Feneyjartv\u00ed\u00e6ringurinn var\u00f0 strax geysivins\u00e6ll og fyrsti \u00fej\u00f3\u00f0arsk\u00e1linn, Belg\u00eda, var tilb\u00fainn \u00e1ri\u00f0 1907 \u00ed Giardini gar\u00f0inum \u00fear sem tv\u00ed\u00e6ringurinn var haldinn. Saga tv\u00ed\u00e6ringsins og alls konar breytingar og upp\u00e1komur sem hann hefur gengi\u00f0 \u00ed gegnum hefur veri\u00f0 mj\u00f6g \u00ed takt vi\u00f0 p\u00f3l\u00edt\u00edska s\u00f6gu 20. aldarinnar og \u00fer\u00f3un samt\u00edmalistarinnar samfara henni. Tv\u00ed\u00e6ringurinn hefur veri\u00f0 mikilv\u00e6gur vettvangur \u00feess a\u00f0 kynna \u00ed fyrsta skipti – \u00ed g\u00f6mlu listmi\u00f0ju Evr\u00f3pu – list sv\u00e6\u00f0a og \u00fej\u00f3\u00f0a utan meginsv\u00e6\u00f0is Evr\u00f3pu. \u00deannig hefur hann \u00fej\u00f3na\u00f0 mi\u00f0l\u00e6gu hlutverki \u00ed a\u00f0 st\u00e6kka sv\u00e6\u00f0i samt\u00edmalistarinnar fr\u00e1 \u00fev\u00ed a\u00f0 vera \u00fer\u00f6ngt skilgreint sem athafnasv\u00e6\u00f0i st\u00e6rstu \u00fej\u00f3\u00f0a Evr\u00f3pu og s\u00ed\u00f0ar New York. \u00cdsland t\u00f3k \u00ed fyrsta skipti \u00fe\u00e1tt \u00e1ri\u00f0 1960, e\u00f0a 16 \u00e1rum eftir sj\u00e1lfst\u00e6\u00f0i, me\u00f0 \u00fej\u00f3\u00f0arsk\u00e1la sem Kjarval og \u00c1smund Sveinsson s\u00fdndu \u00ed. \u00dea\u00f0 var ekki fyrr en \u00e1ri\u00f0 1982 sem \u00edslenskur sk\u00e1li var\u00f0 reglulegur \u00fe\u00e1tttakandi. Fyrir \u00feann t\u00edma h\u00f6f\u00f0u nokkrir \u00edslenskir listamenn einnig teki\u00f0 \u00fe\u00e1tt \u00ed sk\u00e1lum hinna Nor\u00f0urlandanna sem h\u00e9ldu \u00e1fram a\u00f0 l\u00edta til me\u00f0 \u00edslenska sk\u00e1lanum vegna skorts \u00e1 fj\u00e1rm\u00f6gnun til yfirsetu. \u00dea\u00f0 fyrirkomulag var ekki gallalaust og \u00feegar Steina Vasulka t\u00f3k til d\u00e6mis \u00fe\u00e1tt \u00e1ri\u00f0 1997 var sk\u00e1linn opinn skemur en \u00ed viku vegna \u00feess a\u00f0 t\u00e6kin h\u00e6ttu a\u00f0 ganga. \u00dea\u00f0 breyttist \u00feegar R\u00fari \u00fer\u00fdsti \u00e1 breytingar \u00feegar h\u00fan t\u00f3k \u00fe\u00e1tt \u00ed byrjun 21. aldar. \u00cdsland \u00e1 s\u00e9r ekki neinn fastan sk\u00e1la heldur hefur veri\u00f0 \u00e1 hinum \u00fdmsu st\u00f6\u00f0um og \u00e1 enn\u00fe\u00e1 langt \u00ed land \u00e1 a\u00f0 f\u00e1 samb\u00e6rilegan fj\u00e1rstu\u00f0ning fr\u00e1 \u00edslenska r\u00edkinu og sk\u00e1lar hinna Nor\u00f0urlandanna.<\/p>\n
Auk \u00fej\u00f3\u00f0arsk\u00e1lana hefur fr\u00e1 1972 veri\u00f0 haldin al\u00fej\u00f3\u00f0leg s\u00fdning me\u00f0 \u00e1kve\u00f0i\u00f0 megin\u00feema og s\u00fdningarsj\u00f3ra og er \u00fea\u00f0 s\u00fa s\u00fdning sem n\u00fdtur hva\u00f0 mestrar athygli \u00ed dag og er haldin b\u00e6\u00f0i \u00ed Giardini gar\u00f0inum og \u00e1 hafnarsv\u00e6\u00f0inu Arsenale. \u00c1 me\u00f0an \u00fej\u00f3\u00f0arsk\u00e1lafyrirb\u00e6ri\u00f0 hefur fengi\u00f0 \u00e1 sig vaxandi gagnr\u00fdni, \u00ed takt vi\u00f0 gagnr\u00fdni \u00e1 \u00fej\u00f3\u00f0ernishyggju \u00ed kj\u00f6lfar str\u00ed\u00f0s og \u00fej\u00f3\u00f0armor\u00f0shamfara 20. aldarinnar og r\u00e6ktun \u00feekkingar \u00e1 aflei\u00f0ingum og virkni n\u00fdlendut\u00edmans, \u00fe\u00e1 hefur al\u00fej\u00f3\u00f0lega s\u00fdningin