{"id":7838,"date":"2018-12-18T14:44:27","date_gmt":"2018-12-18T14:44:27","guid":{"rendered":"http:\/\/artzine.is\/?p=7838"},"modified":"2018-12-19T09:18:26","modified_gmt":"2018-12-19T09:18:26","slug":"hlidar-saman-hlidar","status":"publish","type":"post","link":"https:\/\/artzine.is\/?p=7838","title":{"rendered":"Hli\u00f0ar saman hli\u00f0ar"},"content":{"rendered":"

[et_pb_section fb_built=“1″ fullwidth=“on“ custom_padding_last_edited=“on|desktop“ _builder_version=“3.0.74″ custom_padding_tablet=“50px|0|50px|0″ transparent_background=“off“ padding_mobile=“off“][et_pb_fullwidth_image src=“http:\/\/artzine.is\/wp-content\/uploads\/2018\/12\/IMG_1399.jpg“ _builder_version=“3.15″ animation=“off“][\/et_pb_fullwidth_image][\/et_pb_section][et_pb_section fb_built=“1″ custom_padding_last_edited=“on|desktop“ admin_label=“section“ _builder_version=“3.0.74″ custom_padding_tablet=“50px|0|50px|0″ transparent_background=“off“ padding_mobile=“off“][et_pb_row padding_mobile=“off“ column_padding_mobile=“on“ _builder_version=“3.0.48″ background_size=“initial“ background_position=“top_left“ background_repeat=“repeat“][et_pb_column type=“4_4″ _builder_version=“3.0.47″ column_padding_mobile=“on“ parallax=“off“ parallax_method=“on“][et_pb_post_title author=“off“ date_format=“j.m. Y“ categories=“off“ comments=“off“ featured_image=“off“ _builder_version=“3.15″ title_font=“Oswald|600||on|||||“ title_font_size=“35px“ title_letter_spacing=“1px“ title_all_caps=“on“ background_color=“rgba(255,255,255,0)“ parallax=“on“ parallax_method=“off“ use_border_color=“off“ border_color=“#ffffff“ border_style=“solid“ parallax_effect=“on“ module_bg_color=“rgba(255,255,255,0)“ global_module=“3887″ saved_tabs=“all“][\/et_pb_post_title][et_pb_text _builder_version=“3.15″ background_size=“initial“ background_position=“top_left“ background_repeat=“repeat“]<\/p>\n

Ing\u00f3lfur Arnarson er l\u00f6ngu \u00feekktur \u00e1 me\u00f0al \u00e1hugaf\u00f3lks um myndlist fyrir verk s\u00edn, b\u00e6\u00f0i h\u00e9r \u00e1 landi og erlendis. \u00cd \u00fev\u00ed sambandi skiptir miklu m\u00e1li langt\u00edma s\u00fdning \u00e1 verkum hans \u00e1 sl\u00f3\u00f0um Donads Judd \u00ed Marfa, Texas. \u00c1 yfirstandandi s\u00fdningu \u00ed Hafnarh\u00fasi Listasafns Reykjav\u00edkur er fj\u00f6ldi verka Ing\u00f3lfs til s\u00fdnis um \u00feessar mundir.<\/strong><\/p>\n

