{"id":7892,"date":"2019-01-23T12:36:33","date_gmt":"2019-01-23T12:36:33","guid":{"rendered":"http:\/\/artzine.is\/?p=7892"},"modified":"2019-01-23T18:09:57","modified_gmt":"2019-01-23T18:09:57","slug":"veruleikinn-fra-vana-til-undrunar-rof-haralds-jonssonar","status":"publish","type":"post","link":"https:\/\/artzine.is\/?p=7892","title":{"rendered":"Veruleikinn fr\u00e1 vana til undrunar: R\u00f3f Haralds J\u00f3nssonar"},"content":{"rendered":"

[et_pb_section bb_built=“1″ fullwidth=“on“ custom_padding_last_edited=“on|desktop“ _builder_version=“3.0.74″ custom_padding_tablet=“50px|0|50px|0″ transparent_background=“off“ padding_mobile=“off“ next_background_color=“#000000″][et_pb_fullwidth_image src=“http:\/\/artzine.is\/wp-content\/uploads\/2019\/01\/20181218_141942.gif“ _builder_version=“3.19.7″ background_size=“initial“ background_position=“top_left“ background_repeat=“repeat“ animation=“off“ \/][\/et_pb_section][et_pb_section bb_built=“1″ admin_label=“section“ custom_padding_last_edited=“on|desktop“ _builder_version=“3.0.74″ custom_padding_tablet=“50px|0|50px|0″ transparent_background=“off“ padding_mobile=“off“ prev_background_color=“#000000″][et_pb_row padding_mobile=“off“ column_padding_mobile=“on“ _builder_version=“3.0.48″ background_size=“initial“ background_position=“top_left“ background_repeat=“repeat“][et_pb_column type=“4_4″][et_pb_post_title author=“off“ date_format=“j.m. Y“ categories=“off“ comments=“off“ featured_image=“off“ _builder_version=“3.15″ title_font=“Oswald|600||on|||||“ title_font_size=“35px“ title_letter_spacing=“1px“ title_all_caps=“on“ background_color=“rgba(255,255,255,0)“ parallax=“on“ parallax_method=“off“ use_border_color=“off“ border_color=“#ffffff“ border_style=“solid“ parallax_effect=“on“ module_bg_color=“rgba(255,255,255,0)“ global_module=“3887″ saved_tabs=“all“ \/][et_pb_text admin_label=“HJ-Text“ _builder_version=“3.19.7″ background_size=“initial“ background_position=“top_left“ background_repeat=“repeat“]<\/p>\n

Fyrir \u00fe\u00e1 sem, eins og undirrita\u00f0an, hafa mynda\u00f0 s\u00e9r \u00fe\u00e1 \u00f3viljandi venju a\u00f0 sl\u00e1 takt e\u00f0a telja skrefin \u00ed huganum \u00feegar gengi\u00f0 er og hugurinn s\u00e9 ekki upptekinn vi\u00f0 veigameiri hugsanir, kunna fyrstu kynnin vi\u00f0 n\u00fdjustu s\u00fdningu Haralds J\u00f3nssonar myndlistarmanns a\u00f0 virka fremur n\u00e1in. Eins og l\u00e9tt \u00f3v\u00e6nt snerting, sakleysislega upp\u00e1\u00ferengjandi og n\u00e6rg\u00e6tin \u00e1 sama t\u00edma. Er ma\u00f0ur n\u00e1lga\u00f0ist innganginn \u00e1 Kjarvalsst\u00f6\u00f0um virtist skrefaupptalningin \u00ed h\u00f6f\u00f0inu ver\u00f0a sm\u00e1m saman h\u00e1v\u00e6rari, jafnvel tv\u00f6faldast og loks bergm\u00e1la \u00ed ytra r\u00fdminu. Allt ger\u00f0ist \u00feetta \u00e1 \u00f6rf\u00e1um sek\u00fandum, \u00e1\u00f0ur en ma\u00f0ur \u00e1tta\u00f0i sig \u00e1 hlj\u00f3\u00f0innsetningunni \u00ed portinu, \u00fear sem heyra m\u00e1tti unga st\u00falku telja hressilega.<\/strong><\/p>\n

\u00a0Haraldur J\u00f3nsson fagnar um \u00feessar mundir \u00ferj\u00e1t\u00edu \u00e1ra ferli en yfirlitss\u00fdningin R\u00f3f<\/em>, \u00e1 vegum Listasafns Reykjav\u00edkur, kemur til me\u00f0 a\u00f0 gera \u00feeirri s\u00e9rst\u00f6\u00f0u sem hann hefur skapa\u00f0 s\u00e9r \u00ed \u00edslensku listal\u00edfi skil \u00e1 sl\u00edkum t\u00edmam\u00f3tum. R\u00fdmi\u00f0 \u00ed v\u00ed\u00f0um skilningi \u2013 ytri jafnt sem innri r\u00fdmi og tengsl manns vi\u00f0 \u00feau \u2013 hefur \u00ed gegnum t\u00ed\u00f0ina veri\u00f0 Haraldi hugleiki\u00f0. \u00ddmisskonar r\u00fdmi voru n\u00fdtt \u00ed ger\u00f0 sj\u00e1lfrar s\u00fdningarinnar, en verkin \u00e1 henni er a\u00f0 finna \u00e1 v\u00ed\u00f0 og dreif \u00ed safnh\u00fasinu, svo sem \u00e1 almannaf\u00e6ri og jafnvel \u00e1 netinu, \u00e1 Instagram-s\u00ed\u00f0u Haraldar. Gj\u00f6rningar koma einnig vi\u00f0 s\u00f6gu \u00e1 s\u00fdningunni, en deila m\u00e6tti n\u00e1nar um hverskonar r\u00fdmi sl\u00edkt listform eignar s\u00e9r: Sta\u00f0inn sem gj\u00f6rningurinn gerist \u00e1, t\u00edmann sem hann fyllir, v\u00edddir minnisins um lei\u00f0 og honum er loki\u00f0, e\u00f0a \u2013 reyndar ekki \u00f3l\u00edkt \u00f6\u00f0rum listformum \u2013 \u00e1horfendurna sj\u00e1lfa sem \u201ehlj\u00f3mbotn\u201c.<\/p>\n

\u00a0Gengi\u00f0 er inn \u00ed Vestursal safnins \u00e1 milli veggja \u00feakinna me\u00f0 hundru\u00f0um or\u00f0a yfir tilfinningar. Tilfinningaveggf\u00f3\u00f0ur<\/em> heitir \u00feetta verk en sj\u00e1lfur t\u00edtill s\u00fdningarinnar, sem m\u00e6tir augnar\u00e1\u00f0i gestanna einmitt fyrir enda gangsins, kynni \u00e1 sinn h\u00e1tt a\u00f0 l\u00fdsa \u00fev\u00ed brei\u00f0a r\u00f3fi<\/em> hugar- og likams\u00e1standa sem \u00fear birtist. \u00deegar komi\u00f0 er inn \u00ed salinn blasir vi\u00f0 l\u00edfleg uppsetning allskyns fj\u00f6lbreyttra gripa \u2013 annarskonar r\u00f3f<\/em>. Haraldur hefur allajafna leita\u00f0 til \u00f3l\u00edkra mi\u00f0la og fundi\u00f0 listr\u00e6nu i\u00f0ju sinni margbreytilegar birtingarmyndir. Listr\u00e6nni ranns\u00f3kn sem hefur \u00e1 hinn b\u00f3ginn s\u00fdnt langvarandi \u00e1huga fyrir \u00e1kve\u00f0num vi\u00f0fangsefnum. Mark\u00fas \u00de\u00f3r Andr\u00e9sson s\u00fdningarstj\u00f3ri ritar \u00ed kynningartexta a\u00f0 viss \u201e\u00e1hugi \u00e1 m\u00f6rkum hins innra og hins ytra \u2013 og lei\u00f0unum \u00fear \u00e1 milli\u201c einkenni \u00feau verk Haraldar sem f\u00e1st vi\u00f0 lykilvi\u00f0fangsefni\u00f0 l\u00edkamann. Sj\u00e1 m\u00e1 hvernig sl\u00edkt grundvallaratri\u00f0i var \u00fatf\u00e6rt \u00ed uppbyggingu s\u00fdningarinnar \u00ed heild sinni, sem sn\u00fdst \u00ed kringum fj\u00f6gur megin\u00feemu: L\u00edkama, tilfinningar, skynjun, tungum\u00e1l. N\u00fa ef l\u00edkaminn<\/em> felur \u00ed s\u00e9r innra r\u00fdmi, ef hann er okkar tengili\u00f0ur vi\u00f0 ytri heiminn, og skilja m\u00e1 hann sem sj\u00e1lf m\u00f6rkin milli hins innra og hins ytra, \u00fe\u00e1 eru tilfinningar<\/em>, skynjun<\/em> og tungum\u00e1l<\/em> vissulega mismunandi lei\u00f0ir \u00fear \u00e1 milli.\u00a0<\/p>\n

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\u00a0Einnig m\u00e6tti skilgreina sem h\u00f6fu\u00f0\u00e1ttirnar \u00ed lei\u00f0angri um verkin reynslu<\/em>, efni<\/em> og tungum\u00e1l<\/em>. Algeng a\u00f0fer\u00f0 hj\u00e1 Haraldi vir\u00f0ist vera s\u00fa a\u00f0 framkalla skynjanir og s\u00fdna okkur hluti \u00ed \u00f6\u00f0ru formi en \u00fev\u00ed sem vi\u00f0 h\u00f6fum vanalega reynslu af. Til a\u00f0 mynda er \u201eleiki\u00f0\u201c me\u00f0 a\u00f0 hlutgera \u00f3efnisleg fyrirb\u00e6ri og skipta \u00fat beinni<\/em> reynslu af einhverju fyrir hugtak hins sama, semsagt mi\u00f0la reynslunni \u00ed gegnum tungum\u00e1li\u00f0. \u00deetta er ef til vill einskonar vi\u00f0leitni um (\u00f3)\u00fe\u00fd\u00f0anleika merkingarinnar, \u00fevert \u00e1 skynf\u00e6ri og vitsmuni.<\/p>\n

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Eitt fyrsta d\u00e6mi um \u00feetta m\u00e1 finna \u00ed ser\u00edunum <\/span>Anatomy of feelings<\/em>,<\/span> Diagrams of feelings<\/em>,<\/span> Emoscans <\/em>og <\/span>Emograms<\/em>. \u00deessar \u00f3l\u00edku myndara\u00f0ir eru afrakstur ranns\u00f3kna sem Haraldur hefur lagt \u00edtreka\u00f0 stund \u00e1 \u00ed gegnum t\u00ed\u00f0ina, og ganga hver \u00e1 sinn h\u00e1tt \u00fat \u00e1 \u00fea\u00f0 a\u00f0 myndgera tilfinningar. \u00deetta fer fr\u00e1 einfaldari st\u00edlf\u00e6r\u00f0um teikningum yfir \u00ed a\u00f0rar heldur fl\u00f3knar og \u00f3rei\u00f0ukenndar, og enn a\u00f0rar myndir unnar me\u00f0 t\u00f6lvu. H\u00e9r \u00e1 fer\u00f0 eru verk Haraldar sem sennilega b\u00faa vi\u00f0 sterkari lists\u00f6gulega hef\u00f0 a\u00f0 baki s\u00e9r. Au\u00f0velt er til d\u00e6mis a\u00f0 rekja skyldleika vi\u00f0 vi\u00f0leitni abstraktlistamanna s\u00ed\u00f0ustu aldar til a\u00f0 setja fram s\u00e1larl\u00edf sitt me\u00f0 sj\u00f3nr\u00e6num h\u00e6tti, en l\u00edka vi\u00f0 \u201e\u00f3sj\u00e1lfr\u00e1\u00f0u\u201c teikningara\u00f0fer\u00f0ir s\u00farrealistanna sem \u00e1ttu a\u00f0 n\u00e1 fram \u00f3svikinni tj\u00e1ningu. Hi\u00f0 myndger\u00f0a \u00e1stand er \u00fe\u00f3 viljandi lagt fyrir \u00e1horfandann h\u00e9r, svo hann geti \u00fereifa\u00f0 sig \u00ed gegnum \u00fea\u00f0 eins og einhverskonar sk\u00falpt\u00far, r\u00fdmi e\u00f0a margr\u00e6\u00f0an texta, og m\u00f6gulega fundi\u00f0 einhverja samsv\u00f6run innra vi\u00f0 sig.<\/span><\/p>\n

