{"id":7399,"date":"2018-09-30T13:12:44","date_gmt":"2018-09-30T13:12:44","guid":{"rendered":"http:\/\/artzine.is\/?p=7399"},"modified":"2021-02-09T04:56:48","modified_gmt":"2021-02-09T04:56:48","slug":"segulkraftur-litanna-syning-kees-visser-i-berg-contemporary","status":"publish","type":"post","link":"https:\/\/artzine.is\/?p=7399","title":{"rendered":"Segulkraftur litanna \u2013 S\u00fdning Kees Visser \u00ed BERG Contemporary"},"content":{"rendered":"

[et_pb_section fb_built=“1″ fullwidth=“on“ custom_padding_last_edited=“on|desktop“ _builder_version=“3.22″ custom_padding_tablet=“50px|0|50px|0″ custom_padding_phone=““ transparent_background=“off“ padding_mobile=“off“][et_pb_fullwidth_image src=“https:\/\/artzine.is\/wp-content\/uploads\/2018\/09\/Rimlaverk.jpg“ _builder_version=“3.15″ animation=“off“][\/et_pb_fullwidth_image][\/et_pb_section][et_pb_section fb_built=“1″ custom_padding_last_edited=“on|desktop“ admin_label=“section“ _builder_version=“3.22″ custom_padding_tablet=“50px|0|50px|0″ custom_padding_phone=““ transparent_background=“off“ padding_mobile=“off“][et_pb_row padding_mobile=“off“ column_padding_mobile=“on“ _builder_version=“3.25″ background_size=“initial“ background_position=“top_left“ background_repeat=“repeat“][et_pb_column type=“4_4″ _builder_version=“3.25″ custom_padding=“|||“ custom_padding__hover=“|||“][et_pb_post_title meta=“off“ date_format=“j.m. Y“ featured_image=“off“ _builder_version=“4.7.7″ title_font=“|300||on|||||“ title_text_align=“center“ title_font_size=“40px“ title_letter_spacing=“1px“ title_all_caps=“on“ background_color=“rgba(255,255,255,0)“ parallax=“on“ parallax_method=“off“ max_width=“100%“ title_font_size_tablet=“30px“ title_font_size_phone=“26px“ title_font_size_last_edited=“on|phone“ use_border_color=“off“ border_color=“#ffffff“ border_style=“solid“ parallax_effect=“on“ module_bg_color=“rgba(255,255,255,0)“ global_module=“3887″ saved_tabs=“all“][\/et_pb_post_title][et_pb_text _builder_version=“3.27.4″ background_size=“initial“ background_position=“top_left“ background_repeat=“repeat“]<\/p>\n

Litaverk hollenska listamannsins Kees Visser blasa vi\u00f0 inn um glugga BERG Contemporary. Ferkanta\u00f0ir fletir \u00ed mismunandi st\u00e6r\u00f0um og litum, hengdir upp \u00e1 kerfisbundinn h\u00e1tt \u00e1 hv\u00edta veggi galler\u00edsins. \u00cd \u00f6llum s\u00ednum einfaldleika kalla verkin \u00fat og vekja forvitnina. \u00dea\u00f0 er nefnilega ekki allt sem s\u00fdnist, eitthva\u00f0 sem ekki stemmir en augun \u00fearfnast t\u00edma til a\u00f0 greina hva\u00f0 \u00fea\u00f0 er. Verkin, sem \u00ed fyrstu vir\u00f0ast fyrirsj\u00e1anleg, leyna \u00e1 s\u00e9r. Hornin eru ekki alveg n\u00edut\u00edu gr\u00e1\u00f0ur og fletirnir eru hvorki einlitir n\u00e9 flatir. \u00dea\u00f0 er fyrst \u00feegar vi\u00f0 erum komin inn fyrir dyrnar \u00ed n\u00e1l\u00e6g\u00f0 vi\u00f0 verkin sem byrjum a\u00f0 taka eftir hva\u00f0 leynist undir yfirbor\u00f0inu. <\/span><\/strong><\/p>\n

\u00dea\u00f0 er nefnilega oft \u00feannig a\u00f0 til \u00feess a\u00f0 eitthva\u00f0 komi okkur \u00e1 \u00f3vart, \u00feurfum vi\u00f0 fyrst a\u00f0 vera sannf\u00e6r\u00f0 um a\u00f0 eitthva\u00f0 s\u00e9 \u00e1 \u00e1kve\u00f0na vegu. \u00deetta kristallast \u00ed verkum Kees, sem \u00f3h\u00e6tt er a\u00f0 kalla einstaklega n\u00e1kv\u00e6man listamann. Eiginlega er honum best l\u00fdst sem kerfisfr\u00e6\u00f0ingi. Hann hellir s\u00e9r yfir vi\u00f0fangsefni\u00f0 \u00ed fleiri, fleiri \u00e1r. Sko\u00f0ar \u00fea\u00f0 \u00ed kr\u00f3k og kima og \u00far ver\u00f0a umfangsmiklar verkser\u00edur unnar af v\u00edsindalegri n\u00e1kv\u00e6mni. \u00deekkt eru me\u00f0al annars fl\u00e9ttuverkin hans og rimlaverkin, en \u00ed BERG Contemporary m\u00e1 sj\u00e1 afrakstur ranns\u00f3kna hans \u00e1 litr\u00f3finu og ge\u00f3metr\u00edskum formum undir yfirskriftinni \u00cd dj\u00fapi litanna: <\/i>N\u00fd verk eftir Kees Visser<\/em>.<\/span><\/p>\n