Ferill Ing\u00f3lfs n\u00e6r til upphafs n\u00edunda \u00e1ratugar s\u00ed\u00f0ustu aldar og hefur hann s\u00fdnt oft og v\u00ed\u00f0a vi\u00f0 g\u00f3\u00f0an or\u00f0st\u00fdr. \u00cd \u00fev\u00ed sambandi ryfjast upp fyrir m\u00e9r ein eftirminnilegasta s\u00fdning hans fr\u00e1 fyrri \u00e1rum, en h\u00fan var haldin \u00ed N\u00fdlistasafninu vi\u00f0 Vatnsst\u00edg \u00e1ri\u00f0 1988. \u00dear s\u00fdndi Ing\u00f3lfur l\u00e1gmyndir \u00far gipsi, en \u00fea\u00f0 er d\u00ed\u00f3n\u00edsiska s\u00fdning sem \u00e9g hef s\u00e9\u00f0 um dagana og bergm\u00e1lar fegur\u00f0 hennar enn \u00ed h\u00f6f\u00f0i m\u00ednu eftir \u00f6ll \u00feessi \u00e1r m.a. vegna \u00feess a\u00f0 hann m\u00e1la\u00f0i hluta eins gipsverksins<\/span> me\u00f0 rau\u00f0v\u00edni sem l\u00e9\u00f0i verkinu f\u00f6lbleikt yfirbrag\u00f0. \u00deetta var \u00ed fyrsta og eina skipti\u00f0 sem \u00e9g hef gengi\u00f0 \u00f6lvu\u00f0 \u00fataf s\u00fdningu \u00e1n \u00feess a\u00f0 hafa brag\u00f0a\u00f0 dropa af v\u00edni. \u00dearna s\u00fdndi hann gr\u00f3fger\u00f0a steinsteypuhellu sem borin var \u00feunnu gipslagi og m\u00e1 telja \u00fea\u00f0 verk upphafi\u00f0 a\u00f0 \u00feeirri list sem hann hefur i\u00f0ka\u00f0 s\u00ed\u00f0an.<\/p>\n

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Ing\u00f3lfur hefur s\u00fdnt verk s\u00edn \u00e1 fj\u00f6lda s\u00fdninga \u00fea\u00f0 sem af er \u00f6ldinni. Skemmst er a\u00f0 minnast sams\u00fdningar hans og Eggerts P\u00e9turssonar \u00ed Gallar\u00ed Gesti \u00ed n\u00f3vember \u00e1ri\u00f0 2016 en \u00fear s\u00fdndu \u00feeir um eitthundra\u00f0 lj\u00f3smyndir. \u00deetta var \u00fe\u00e1ttt\u00f6kuverk \u00ed anda Fluxus og g\u00e1tu gestir d\u00edft h\u00f6ndunum \u00ed lj\u00f3smyndabunkann og gripi\u00f0 stakar myndir e\u00f0a bunka af \u00feeim til \u00edhugunar.<\/p>\n

S\u00fdningin ber titilinn, Jar\u00f0h\u00e6\u00f0<\/em> og er \u00ed samr\u00e6mi vi\u00f0 \u00fea\u00f0, sta\u00f0sett \u00e1 jar\u00f0h\u00e6\u00f0 safnsins \u00ed f\u00e9lagsskap vi\u00f0 gr\u00e1sprengdar s\u00falur, hv\u00edta veggi og st\u00f3ra glugga sem opna s\u00fdn \u00fat\u00far r\u00fdminu \u00e1 g\u00f6tuna; h\u00fas og umfer\u00f0 akandi, gangandi og hj\u00f3landi vegfarenda og ekki s\u00ed\u00f0ur s\u00fdn inn\u00ed r\u00fdmi\u00f0 utanfr\u00e1 .<\/p>\n