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Upp \u00far holdlegra svi\u00f0i okkar l\u00edk\u00f6mnu\u00f0u tilveru sprettur hins vegar 37\u00b0C<\/em>. \u00deetta eru tveir n\u00e6r jafnlita\u00f0ir rau\u00f0ir fletir, hvor \u00ed l\u00edtillega fr\u00e1brug\u00f0num litbrig\u00f0um. Haraldur nota\u00f0i s\u00fdni \u00far eigin bl\u00f3\u00f0i og v\u00edsar t\u00edtillinn til hitastigs \u00feess. Hann blanda\u00f0i svo sta\u00f0la\u00f0ri listr\u00e6nni framsetningu \u00e1 myndefni (sem \u00ed \u00feessu tilfelli er sj\u00e1lft hr\u00e1efni\u00f0 \u00ed myndina) saman vi\u00f0 v\u00edsindalega sta\u00f0reynd um \u00fea\u00f0, og \u00fdja\u00f0i hugsanlega um lei\u00f0 a\u00f0 samsv\u00f6run milli hitastigs hins efnislega fyrirb\u00e6ris og skynjunar heita litarins. Einbl\u00ednt er \u00e1 birtingarmyndir bl\u00f3\u00f0sins, \u00e1n \u00feess a\u00f0 hluturinn sj\u00e1lfur s\u00e9 nokkurn t\u00edma nefndur e\u00f0a komi auglj\u00f3slega fram \u00ed verkinu. Ef vi\u00f0 lei\u00f0um hugann a\u00f0 hugmyndum um bl\u00f3\u00f0 sem groddalegt og jafnvel truflandi fyrirb\u00e6ri, gr\u00f3flega birtingu l\u00edkamsverunnar og l\u00edfssins (\u00f3l\u00edkt l\u00e6knisfr\u00e6\u00f0ilegu samhengi \u00fear sem bl\u00f3\u00f0i\u00f0 er undirsett hreinl\u00e6ti og finnur s\u00e9r farveg \u00ed p\u00edpum og hylkjum, sbr. Bl\u00f3\u00f0n\u00e1m<\/em>), \u00fe\u00e1 kann vel a\u00f0 vir\u00f0ast sem svo a\u00f0 vi\u00f0 einskor\u00f0un vi\u00f0 tiltekin einkenni \u00feess og s\u00ed\u00f0an ummyndun \u00ed mynd og listhlut (\u201e\u00e6\u00f0ri veru\u201c), hafi viss \u201euppleysing\u201c hlutarins hafi \u00e1tt s\u00e9r sta\u00f0 \u00e1 sama t\u00edma og birtingar hans eru hlutger\u00f0ar.<\/p>\n

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\u00a0Ummyndun fyrirb\u00e6ra kemur gjarnan fram \u00ed vinnu Haraldar me\u00f0 t\u00f3mi\u00f0, en hann hefur til d\u00e6mis oft beint athygli sinni a\u00f0 myrkri og \u00fe\u00f6gn. Sl\u00edk verk f\u00e1 mann til a\u00f0 vir\u00f0a fyrir s\u00e9r fjarverunni og virkja um lei\u00f0 me\u00f0 \u00f6flugum h\u00e6tti \u00edmyndunarafli\u00f0, en \u00feetta l\u00edkist a\u00f0fer\u00f0afr\u00e6\u00f0i sem John Cage var\u00f0 \u00feekktur fyrir. Almennt h\u00f6fum vi\u00f0 ekki beina reynslu af fjarveru, heldur speglast h\u00fan \u00ed einhverju sem er ekki til sta\u00f0ar, \u00fe.e.a.s. sem skortur. \u00c1 s\u00fdningunni birtist h\u00fan hins vegar \u00ed Brei\u00f0tjaldi<\/em>, vegglangri slengju af sv\u00f6rtu hlj\u00f3\u00f0- og lj\u00f3seinangrandi efni. \u00der\u00e1tt fyrir svipm\u00f3t me\u00f0 einlita abstrakt m\u00e1lverkum er a\u00f0alatri\u00f0i\u00f0 h\u00e9r ekki hva\u00f0 \u00feessi jafni fl\u00f6tur gefur af s\u00e9r, \u00fevert \u00e1 m\u00f3ti \u00fea\u00f0 a\u00f0 hann gleypir hlj\u00f3\u00f0 og lj\u00f3s, getur sem sagt beinl\u00ednis komi\u00f0 \u00ed veg fyrir skynjanir.<\/p>\n

\u00a0\u00cdk\u00f3n\u00edsk a\u00f0 \u00feessu leyti \u2013 og \u00ed raun innan ferils Haraldar almennt \u2013 eru \u00fe\u00f3 s\u00e9rstaklega verkin Krumpa\u00f0 myrkur<\/em> og Fontar<\/em>. Verkin eiga \u00fea\u00f0 sameiginlegt a\u00f0 byggjast \u00e1 einf\u00f6ldu inns\u00e6i, sem gerir \u00feeim kleift a\u00f0 koma til skila me\u00f0 \u00f3venju skilvirkum og \u00e1hrifamiklum h\u00e6tti. Krumpa\u00f0 myrkur<\/em> samanstendur af krumpu\u00f0um sv\u00f6rtum \u00f6rkum, \u00ed einni hr\u00fagu sem tekur yfir horn salarins. Myrkri\u00f0 er h\u00e9r sem sagt hvorki fr\u00e1dr\u00e6gt (skortur \u00e1 lj\u00f3si) n\u00e9 alltumlykjandi \u00e1stand, heldur j\u00e1kv\u00e6\u00f0, \u00e1\u00fereifanleg og afm\u00f6rku\u00f0 n\u00e6rvera. Haraldur hlutgerir \u00f3efnislegt fyrirb\u00e6ri, hvort sem \u00fatkoman ver\u00f0i t\u00falku\u00f0 sem b\u00f3kstaflegt myrkur, hugar\u00e1stand, r\u00fdmi e\u00f0a s\u00e1 t\u00e1knr\u00e6ni gerningur a\u00f0 losa sig vi\u00f0 eitthva\u00f0. Eins og \u00ed 37\u00b0C<\/em> er liturinn \u00ed hlutverki sj\u00f3nr\u00e6ns v\u00edsis sem, \u00e1samt titlinum, gerir kleift a\u00f0 \u00feekkja fyrirb\u00e6ri\u00f0 sem verki\u00f0 v\u00edsar \u00ed.<\/p>\n

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\u00a0\u00dea\u00f0 er hins vegar tungum\u00e1li\u00f0 sem hlutgerist \u00ed Fontum<\/em>. Listama\u00f0urinn m\u00f3ta\u00f0i s\u00e9r\u00edslensku stafina \u00de og \u00d0 \u00far hlj\u00f3\u00f0einangrandi tj\u00f6rutex-pl\u00f6tum, f\u00e6r\u00f0i sem sagt letur \u00ed \u00fer\u00edv\u00edddarform, steypti hlj\u00f3\u00f0 og hugtak \u00ed hlut, efni. Stafir (hvort sem um r\u00e6\u00f0ir t\u00f6lu- e\u00f0a b\u00f3kstafir) teljast ekki til n\u00e1tt\u00farulegra fyrirb\u00e6ra sem fyrirfinnast \u00ed umheiminum, heldur eru \u00feeir s\u00e9rtekningar sem n\u00fdtast mannverunni vi\u00f0 a\u00f0 l\u00fdsa<\/em> heiminum; \u00feeir eru ekki einungis \u201eeinf\u00f6ld\u201c hlj\u00f3\u00f0, a\u00f0 j\u00f6fnu vi\u00f0 \u00f6nnur, heldur skilgreindar og sam\u00feykktar eindir sem byggja upp or\u00f0, hinar m\u00e6rkingarb\u00e6ru einingar tungum\u00e1lsins. \u00deeir eru alfari\u00f0 afur\u00f0 manna, og vi\u00f0 m\u00e6tum \u00feeim ekki \u00ed umhverfinu nema sem graf\u00edska framsetningu og t\u00f6lu\u00f0 hlj\u00f3\u00f0 \u00ed r\u00fdminu \u2013 opinsk\u00e1a merkingu, \u00ed sta\u00f0 opna og \u00f3r\u00e6\u00f0a sem liggur \u00f3s\u00f6g\u00f0 \u00ed a\u00f0st\u00e6\u00f0um og hlutum. En \u00ed tilfelli Fonta<\/em> ver\u00f0ur sta\u00f0a stafanna enn \u00e1takanlegri, \u00fev\u00ed s\u00e9rst\u00e6\u00f0i \u00des og \u00d0s gerir \u00fe\u00e1 jafnframt a\u00f0 hluta af sj\u00e1lfsmynd \u00edslensku \u00fej\u00f3\u00f0arinnar, a\u00f0 menningarlegu atri\u00f0i. \u00dev\u00ed \u00e1leitnari ver\u00f0ur \u00fear af lei\u00f0andi s\u00fa \u00fevers\u00f6gn sem listama\u00f0urinn skapar me\u00f0 \u00fev\u00ed a\u00f0 hlutgera stafina \u00ed hlj\u00f3\u00f0einangrandi efni: \u00devers\u00f6gn milli e\u00f0lis hlj\u00f3\u00f0sins og virkni framlei\u00f0sluefnisins, sem felur \u00ed s\u00e9r t\u00e1knr\u00e6na \u2013 og kaldh\u00e6\u00f0nislega \u2013 sj\u00e1lfsey\u00f0ingu.<\/p>\n

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\u00a0Tungum\u00e1li\u00f0 sj\u00e1lft virkar \u00feannig sem r\u00fdmi til a\u00f0 \u00fatf\u00e6ra umr\u00e6ddar umbreytingar. En \u00fea\u00f0 a\u00f0 sn\u00faa \u00fdmsum fyrirb\u00e6rum \u00ed or\u00f0, sem sagt \u00ed hugt\u00f6k og hlj\u00f3\u00f0, og s\u00ed\u00f0an \u00feeim s\u00f6mu \u00ed b\u00f3kstafi og letur \u2013 \u00feetta er margr\u00e6tt ferli, sem getur \u00ed senn t\u00e1kna\u00f0 hlutger\u00f0 e\u00f0a uppleysingu. Helst hlutur, e\u00f0a frekar skynjun og \u201emerking\u201c \u00feess, \u00f3breyttur \u00ed gegnum \u00feessar myndbreytingar? Haraldur hugar a\u00f0 \u00feessu \u00e1 s\u00e9rstakan h\u00e1tt einnig \u00ed heitum verkanna, en hann n\u00fdtir s\u00e9r gjarnan v\u00edddirnar, m\u00e6tti segja \u201emerkingarau\u00f0inn\u201c, sem felst \u00ed margr\u00e6\u00f0ni \u00feeirra or\u00f0a sem bera fleiri en eina merkingu (sbr. Lei\u00f0slur<\/em>, Svipir<\/em>, Fontar<\/em>, o.s.fr.). Tungum\u00e1lin eru auk \u00feess m\u00f6rg og ger\u00f3l\u00edk, \u00fear af lei\u00f0andi ver\u00f0a \u00fev\u00ed fleiri myndirnar sem eitt og sama fyrirb\u00e6ri\u00f0 getur birst \u00ed, a.m.k. \u00ed mannasamskiptum. \u00deannig l\u00e6tur Haraldur til d\u00e6mis tv\u00edtyngda einstaklinga skrifa \u00e1 glugga safnsins or\u00f0i\u00f0 \u201efi\u00f0rildi\u201c \u00ed mismunandi tungum\u00e1lum. \u00dea\u00f0 er ekki hin lifandi vera, me\u00f0 skrautlega \u00fatliti s\u00ednu, sem sta\u00f0n\u00e6mst \u00e1 yfirbor\u00f0 glersins, heldur letur, or\u00f0 (hug-myndir<\/em>) sem v\u00edsa til hennar, or\u00f0 sem eru svo \u00f3l\u00edk s\u00edn \u00e1 milli a\u00f0 spurning getur vakna\u00f0 um hvort mismunandi form \u00feeirra kunni a\u00f0 standa \u00ed einhverjum tengslum vi\u00f0 breytileg litbrig\u00f0i \u00ed sj\u00e1lfri hugmyndinni um hlutinn.<\/p>\n