or\u00f0i\u00f0 \u00e6 mikilv\u00e6gari. H\u00fan er r\u00e6dd og krufin til mergjar \u00ed \u00f6llum helstu fj\u00f6lmi\u00f0lum heims. Sigur\u00f0ur Gu\u00f0mundsson, Ragnar Kjartansson og \u00d3lafur El\u00edasson eru einir af f\u00e1um \u00edslenskum listam\u00f6nnum sem rata\u00f0 hafa \u00ed \u00fe\u00e1 s\u00fdningu. \u00cd \u00e1r b\u00e6ttist vi\u00f0 \u00edslenski-svissneski listama\u00f0urinn Christoph B\u00fcchel og eins og von var \u00e1 me\u00f0 B\u00fcchel \u00fe\u00e1 er verki\u00f0 hans ‘Barca Nostra’ \u00fea\u00f0 umdeildasta sem bo\u00f0i\u00f0 var upp \u00e1. ‘Barca Nostra’ er fl\u00f3ki\u00f0 og marglaga ferilsverk sem h\u00f3fst \u00ed fyrra \u00e1 Manifesta tv\u00ed\u00e6ringnum \u00e1 Sikiley og toppurinn \u00e1 \u00edsjakanaum – sem verki\u00f0 er – birtist \u00e1 Feneyjartv\u00ed\u00e6ringnum sem sj\u00e1lft skipsflaki\u00f0 ‘Barca Nostra’. \u00dea\u00f0 er l\u00edtill fiskib\u00e1tur sem s\u00f6kk \u00ed Mi\u00f0jar\u00f0arhafi \u00e1ri\u00f0 2015 me\u00f0 \u00feeim aflei\u00f0ingum a\u00f0 um \u00fe\u00fasund fl\u00f3ttamenn drukknu\u00f0u fastir \u00ed agnarsm\u00e1rri flutningalestinni. Skipsflaki\u00f0 er sta\u00f0sett vi\u00f0 samlokubarinn \u00e1 Arsenale s\u00fdningarsv\u00e6\u00f0inu \u00fear sem gestir setjast ni\u00f0ur og spjalla og nj\u00f3ta s\u00f3largeislanna um lei\u00f0 og horft er yfir hi\u00f0 fallega v\u00edggirta skipasm\u00ed\u00f0a-, og sj\u00f3herssv\u00e6\u00f0i sem byggt var \u00e1 mi\u00f0\u00f6ldum og lag\u00f0i grundv\u00f6ll a\u00f0 verslunar- og herveldi Feneyja. \u00dea\u00f0 er engin tilviljun a\u00f0 margir \u00feekkja feneysku murano glerperlurnar \u00far handverki frumbyggja v\u00ed\u00f0a um heim \u00fear sem \u00fe\u00e6r ur\u00f0u a\u00f0 einum helsta gjaldmi\u00f0li \u00ed heimsversluninni. Sv\u00e6\u00f0i\u00f0 er gr\u00ed\u00f0arst\u00f3rt og sta\u00f0setningin og arkitekt\u00farinn minnir \u00e1 hvernig ar\u00f0r\u00e1n Evr\u00f3pub\u00faa \u00e1 au\u00f0lindum heimsins hefur au\u00f0ga\u00f0 menningar- og efnahagsl\u00edf Evr\u00f3pu allt til dagsins \u00ed dag. Mi\u00f0aldaborgarr\u00edki\u00f0 Feneyjar hefur veri\u00f0 nefnt fyrsta al\u00fej\u00f3\u00f0lega fj\u00e1rm\u00e1lami\u00f0st\u00f6\u00f0in og skipasm\u00ed\u00f0in og herinn voru hjarta\u00f0 \u00ed \u00fev\u00ed kerfi. Mikilfengleiki Arsenale minnir \u00feannig \u00ed allri sinni fegur\u00f0 \u00e1 aldagamalt samstarf kaupmanna og hersins \u00ed \u00fat\u00feenslu og au\u00f0valdsdrifinni yfirr\u00e1\u00f0astefnu.<\/p>\n
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Verk Christoph B\u00fcchel \u00b4Barca Nostra\u00b4 vi\u00f0 samlokubarinn \u00e1 Arsenale h\u00f6fninni \u00ed Feneyjum.<\/p>\n
B\u00fcchel sta\u00f0setur aldrei sk\u00fdringar vi\u00f0 verkin s\u00edn og \u00fea\u00f0 er einmitt \u00fea\u00f0 sem gagnr\u00fdnisraddir hafa helst nefnt sem \u00e1st\u00e6\u00f0u \u00feess a\u00f0 virkni verksins hafi ekki or\u00f0i\u00f0 \u00fea\u00f0 sem \u00feeir gera r\u00e1\u00f0 fyrir a\u00f0 hafi veri\u00f0 \u00e6tlun listamannsins. \u00daganski rith\u00f6fundurinn Siima Itabazza hefur til d\u00e6mis stofna\u00f0 undirskriftars\u00f6fnun \u00e1 change.org \u00fear sem h\u00fan fer fram \u00e1 a\u00f0 skipsflaki\u00f0 ver\u00f0i fjarl\u00e6gt \u00e1 \u00feeim forsendum a\u00f0 engar textask\u00fdringar fylgi me\u00f0 n\u00e1l\u00e6gt verkinu. H\u00fan telur a\u00f0 me\u00f0 \u00fev\u00ed \u00fe\u00e1 sm\u00e6kkist b\u00e1tsflaki\u00f0 \u00ed hlut, \u00e1ningarsta\u00f0 og bakgrunn fyrir sj\u00e1lfur. Vissulega hj\u00e1lpar sta\u00f0setningin til. B\u00e1turinn fellur eins og fl\u00eds vi\u00f0 rass \u00ed umhverfinu sem enn\u00fe\u00e1 er \u00ed notkun sem skipalei\u00f0. \u00dea\u00f0 var \u00ed raun ekki fyrr en a\u00f0 \u00fea\u00f0 spur\u00f0ist \u00fat a\u00f0 skipi\u00f0 v\u00e6ri verk a\u00f0 gestir f\u00f3ru a\u00f0 sp\u00e1 \u00ed \u00fea\u00f0. En j\u00e1 or\u00f0r\u00f3mur e\u00f0a afspurn hefur lengi veri\u00f0 hluti af virkni verka \u00ed samt\u00edmalistaheiminum og flest verka lifa \u00ed rauninni \u00feannig mest sitt l\u00edf. Samkv\u00e6mt B\u00fcchel sj\u00e1lfum er \u00e1st\u00e6\u00f0an fyrir \u00fev\u00ed a\u00f0 sleppa nafnspjaldi og sk\u00fdringum vi\u00f0 verkin s\u00fa a\u00f0 hann vill ekki a\u00f0 pers\u00f3na og or\u00f0spor listamannsins dragi athygli fr\u00e1 verkinu sj\u00e1lfu. \u00c1 vettvangi eins og Feneyjartv\u00ed\u00e6ringnum, \u00fear sem or\u00f0spor listamanna spilar st\u00f3rt hlutverk, er h\u00e6gt a\u00f0 setja sk\u00fdringaleysi\u00f0 \u00ed samhengi. Fj\u00f6ldi verka er svo yfirgn\u00e6fandi a\u00f0 f\u00f3lk les sk\u00fdringar og n\u00f6fn \u00ed fl\u00fdti og tekur inn fagurfr\u00e6\u00f0i og virkni verka \u00e1 mj\u00f6g hra\u00f0so\u00f0inn h\u00e1tt. \u00cd \u00feannig a\u00f0st\u00e6\u00f0um \u00feurfa verkin helst a\u00f0 virka \u00e1n tafa og me\u00f0 hj\u00e1lp nafnspjaldsins. Hva\u00f0 gerist me\u00f0 virkni \u00e1horfanda \u00ed sl\u00edkum a\u00f0st\u00e6\u00f0um? Er \u00fea\u00f0 \u00e1 \u00e1byrg\u00f0 listamanns og s\u00fdningarstj\u00f3ra a\u00f0 \u00fatsk\u00fdra verki\u00f0 tafarlaust e\u00f0a g\u00e6ti \u00fea\u00f0 veri\u00f0 \u00e1 \u00e1byrg\u00f0 \u00e1horfenda a\u00f0 taka s\u00e9r t\u00edma til a\u00f0 kynna s\u00e9r verk sem eru fl\u00f3knari og marglaga, samhengi sta\u00f0setningar \u00feess og vi\u00f0t\u00f6ku? Um \u00feetta m\u00e1 vissulega deila. Vi\u00f0taka sumra gesta \u00e1 verkinu sem fyrst og fremst hlut sem ber a\u00f0 d\u00e6ma \u00e1n \u00feess a\u00f0 kynna s\u00e9r samhengi\u00f0 er mj\u00f6g afhj\u00fapandi. St\u00f3r or\u00f0 hafa veri\u00f0 notu\u00f0 s\u00f6g\u00f0 \u00ed miklum vandl\u00e6tingart\u00f3n \u00fear sem pers\u00f3na listamannsins hefur veri\u00f0 dregin \u00ed sva\u00f0i\u00f0 og verki\u00f0 ford\u00e6mt sem \u00f3hugnanlegt, \u00f3ge\u00f0slegt og \u00f3vi\u00f0eigandi. \u00dea\u00f0 er a\u00f0 vissu leyti skiljanlegt. Eins og Siima Itabazza bendir \u00e1 \u00fe\u00e1 notu\u00f0u margir b\u00e1tinn, fj\u00f6ldagr\u00f6fina, sem bakgrunn fyrir lj\u00f3smyndat\u00f6ku e\u00f0a t\u00f6lu\u00f0u fj\u00e1lglega um skipi\u00f0 sem hlut, litasamsetningu \u00feess og form. \u00cd \u00feessu samhengi m\u00e1 spyrja sig hvort \u00feessi afhj\u00fapun s\u00e9 ekki einmitt virkni verksins. Hvernig verki\u00f0 er t\u00falka\u00f0 og hvernig fjalla\u00f0 er um \u00fea\u00f0. \u00dea\u00f0 virka\u00f0i sem spegill \u00e1 tv\u00edr\u00e6ringinn sj\u00e1lfan og gesti \u00feess, \u00feiggjendur forr\u00e9ttinda heimsins. Sk\u00fdringar \u00e1 str\u00ed\u00f0um dagsins \u00ed dag, efnahagslegu ni\u00f0urbroti, p\u00f3lit\u00edskum ofs\u00f3knum og hamf\u00f6rum vegna hnattr\u00e6nnar hl\u00fdnunar \u2013 a\u00f0al\u00e1st\u00e6\u00f0ur fl\u00f3tta – m\u00e1 rekja tilbaka til \u00fat\u00feenslut\u00edma Evr\u00f3pu og i\u00f0nbyltingarinnar \u00ed kj\u00f6lfari\u00f0.<\/p>\n