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\u00de\u00f3 \u00feessi inn- og \u00fats\u00fdn s\u00e9 gamalkunnug af fyrri s\u00fdningum safnsins n\u00e6r h\u00fan a\u00f0 veita \u00feessari s\u00fdningu \u00f3v\u00e6nta v\u00eddd m.a. vegna \u00feess a\u00f0 innsetningunni er \u00feannig h\u00e1tta\u00f0 a\u00f0 l\u00e1gmyndirnar fl\u00fatta vi\u00f0 s\u00falurnar og hverfa \u00e1 bakvi\u00f0 \u00fe\u00e6r og sj\u00e1st \u00fe\u00e1 bara teikningarnar nema \u00feeir sem sko\u00f0a verkin st\u00edgi til hli\u00f0ar eins og teki\u00f0 er til or\u00f0a \u00e1 vorum d\u00f6gum. \u00deessi n\u00fana-s\u00e9r\u00f0u-en-ekki-n\u00fana-reynsla gerist hvort sem \u00e1horfandinn er inn\u00ed salnum e\u00f0a sko\u00f0ar verkin utanfr\u00e1 \u00ed gegnum gluggana. \u00dar \u00feessu ver\u00f0ur svol\u00edtill hli\u00f0ar-saman-hli\u00f0ar-dans sem gerir gestina a\u00f0 \u00fe\u00e1tttakendum \u00ed innsetningunni. \u00deessar einf\u00f6ldu hreyfingar gagnvart sta\u00f0setningum verkanna g\u00e6\u00f0a s\u00fdninguna og verkin \u00f3v\u00e6ntu l\u00edfi, gagnst\u00e6\u00f0u fremur tilbreytingarlausu yfirbor\u00f0inu. Sama m\u00e1 segja um teikningarnar \u2013 \u00fe\u00e6r s\u00fdna enga \u00feekkjanlega hluti en virka \u00feess \u00ed sta\u00f0 eins og fl\u00f3knar h\u00e6ggengar huglei\u00f0slustundir, mand\u00f6lur \u00e1n hringformsins sem heldur \u00f6llu saman me\u00f0 hj\u00e1lp go\u00f0borinna vera. \u2013T\u00e1knmynd \u00edhugunar hefur veri\u00f0 brotin upp \u00ed frumeindir \u00ed takt vi\u00f0 umfer\u00f0arasann utan gluggans.<\/p>\n

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\u00dea\u00f0 sem kemur mest \u00e1 \u00f3vart er fyrirfer\u00f0arl\u00edti\u00f0 sl\u00e6dsj\u00f3 vi\u00f0 \u00fatg\u00f6ngudyr salarins. \u00dear breg\u00f0ur me\u00f0al annars fyrir lj\u00f3smyndum sem Ing\u00f3lfur s\u00fdndi \u00ed Galler\u00ed Gesti. \u00deegar h\u00e9r er komi\u00f0 hefst annarskonar dans \u00fev\u00ed n\u00fa \u00feurfa gestir a\u00f0 staldra vi\u00f0 \u00e1 me\u00f0an b\u00e6\u00f0i litr\u00edkar og f\u00e1lita\u00f0ar lj\u00f3smyndirnar dansa vi\u00f0 augu \u00e1horfenda og halda \u00feeim f\u00f6ngunum.<\/p>\n

Lj\u00f3smyndirnar eru a\u00f0 nokkru andst\u00e6\u00f0a teikninganna og l\u00e1gmyndanna vegna fj\u00f6lbreyttra litastemminga en halda aftur\u00e1m\u00f3ti uppi litr\u00edkum dansi vi\u00f0 borgarlandslagi\u00f0 utandyra og undirstrika v\u00ed\u00f0t\u00e6ka \u00fe\u00e1ttt\u00f6ku \u00ed allri innsetningunni. Lj\u00f3smyndirnar \u00ed sl\u00e6ds\u00fdningunni s\u00fdna \u00e1 \u00f3yggjandi h\u00e1tt hversu gott auga Ing\u00f3lfur hefur fyrir sm\u00e1atri\u00f0um daglegs l\u00edfs.<\/p>\n

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\u00deegar huga\u00f0 er a\u00f0 litad\u00edr\u00f0 lj\u00f3smyndanna hvarflar a\u00f0 undirrita\u00f0ri hvort h\u00e9r s\u00e9\u00a0 v\u00edsbending um n\u00e6stu s\u00fdningu Ing\u00f3lfs og hvort litirnir ver\u00f0i virkja\u00f0ir af fullum krafti \u00ed framt\u00ed\u00f0inni. \u00dea\u00f0 er ekki \u00fat\u00ed h\u00f6tt a\u00f0 gera s\u00e9r \u00fea\u00f0 \u00ed hugarlund \u00fev\u00ed samspil lita var mj\u00f6g \u00e1berandi \u00ed verkum Judds um t\u00edma. \u00dea\u00f0 yr\u00f0i alt\u00e9nt spennadi a\u00f0 sj\u00e1 liti og fj\u00f6lbreytt form lj\u00f3smyndanna spretta fram \u00ed verkum Ing\u00f3lfs og kannski vekja upp D\u00ed\u00f3n\u00edsos og villta lifsgle\u00f0i sem for\u00f0um.<\/p>\n