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\u00a0Drengur fer me\u00f0 or\u00f0alista yfir ger\u00f0ir af tilfinningalegu \u00e1standi, me\u00f0 eint\u00f3na og hlutlausri r\u00f6dd; \u00f6nnur r\u00f6dd heyrist nefna n\u00e1kv\u00e6m litbrig\u00f0i \u00ed myrkrinu. \u00cd hlj\u00f3\u00f0innsetningunni Herbergi<\/em>, n\u00fa \u00e1 salernum safnsins, telur ungi drengurinn upp hvert or\u00f0 \u00e1 f\u00e6tur \u00f6\u00f0ru, en merking \u00feeirra gengur sennilega \u00far greipum honum \u00ed sumum tilfellum. Hann er \u00fear a\u00f0 auki n\u00fdlega l\u00e6s og lendir h\u00e9r og \u00fear \u00ed erfi\u00f0leikum vi\u00f0 lesturinn. Tilfinningarnar, \u00ed formi or\u00f0a og hlj\u00f3\u00f0a, birtast \u00fe\u00e1 sem m\u00e1llegar einingar sem hinn m\u00e6landi klj\u00e1ist vi\u00f0, hann \u00fearf a\u00f0 \u00feekkja hugtaki\u00f0 \u00ed gegnum letri\u00f0 og bera \u00fea\u00f0 svo fram \u00ed gegnum l\u00edkama sinn, svo \u00fea\u00f0 komist til eyrna \u00e1 hlustanda. Tungum\u00e1l er sk\u00falpt\u00far \u2013 hugsanlega abstrakt sk\u00falpt\u00far, sem v\u00edsar \u00ed allskyns fyrirb\u00e6ri. \u00cd Myrkurlampa<\/em> er sl\u00edkum sk\u00falpt\u00far komi\u00f0 fyrir \u00ed myrkva\u00f0 r\u00fdmi. \u00dear stendur gesturinn og kallar fram skynjun af \u00feeim margv\u00edslegu litbrig\u00f0um sem hv\u00edslu\u00f0 eru til hans, reynir a\u00f0 afmarka merkingu \u00feessara \u00edtarlegu heita, oft r\u00edk samskynr\u00e6num tilv\u00edsum \u2013 \u201eferskjugul\u201c, \u201ekaffibr\u00fant\u201c, o.s.fr. Ef vi\u00f0 l\u00edtum aftur, \u00ed \u00feessu samhengi, \u00e1 Tilfinningaveggf\u00f3\u00f0ur<\/em> finnum vi\u00f0 \u00fear athyglisver\u00f0a \u201e\u00fevers\u00f6gn\u201c sem felst v\u00ed\u00f0a \u00ed verkum Haraldar. Yfir\u00feyrmandi massi tilfinninga er steyptur fyrir \u00e1horfandanum \u00ed formi or\u00f0a, og skapast togstreita af auglj\u00f3sri fjarl\u00e6g\u00f0 b\u00fain til milli t\u00e1knv\u00edsis og t\u00e1knmi\u00f0s, milli sl\u00e9ttra flata or\u00f0a og hins margbrotna landslags mannlegs \u00e1stands sem glittir \u00fear \u00ed. Listama\u00f0urinn veldur ekki beinni upplifun me\u00f0 skynr\u00e6num lei\u00f0um, hann l\u00e6tur tungum\u00e1li\u00f0 mi\u00f0la henni \u2013 \u00e1 sama t\u00edma geta hin m\u00e6ldu or\u00f0 breyst \u00ed svi\u00f0setta skynjanlega hluti.<\/p>\n

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\u00a0Ofannefndu d\u00e6min \u00ferj\u00fa vekja n\u00e1tt\u00farulega athygli \u00e1 \u00f3samr\u00e6minu \u2013 a\u00f0 e\u00f0li og birtingu til \u2013 milli tilfinninga og \u00feeirra tungum\u00e1lalegu eininga sem \u00fe\u00e6r eru i\u00f0ulega sm\u00e6kka\u00f0ar \u00ed, fyrir sakir skilvirks mi\u00f0lanleika \u00feeirra \u00ed samskiptum. \u00c1 me\u00f0an sl\u00edkt kynni a\u00f0 vera engin n\u00fd uppg\u00f6tvun, er sta\u00f0reyndin hins vegar s\u00fa a\u00f0 hi\u00f0 sama gleymist au\u00f0veldlega \u00ed vanabundna sambandi okkar vi\u00f0 veruleikann, og Haraldur s\u00fdnir \u00fea\u00f0 \u00e1 afar gl\u00f6ggan h\u00e1tt.<\/p>\n

\u00a0S\u00f6mu verkin g\u00e6tu \u00fe\u00f3 jafnframt virka\u00f0 eins og umdeilanlegar tilraunir til a\u00f0 jafna \u00fat upplifanir \u2013 \u00e1 bor\u00f0 vi\u00f0 kenndir og liti \u2013 sem kunna a\u00f0 vera misjanflega tilfinningalega hla\u00f0nar og \u00e1hrifamiklar. Eins og til a\u00f0 gefa okkur f\u00e6ri \u00e1 a\u00f0 n\u00e1lgast \u00fe\u00e6r, hafa nokkurskonar reynslu af \u00feeim og e.t.v. jafnvel fella d\u00f3m, af hlutl\u00e6gni<\/em> \u2013 laus vi\u00f0 beina upplifun og samhengisbundna \u00fe\u00e6tti sem geta haft \u00e1hrif \u00e1 hana. Eiginleg hugmyndareynsla. Svo \u00e1hrifar\u00edk fyrirb\u00e6ri v\u00e6ru me\u00f0 sl\u00edkri framsetningu f\u00e6r\u00f0 n\u00e6r \u00feeirri r\u00f6\u00f0 einh\u00e6fra og hlutlausra tala sem m\u00e6tir gestum vi\u00f0 innganginn. Heldur \u00f6fugt, \u00fev\u00ed st\u00falkan veitir \u201einnihaldslausu\u201c talningu sinni mun meira og l\u00edflegra skap en tilfelli\u00f0 er annarssta\u00f0ar.<\/p>\n

\u00a0Vi\u00f0 g\u00e6tum reyndar fari\u00f0 svo langt og a\u00f0 segja a\u00f0 einmitt hlj\u00f3\u00f0verki\u00f0 Bil<\/em>, \u00fear sem gefst a\u00f0 heyra l\u00f3faklapp og bl\u00edstur \u00ed gangi safnsins, s\u00e9 \u00fea\u00f0 tj\u00e1ningarmesta \u00fer\u00e1tt (og einmitt) fyrir merkingarfr\u00e6\u00f0ilega sneidda, margr\u00e6\u00f0a inntak sitt. H\u00e9r standa fr\u00e1sagnarm\u00e1ti gegn inntaki, skynjun gegn vitund \u2013 tvennskonar merking \u00e1 fer\u00f0inni. Sk\u00fdrgreind en \u201efl\u00f6t\u201c hugt\u00f6k v\u00edkja fyrir \u00f3r\u00e6\u00f0ari en \u201eupphleyptum\u201c l\u00edkamlegum tj\u00e1skiptum.<\/p>\n

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\u00a0Merkingin \u00ed \u00f3r\u00e6\u00f0ninni og \u00f3or\u00f0a\u00f0 inntak skynjunarinnar koma vi\u00f0 s\u00f6gu \u00ed \u00fdmsum verkum \u00e1 s\u00fdningunni. \u00de\u00fa og \u00e9g<\/em> heitir til d\u00e6mis speglabor\u00f0 sem \u00e1 blandast samhengislausar setningar og teikningar; \u00fe\u00e6r mynda m\u00f6rg dularfull brot sem virka eins og sprottin upp \u00far \u00f3\u00feekktum fr\u00e1s\u00f6gnum. Erfi\u00f0leikinn \u00ed a\u00f0 lesa nokku\u00f0 r\u00f6klegt \u00far \u00feessum samsettu myndum kann einmitt a\u00f0 benda til \u00feess a\u00f0 h\u00e9r \u00e1 fer\u00f0 s\u00e9u tilraunir til a\u00f0 n\u00e1 utan um og l\u00fdsa annarskonar inntaki, eins og skynjunum og \u00f3lj\u00f3sum hugrenningatengslum. Aftur kemur \u00feetta fram \u00ed TSOYL <\/em>(skammst\u00f6fun fyrir The Story of Your Life<\/em>), lj\u00f3smyndaverkefni sem Haraldur byrja\u00f0i \u00e1 \u00e1ri\u00f0 1987 og heldur enn \u00e1fram. Myndefni\u00f0 er margbreytilegt, en \u00fea\u00f0 sem lj\u00f3smyndirnar eiga sameiginlegt er einmitt hva\u00f0 \u00fea\u00f0 \u00feykir tilviljunarkennt og \u00f3svi\u00f0sett. \u00de\u00e6r virka eins og gripi\u00f0 hafi veri\u00f0 fram \u00ed fyrir einhverju ferli, inn \u00ed \u00f3\u00feekkta fr\u00e1s\u00f6gn e\u00f0a a\u00f0st\u00e6\u00f0ur. Eins hversdagslegar og \u00feessar myndir eru \u00ed grunninn, \u00fea\u00f0 er eitthva\u00f0 \u00f3\u00fatsk\u00fdrt vi\u00f0 \u00fe\u00e6r \u2013 \u00fe\u00e6r birtast fyrir okkur beint og \u00e1n samhengis, sem er eins og fali\u00f0 fyrir utan ramma \u00feeirra, fyrir aftan myndina sj\u00e1lfa. Haraldur smellur af \u00feegar hann tekur eftir \u00f3v\u00e6ntum atri\u00f0um e\u00f0a \u00f3venjulegum upp\u00e1komum sem beinl\u00ednis rj\u00fafa hj\u00fap vanans \u00ed sambandi manns vi\u00f0 veruleikann \u2013 e\u00f0a st\u00edfla \u201ef\u00e6riband\u201c m\u00f3tt\u00f6ku og lesturs manns \u00e1 umhverfinu. N\u00e1skyld efnist\u00f6k er a\u00f0 finna \u00ed \u00feeim tugum myndbanda sem Haraldur hefur reglulega sett inn \u00e1 Instagram-s\u00ed\u00f0u s\u00edna undanfarin \u00ferj\u00fa \u00e1r. Hvert myndband er \u00fear titla\u00f0 me\u00f0 einf\u00f6ldu or\u00f0i, en segja m\u00e1 a\u00f0 \u00fatkoman sker sig oft (s\u00e9rstaklega me\u00f0 tilkomu titlanna) ekki s\u00ed\u00f0ur \u00ed \u00e1tt a\u00f0 \u00f6\u00f0rum verkum listamannsins \u2013 t.d. Heimskauta\u00e1v\u00f6xtum<\/em> og Stj\u00f6rnuhverfi<\/em> \u2013 \u00fear sem a\u00f0st\u00e6\u00f0ur eru mynda\u00f0ar og kenndar vi\u00f0 \u00f6nnur \u00f3skyld fyrirb\u00e6ri, sem nokkur svipur er \u00fe\u00f3 me\u00f0. Ruglingur og samruni, hugarflug og inns\u00e6isst\u00f6kk spila h\u00e9r inn, \u00ed huglei\u00f0ingu um t\u00falkun \u00e1 raunveruleikanum sem er \u00fe\u00f3 \u00e1 m\u00f6rkum vana og firringar. \u00cd \u00f6llum tilfellum lei\u00f0ir svipu\u00f0 reynsla og s\u00fa sem er uppista\u00f0an \u00ed ofannefnd verk til enduruppg\u00f6tvunar umhverfisins s\u00edns.<\/p>\n

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Vi\u00f0 nefndum \u00ed upphafi a\u00f0 l\u00edkaminn, okkar fruml\u00e6gi veruh\u00e1ttur, er fyrsti tengili\u00f0ur okkar vi\u00f0 umheiminn. \u00cd gegnum hann eiga s\u00e9r sta\u00f0 vensl ytri og innri r\u00fdma \u2013 nokku\u00f0 sem Haraldur huglei\u00f0ir \u00ed s\u00ednum m\u00f6rgu verkum sem hafa \u00fdmiskonar op a\u00f0 vi\u00f0fangsefni. Me\u00f0al verkanna sem fjalla um l\u00edkamann er Svipir<\/em>, myndbandsverk \u00fear sem f\u00f6st innr\u00f6mmun \u00e1 andliti listamannsins s\u00fdnir hann breyta \u00edtreka\u00f0 um andlitssvip, me\u00f0 h\u00e6gum hreyfingum. Myndskei\u00f0i\u00f0 er athyglisvert ekki fyrir \u00fea\u00f0 eina a\u00f0 l\u00fdsa \u00fev\u00ed r\u00f3fi tilfinninga og framkoma sem gefi\u00f0 er \u00ed skyn af andlitinu, me\u00f0 allri margr\u00e6\u00f0ni og h\u00e1rf\u00ednum bl\u00e6brig\u00f0um sem breg\u00f0a fyrir \u00e1 milli greinilegri, \u201efastm\u00f3ta\u00f0ri\u201c svipa. Verki\u00f0 s\u00fdnir \u00fear me\u00f0 einnig d\u00e6mi um samskipti milli l\u00edkama, \u00f3or\u00f0u\u00f0 bo\u00f0skipti sem bergm\u00e1la \u00ed l\u00edkama vi\u00f0takandans \u00e1\u00f0ur en \u00feeim ver\u00f0i mi\u00f0la\u00f0 til vitundarinnar. Tala m\u00e6tti um \u00e1kve\u00f0i\u00f0 \u201eandr\u00famsloft\u201c andlitsins, h\u00e9r svipt samhengi og sett fram \u00e1 svipa\u00f0an h\u00e1tt og \u00e1 ranns\u00f3knarstofu.<\/p>\n

