan \u00f3rei\u00f0ukenndan trans \u00e1 hv\u00edtum bl\u00f6\u00f0um \u00ed senu sem kviknar \u00ed vinnustofur\u00fdmi \u00c1sgr\u00edms \u00e1 efri h\u00e6\u00f0 h\u00fassins. Hv\u00edtu bl\u00f6\u00f0in krumpu\u00f0 \u00ed hamaganginum birtast s\u00ed\u00f0an \u00ed salnum sj\u00e1lfum \u00ed \u00f6\u00f0ru afm\u00f6rku\u00f0u r\u00fdmi sem er innan af myrka\u00f0a r\u00fdminu og eru \u00fear or\u00f0in a\u00f0 papp\u00edssk\u00falpt\u00far litu\u00f0um af penslum kvikmyndaformsins, l\u00fdsingunni, l\u00edkt og \u00ed kvikmyndinni \u00e1\u00f0ur.<\/p>

\u00c1horfandi fer \u00f3sj\u00e1lfr\u00e1tt a\u00f0 bera saman vatnslitanotkun og notkun \u00e1 l\u00fdsingu til a\u00f0 lita. \u00deetta er s\u00ed\u00f0an undirstrika\u00f0 \u00e1 veggnum fyrir ofan \u00fear sem stillt er upp b\u00fat \u00far kvikmyndaverkinu sem s\u00fdnir hreyfimynda sj\u00e1lfsmynd af Gj\u00f6rningakl\u00fabbskonum me\u00f0 vatnslitu\u00f0 andlit stillt upp vi\u00f0 hli\u00f0ina af innramma\u00f0ri vatnslita-sj\u00e1lfsmynd \u00c1sgr\u00edms sj\u00e1lfs. Samtalshringnum sem h\u00f3fst vi\u00f0 hringbor\u00f0 mi\u00f0ilsins er loka\u00f0.<\/p>","_et_gb_content_width":"","_jetpack_memberships_contains_paid_content":false,"footnotes":""},"categories":[11],"tags":[800,798,771,378,772,799,801,802],"class_list":["post-9702","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-umfjollun","tag-asgrimur-jonsson","tag-eirun-sigurdardottir","tag-gjorningaklubburinn","tag-hulda-ros-gudnadottir","tag-ilc","tag-joni-jonsdottir","tag-kvikmynd","tag-videoverk"],"yoast_head":"\nSamtal \u00ed vatni og litum - artzine.is<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/artzine.is\/?p=9702\" \/>\n<meta property=\"og:locale\" content=\"is_IS\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Samtal \u00ed vatni og litum - artzine.is\" \/>\n<meta property=\"og:description\" content=\"\u00dea\u00f0 var \u00e1ri\u00f0 1996 sem Gj\u00f6rningakl\u00fabburinn kom me\u00f0 l\u00e1tum inn \u00ed \u00edslenska myndlistarsenu me\u00f0 gj\u00f6rningaverki\u00f0 'Kiss' \u2013 koss sem er a\u00f0eins lengri en venjulegur vinakoss en a\u00f0eins styttri en koss elskenda - sem fluttur var \u00ed \u00fe\u00e1 geysivins\u00e6lum Dagslj\u00f3sar\u00fe\u00e6tti R\u00edkissj\u00f3nvarpsins. 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