S\u00fdning Ing\u00f3lfs \u00ed Hafnarh\u00fasinu er enn ein s\u00f6nnun \u00feess hve mikilmikilv\u00e6gu hlutverki s\u00f6fn gegna vi\u00f0 a\u00f0 sta\u00f0festa tilvist og erindi listaf\u00f3lks umfram \u00fea\u00f0 sem s\u00f6lugaller\u00ed gera. \u2013 Ekki s\u00edst \u00feegar virt s\u00f6fn kaupa verk listaf\u00f3lks til var\u00f0veislu fyrir komandi kynsl\u00f3\u00f0ir.<\/p>\n

\u00de\u00f3 verkin l\u00e1ti l\u00edti\u00f0 yfir s\u00e9r \u00e1 yfirbor\u00f0inu og au\u00f0velt s\u00e9 a\u00f0 l\u00e1ta s\u00e9r f\u00e1tt um finnast og segja a\u00f0 s\u00fdningin s\u00e9 hvorki g\u00f3\u00f0 n\u00e9 sl\u00e6m, litlaus n\u00e9 lei\u00f0inleg \u00fe\u00e1 er h\u00e9r \u00e1 fer\u00f0inni skemmtilegt sj\u00f3narspil \u00fatsins og innsins, kyrrst\u00f6\u00f0u, hreyfingar og \u00fe\u00e1ttt\u00f6ku. \u00de\u00f3 myndheimur Ing\u00f3lfs s\u00e9 \u00e1 yfirbor\u00f0inu fyrst og fremst tengdur hugvitinu \u00fe\u00e1 er \u00ed \u00feessari s\u00fdningu \u00e1hugaver\u00f0 v\u00edsun \u00ed l\u00edkamsviti\u00f0.<\/p>\n

Ynda Gestsson<\/em><\/p>\n

\n

S\u00fdningin er opin til 10. Febr\u00faar 2019.<\/strong><\/p>\n

Lj\u00f3smyndir: Helga \u00d3skarsd\u00f3ttir<\/p>\n

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Ing\u00f3lfur Arnarson er l\u00f6ngu \u00feekktur \u00e1 me\u00f0al \u00e1hugaf\u00f3lks um myndlist fyrir verk s\u00edn, b\u00e6\u00f0i h\u00e9r \u00e1 landi og erlendis. \u00cd \u00fev\u00ed sambandi skiptir miklu m\u00e1li langt\u00edma s\u00fdning \u00e1 verkum hans \u00e1 sl\u00f3\u00f0um Donads Judd \u00ed Marfa, Texas. \u00c1 yfirstandandi s\u00fdningu \u00ed Hafnarh\u00fasi Listasafns Reykjav\u00edkur er fj\u00f6ldi verka Ing\u00f3lfs til s\u00fdnis um \u00feessar mundir. Ferill Ing\u00f3lfs […]<\/p>\n","protected":false},"author":23,"featured_media":7853,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_et_pb_use_builder":"on","_et_pb_old_content":"

Ing\u00f3lfur Arnarson er l\u00f6ngu \u00feekktur \u00e1 me\u00f0al \u00e1hugaf\u00f3lks um myndlist fyrir verk s\u00edn, b\u00e6\u00f0i h\u00e9r \u00e1 landi og erlendis. \u00cd \u00fev\u00ed sambandi skiptir miklu m\u00e1li langt\u00edma s\u00fdning \u00e1 verkum hans \u00e1 sl\u00f3\u00f0um Donads Judd \u00ed Marfa, Texas. \u00c1 yfirstandandi s\u00fdningu \u00ed Hafnarh\u00fasi Listasafns Reykjav\u00edkur er fj\u00f6ldi verka Ing\u00f3lfs til s\u00fdnis um \u00feessar mundir.<\/strong><\/p>