Au\u00f0velt er a\u00f0 sj\u00e1 hvernig d\u00edalekt\u00edk og samskipti innra og ytra fl\u00e9ttast saman vi\u00f0 annan lykil\u00fer\u00e1\u00f0 \u00ed list Haraldar, \u00fe.e.a.s. \u00fe\u00e1ttt\u00f6ku \u00e1horfandans. L\u00edkt og \u00fdmsir \u00fe\u00e1ttt\u00f6kumi\u00f0a\u00f0ir gj\u00f6rningar (Lei\u00f0sla<\/em>, Litun<\/em>, o.fl.), sem eru beinl\u00ednis h\u00e1\u00f0ir spili \u00e1horfenda, hefur Haraldur unni\u00f0 innsetningar sem \u00e1horfandinn gengur inn \u00ed og er \u00fear \u201evirkja\u00f0ur\u201c. H\u00e9r eins og v\u00ed\u00f0ar \u00ed list Haraldar er markmi\u00f0i\u00f0 \u00fea\u00f0 a\u00f0 l\u00e1ta \u00e1horfendur enduruppg\u00f6tva sj\u00e1lfa sig \u00ed umheiminum, enduruppg\u00f6tva hluti og \u00f6nnur fyrirb\u00e6ri, jafnvel listina sj\u00e1lfa.<\/p>\n

Segja m\u00e1 a\u00f0 \u00fe\u00e1ttt\u00f6ku\u00fer\u00e1\u00f0urinn s\u00e9 spunninn \u00ed tv\u00e6r \u00e1ttir \u00e1 s\u00fdningunni. Sum verkin virka sem \u201eskynjunarv\u00e9lar\u201c: Apparat e\u00f0a umgj\u00f6r\u00f0 sem virkja gestinn. \u00deannig eru verk \u00e1 bor\u00f0 vi\u00f0 Myrkurlampi<\/em> ekki sj\u00e1lfst\u00e6\u00f0ar, loka\u00f0ar einingar heldur umger\u00f0ir sem fullgerast a\u00f0eins me\u00f0 tilkomu \u00e1horfenda. \u00deetta \u00fe\u00e1ttt\u00f6kumi\u00f0a\u00f0a e\u00f0li margra verka birtist hva\u00f0 gl\u00f6ggvast \u00ed gj\u00f6rningnum Bl\u00f3\u00f0n\u00e1m<\/em>, sem ver\u00f0ur \u00ed gangi \u00e1 tilgreindum t\u00edmum yfir s\u00fdningart\u00edmabili\u00f0. \u00dear er gestum gefi\u00f0 t\u00e6kif\u00e6ri \u00e1 a\u00f0 l\u00e1ta s\u00e9rfr\u00e6\u00f0ing draga \u00far s\u00e9r bl\u00f3\u00f0 og taka \u00fea\u00f0 me\u00f0 s\u00e9r heim inni \u00ed hylki. Til \u00feess a\u00f0 nokku\u00f0 ver\u00f0i skapa\u00f0 krefst verki\u00f0 n\u00e6rveru, viljugrar \u00fe\u00e1ttt\u00f6ku og framlags gestsins. \u00dea\u00f0 kemur b\u00f3kstaflega vi\u00f0 \u00e1horfandanum til a\u00f0 kalla eitthva\u00f0 fram \u00ed honum \u2013 draga<\/em> eitthva\u00f0 fram \u00far<\/em> honum, sem hann f\u00e6r s\u00ed\u00f0an a\u00f0 taka me\u00f0 s\u00e9r. Er \u00feetta ekki grundvallarvirkni \u00ed st\u00f3rum hluta allrar listarinnar? Eins og almennt er tilfelli\u00f0 \u00fe\u00e1 er \u00fea\u00f0 sem gesturinn tekur heim fr\u00e1 m\u00f3ti s\u00ednu vi\u00f0 listina pers\u00f3nulegt og ekki markt\u00e6kt sem hlutur: \u00deannig hefur bl\u00f3\u00f0hylki\u00f0 t\u00e1knr\u00e6nt fremur en efnislegt, b\u00f3kstaflegt gildi. \u00cd endanum ver\u00f0ur \u00feetta ekki s\u00ed\u00f0ur afar hittin a\u00f0fer\u00f0 til a\u00f0 benda \u00e1 mikilv\u00e6ga \u00fe\u00e1tt l\u00edkamans, l\u00edkamlegu veru okkar, \u00ed reynslu af listinni.<\/p>\n

\u00der\u00e1\u00f0ur \u00fe\u00e1ttt\u00f6kunnar togast hins vegar \u00fat fyrir s\u00fdningarsalina og sj\u00e1lfan listheiminn, inn \u00ed almannar\u00fdmi\u00f0. \u00deannig er hlj\u00f3\u00f0innsetninguna Barn <\/em>a\u00f0 finna \u00e1 leikvelli \u00e1 Klambrat\u00fani, verk sem aftur veltur \u00e1 skiptum: L\u00fdsingu \u00e1 \u00e1kve\u00f0nu fyrirb\u00e6ri \u00ed fjarveru hins sama. Raunveruleg b\u00f6rn leika s\u00e9r \u00e1 sv\u00e6\u00f0inu \u00e1 daginn og skapa me\u00f0 \u00fev\u00ed tilsv\u00f6run fyrir innsetninguna, sem tekur vi\u00f0 \u00e1 kv\u00f6ldin. Framlenging s\u00fdningarinnar inn \u00e1 samf\u00e9lagsmi\u00f0lana r\u00edmar s\u00ed\u00f0an \u00e1 vissan h\u00e1tt vi\u00f0 titilverk s\u00fdningarinnar, R\u00f3f<\/em>, sem listama\u00f0urinn segir v\u00edsa \u00ed skj\u00e1menningu samt\u00edmans og \u00fea\u00f0 \u00f6r\u00feunna r\u00fdmi sem f\u00f3lk er n\u00fa fari\u00f0 a\u00f0 dvelja langar stundir \u00ed og athafnast. Verki\u00f0 samanstendur af strimlagluggatj\u00f6ldum, gulum appels\u00ednugulum og rau\u00f0um, sem Haraldur f\u00e9kk a\u00f0 setja upp \u00ed glugga nokkurra h\u00fasa \u00e1 Fl\u00f3kag\u00f6tu, \u00ed samr\u00e1\u00f0i vi\u00f0 \u00edb\u00faana. F\u00f3lki\u00f0 dregur fr\u00e1 og fyrir a\u00f0 eigin vilja yfir daginn, og st\u00fdrir \u00feannig (sam)skiptunum inni- og \u00fatir\u00fdmis, hven\u00e6r og hvernig hvort \u00feeirra opnast fyrir hinu me\u00f0 \u00fev\u00ed a\u00f0 ver\u00f0a sj\u00f3ninni a\u00f0gengilegt. \u00deannig fremur en verk \u00ed eiginlegu almannar\u00fdmi er h\u00e9r um einskonar ja\u00f0arsv\u00e6\u00f0i a\u00f0 r\u00e6\u00f0a. Innsetningin er sta\u00f0sett \u00ed einkar\u00fdmi \u00e1 sama t\u00edma og henni er \u00fe\u00f3 beint a\u00f0 ytra r\u00fdminu, r\u00fdmi \u201ehinna\u201c \u2013 \u00e1horfenda og almennings. Samspili\u00f0 sem \u00e1 s\u00e9r sta\u00f0 h\u00e9r \u00e1 m\u00f6rkunum v\u00edkkar \u00fat, inn \u00ed samf\u00e9lagslegt samhengi, merkingu hins innra og hins ytra. Og alveg eins og skynjun, tilfinningar og tungum\u00e1l eru lei\u00f0 \u00fear \u00e1 milli \u00fear sem um l\u00edkamann r\u00e6\u00f0ir, \u00fe\u00e1 er sj\u00e1lf listin vissulega lei\u00f0 \u00e1 milli r\u00fdma samf\u00e9lagsl\u00edkamans.<\/p>\n

Verk Haraldar eru eitthva\u00f0 sem flestir geta tengt vi\u00f0 vegna \u00feess a\u00f0 \u00feau fjalla um tilveru okkar \u2013 l\u00edkamlegu, tilfinningalegu, en l\u00edka vitsmunalegu \u2013 \u00ed heimi hluta og a\u00f0st\u00e6\u00f0na sem vi\u00f0 reynum st\u00f6\u00f0ugt a\u00f0 gera okkur einhverja grein fyrir, og h\u00f6fum \u00e1 h\u00e6ttu a\u00f0 festast s\u00ed\u00f0an \u00ed. \u00cd list sinni tengir Haraldur saman grunnform \u00feekkingar okkar \u00e1 heiminum, og \u00fear me\u00f0 \u00e1 okkur sj\u00e1lfum: Skynreynslu, hugmyndir, tungum\u00e1l. S\u00fdningin \u00e1 Kjarvalsst\u00f6\u00f0um kemur \u00f6llu \u00feessu saman, \u00e1n \u00feess a\u00f0 \u00fatiloka neinn af \u00feeim mi\u00f0lum sem Haraldur hefur n\u00fdtt s\u00e9r \u00e1 lei\u00f0inni \u2013 og ber h\u00e9r a\u00f0 nefna gj\u00f6rningadagskr\u00e1na Afsteypur<\/em>, \u00fear sem gamlir og n\u00fdjir gj\u00f6rningar \u00ed bland ver\u00f0a framdir; n\u00e9 heldur bindur h\u00fan sig vi\u00f0 r\u00fdmi s\u00fdningarsalarins eitt og s\u00e9r, sem aftur \u00e1 m\u00f3ti n\u00fdtur s\u00edn afar fj\u00f6rlega \u00ed uppsetningunni \u2013 jafnvel \u00fe\u00f3tt sum verkin kunni a\u00f0 koma fyrir sj\u00f3nir eins og d\u00e1l\u00edti\u00f0 \u00ed lausu samhengi vi\u00f0 hin n\u00e6rliggjandi. \u00cd lj\u00f3si \u00feeirrar st\u00f6\u00f0u sem texti og yrt tj\u00e1ning eiga s\u00e9r \u00ed list Haraldar m\u00e6tti deila um hvort skriftir hans hef\u00f0u m\u00f6gulega geta\u00f0 fengi\u00f0 sitt pl\u00e1ss \u00e1 s\u00fdninguna l\u00edka, en geta skal \u00feess a\u00f0 nokkur brot \u00far sk\u00e1ldverkum hans er a\u00f0 finna \u00ed umfangsmikilli s\u00fdningarskr\u00e1 sem gefin var \u00fat a\u00f0 gefnu tilefni. \u00dear finnast einnig fj\u00f6lbreyttir textar eftir Mark\u00fas \u00de\u00f3r, Sigr\u00ed\u00f0i \u00deorgeirsd\u00f3ttur, Sj\u00f3n, og vi\u00f0tal Katr\u00ednar \u00d3marsd\u00f3ttur vi\u00f0 listamanninn.<\/p>\n

List Haraldar J\u00f3nssonar einkennist \u00ed senn af d\u00fdpt og k\u00edmni, glettni og gl\u00f6ggs\u00fdni. Listama\u00f0urinn stendur fyrir samt\u00edmalegri listsk\u00f6pun sem er b\u00e6\u00f0i \u00e1hugaver\u00f0 og a\u00f0gengileg, og \u00fear sem myndm\u00e1li\u00f0 vir\u00f0ist b\u00faa yfir getu til a\u00f0 vekja forvitni \u00e1horfandans. Spurningin er hvort \u00fea\u00f0 endurn\u00fdjist \u00feannig hj\u00e1 gestum sama d\u00fdrm\u00e6ta forvitnin og listama\u00f0urinn vir\u00f0ist s\u00fdna gagnvart umheiminum.<\/p>\n

Lorenzo Imola<\/em><\/p>\n

\n

S\u00fdningin stendur til\u00a027.01.2019<\/p>\n

Lj\u00f3smyndir: Lorenzo Imola og artzine.<\/p>\n

Vefs\u00ed\u00f0a: haraldurjonsson.com<\/a><\/p>\n

\u00a0<\/p>\n

[\/et_pb_text][\/et_pb_column][\/et_pb_row][\/et_pb_section]<\/p>\n","protected":false},"excerpt":{"rendered":"