\u00cd \u00feessu samhengi m\u00e1 hinsvegar ekki heldur gleyma hver Christoph B\u00fcchel er. Sem hv\u00edtur evr\u00f3pskur og karlkyns listama\u00f0ur \u00e1 mi\u00f0jum aldri sem er \u00e1 m\u00e1la hj\u00e1 einu helsta galler\u00edi samt\u00edmalistheimsins kemst hann ekki hj\u00e1 \u00fev\u00ed a\u00f0 tilheyra \u00feessum forr\u00e9ttindah\u00f3pi. \u00dea\u00f0 er ekki h\u00e6gt a\u00f0 sko\u00f0a \u00feetta ferilsverk \u00e1n \u00feess a\u00f0 \u00edhuga \u00fea\u00f0 fyrirb\u00e6ri sem nefnt hefur veri\u00f0 \u00ed eftirn\u00fdlendufr\u00e6\u00f0um sem byr\u00f0i hv\u00edta mannsins og hj\u00e1lparkomplex hv\u00edta mannsins og \u00ed raun framhald af n\u00fdlenduhugsuninni. Siima Itabazza bendir \u00e1 a\u00f0 \u00fear sem listama\u00f0urinn s\u00e9 hv\u00edtur karlma\u00f0ur \u00fe\u00e1 s\u00e9 verki\u00f0 fr\u00e1 hennar b\u00e6jardyrum s\u00e9\u00f0 \u00ed raun framhald af ofbeldi hv\u00edtra og sj\u00e1lfteknum r\u00e9tti \u00feeirra til a\u00f0 r\u00e1\u00f0stafa l\u00edk\u00f6mum og dau\u00f0a bl\u00f6kkumanna fyrir neyslu \u00e1horfenda. Verki\u00f0 getur \u00feannig ekki veri\u00f0 sj\u00e1lfst\u00e6tt fr\u00e1 skapara \u00feess \u00fe\u00f3 B\u00fcchel reyni a\u00f0 fjarl\u00e6gja sig. \u00cd f\u00e9lagslega gagnr\u00fdnum verkum ver\u00f0ur alltaf a\u00f0 sko\u00f0a sta\u00f0setningu listamannsins sj\u00e1lfs. Hver er hans sta\u00f0a? Er hann a\u00f0 tala fyrir sj\u00e1lfan sig e\u00f0a fyrir ‘a\u00f0ra’ e\u00f0a kannski b\u00e6\u00f0i? Hva\u00f0a str\u00fakt\u00farar eru \u00fea\u00f0 sem gefur honum vald til a\u00f0 tala fyrir ‘a\u00f0ra’? Hvernig er samstarfi hans vi\u00f0 \u00feessa ‘a\u00f0ra’ h\u00e1tta\u00f0? Hva\u00f0 segir \u00feessi gj\u00f6rningur um \u00fe\u00e1 str\u00fakt\u00fara sem stj\u00f3rna s\u00fdnileika \u00ed listheiminum? \u00c1 hverja er hlusta\u00f0? Hverjir f\u00e1 athygli? Hva\u00f0a forsendur hafa \u00feeir? Um hvern er skrifa\u00f0? Hver er a\u00f0 s\u00fdna? Hver getur s\u00fdnt \u00fe\u00e9r? Samkv\u00e6mt s\u00fdningarskr\u00e1 eru samstarfsa\u00f0ilar m.a. Arci Porco Rosso, samt\u00f6k ungra vinstri-, og a\u00f0ger\u00f0arsinna \u00ed Palermo sem hafa veri\u00f0 a\u00f0 a\u00f0sto\u00f0a h\u00e6lileitendur og fl\u00f3ttamenn. \u00derem fl\u00f3ttam\u00f6nnum er s\u00ed\u00f0an \u00feakka\u00f0 s\u00e9rstaklega. \u00dea\u00f0 eru \u00feeir Batch Mballow, Amadou Niang og Kamal El Karkouri. Bla\u00f0ama\u00f0ur hitti einmit Amadou, \u00e1samt \u00edslenskum samstarfsa\u00f0ilum \u00ed framlei\u00f0sluteyminu, \u00e1 kirkjutorgi \u00ed Palermo \u00ed fyrrasumar \u00fear sem \u00feau h\u00f6f\u00f0u sett upp bor\u00f0 og voru a\u00f0 kynna verkefni\u00f0 fyrir borgarb\u00faum og leitast vi\u00f0 a\u00f0 fj\u00e1rmagna \u00fea\u00f0 \u00ed lei\u00f0inni.<\/p>\n