Ferill Ing\u00f3lfs n\u00e6r til upphafs n\u00edunda \u00e1ratugar s\u00ed\u00f0ustu aldar og hefur hann s\u00fdnt oft og v\u00ed\u00f0a vi\u00f0 g\u00f3\u00f0an or\u00f0st\u00fdr. \u00cd \u00fev\u00ed sambandi ryfjast upp fyrir m\u00e9r ein eftirminnilegasta s\u00fdning hans fr\u00e1 fyrri \u00e1rum, en h\u00fan var haldin \u00ed N\u00fdlistasafninu vi\u00f0 Vatnsst\u00edg \u00e1ri\u00f0 1988. \u00dear s\u00fdndi Ing\u00f3lfur m.a. l\u00e1gmyndir \u00far gipsi, en \u00fea\u00f0 er d\u00ed\u00f3n\u00edsiska s\u00fdning sem \u00e9g hef s\u00e9\u00f0 um dagana og bergm\u00e1lar fegur\u00f0 hennar enn \u00ed h\u00f6f\u00f0i m\u00ednu eftir \u00f6ll \u00feessi \u00e1r vegna \u00feess a\u00f0 hann m\u00e1la\u00f0i hli\u00f0ina \u00e1 einu gipsverkinu me\u00f0 rau\u00f0v\u00edni sem l\u00e9\u00f0i verkinu f\u00f6lbleikt yfirbrag\u00f0. \u00deetta var \u00ed fyrsta og eina skipti\u00f0 sem \u00e9g hef gengi\u00f0 \u00f6lvu\u00f0 \u00fataf s\u00fdningu \u00e1n \u00feess a\u00f0 hafa brag\u00f0a\u00f0 dropa af v\u00edni. \u00dearna s\u00fdndi hann gr\u00f3fger\u00f0a steinsteypuhellu sem borin var \u00feunnu gipslagi og m\u00e1 telja \u00fea\u00f0 verk upphafi\u00f0 a\u00f0 \u00feeirri list sem hann hefur i\u00f0ka\u00f0 s\u00ed\u00f0an.<\/p>

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Ing\u00f3lfur hefur s\u00fdnt verk s\u00edn \u00e1 fj\u00f6lda s\u00fdninga \u00fea\u00f0 sem af er \u00f6ldinni. Skemmst er a\u00f0 minnast sams\u00fdningar hans og Eggerts P\u00e9turssonar \u00ed Gallar\u00ed Gesti \u00ed n\u00f3vember \u00e1ri\u00f0 2016 en \u00fear s\u00fdndu \u00feeir um eitthundra\u00f0 lj\u00f3smyndir. \u00deetta var \u00fe\u00e1ttt\u00f6kuverk \u00ed anda Fluxus og g\u00e1tu gestir d\u00edft h\u00f6ndunum \u00ed lj\u00f3smyndabunkann og gripi\u00f0 stakar myndir e\u00f0a bunka af \u00feeim til \u00edhugunar.<\/p>

S\u00fdningin ber titilinn, Jar\u00f0h\u00e6\u00f0<\/em> og er \u00ed samr\u00e6mi vi\u00f0 \u00fea\u00f0, sta\u00f0sett \u00e1 jar\u00f0h\u00e6\u00f0 safnsins \u00ed f\u00e9lagsskap vi\u00f0 gr\u00e1sprengdar s\u00falur, hv\u00edta veggi og st\u00f3ra glugga sem opna s\u00fdn \u00fat\u00far r\u00fdminu \u00e1 g\u00f6tuna; h\u00fas og umfer\u00f0 akandi, gangandi og hj\u00f3landi vegfarenda og ekki s\u00ed\u00f0ur s\u00fdn inn\u00ed r\u00fdmi\u00f0 utanfr\u00e1 .<\/p>