Fyrir \u00fe\u00e1 sem, eins og undirrita\u00f0an, hafa mynda\u00f0 s\u00e9r \u00fe\u00e1 \u00f3viljandi venju a\u00f0 sl\u00e1 takt e\u00f0a telja skrefin \u00ed huganum \u00feegar gengi\u00f0 er og hugurinn s\u00e9 ekki upptekinn vi\u00f0 veigameiri hugsanir, kunna fyrstu kynnin vi\u00f0 n\u00fdjustu s\u00fdningu Haralds J\u00f3nssonar myndlistarmanns a\u00f0 virka fremur n\u00e1in. Eins og l\u00e9tt \u00f3v\u00e6nt snerting, sakleysislega upp\u00e1\u00ferengjandi og n\u00e6rg\u00e6tin \u00e1 sama […]<\/p>\n","protected":false},"author":30,"featured_media":7992,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_et_pb_use_builder":"on","_et_pb_old_content":"Fyrir \u00fe\u00e1 sem, eins og undirrita\u00f0an, hafa mynda\u00f0 s\u00e9r \u00fe\u00e1 \u00f3viljandi venju a\u00f0 sl\u00e1 takt e\u00f0a telja skrefin \u00ed huganum \u00feegar gengi\u00f0 er og hugurinn s\u00e9 ekki upptekinn vi\u00f0 veigameiri hugsanir, kunna fyrstu kynnin vi\u00f0 n\u00fdjustu s\u00fdningu Haralds J\u00f3nssonar myndlistarmanns a\u00f0 virka fremur n\u00e1in. Eins og l\u00e9tt \u00f3v\u00e6nt snerting, sakleysislega upp\u00e1\u00ferengjandi og n\u00e6rg\u00e6tin \u00e1 sama t\u00edma. Er ma\u00f0ur n\u00e1lga\u00f0ist innganginn \u00e1 Kjarvalsst\u00f6\u00f0um virtist skrefaupptalningin \u00ed h\u00f6f\u00f0inu ver\u00f0a sm\u00e1m saman h\u00e1v\u00e6rari, jafnvel tv\u00f6faldast og loks bergm\u00e1la \u00ed ytra r\u00fdminu. Allt ger\u00f0ist \u00feetta \u00e1 \u00f6rf\u00e1um sek\u00fandum, \u00e1\u00f0ur en ma\u00f0ur \u00e1tta\u00f0i sig \u00e1 hlj\u00f3\u00f0innsetningunni \u00ed portinu, \u00fear sem heyra m\u00e1tti unga st\u00falku telja hressilega.<\/strong>\r\n\r\nHaraldur J\u00f3nsson fagnar um \u00feessar mundir \u00ferj\u00e1t\u00edu \u00e1ra ferli en yfirlitss\u00fdningin R\u00f3f<\/em>, \u00e1 vegum Listasafns Reykjav\u00edkur, kemur til me\u00f0 a\u00f0 gera \u00feeirri s\u00e9rst\u00f6\u00f0u sem hann hefur skapa\u00f0 s\u00e9r \u00ed \u00edslensku listal\u00edfi skil \u00e1 sl\u00edkum t\u00edmam\u00f3tum. R\u00fdmi\u00f0 \u00ed v\u00ed\u00f0um skilningi \u2013 ytri jafnt sem innri r\u00fdmi og tengsl manns vi\u00f0 \u00feau \u2013 hefur \u00ed gegnum t\u00ed\u00f0ina veri\u00f0 Haraldi hugleiki\u00f0. \u00ddmisskonar r\u00fdmi voru n\u00fdtt \u00ed ger\u00f0 sj\u00e1lfrar s\u00fdningarinnar, en verkin \u00e1 henni er a\u00f0 finna \u00e1 v\u00ed\u00f0 og dreif \u00ed safnh\u00fasinu, svo sem \u00e1 almannaf\u00e6ri og jafnvel \u00e1 netinu, \u00e1 Instagram-s\u00ed\u00f0u Haraldar. Gj\u00f6rningar koma einnig vi\u00f0 s\u00f6gu \u00e1 s\u00fdningunni, en deila m\u00e6tti n\u00e1nar um hverskonar r\u00fdmi sl\u00edkt listform eignar s\u00e9r: Sta\u00f0inn sem gj\u00f6rningurinn gerist \u00e1, t\u00edmann sem hann fyllir, v\u00edddir minnisins um lei\u00f0 og honum er loki\u00f0, e\u00f0a \u2013 reyndar ekki \u00f3l\u00edkt \u00f6\u00f0rum listformum \u2013 \u00e1horfendurna sj\u00e1lfa sem \u201ehlj\u00f3mbotn\u201c.\r\n\r\n\"\"\r\n\r\nGengi\u00f0 er inn \u00ed Vestursal safnins \u00e1 milli veggja \u00feakinna me\u00f0 hundru\u00f0um or\u00f0a yfir tilfinningar. Tilfinningaveggf\u00f3\u00f0ur<\/em> heitir \u00feetta verk en sj\u00e1lfur t\u00edtill s\u00fdningarinnar, sem m\u00e6tir augnar\u00e1\u00f0i gestanna einmitt fyrir enda gangsins, kynni \u00e1 sinn h\u00e1tt a\u00f0 l\u00fdsa \u00fev\u00ed brei\u00f0a r\u00f3fi<\/em> hugar- og likams\u00e1standa sem \u00fear birtist. \u00deegar komi\u00f0 er inn \u00ed salinn blasir vi\u00f0 l\u00edfleg uppsetning allskyns fj\u00f6lbreyttra gripa \u2013 annarskonar r\u00f3f<\/em>. Haraldur hefur allajafna leita\u00f0 til \u00f3l\u00edkra mi\u00f0la og fundi\u00f0 listr\u00e6nu i\u00f0ju sinni margbreytilegar birtingarmyndir. Listr\u00e6nni ranns\u00f3kn sem hefur \u00e1 hinn b\u00f3ginn s\u00fdnt langvarandi \u00e1huga fyrir \u00e1kve\u00f0num vi\u00f0fangsefnum. Mark\u00fas \u00de\u00f3r Andr\u00e9sson s\u00fdningarstj\u00f3ri ritar \u00ed kynningartexta a\u00f0 viss \u201e\u00e1hugi \u00e1 m\u00f6rkum hins innra og hins ytra \u2013 og lei\u00f0unum \u00fear \u00e1 milli\u201c einkenni \u00feau verk Haraldar sem f\u00e1st vi\u00f0 lykilvi\u00f0fangsefni\u00f0 l\u00edkamann. Sj\u00e1 m\u00e1 hvernig sl\u00edkt grundvallaratri\u00f0i var \u00fatf\u00e6rt \u00ed uppbyggingu s\u00fdningarinnar \u00ed heild sinni, sem sn\u00fdst \u00ed kringum fj\u00f6gur megin\u00feemu: L\u00edkama, tilfinningar, skynjun, tungum\u00e1l. N\u00fa ef l\u00edkaminn<\/em> felur \u00ed s\u00e9r innra r\u00fdmi, ef hann er okkar tengili\u00f0ur vi\u00f0 ytri heiminn, og skilja m\u00e1 hann sem sj\u00e1lf m\u00f6rkin milli hins innra og hins ytra, \u00fe\u00e1 eru tilfinningar<\/em>, skynjun<\/em> og tungum\u00e1l<\/em> vissulega mismunandi lei\u00f0ir \u00fear \u00e1 milli.\u00a0\"\"\r\n\r\nEinnig m\u00e6tti skilgreina sem h\u00f6fu\u00f0\u00e1ttirnar \u00ed lei\u00f0angri um verkin reynslu<\/em>, efni<\/em> og tungum\u00e1l<\/em>. Algeng a\u00f0fer\u00f0 hj\u00e1 Haraldi vir\u00f0ist vera s\u00fa a\u00f0 framkalla skynjanir og s\u00fdna okkur hluti \u00ed \u00f6\u00f0ru formi en \u00fev\u00ed sem vi\u00f0 h\u00f6fum vanalega reynslu af. Til a\u00f0 mynda er \u201eleiki\u00f0\u201c me\u00f0 a\u00f0 hlutgera \u00f3efnisleg fyrirb\u00e6ri og skipta \u00fat beinni<\/em> reynslu af einhverju fyrir hugtak hins sama, semsagt mi\u00f0la reynslunni \u00ed gegnum tungum\u00e1li\u00f0. \u00deetta er ef til vill einskonar vi\u00f0leitni um (\u00f3)\u00fe\u00fd\u00f0anleika merkingarinnar, \u00fevert \u00e1 skynf\u00e6ri og vitsmuni.\r\n\r\n[caption id=\"attachment_7930\" align=\"alignnone\" width=\"1920\"]\"\" Eitt fyrsta d\u00e6mi um \u00feetta m\u00e1 finna \u00ed ser\u00edunum <\/span>Anatomy of feelings<\/em>,<\/span> Diagrams of feelings<\/em>,<\/span> Emoscans <\/em>og <\/span>Emograms<\/em>. \u00deessar \u00f3l\u00edku myndara\u00f0ir eru afrakstur ranns\u00f3kna sem Haraldur hefur lagt \u00edtreka\u00f0 stund \u00e1 \u00ed gegnum t\u00ed\u00f0ina, og ganga hver \u00e1 sinn h\u00e1tt \u00fat \u00e1 \u00fea\u00f0 a\u00f0 myndgera tilfinningar. \u00deetta fer fr\u00e1 einfaldari st\u00edlf\u00e6r\u00f0um teikningum yfir \u00ed a\u00f0rar heldur fl\u00f3knar og \u00f3rei\u00f0ukenndar, og enn a\u00f0rar myndir unnar me\u00f0 t\u00f6lvu. H\u00e9r \u00e1 fer\u00f0 eru verk Haraldar sem sennilega b\u00faa vi\u00f0 sterkari lists\u00f6gulega hef\u00f0 a\u00f0 baki s\u00e9r. Au\u00f0velt er til d\u00e6mis a\u00f0 rekja skyldleika vi\u00f0 vi\u00f0leitni abstraktlistamanna s\u00ed\u00f0ustu aldar til a\u00f0 setja fram s\u00e1larl\u00edf sitt me\u00f0 sj\u00f3nr\u00e6num h\u00e6tti, en l\u00edka vi\u00f0 \u201e\u00f3sj\u00e1lfr\u00e1\u00f0u\u201c teikningara\u00f0fer\u00f0ir s\u00farrealistanna sem \u00e1ttu a\u00f0 n\u00e1 fram \u00f3svikinni tj\u00e1ningu. Hi\u00f0 myndger\u00f0a \u00e1stand er \u00fe\u00f3 viljandi lagt fyrir \u00e1horfandann h\u00e9r, svo hann geti \u00fereifa\u00f0 sig \u00ed gegnum \u00fea\u00f0 eins og einhverskonar sk\u00falpt\u00far, r\u00fdmi e\u00f0a margr\u00e6\u00f0an texta, og m\u00f6gulega fundi\u00f0 einhverja samsv\u00f6run innra vi\u00f0 sig.<\/span>[\/caption]\r\n\r\n\"\"\r\n\r\nUpp \u00far holdlegra svi\u00f0i okkar l\u00edk\u00f6mnu\u00f0u tilveru sprettur hins vegar 37\u00b0C<\/em>. \u00deetta eru tveir n\u00e6r jafnlita\u00f0ir rau\u00f0ir fletir, hvor \u00ed l\u00edtillega fr\u00e1brug\u00f0num litbrig\u00f0um. Haraldur nota\u00f0i s\u00fdni \u00far eigin bl\u00f3\u00f0i og v\u00edsar t\u00edtillinn til hitastigs \u00feess. Hann blanda\u00f0i svo sta\u00f0la\u00f0ri listr\u00e6nni framsetningu \u00e1 myndefni (sem \u00ed \u00feessu tilfelli er sj\u00e1lft hr\u00e1efni\u00f0 \u00ed myndina) saman vi\u00f0 v\u00edsindalega sta\u00f0reynd um \u00fea\u00f0, og \u00fdja\u00f0i hugsanlega um lei\u00f0 a\u00f0 samsv\u00f6run milli hitastigs hins efnislega fyrirb\u00e6ris og skynjunar heita litarins. Einbl\u00ednt er \u00e1 birtingarmyndir bl\u00f3\u00f0sins, \u00e1n \u00feess a\u00f0 hluturinn sj\u00e1lfur s\u00e9 nokkurn t\u00edma nefndur e\u00f0a komi auglj\u00f3slega fram \u00ed verkinu. Ef vi\u00f0 lei\u00f0um hugann a\u00f0 hugmyndum um bl\u00f3\u00f0 sem groddalegt og jafnvel truflandi fyrirb\u00e6ri, gr\u00f3flega birtingu l\u00edkamsverunnar og l\u00edfssins (\u00f3l\u00edkt l\u00e6knisfr\u00e6\u00f0ilegu samhengi \u00fear sem bl\u00f3\u00f0i\u00f0 er undirsett hreinl\u00e6ti og finnur s\u00e9r farveg \u00ed p\u00edpum og hylkjum, sbr. Bl\u00f3\u00f0n\u00e1m<\/em>), \u00fe\u00e1 kann vel a\u00f0 vir\u00f0ast sem svo a\u00f0 vi\u00f0 einskor\u00f0un vi\u00f0 tiltekin einkenni \u00feess og s\u00ed\u00f0an ummyndun \u00ed mynd og listhlut (\u201e\u00e6\u00f0ri veru\u201c), hafi viss \u201euppleysing\u201c hlutarins hafi \u00e1tt s\u00e9r sta\u00f0 \u00e1 sama t\u00edma og birtingar hans eru hlutger\u00f0ar.\r\n\r\n\"\"\r\n\r\nUmmyndun fyrirb\u00e6ra kemur gjarnan fram \u00ed vinnu Haraldar me\u00f0 t\u00f3mi\u00f0, en hann hefur til d\u00e6mis oft beint athygli sinni a\u00f0 myrkri og \u00fe\u00f6gn. Sl\u00edk verk f\u00e1 mann til a\u00f0 vir\u00f0a fyrir s\u00e9r fjarverunni og virkja um lei\u00f0 me\u00f0 \u00f6flugum h\u00e6tti \u00edmyndunarafli\u00f0, en \u00feetta l\u00edkist a\u00f0fer\u00f0afr\u00e6\u00f0i sem John Cage var\u00f0 \u00feekktur fyrir. Almennt h\u00f6fum vi\u00f0 ekki beina reynslu af fjarveru, heldur speglast h\u00fan \u00ed einhverju sem er ekki til sta\u00f0ar, \u00fe.e.a.s. sem skortur. \u00c1 s\u00fdningunni birtist h\u00fan hins vegar \u00ed Brei\u00f0tjaldi<\/em>, vegglangri slengju af sv\u00f6rtu hlj\u00f3\u00f0- og lj\u00f3seinangrandi efni. \u00der\u00e1tt fyrir svipm\u00f3t me\u00f0 einlita abstrakt m\u00e1lverkum er a\u00f0alatri\u00f0i\u00f0 h\u00e9r ekki hva\u00f0 \u00feessi jafni fl\u00f6tur gefur af s\u00e9r, \u00fevert \u00e1 m\u00f3ti \u00fea\u00f0 a\u00f0 hann gleypir hlj\u00f3\u00f0 og lj\u00f3s, getur sem sagt beinl\u00ednis komi\u00f0 \u00ed veg fyrir skynjanir.