\u00de\u00e1 vakna spurningar \u00ed sambandi vi\u00f0 r\u00e9ttinn til a\u00f0 s\u00fdna fj\u00f6ldagr\u00f6f. Hven\u00e6r er sta\u00f0ur\/hlutur fj\u00f6ldagr\u00f6f sem tilheyrir fyrst og fremst a\u00f0standendum f\u00f3rnarlamba harmleiksins og hven\u00e6r ver\u00f0ur fj\u00f6ldagr\u00f6fin a\u00f0 t\u00e1kni e\u00f0a minnismerki sem tilheyrir \u00f6llum? Hvar liggja m\u00f6rkin? \u00dea\u00f0 eru til \u00f6nnur d\u00e6mi um fj\u00f6ldagrafat\u00farisma, b\u00e6\u00f0i \u00ed Auschwitz og \u00ed Chernobyl svo nefnd s\u00e9u \u00feekkt d\u00e6mi innan Evr\u00f3pu. Um \u00feessar mundir eru n\u00fdyfirsta\u00f0nar Evr\u00f3pusambands\u00feingkosningar me\u00f0 tilheyrandi vel meinandi kosninga\u00e1r\u00f3\u00f0ri \u00feeirra sem vilja halda Evr\u00f3pu sameina\u00f0ri \u00ed fri\u00f0i og samstarfi. Fri\u00f0ur innan Evr\u00f3pu og efnahagssamstarf hefur veri\u00f0 \u00e1 kostna\u00f0 \u00feeirra sem standa fyrir utan \u00feessi landam\u00e6ri. Fl\u00f3ttamennirnir \u2013 flest b\u00f6rn – halda \u00e1fram a\u00f0 deyja \u00ed miklum m\u00e6li vi\u00f0 landam\u00e6rin \u00fe\u00f3 svo athygli fj\u00f6lmi\u00f0la s\u00e9 farin anna\u00f0. Uppgangur \u00fej\u00f3\u00f0ernispop\u00falista og fasista \u00e1 \u00fej\u00f3\u00f0\u00feingum Evr\u00f3pulanda tryggir a\u00f0 Evr\u00f3pum\u00farinn muni styrkjast frekar en veikjast \u00e1 n\u00e6stu misserum. \u00dea\u00f0 sem hefur veri\u00f0 kalla\u00f0 lausn \u00e1 fl\u00f3ttamannavandanum hefur \u00ed raun \u00fe\u00fdtt a\u00f0 m\u00f6rg \u00fe\u00fasund manns hafa veri\u00f0 l\u00e1tnir drukkna \u00ed Mi\u00f0jar\u00f0arhafinu e\u00f0a deyja \u00e1 v\u00e9larvana b\u00e1tum sem enginn kom til hj\u00e1lpar. Mi\u00f0jar\u00f0arhafi\u00f0 er or\u00f0i\u00f0 h\u00e6ttulegustu landam\u00e6ri heims og \u00ed raun sj\u00f3fj\u00f6ldagr\u00f6f. Samt halda fer\u00f0amenn \u00e1fram a\u00f0 nj\u00f3ta hafsins og taka myndir af s\u00e9r me\u00f0 fj\u00f6ldagr\u00f6fina \u00ed bakgrunni. \u00cdt\u00f6lsk stj\u00f3rnv\u00f6ld og Evr\u00f3pusambandi\u00f0 hafa fundi\u00f0 \u00fdmsar lei\u00f0ir til a\u00f0 gera bj\u00f6rgunara\u00f0ger\u00f0ir a\u00f0 gl\u00e6p og margir sem hafa sinnt \u00feessar grundvallarsi\u00f0fer\u00f0iskyldu sj\u00f3farenda eiga n\u00fa yfir s\u00e9r margra \u00e1ra fangelsisd\u00f3m. Til a\u00f0 gera hlutina verri \u00fe\u00e1 hefur Evr\u00f3pusambandi\u00f0 styrkt l\u00edb\u00f6nsku stj\u00f3rnina \u00ed a\u00f0 n\u00e1 \u00ed f\u00f3lk \u00e1 fl\u00f3tta hvort sem er \u00e1 sj\u00f3 e\u00f0a landi. \u00dea\u00f0 hefur veri\u00f0 sta\u00f0fest af Sameinu\u00f0u \u00dej\u00f3\u00f0unum a\u00f0 fl\u00f3ttamenn fastir \u00ed L\u00edb\u00fdu ver\u00f0a oftar en ekki \u00fer\u00e6las\u00f6lu a\u00f0 br\u00e1\u00f0 og jafnvel er tala\u00f0 um skipulag\u00f0a gl\u00e6pi me\u00f0 l\u00edff\u00e6ras\u00f6lu. \u00deetta hefur vi\u00f0gengist \u00e1n \u00feess a\u00f0 vi\u00f0eigandi al\u00fej\u00f3\u00f0astofnanir hafi spyrnt vi\u00f0 f\u00f3tum en n\u00fdjustu fr\u00e9ttirnar eru \u00fe\u00e6r a\u00f0 h\u00f3pur mannr\u00e9ttindal\u00f6gfr\u00e6\u00f0inga hafi n\u00fa stefnt Evr\u00f3pusambandinu fyrir Al\u00fej\u00f3\u00f0agl\u00e6pad\u00f3mst\u00f3linn \u00ed Haag fyrir gl\u00e6pi gegn mannkyninu e\u00f0a me\u00f0 \u00f6\u00f0rum or\u00f0um fyrir a\u00f0 bera beina \u00e1byrg\u00f0 \u00e1 dau\u00f0a \u00feessa f\u00f3lks. Feneyjatv\u00ed\u00e6ringinn, sem