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\u00de\u00f3 \u00feessi inn- og \u00fats\u00fdn s\u00e9 gamalkunnug af fyrri s\u00fdningum safnsins n\u00e6r h\u00fan a\u00f0 veita \u00feessari s\u00fdningu \u00f3v\u00e6nta v\u00eddd m.a. vegna \u00feess a\u00f0 innsetningunni er \u00feannig h\u00e1tta\u00f0 a\u00f0 l\u00e1gmyndirnar fl\u00fatta vi\u00f0 s\u00falurnar og hverfa \u00e1 bakvi\u00f0 \u00fe\u00e6r og sj\u00e1st \u00fe\u00e1 bara teikningarnar nema \u00feeir sem sko\u00f0a verkin st\u00edgi til hli\u00f0ar eins og teki\u00f0 er til or\u00f0a \u00e1 vorum d\u00f6gum. \u00deessi n\u00fana-s\u00e9r\u00f0u-en-ekki-n\u00fana-reynsla \u00a0gerist hvort sem \u00e1horfandinn er inn\u00ed salnum e\u00f0a sko\u00f0ar verkin utanfr\u00e1 \u00ed gegnum gluggana. \u00dar \u00feessu ver\u00f0ur svol\u00edtill hli\u00f0ar-saman-hli\u00f0ar-dans sem gerir gestina a\u00f0 \u00fe\u00e1tttakendum \u00ed innsetningunni. \u00deessar einf\u00f6ldu hreyfingar gagnvart sta\u00f0setningum verkanna g\u00e6\u00f0a s\u00fdninguna og verkin \u00f3v\u00e6ntu l\u00edfi, gagnst\u00e6\u00f0u fremur tilbreytingarlausu yfirbor\u00f0inu. Sama m\u00e1 segja um teikningarnar \u2013 \u00fe\u00e6r s\u00fdna enga \u00feekkjanlega hluti en virka \u00feess \u00ed sta\u00f0 eins og fl\u00f3knar h\u00e6ggengar huglei\u00f0slustundir, mand\u00f6lur \u00e1n hringformsins sem heldur \u00f6llu saman me\u00f0 hj\u00e1lp go\u00f0borinna vera. \u2013T\u00e1knmynd \u00edhugunar hefur veri\u00f0 brotin upp \u00ed frumeindir \u00ed takt vi\u00f0 umfer\u00f0arasann utan gluggans.<\/p>

\"\"<\/p>

\u00dea\u00f0 sem kemur mest \u00e1 \u00f3vart er fyrirfer\u00f0arl\u00edti\u00f0 sl\u00e6dsj\u00f3 vi\u00f0 \u00fatg\u00f6ngudyr salarins. \u00dear breg\u00f0ur me\u00f0al annars fyrir lj\u00f3smyndum sem Ing\u00f3lfur s\u00fdndi \u00ed Galler\u00ed Gesti. \u00deegar h\u00e9r er komi\u00f0 hefst annarskonar dans \u00fev\u00ed n\u00fa \u00feurfa gestir a\u00f0 staldra vi\u00f0 \u00e1 me\u00f0an b\u00e6\u00f0i litr\u00edkar og f\u00e1lita\u00f0ar lj\u00f3smyndirnar dansa vi\u00f0 augu \u00e1horfenda og halda \u00feeim f\u00f6ngunum.<\/p>

Lj\u00f3smyndirnar eru a\u00f0 nokkru andst\u00e6\u00f0a teikninganna og l\u00e1gmyndanna vegna fj\u00f6lbreyttra litastemminga en halda aftur\u00e1m\u00f3ti uppi litr\u00edkum dansi vi\u00f0 borgarlandslagi\u00f0 utandyra og undirstrika v\u00ed\u00f0t\u00e6ka \u00fe\u00e1ttt\u00f6ku \u00ed allri innsetningunni. Lj\u00f3smyndirnar \u00ed sl\u00e6ds\u00fdningunni s\u00fdna \u00e1 \u00f3yggjandi h\u00e1tt hversu gott auga Ing\u00f3lfur hefur fyrir sm\u00e1atri\u00f0um daglegs l\u00edfs.<\/p>