\r\n\r\n\u00cdk\u00f3n\u00edsk a\u00f0 \u00feessu leyti \u2013 og \u00ed raun innan ferils Haraldar almennt \u2013 eru \u00fe\u00f3 s\u00e9rstaklega verkin Krumpa\u00f0 myrkur<\/em> og Fontar<\/em>. Verkin eiga \u00fea\u00f0 sameiginlegt a\u00f0 byggjast \u00e1 einf\u00f6ldu inns\u00e6i, sem gerir \u00feeim kleift a\u00f0 koma til skila me\u00f0 \u00f3venju skilvirkum og \u00e1hrifamiklum h\u00e6tti. Krumpa\u00f0 myrkur<\/em> samanstendur af krumpu\u00f0um sv\u00f6rtum \u00f6rkum, \u00ed einni hr\u00fagu sem tekur yfir horn salarins. Myrkri\u00f0 er h\u00e9r sem sagt hvorki fr\u00e1dr\u00e6gt (skortur \u00e1 lj\u00f3si) n\u00e9 alltumlykjandi \u00e1stand, heldur j\u00e1kv\u00e6\u00f0, \u00e1\u00fereifanleg og afm\u00f6rku\u00f0 n\u00e6rvera. Haraldur hlutgerir \u00f3efnislegt fyrirb\u00e6ri, hvort sem \u00fatkoman ver\u00f0i t\u00falku\u00f0 sem b\u00f3kstaflegt myrkur, hugar\u00e1stand, r\u00fdmi e\u00f0a s\u00e1 t\u00e1knr\u00e6ni gerningur a\u00f0 losa sig vi\u00f0 eitthva\u00f0. Eins og \u00ed 37\u00b0C<\/em> er liturinn \u00ed hlutverki sj\u00f3nr\u00e6ns v\u00edsis sem, \u00e1samt titlinum, gerir kleift a\u00f0 \u00feekkja fyrirb\u00e6ri\u00f0 sem verki\u00f0 v\u00edsar \u00ed.\r\n\r\n\"\"\r\n\r\n\u00dea\u00f0 er hins vegar tungum\u00e1li\u00f0 sem hlutgerist \u00ed Fontum<\/em>. Listama\u00f0urinn m\u00f3ta\u00f0i s\u00e9r\u00edslensku stafina \u00de og \u00d0 \u00far hlj\u00f3\u00f0einangrandi tj\u00f6rutex-pl\u00f6tum, f\u00e6r\u00f0i sem sagt letur \u00ed \u00fer\u00edv\u00edddarform, steypti hlj\u00f3\u00f0 og hugtak \u00ed hlut, efni. Stafir (hvort sem um r\u00e6\u00f0ir t\u00f6lu- e\u00f0a b\u00f3kstafir) teljast ekki til n\u00e1tt\u00farulegra fyrirb\u00e6ra sem fyrirfinnast \u00ed umheiminum, heldur eru \u00feeir s\u00e9rtekningar sem n\u00fdtast mannverunni vi\u00f0 a\u00f0 l\u00fdsa<\/em> heiminum; \u00feeir eru ekki einungis \u201eeinf\u00f6ld\u201c hlj\u00f3\u00f0, a\u00f0 j\u00f6fnu vi\u00f0 \u00f6nnur, heldur skilgreindar og sam\u00feykktar eindir sem byggja upp or\u00f0, hinar m\u00e6rkingarb\u00e6ru einingar tungum\u00e1lsins. \u00deeir eru alfari\u00f0 afur\u00f0 manna, og vi\u00f0 m\u00e6tum \u00feeim ekki \u00ed umhverfinu nema sem graf\u00edska framsetningu og t\u00f6lu\u00f0 hlj\u00f3\u00f0 \u00ed r\u00fdminu \u2013 opinsk\u00e1a merkingu, \u00ed sta\u00f0 opna og \u00f3r\u00e6\u00f0a sem liggur \u00f3s\u00f6g\u00f0 \u00ed a\u00f0st\u00e6\u00f0um og hlutum. En \u00ed tilfelli Fonta<\/em> ver\u00f0ur sta\u00f0a stafanna enn \u00e1takanlegri, \u00fev\u00ed s\u00e9rst\u00e6\u00f0i \u00des og \u00d0s gerir \u00fe\u00e1 jafnframt a\u00f0 hluta af sj\u00e1lfsmynd \u00edslensku \u00fej\u00f3\u00f0arinnar, a\u00f0 menningarlegu atri\u00f0i. \u00dev\u00ed \u00e1leitnari ver\u00f0ur \u00fear af lei\u00f0andi s\u00fa \u00fevers\u00f6gn sem listama\u00f0urinn skapar me\u00f0 \u00fev\u00ed a\u00f0 hlutgera stafina \u00ed hlj\u00f3\u00f0einangrandi efni: \u00devers\u00f6gn milli e\u00f0lis hlj\u00f3\u00f0sins og virkni framlei\u00f0sluefnisins, sem felur \u00ed s\u00e9r t\u00e1knr\u00e6na \u2013 og kaldh\u00e6\u00f0nislega \u2013 sj\u00e1lfsey\u00f0ingu.\r\n\r\n\"\"\r\n\r\nTungum\u00e1li\u00f0 sj\u00e1lft virkar \u00feannig sem r\u00fdmi til a\u00f0 \u00fatf\u00e6ra umr\u00e6ddar umbreytingar. En \u00fea\u00f0 a\u00f0 sn\u00faa \u00fdmsum fyrirb\u00e6rum \u00ed or\u00f0, sem sagt \u00ed hugt\u00f6k og hlj\u00f3\u00f0, og s\u00ed\u00f0an \u00feeim s\u00f6mu \u00ed b\u00f3kstafi og letur \u2013 \u00feetta er margr\u00e6tt ferli, sem getur \u00ed senn t\u00e1kna\u00f0 hlutger\u00f0 e\u00f0a uppleysingu. Helst hlutur, e\u00f0a frekar skynjun og \u201emerking\u201c \u00feess, \u00f3breyttur \u00ed gegnum \u00feessar myndbreytingar? Haraldur hugar a\u00f0 \u00feessu \u00e1 s\u00e9rstakan h\u00e1tt einnig \u00ed heitum verkanna, en hann n\u00fdtir s\u00e9r gjarnan v\u00edddirnar, m\u00e6tti segja \u201emerkingarau\u00f0inn\u201c, sem felst \u00ed margr\u00e6\u00f0ni \u00feeirra or\u00f0a sem bera fleiri en eina merkingu (sbr. Lei\u00f0slur<\/em>, Svipir<\/em>, Fontar<\/em>, o.s.fr.). Tungum\u00e1lin eru auk \u00feess m\u00f6rg og ger\u00f3l\u00edk, \u00fear af lei\u00f0andi ver\u00f0a \u00fev\u00ed fleiri myndirnar sem eitt og sama fyrirb\u00e6ri\u00f0 getur birst \u00ed, a.m.k. \u00ed mannasamskiptum. \u00deannig l\u00e6tur Haraldur til d\u00e6mis tv\u00edtyngda einstaklinga skrifa \u00e1 glugga safnsins or\u00f0i\u00f0 \u201efi\u00f0rildi\u201c \u00ed mismunandi tungum\u00e1lum. \u00dea\u00f0 er ekki hin lifandi vera, me\u00f0 skrautlega \u00fatliti s\u00ednu, sem sta\u00f0n\u00e6mst \u00e1 yfirbor\u00f0 glersins, heldur letur, or\u00f0 (hug-myndir<\/em>) sem v\u00edsa til hennar, or\u00f0 sem eru svo \u00f3l\u00edk s\u00edn \u00e1 milli a\u00f0 spurning getur vakna\u00f0 um hvort mismunandi form \u00feeirra kunni a\u00f0 standa \u00ed einhverjum tengslum vi\u00f0 breytileg litbrig\u00f0i \u00ed sj\u00e1lfri hugmyndinni um hlutinn.\r\n\r\n\"\"\r\n\r\nDrengur fer me\u00f0 or\u00f0alista yfir ger\u00f0ir af tilfinningalegu \u00e1standi, me\u00f0 eint\u00f3na og hlutlausri r\u00f6dd; \u00f6nnur r\u00f6dd heyrist nefna n\u00e1kv\u00e6m litbrig\u00f0i \u00ed myrkrinu. \u00cd hlj\u00f3\u00f0innsetningunni Herbergi<\/em>, n\u00fa \u00e1 salernum safnsins, telur ungi drengurinn upp hvert or\u00f0 \u00e1 f\u00e6tur \u00f6\u00f0ru, en merking \u00feeirra gengur sennilega \u00far greipum honum \u00ed sumum tilfellum. Hann er \u00fear a\u00f0 auki n\u00fdlega l\u00e6s og lendir h\u00e9r og \u00fear \u00ed erfi\u00f0leikum vi\u00f0 lesturinn. Tilfinningarnar, \u00ed formi or\u00f0a og hlj\u00f3\u00f0a, birtast \u00fe\u00e1 sem m\u00e1llegar einingar sem hinn m\u00e6landi klj\u00e1ist vi\u00f0, hann \u00fearf a\u00f0 \u00feekkja hugtaki\u00f0 \u00ed gegnum letri\u00f0 og bera \u00fea\u00f0 svo fram \u00ed gegnum l\u00edkama sinn, svo \u00fea\u00f0 komist til eyrna \u00e1 hlustanda. Tungum\u00e1l er sk\u00falpt\u00far \u2013 hugsanlega abstrakt sk\u00falpt\u00far, sem v\u00edsar \u00ed allskyns fyrirb\u00e6ri. \u00cd Myrkurlampa<\/em> er sl\u00edkum sk\u00falpt\u00far komi\u00f0 fyrir \u00ed myrkva\u00f0 r\u00fdmi. \u00dear stendur gesturinn og kallar fram skynjun af \u00feeim margv\u00edslegu litbrig\u00f0um sem hv\u00edslu\u00f0 eru til hans, reynir a\u00f0 afmarka merkingu \u00feessara \u00edtarlegu heita, oft r\u00edk samskynr\u00e6num tilv\u00edsum \u2013 \u201eferskjugul\u201c, \u201ekaffibr\u00fant\u201c, o.s.fr. Ef vi\u00f0 l\u00edtum aftur, \u00ed \u00feessu samhengi, \u00e1 Tilfinningaveggf\u00f3\u00f0ur<\/em> finnum vi\u00f0 \u00fear athyglisver\u00f0a \u201e\u00fevers\u00f6gn\u201c sem felst v\u00ed\u00f0a \u00ed verkum Haraldar. Yfir\u00feyrmandi massi tilfinninga er steyptur fyrir \u00e1horfandanum \u00ed formi or\u00f0a, og skapast togstreita af auglj\u00f3sri fjarl\u00e6g\u00f0 b\u00fain til milli t\u00e1knv\u00edsis og t\u00e1knmi\u00f0s, milli sl\u00e9ttra flata or\u00f0a og hins margbrotna landslags mannlegs \u00e1stands sem glittir \u00fear \u00ed. Listama\u00f0urinn veldur ekki beinni upplifun me\u00f0 skynr\u00e6num lei\u00f0um, hann l\u00e6tur tungum\u00e1li\u00f0 mi\u00f0la henni \u2013 \u00e1 sama t\u00edma geta hin m\u00e6ldu or\u00f0 breyst \u00ed svi\u00f0settir skynjanlegir hlutir.\r\n\r\n\"\"\r\n\r\nOfannefndu d\u00e6min \u00ferj\u00fa vekja n\u00e1tt\u00farulega athygli \u00e1 \u00f3samr\u00e6minu \u2013 a\u00f0 e\u00f0li og birtingu til \u2013 milli tilfinninga og \u00feeirra tungum\u00e1lalegu eininga sem \u00fe\u00e6r eru i\u00f0ulega sm\u00e6kka\u00f0ar \u00ed, fyrir sakir skilvirks mi\u00f0lanleika \u00feeirra \u00ed samskiptum. \u00c1 me\u00f0an sl\u00edkt kynni a\u00f0 vera engin n\u00fd uppg\u00f6tvun, er sta\u00f0reyndin hins vegar s\u00fa a\u00f0 hi\u00f0 sama gleymist au\u00f0veldlega \u00ed vanabundna sambandi okkar vi\u00f0 veruleikann, og Haraldur s\u00fdnir \u00fea\u00f0 \u00e1 afar gl\u00f6ggan h\u00e1tt.\r\n\r\nS\u00f6mu verkin g\u00e6tu \u00fe\u00f3 jafnframt virka\u00f0 eins og umdeilanlegar tilraunir til a\u00f0 jafna \u00fat upplifanir \u2013 \u00e1 bor\u00f0 vi\u00f0 kenndir og liti \u2013 sem kunna a\u00f0 vera misjanflega tilfinningalega hla\u00f0nar og \u00e1hrifamiklar. Eins og til a\u00f0 gefa okkur f\u00e6ri \u00e1 a\u00f0 n\u00e1lgast \u00fe\u00e6r, hafa nokkurskonar reynslu af \u00feeim og e.t.v. jafnvel fella d\u00f3m, af hlutl\u00e6gni<\/em> \u2013 laus vi\u00f0 beina upplifun og samhengisbundna \u00fe\u00e6tti sem geta haft \u00e1hrif \u00e1 hana. Eiginleg hugmyndareynsla. Svo \u00e1hrifar\u00edk fyrirb\u00e6ri v\u00e6ru me\u00f0 sl\u00edkri framsetningu f\u00e6r\u00f0 n\u00e6r \u00feeirri r\u00f6\u00f0 einh\u00e6fra og hlutlausra tala sem m\u00e6tir gestum vi\u00f0 innganginn. Heldur \u00f6fugt, \u00fev\u00ed st\u00falkan veitir \u201einnihaldslausu\u201c talningu sinni mun meira og l\u00edflegra skap en tilfelli\u00f0 er annarssta\u00f0ar.\r\n\r\nVi\u00f0 g\u00e6tum reyndar fari\u00f0 svo langt og a\u00f0 segja a\u00f0 einmitt hlj\u00f3\u00f0verki\u00f0 Bil<\/em>, \u00fear sem gefst a\u00f0 heyra l\u00f3faklapp og bl\u00edstur \u00ed gangi safnsins, s\u00e9 \u00fea\u00f0 tj\u00e1ningarmesta \u00fer\u00e1tt (og einmitt) fyrir merkingarfr\u00e6\u00f0ilega sneidda, margr\u00e6\u00f0a inntak sitt. H\u00e9r standa fr\u00e1sagnarm\u00e1ti gegn inntaki, skynjun gegn vitund \u2013 tvennskonar merking \u00e1 fer\u00f0inni. Sk\u00fdrgreind en \u201efl\u00f6t\u201c hugt\u00f6k v\u00edkja fyrir \u00f3r\u00e6\u00f0ari en \u201eupphleyptum\u201c l\u00edkamlegum tj\u00e1skiptum.