haldinn er vi\u00f0 \u00feessi landam\u00e6ri, s\u00e6kir ekki einungis heim bar\u00e1ttuf\u00f3lk \u00e1 svi\u00f0i mannr\u00e9ttinda heldur koma \u00fearna saman alls konar f\u00f3lk sem \u00e1 \u00fea\u00f0 \u00fe\u00f3 sameiginlegt a\u00f0 tilheyra forr\u00e9ttindah\u00f3pi heimsins. \u00de\u00f3 \u00feessir gestir s\u00e9u a\u00f0 \u00f6llu j\u00f6fnu frj\u00e1lslyndir og ford\u00e6mi har\u00f0a afst\u00f6\u00f0u til fl\u00f3ttamanna \u00fe\u00e1 ver\u00f0ur ekki hj\u00e1 \u00fev\u00ed komist a\u00f0 horfast \u00ed augu vi\u00f0 a\u00f0 \u00feetta sama f\u00f3lk eru valdhafar Evr\u00f3pu hvort sem veri\u00f0 er a\u00f0 tala um bein v\u00f6ld e\u00f0a \u00e1hrif vegna au\u00f0\u00e6fa e\u00f0a \u00feekkingar, menntunar og st\u00f6\u00f0u \u00ed samf\u00e9laginu.<\/p>\n
\u00dea\u00f0 er allavega ekki vafam\u00e1l a\u00f0 eins og listmarka\u00f0urinn almennt hefur Feneyjartv\u00ed\u00e6ringurinn veri\u00f0 vettvangur hv\u00edtra karllistamanna og \u00e1 \u00fea\u00f0 vi\u00f0 hvort sem liti\u00f0 er \u00e1 megins\u00fdninguna e\u00f0a listamenn sem s\u00fdnt hafa \u00ed \u00fej\u00f3\u00f0arsk\u00e1lanum. \u00cdslenska \u00fe\u00e1tttakan er \u00fear engin undantekning. Eftir langa r\u00f6\u00f0 karlmanna var \u00fea\u00f0 \u00e1ri\u00f0 1997 sem fyrsti \u00edslenski kvenlistama\u00f0urinn var fulltr\u00fai \u00cdslands en \u00fea\u00f0 var \u00e1\u00f0urnefnd Steina Vasulka sem haf\u00f0i umbylt myndbandslistinni \u00ed heiminum tveim \u00e1ratugum fyrr. \u00c1 21. \u00f6ldinni hafa svo R\u00fari og Gabr\u00edela Fri\u00f0riksd\u00f3ttir teki\u00f0 \u00fe\u00e1tt, einnig Libia Castro \u00e1samt \u00d3lafi \u00d3lafssyni og svo Katr\u00edn Sigur\u00f0ard\u00f3ttir. Hrafnhildur Arnard\u00f3ttir er 6. konan sem er fulltr\u00fai \u00cdslands \u00e1 me\u00f0an \u00e1 yfir annan tug karllistamanna hafa fengi\u00f0 a\u00f0 spreyta sig \u00ed \u00edslenska sk\u00e1lanum. \u00dea\u00f0 var \u00fev\u00ed ekki a\u00f0 undra a\u00f0 \u00fea\u00f0 vakti mikla athygli \u00ed \u00e1r \u00feegar listamannalisti Ralph Rugoff var ger\u00f0ur opinber a\u00f0 yfir 50% listamannanna er f\u00f3lk sem kennir sig ekki vi\u00f0 karlkyni\u00f0 \u00ed s\u00fdningu sem bar titilinn ‘May You Live In Interesting Times’. \u00dear tekur s\u00fdningarstj\u00f3rinn skref \u00ed anda tv\u00ed\u00e6ringsins a\u00f0 st\u00e6kka athafnasv\u00e6\u00f0i samt\u00edmalistarinnar. \u00cd \u00feetta sinn \u00fevert \u00e1 kynju\u00f0 landam\u00e6ri marka\u00f0arins. \u00deessari grein ver\u00f0ur slaufa\u00f0 me\u00f0 myndar\u00f6\u00f0 af verkum nokkurra \u00feessa listaf\u00f3lks sem v\u00f6ktu athygli bla\u00f0amanns.<\/p>\n
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Svissneski sk\u00falpt\u00faristinn Carol Bove var uppg\u00f6tvun bla\u00f0amanns \u00e1 \u00feessum tv\u00ed\u00e6ringi. Sk\u00falpt\u00fararnir hennar eru vi\u00f0sn\u00faningur \u00e1 hreinum l\u00ednum m\u00f3dern\u00edskra sk\u00falpt\u00fara \u00fear sem h\u00fan notar fagur- og merkingarfr\u00e6\u00f0i beygjunnar, d\u00e6ldarinnar, sn\u00faningsins, togsins, krumpsins, veltingsins og annars umbrots sem sitt tungum\u00e1l. Litapalletta sk\u00falpt\u00faranna skapar \u00fe\u00e1 t\u00e1ls\u00fdn a\u00f0 st\u00e1li\u00f0 sem h\u00fan notar s\u00e9 \u00ed raun mj\u00fakt og sveigjanlegt efni og sk\u00falpt\u00fararnir krefjast \u00feess a\u00f0 l\u00edkami, auga og hugur \u00e1horfenda s\u00e9u \u00e1 sveif um og \u00ed kringum verki\u00f0.<\/p>\n