\"\"<\/p>

\u00deegar huga\u00f0 er a\u00f0 litad\u00edr\u00f0 lj\u00f3smyndanna hvarflar a\u00f0 undirrita\u00f0ri hvort h\u00e9r s\u00e9\u00a0 v\u00edsbending um n\u00e6stu s\u00fdningu Ing\u00f3lfs og hvort litirnir ver\u00f0i virkja\u00f0ir af fullum krafti \u00ed framt\u00ed\u00f0inni. \u00dea\u00f0 er ekki \u00fat\u00ed h\u00f6tt a\u00f0 gera s\u00e9r \u00fea\u00f0 \u00ed hugarlund \u00fev\u00ed samspil lita var mj\u00f6g \u00e1berandi \u00ed verkum Judds um t\u00edma. \u00dea\u00f0 yr\u00f0i alt\u00e9nt spennadi a\u00f0 sj\u00e1 liti og fj\u00f6lbreytt form lj\u00f3smyndanna spretta fram \u00ed verkum Ing\u00f3lfs og kannski vekja upp D\u00ed\u00f3n\u00edsos og villta lifsgle\u00f0i sem for\u00f0um.<\/p>

S\u00fdning Ing\u00f3lfs \u00ed Hafnarh\u00fasinu er enn ein s\u00f6nnun \u00feess hve mikilmikilv\u00e6gu hlutverki s\u00f6fn gegna vi\u00f0 a\u00f0 sta\u00f0festa tilvist og erindi listaf\u00f3lks umfram \u00fea\u00f0 sem s\u00f6lugaller\u00ed gera. \u2013 Ekki s\u00edst \u00feegar virt s\u00f6fn kaupa verk listaf\u00f3lks til var\u00f0veislu fyrir komandi kynsl\u00f3\u00f0ir.<\/p>

\u00de\u00f3 verkin l\u00e1ti l\u00edti\u00f0 yfir s\u00e9r \u00e1 yfirbor\u00f0inu og au\u00f0velt s\u00e9 a\u00f0 l\u00e1ta s\u00e9r f\u00e1tt um finnast og segja a\u00f0 s\u00fdningin s\u00e9 hvorki g\u00f3\u00f0 n\u00e9 sl\u00e6m, litlaus n\u00e9 lei\u00f0inleg \u00fe\u00e1 er h\u00e9r \u00e1 fer\u00f0inni skemmtilegt sj\u00f3narspil \u00fatsins og innsins, kyrrst\u00f6\u00f0u, hreyfingar og \u00fe\u00e1ttt\u00f6ku. \u00de\u00f3 myndheimur Ing\u00f3lfs s\u00e9 \u00e1 yfirbor\u00f0inu fyrst og fremst tengdur hugvitinu \u00fe\u00e1 er \u00ed \u00feessari s\u00fdningu \u00e1hugaver\u00f0 v\u00edsun \u00ed l\u00edkamsviti\u00f0.
S\u00fdningin er opin til 10. Febr\u00faar 2019.<\/strong><\/p>

Ynda Gestsson<\/em><\/p>","_et_gb_content_width":"","_jetpack_memberships_contains_paid_content":false,"footnotes":""},"categories":[1],"tags":[],"class_list":["post-7838","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-uncategorized"],"yoast_head":"\nHli\u00f0ar saman hli\u00f0ar - artzine.is<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/artzine.is\/?p=7838\" \/>\n<meta property=\"og:locale\" content=\"is_IS\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Hli\u00f0ar saman hli\u00f0ar - artzine.is\" \/>\n<meta property=\"og:description\" content=\"Ing\u00f3lfur Arnarson er l\u00f6ngu \u00feekktur \u00e1 me\u00f0al \u00e1hugaf\u00f3lks um myndlist fyrir verk s\u00edn, b\u00e6\u00f0i h\u00e9r \u00e1 landi og erlendis. \u00cd \u00fev\u00ed sambandi skiptir miklu m\u00e1li langt\u00edma s\u00fdning \u00e1 verkum hans \u00e1 sl\u00f3\u00f0um Donads Judd \u00ed Marfa, Texas. \u00c1 yfirstandandi s\u00fdningu \u00ed Hafnarh\u00fasi Listasafns Reykjav\u00edkur er fj\u00f6ldi verka Ing\u00f3lfs til s\u00fdnis um \u00feessar mundir. 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