\r\n\r\n\"\"\r\n\r\nMerkingin \u00ed \u00f3r\u00e6\u00f0ninni og \u00f3or\u00f0a\u00f0 inntak skynjunarinnar koma vi\u00f0 s\u00f6gu \u00ed \u00fdmsum verkum \u00e1 s\u00fdningunni. \u00de\u00fa og \u00e9g<\/em> heitir til d\u00e6mis speglabor\u00f0 sem \u00e1 blandast samhengislausar setningar og teikningar; \u00fe\u00e6r mynda m\u00f6rg dularfull brot sem virka eins og sprottin upp \u00far \u00f3\u00feekktum fr\u00e1s\u00f6gnum. Erfi\u00f0leikinn \u00ed a\u00f0 lesa nokku\u00f0 r\u00f6klegt \u00far \u00feessum samsettu myndum kann einmitt a\u00f0 benda til \u00feess a\u00f0 h\u00e9r \u00e1 fer\u00f0 s\u00e9u tilraunir til a\u00f0 n\u00e1 utan um og l\u00fdsa annarskonar inntaki, eins og skynjunum og \u00f3lj\u00f3sum hugrenningatengslum. Aftur kemur \u00feetta fram \u00ed TSOYL <\/em>(skammst\u00f6fun fyrir The Story of Your Life<\/em>), lj\u00f3smyndaverkefni sem Haraldur byrja\u00f0i \u00e1 \u00e1ri\u00f0 1987 og heldur enn \u00e1fram. Myndefni\u00f0 er margbreytilegt, en \u00fea\u00f0 sem lj\u00f3smyndirnar eiga sameiginlegt er einmitt hva\u00f0 \u00fea\u00f0 \u00feykir tilviljunarkennt og \u00f3svi\u00f0sett. \u00de\u00e6r virka eins og gripi\u00f0 hafi veri\u00f0 fram \u00ed fyrir einhverju ferli, inn \u00ed \u00f3\u00feekkta fr\u00e1s\u00f6gn e\u00f0a a\u00f0st\u00e6\u00f0ur. Eins hversdagslegar og \u00feessar myndir eru \u00ed grunninn, \u00fea\u00f0 er eitthva\u00f0 \u00f3\u00fatsk\u00fdrt vi\u00f0 \u00fe\u00e6r \u2013 \u00fe\u00e6r birtast fyrir okkur beint og \u00e1n samhengis, sem er eins og fali\u00f0 fyrir utan ramma \u00feeirra, fyrir aftan myndina sj\u00e1lfa. Haraldur smellur af \u00feegar hann tekur eftir \u00f3v\u00e6ntum atri\u00f0um e\u00f0a \u00f3venjulegum upp\u00e1komum sem beinl\u00ednis rj\u00fafa hj\u00fap vanans \u00ed sambandi manns vi\u00f0 veruleikann \u2013 e\u00f0a st\u00edfla \u201ef\u00e6riband\u201c m\u00f3tt\u00f6ku og lesturs manns \u00e1 umhverfinu. N\u00e1skyld efnist\u00f6k er a\u00f0 finna \u00ed \u00feeim tugum myndbanda sem Haraldur hefur reglulega sett inn \u00e1 Instagram-s\u00ed\u00f0u s\u00edna undanfarin \u00ferj\u00fa \u00e1r. Hvert myndband er \u00fear titla\u00f0 me\u00f0 einf\u00f6ldu or\u00f0i, en segja m\u00e1 a\u00f0 \u00fatkoman sker sig oft (s\u00e9rstaklega me\u00f0 tilkomu titlanna) ekki s\u00ed\u00f0ur \u00ed \u00e1tt a\u00f0 \u00f6\u00f0rum verkum listamannsins \u2013 t.d. Heimskauta\u00e1v\u00f6xtum<\/em> og Stj\u00f6rnuhverfi<\/em> \u2013 \u00fear sem a\u00f0st\u00e6\u00f0ur eru mynda\u00f0ar og kenndar vi\u00f0 \u00f6nnur \u00f3skyld fyrirb\u00e6ri, sem nokkur svipur er \u00fe\u00f3 me\u00f0. Ruglingur og samruni, hugarflug og inns\u00e6isst\u00f6kk spila h\u00e9r inn, \u00ed huglei\u00f0ingu um t\u00falkun \u00e1 raunveruleikanum sem er \u00fe\u00f3 \u00e1 m\u00f6rkum vana og firringar. \u00cd \u00f6llum tilfellum lei\u00f0ir svipu\u00f0 reynsla og s\u00fa sem er uppista\u00f0an \u00ed ofannefnd verk til enduruppg\u00f6tvunar umhverfisins s\u00edns.\r\n\r\n\"\"\r\n\r\nVi\u00f0 nefndum \u00ed upphafi a\u00f0 l\u00edkaminn, okkar fruml\u00e6gi veruh\u00e1ttur, er fyrsti tengili\u00f0ur okkar vi\u00f0 umheiminn. \u00cd gegnum hann eiga s\u00e9r sta\u00f0 vensl ytri og innri r\u00fdma \u2013 nokku\u00f0 sem Haraldur huglei\u00f0ir \u00ed s\u00ednum m\u00f6rgu verkum sem hafa \u00fdmiskonar op a\u00f0 vi\u00f0fangsefni. Me\u00f0al verkanna sem fjalla um l\u00edkamann er Svipir<\/em>, myndbandsverk \u00fear sem f\u00f6st innr\u00f6mmun \u00e1 andliti listamannsins s\u00fdnir hann breyta \u00edtreka\u00f0 um andlitssvip, me\u00f0 h\u00e6gum hreyfingum. Myndskei\u00f0i\u00f0 er athyglisvert ekki fyrir \u00fea\u00f0 eina a\u00f0 l\u00fdsa \u00fev\u00ed r\u00f3fi tilfinninga og framkoma sem gefi\u00f0 er \u00ed skyn af andlitinu, me\u00f0 allri margr\u00e6\u00f0ni og h\u00e1rf\u00ednum bl\u00e6brig\u00f0um sem breg\u00f0a fyrir \u00e1 milli greinilegri, \u201efastm\u00f3ta\u00f0ri\u201c svipa. Verki\u00f0 s\u00fdnir \u00fear me\u00f0 einnig d\u00e6mi um samskipti milli l\u00edkama, \u00f3or\u00f0u\u00f0 bo\u00f0skipti sem bergm\u00e1la \u00ed l\u00edkama vi\u00f0takandans \u00e1\u00f0ur en \u00feeim ver\u00f0i mi\u00f0la\u00f0 til vitundarinnar. Tala m\u00e6tti um \u00e1kve\u00f0i\u00f0 \u201eandr\u00famsloft\u201c andlitsins, h\u00e9r svipt samhengi og sett fram \u00e1 svipa\u00f0an h\u00e1tt og \u00e1 ranns\u00f3knarstofu.\r\n\r\nAu\u00f0velt er a\u00f0 sj\u00e1 hvernig d\u00edalekt\u00edk og samskipti innra og ytra fl\u00e9ttast saman vi\u00f0 annan lykil\u00fer\u00e1\u00f0 \u00ed list Haraldar, \u00fe.e.a.s. \u00fe\u00e1ttt\u00f6ku \u00e1horfandans. L\u00edkt og \u00fdmsir \u00fe\u00e1ttt\u00f6kumi\u00f0a\u00f0ir gj\u00f6rningar (Lei\u00f0sla<\/em>, Litun<\/em>, o.fl.), sem eru beinl\u00ednis h\u00e1\u00f0ir spili \u00e1horfenda, hefur Haraldur unni\u00f0 innsetningar sem \u00e1horfandinn gengur inn \u00ed og er \u00fear \u201evirkja\u00f0ur\u201c. H\u00e9r eins og v\u00ed\u00f0ar \u00ed list Haraldar er markmi\u00f0i\u00f0 \u00fea\u00f0 a\u00f0 l\u00e1ta \u00e1horfendur enduruppg\u00f6tva sj\u00e1lfa sig \u00ed umheiminum, enduruppg\u00f6tva hluti og \u00f6nnur fyrirb\u00e6ri, jafnvel listina sj\u00e1lfa.\r\n\r\nSegja m\u00e1 a\u00f0 \u00fe\u00e1ttt\u00f6ku\u00fer\u00e1\u00f0urinn s\u00e9 spunninn \u00ed tv\u00e6r \u00e1ttir \u00e1 s\u00fdningunni. Sum verkin virka sem \u201eskynjunarv\u00e9lar\u201c: Apparat e\u00f0a umgj\u00f6r\u00f0 sem virkja gestinn. \u00deannig eru verk \u00e1 bor\u00f0 vi\u00f0 Myrkurlampi<\/em> ekki sj\u00e1lfst\u00e6\u00f0ar, loka\u00f0ar einingar heldur umger\u00f0ir sem fullgerast a\u00f0eins me\u00f0 tilkomu \u00e1horfenda. \u00deetta \u00fe\u00e1ttt\u00f6kumi\u00f0a\u00f0a e\u00f0li margra verka birtist hva\u00f0 gl\u00f6ggvast \u00ed gj\u00f6rningnum Bl\u00f3\u00f0n\u00e1m<\/em>, sem ver\u00f0ur \u00ed gangi \u00e1 tilgreindum t\u00edmum yfir s\u00fdningart\u00edmabili\u00f0. \u00dear er gestum gefi\u00f0 t\u00e6kif\u00e6ri \u00e1 a\u00f0 l\u00e1ta s\u00e9rfr\u00e6\u00f0ing draga \u00far s\u00e9r bl\u00f3\u00f0 og taka \u00fea\u00f0 me\u00f0 s\u00e9r heim inni \u00ed hylki. Til \u00feess a\u00f0 nokku\u00f0 ver\u00f0i skapa\u00f0 krefst verki\u00f0 n\u00e6rveru, viljugrar \u00fe\u00e1ttt\u00f6ku og framlags gestsins. \u00dea\u00f0 kemur b\u00f3kstaflega vi\u00f0 \u00e1horfandanum til a\u00f0 kalla eitthva\u00f0 fram \u00ed honum \u2013 draga<\/em> eitthva\u00f0 fram \u00far<\/em> honum, sem hann f\u00e6r s\u00ed\u00f0an a\u00f0 taka me\u00f0 s\u00e9r. Er \u00feetta ekki grundvallarvirkni \u00ed st\u00f3rum hluta allrar listarinnar? Eins og almennt er tilfelli\u00f0 \u00fe\u00e1 er \u00fea\u00f0 sem gesturinn tekur heim fr\u00e1 m\u00f3ti s\u00ednu vi\u00f0 listina pers\u00f3nulegt og ekki markt\u00e6kt sem hlutur: \u00deannig hefur bl\u00f3\u00f0hylki\u00f0 t\u00e1knr\u00e6nt fremur en efnislegt, b\u00f3kstaflegt gildi. \u00cd endanum ver\u00f0ur \u00feetta ekki s\u00ed\u00f0ur afar hittin a\u00f0fer\u00f0 til a\u00f0 benda \u00e1 mikilv\u00e6ga \u00fe\u00e1tt l\u00edkamans, l\u00edkamlegu veru okkar, \u00ed reynslu af listinni.\r\n\r\n\u00der\u00e1\u00f0ur \u00fe\u00e1ttt\u00f6kunnar togast hins vegar \u00fat fyrir s\u00fdningarsalina og sj\u00e1lfan listheiminn, inn \u00ed almannar\u00fdmi\u00f0. \u00deannig er hlj\u00f3\u00f0innsetninguna Barn <\/em>a\u00f0 finna \u00e1 leikvelli \u00e1 Klambrat\u00fani, verk sem aftur veltur \u00e1 skiptum: L\u00fdsingu \u00e1 \u00e1kve\u00f0nu fyrirb\u00e6ri \u00ed fjarveru hins sama. Raunveruleg b\u00f6rn leika s\u00e9r \u00e1 sv\u00e6\u00f0inu \u00e1 daginn og skapa me\u00f0 \u00fev\u00ed tilsv\u00f6run fyrir innsetninguna, sem tekur vi\u00f0 \u00e1 kv\u00f6ldin. Framlenging s\u00fdningarinnar inn \u00e1 samf\u00e9lagsmi\u00f0lana r\u00edmar s\u00ed\u00f0an \u00e1 vissan h\u00e1tt vi\u00f0 titilverk s\u00fdningarinnar, R\u00f3f<\/em>, sem listama\u00f0urinn segir v\u00edsa \u00ed skj\u00e1menningu samt\u00edmans og \u00fea\u00f0 \u00f6r\u00feunna r\u00fdmi sem f\u00f3lk er n\u00fa fari\u00f0 a\u00f0 dvelja langar stundir \u00ed og athafnast. Verki\u00f0 samanstendur af strimlagluggatj\u00f6ldum, gulum appels\u00ednugulum og rau\u00f0um, sem Haraldur f\u00e9kk a\u00f0 setja upp \u00ed glugga nokkurra h\u00fasa \u00e1 Fl\u00f3kag\u00f6tu, \u00ed samr\u00e1\u00f0i vi\u00f0 \u00edb\u00faana. F\u00f3lki\u00f0 dregur fr\u00e1 og fyrir a\u00f0 eigin vilja yfir daginn, og st\u00fdrir \u00feannig (sam)skiptunum inni- og \u00fatir\u00fdmis, hven\u00e6r og hvernig hvort \u00feeirra opnast fyrir hinu me\u00f0 \u00fev\u00ed a\u00f0 ver\u00f0a sj\u00f3ninni a\u00f0gengilegt. \u00deannig fremur en verk \u00ed eiginlegu almannar\u00fdmi er h\u00e9r um einskonar ja\u00f0arsv\u00e6\u00f0i a\u00f0 r\u00e6\u00f0a. Innsetningin er sta\u00f0sett \u00ed einkar\u00fdmi \u00e1 sama t\u00edma og henni er \u00fe\u00f3 beint a\u00f0 ytra r\u00fdminu, r\u00fdmi \u201ehinna\u201c \u2013 \u00e1horfenda og almennings. Samspili\u00f0 sem \u00e1 s\u00e9r sta\u00f0 h\u00e9r \u00e1 m\u00f6rkunum v\u00edkkar \u00fat, inn \u00ed samf\u00e9lagslegt samhengi, merkingu hins innra og hins ytra. Og alveg eins og skynjun, tilfinningar og tungum\u00e1l eru lei\u00f0 \u00fear \u00e1 milli \u00fear sem um l\u00edkamann r\u00e6\u00f0ir, \u00fe\u00e1 er sj\u00e1lf listin vissulega lei\u00f0 \u00e1 milli r\u00fdma samf\u00e9lagsl\u00edkamans.\r\n\r\nVerk Haraldar eru eitthva\u00f0 sem flestir geta tengt vi\u00f0 vegna \u00feess a\u00f0 \u00feau fjalla um tilveru okkar \u2013 l\u00edkamlegu, tilfinningalegu, en l\u00edka vitsmunalegu \u2013 \u00ed heimi hluta og a\u00f0st\u00e6\u00f0na sem vi\u00f0 reynum st\u00f6\u00f0ugt a\u00f0 gera okkur einhverja grein fyrir, og h\u00f6fum \u00e1 h\u00e6ttu a\u00f0 festast s\u00ed\u00f0an \u00ed. \u00cd list sinni tengir Haraldur saman grunnform \u00feekkingar okkar \u00e1 heiminum, og \u00fear me\u00f0 \u00e1 okkur sj\u00e1lfum: Skynreynslu, hugmyndir, tungum\u00e1l. S\u00fdningin \u00e1 Kjarvalsst\u00f6\u00f0um kemur \u00f6llu \u00feessu saman, \u00e1n \u00feess a\u00f0 \u00fatiloka neinn af \u00feeim mi\u00f0lum sem Haraldur hefur n\u00fdtt s\u00e9r \u00e1 lei\u00f0inni \u2013 og ber h\u00e9r a\u00f0 nefna gj\u00f6rningadagskr\u00e1na Afsteypur<\/em>, \u00fear sem gamlir og n\u00fdjir gj\u00f6rningar \u00ed bland ver\u00f0a framdir; n\u00e9 heldur bindur h\u00fan sig vi\u00f0 r\u00fdmi s\u00fdningarsalarins eitt og s\u00e9r, sem aftur \u00e1 m\u00f3ti n\u00fdtur s\u00edn afar fj\u00f6rlega \u00ed uppsetningunni \u2013 jafnvel \u00fe\u00f3tt sum verkin kunni a\u00f0 koma fyrir sj\u00f3nir eins og d\u00e1l\u00edti\u00f0 \u00ed lausu samhengi vi\u00f0 hin n\u00e6rliggjandi. \u00cd lj\u00f3si \u00feeirrar st\u00f6\u00f0u sem texti og yrt tj\u00e1ning eiga s\u00e9r \u00ed list Haraldar m\u00e6tti deila um hvort skriftir hans hef\u00f0u m\u00f6gulega geta\u00f0 fengi\u00f0 sitt pl\u00e1ss \u00e1 s\u00fdninguna l\u00edka, en geta skal \u00feess a\u00f0 nokkur brot \u00far sk\u00e1ldverkum hans er a\u00f0 finna \u00ed umfangsmikilli s\u00fdningarskr\u00e1 sem gefin var \u00fat a\u00f0 gefnu tilefni. \u00dear finnast einnig fj\u00f6lbreyttir textar eftir Mark\u00fas \u00de\u00f3r, Sigr\u00ed\u00f0i \u00deorgeirsd\u00f3ttur, Sj\u00f3n, og vi\u00f0tal Katr\u00ednar \u00d3marsd\u00f3ttur vi\u00f0 listamanninn.\r\n\r\nList Haraldar J\u00f3nssonar einkennist \u00ed senn af d\u00fdpt og k\u00edmni, glettni og gl\u00f6ggs\u00fdni. Listama\u00f0urinn stendur fyrir samt\u00edmalegri listsk\u00f6pun sem er b\u00e6\u00f0i \u00e1hugaver\u00f0 og a\u00f0gengileg, og \u00fear sem myndm\u00e1li\u00f0 vir\u00f0ist b\u00faa yfir getu til a\u00f0 vekja forvitni \u00e1horfandans. Spurningin er hvort \u00fea\u00f0 endurn\u00fdjist \u00feannig hj\u00e1 gestum sama d\u00fdrm\u00e6ta forvitnin og listama\u00f0urinn vir\u00f0ist s\u00fdna gagnvart umheiminum.\r\n