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Nabuqi er ung k\u00ednversk listakona einnig notar st\u00e1l \u00ed verki s\u00ednu en \u00e1 annan h\u00e1tt. H\u00fan notar fundna hluti og b\u00fdr til svi\u00f0setningar \u00fear sem h\u00fan leikur s\u00e9r a\u00f0 eftirl\u00edkingum \u00ed ranns\u00f3kn \u00e1 \u00fev\u00ed hvernig vi\u00f0 tengjumst umhverfi okkar. \u00cd verkinu ‘Destination’ fr\u00e1 2018 notar h\u00fan augl\u00fdsingaskilti, me\u00f0 f\u00f3t\u00f3sjopp fegra\u00f0ri mynd af su\u00f0r\u00e6nni p\u00e1lmatr\u00e9s-parad\u00eds, og einnig gervipl\u00f6ntur, \u00ed verki sem leikur s\u00e9r a\u00f0 samspili fantas\u00edu og eftirl\u00edkinga. Lofor\u00f0 eru gefin \u00e1n \u00feess a\u00f0 t\u00e6kif\u00e6ri gefist til a\u00f0 efna \u00feau.<\/p>\n
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Mesta athygli bla\u00f0amanns \u00ed Arsenale hlutanum f\u00f6ngu\u00f0u lj\u00f3smyndaverk Zanele Muholi ‘Somnyama Ngonyama, Hail the Dark Lioness’ sem sett voru upp sem risast\u00f3r veggf\u00f3\u00f0ur v\u00ed\u00f0s vegar um s\u00fdningarsv\u00e6\u00f0i\u00f0 \u00e1 me\u00f0an \u00feau voru sett upp sem minni innramma\u00f0ar lj\u00f3smyndir \u00ed Giardini s\u00fdningarsk\u00e1lanum. Zanele vill l\u00e1ta kalla sig sj\u00f3nr\u00e6nan a\u00f0ger\u00f0arsinna frekar en listamann og er hvorki karlkyns n\u00e9 kvenkyns heldur kynsegin. Verk h\u00e1ns sko\u00f0a kyn\u00fe\u00e1tt, kynvitund og kynhneig\u00f0 me\u00f0 \u00fev\u00ed a\u00f0 beina sj\u00f3num a\u00f0 bl\u00f6kkuf\u00f3lki sem er samkynhneigt, trans e\u00f0a intersex. Me\u00f0 \u00fev\u00ed a\u00f0 \u00fdkja dimmuna \u00ed h\u00fa\u00f0litnum s\u00ednum segist h\u00e1n vera a\u00f0 endurheimta eigin ‘bl\u00f6kkun’ sem s\u00e9 s\u00edfellt leikin e\u00f0a framkv\u00e6md af ‘\u00f6\u00f0rum’, \u00ed \u00feessu tilfelil hv\u00edtum forr\u00e9ttindah\u00f3pi heimsins.<\/p>\n
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N\u00edger\u00edska listakonan Otobong Nkanga var uppg\u00f6tvun bla\u00f0amanns \u00e1 Berl\u00ednar tv\u00ed\u00e6ringnum \u00e1ri\u00f0 2014. S\u00ed\u00f0an \u00fe\u00e1 hefur bla\u00f0ama\u00f0ur rekist \u00e1 verk hennar \u00e1 m\u00f6rgum st\u00f6\u00f0um enda sl\u00f3 Otobong \u00ed gegn \u00e1 svipu\u00f0um t\u00edma. Yfirleitt eru til s\u00fdnis innsetningar og sk\u00falpt\u00farverk eftir hana eins og var tilfelli\u00f0 \u00ed \u00feetta skipti \u00ed Arsenale hlutanum \u00fear sem h\u00fan vann me\u00f0 Murano gleri\u00f0 sem Feneyjaborg er hva\u00f0 \u00feekktust fyrir. Verki\u00f0 \u00e1 Berl\u00ednar tv\u00ed\u00e6ringnum fjalla\u00f0i um anna\u00f0 hr\u00e1efni sem einnig var mikilv\u00e6gt \u00ed n\u00fdlenduversluninni e\u00f0a glimmersteinefni\u00f0 mica sem var nota\u00f0 me\u00f0al annars til a\u00f0 l\u00e1ta kirkjuturna Evr\u00f3pu glitra \u00ed s\u00f3linni. Hinsvegar var \u00e1n\u00e6gjulegt a\u00f0 f\u00e1 a\u00f0 sj\u00e1 \u00ed fyrsta skipti verk hennar teiknu\u00f0 \u00e1 papp\u00edr \u00ed Giardini hluta s\u00fdningarinnar. Framlag Otobong til s\u00fdningarinnar f\u00e9kk s\u00e9rst\u00f6k ver\u00f0laun d\u00f3mnefndar \u00e1samt framlagi mex\u00edk\u00f6nsku listakonunnar Teresa Margolles.<\/strong><\/p>\n Silfurlj\u00f3ni\u00f0 eru d\u00f3mefndarver\u00f0launin sem renna \u00ed skaut ungs listamanns sem d\u00f3mnefnd telur bj\u00f6rtustu vonina. \u00cd \u00feetta sinn runnu ver\u00f0launin til Haris Epaminonda sem dvaldi \u00ed vinnustofu \u00ed K\u00fcnstlerhaus Bethanien fyrir um \u00e1ratug me\u00f0 stu\u00f0ning fr\u00e1 heimalandinu K\u00fdpur sem haf\u00f0i sent hana \u00e1ri\u00f0 \u00e1\u00f0ur sem fulltr\u00faa sinn \u00e1 Feneyjartv\u00ed\u00e6ringnum. Haris er \u00ed dag 39 \u00e1ra og hefur gert Berl\u00edn a\u00f0 b\u00fasetusta\u00f0 s\u00ednum. Verki\u00f0 ‘VOL. XXVII.’ er gl\u00e6n\u00fd innsetning \u00ed blanda\u00f0a mi\u00f0la \u00fear sem h\u00fan blandar saman fundum hlutum af b\u00e6\u00f0i af listr\u00e6num og hversdagslegum toga og spinnir \u00far \u00feeim vef sem hefur b\u00e6\u00f0i pers\u00f3nulega og s\u00f6gulega merkingu en alltaf \u00f3r\u00e6\u00f0a.<\/p>\n \u00a0<\/p>\n \u00d6nnur listakona sem b\u00fai\u00f0 hefur \u00ed Berl\u00edn um langt skei\u00f0 er Hito Steyrl, pr\u00f3fessor vi\u00f0 UdK listah\u00e1sk\u00f3lann. H\u00fan var jafnframt einn af fulltr\u00faum \u00de\u00fdskalands \u00e1 Feneyjartv\u00ed\u00e6ringnum \u00e1ri\u00f0 2015. S\u00ed\u00f0an \u00fe\u00e1 hefur stjarna hennar risi\u00f0 hratt og h\u00fan er b\u00f3kstaflega \u00e1 allra v\u00f6rum. Verkin hennar a\u00f0 \u00feessu sinni eru \u00e1 svipu\u00f0u formi og verk hennar undanfarin \u00e1r e\u00f0a fl\u00f3knar margr\u00e1sa v\u00edde\u00f3innsetningar \u00fear sem mikil \u00e1hersla er l\u00f6g\u00f0 \u00e1 umgj\u00f6r\u00f0 v\u00edde\u00f3varpananna. \u00deau eru gl\u00e6n\u00fd og \u00ed Giardini var titillinn ‘This is the Future’ \u00e1 verki sem tekur yfir heilt st\u00f3rt r\u00fdmi en \u00ed Arsenale var verki\u00f0 ‘Leonardo\u00b4s submarine’ s\u00fdnt sm\u00e6rra \u00ed sni\u00f0um. B\u00e1\u00f0ar innsetningarnar birtast manni \u00ed fyrstu andr\u00e1 sem kitscha\u00f0ar enda eru myndirnar m\u00f3ta\u00f0ar af reikniriti sem minnir \u00e1 amat\u00f6r myndfiltera. \u00cd Arsenale varpar Hito fram spurningu um hva\u00f0a hlutverk gervigreind muni leika \u00ed l\u00edfi okkar \u00ed framt\u00ed\u00f0inni me\u00f0 r\u00fdmisst\u00f3rri umgj\u00f6r\u00f0 sem v\u00edsar \u00ed g\u00f6ngust\u00edgsstr\u00fakt\u00fara sem settir eru upp \u00feegar fl\u00f3\u00f0 taka yfir Feneyjar. \u00cd Giardini sitja \u00e1horfendur hinsvegar \u00e1 nokkrum eins-s\u00e6ta bekkjum inn \u00ed 3ja-r\u00e1sa sm\u00e1ger\u00f0ri v\u00edd\u00f3einnsetningu \u00fear sem h\u00fan varpar fram spurningum um a\u00f0komu Feneyjarb\u00faa og \u00cdtala a\u00f0 herna\u00f0i \u00fe\u00e1 og n\u00fa.<\/p>\n \u00a0<\/p>\n Hulda R\u00f3s Gu\u00f0nad\u00f3ttir<\/em><\/p>\n Lesi\u00f0 meira um ‘Barca Nostra’ \u00e1 Manifesta \u00ed Sikiley 2018: https:\/\/artzine.is\/planetugardurinn-i-raekt-eda-oraekt\/<\/a><\/p>\n Photocredits: Hulda R\u00f3s Gu\u00f0nad\u00f3ttir<\/p>\n![\"\"](\"https:\/\/artzine.is\/wp-content\/uploads\/2019\/06\/epaminonda.jpg\")
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