Lorenzo Imola<\/em><\/p>\r\n\r\n\r\n

\r\n\r\nS\u00fdningin stendur til\u00a027.01.2019\r\n\r\nLj\u00f3smyndir: Lorenzo Imola og artzine.\r\n\r\nVefs\u00ed\u00f0a: haraldurjonsson.com<\/a>\r\n\r\n\u00a0","_et_gb_content_width":"","_jetpack_memberships_contains_paid_content":false,"footnotes":""},"categories":[1],"tags":[335,560,562,561,109,354,559],"class_list":["post-7892","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-uncategorized","tag-haraldur-jonsson","tag-kjarvalstadir","tag-listasafn-reykjavikur","tag-lorenzo-imola","tag-myndlist","tag-myndlistarmadur","tag-rof"],"yoast_head":"\nVeruleikinn fr\u00e1 vana til undrunar: R\u00f3f Haralds J\u00f3nssonar - artzine.is<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/artzine.is\/?p=7892\" \/>\n<meta property=\"og:locale\" content=\"is_IS\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Veruleikinn fr\u00e1 vana til undrunar: R\u00f3f Haralds J\u00f3nssonar - artzine.is\" \/>\n<meta property=\"og:description\" content=\"Fyrir \u00fe\u00e1 sem, eins og undirrita\u00f0an, hafa mynda\u00f0 s\u00e9r \u00fe\u00e1 \u00f3viljandi venju a\u00f0 sl\u00e1 takt e\u00f0a telja skrefin \u00ed huganum \u00feegar gengi\u00f0 er og hugurinn s\u00e9 ekki upptekinn vi\u00f0 veigameiri hugsanir, kunna fyrstu kynnin vi\u00f0 n\u00fdjustu s\u00fdningu Haralds J\u00f3nssonar myndlistarmanns a\u00f0 virka fremur n\u00e1in. 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