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Kannanir sem hann s\u00f6kkti s\u00e9r \u00ed vi\u00f0 byrjun n\u00edunda \u00e1ratugs s\u00ed\u00f0ustu aldar. Hvar sem Kees dr\u00fdpur ni\u00f0ur f\u00e6ti er kerfisbundin n\u00e1lgun hans auglj\u00f3s: Allt fr\u00e1 a\u00f0fer\u00f0unum sem hann beitir til a\u00f0 skapa verkin og uppr\u00f6\u00f0un \u00feeirra \u00ed r\u00fdminu, til mi\u00f0lunar verkanna \u00e1 prenti og \u00e1 alheimsnetinu. Allt \u00e1 sinn r\u00e9tta sta\u00f0 og \u00fea\u00f0 er einmitt \u00ed \u00feeirri vissu sem hi\u00f0 \u00f3fyrirsj\u00e1anlega l\u00e6\u00f0ist inn. Undirritu\u00f0 dirfist nefnilega a\u00f0 halda \u00fev\u00ed fram a\u00f0 \u00feetta n\u00e1nast \u00e1r\u00e1ttukennda skipulag, sem er svo yfir\u00feyrmandi, s\u00e9 ekki a\u00f0eins lei\u00f0 listamannsins til a\u00f0 halda utan um \u00e6vistarfi\u00f0 heldur snilldarlega \u00fathugsu\u00f0 lei\u00f0 til a\u00f0 koma \u00e1horfendum \u00e1 \u00f3vart. \u00deegar allt er fyrirfram \u00fatreiknanlegt eru hin minnstu fr\u00e1hv\u00f6rf mun meira \u00e1berandi. \u00dear me\u00f0 s\u00e1 \u00f6rskekktir ferhyrningarnir efa \u00ed huga \u00e1horfenda og bi\u00f0la til \u00feeirra um a\u00f0 staldra vi\u00f0. Sko\u00f0a n\u00e1nar og demba s\u00e9r inn i verkin. \u00deetta sm\u00e1v\u00e6gilega en \u00f3v\u00e6nta brot \u00e1 l\u00f6gm\u00e1lum r\u00famfr\u00e6\u00f0innar vekur forvitni \u00e1horfenda og ge\u00f3metr\u00edsku formin, sem vi\u00f0 \u00feekkjum \u00f6ll eins og l\u00f3fann okkar og ey\u00f0um sjaldnast t\u00edma \u00ed, hverfast \u00e1 r\u00f6nguna. Vi\u00f0 f\u00f6rum a\u00f0 taka eftir \u00e1fer\u00f0 yfirbor\u00f0sins, hvernig lj\u00f3si\u00f0 fellur \u00e1 \u00fea\u00f0 og br\u00fdtur upp litina. Tilraun \u00feeirra til a\u00f0 n\u00e1 \u00fat fyrir \u00fatl\u00ednurnar og skapa \u00feannig l\u00e1tlausa hreyfingu \u00ed verkunum. \u00d6ll hugsun beinist a\u00f0 skynjuninni. Hvernig sj\u00f3nin okkar virkar og hva\u00f0a \u00e1hrif litir hafa \u00e1 okkur.<\/p>\n

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\u00cd tungum\u00e1linu okkar notum vi\u00f0 liti sem verkf\u00e6ri til a\u00f0 l\u00fdsa hlutunum \u00ed kringum okkur. Litir eru l\u00fdsingaror\u00f0 sem l\u00fdsa eiginleikum einhvers annars fyrirb\u00e6ris en \u00feeirra sj\u00e1lfra. Himininn er bl\u00e1r og bollinn sem \u00e9g drekk svart morgunkaffi\u00f0 \u00far er rau\u00f0ur. Eftir \u00feessa fullyr\u00f0ingu er \u00e9g samt engu n\u00e6r um hva\u00f0a fyrirb\u00e6ri bl\u00e1i, svarti e\u00f0a rau\u00f0i liturinn eru e\u00f0a hvernig vi\u00f0 upplifum n\u00e1kv\u00e6mlega \u00feessa liti. En \u00ed \u00feeim verkum Kees sem n\u00fa eru til s\u00fdnis \u00ed BERG Contemporary eru litirnir \u00ed svi\u00f0slj\u00f3sinu sem skynr\u00e6n fyrirb\u00e6ri utan tungum\u00e1lsins. Hann breg\u00f0ur litunum b\u00f3kstaflega undir sj\u00f3ngler. \u00c1 s\u00fdningunni er a\u00f0 finna yfirlitstexta J\u00f3n Propp\u00e9 , prentu\u00f0um \u00e1 A4 bl\u00f6\u00f0 sem h\u00e6gt er a\u00f0 gr\u00edpa me\u00f0 s\u00e9r \u00feegar gengi\u00f0 er inn \u00ed r\u00fdmi\u00f0, annars eru engin verkskilti e\u00f0a annar texti sj\u00e1anlegur. Bara litafletirnir sem um lei\u00f0 og byrja\u00f0 er a\u00f0 gefa \u00feeim gaum byrja a\u00f0 dansa fyrir augunum. <\/span><\/p>\n

Verkin \u00e1 s\u00fdningunni eru nefnilega allt anna\u00f0 en einlit. \u00c1 fletinum m\u00e6tast \u00fdmsir t\u00f3nar sem \u00far fjarl\u00e6g\u00f0 vir\u00f0ast einr\u00f3ma, en \u00feegar vi\u00f0 f\u00e6rum okkur n\u00e6r opnast heill heimur af slagf\u00f6stum litahrynjanda. Enda eiga litir miklu meira skylt me\u00f0 t\u00f3nlistinni en tungum\u00e1linu. <\/span><\/p>\n

S\u00fdningin \u00cd dj\u00fapi litanna<\/em> spannar a\u00f0 mestu n\u00fdleg verk fr\u00e1 s\u00ed\u00f0ustu t\u00edu \u00e1rum, unnin \u00e1 papp\u00edr me\u00f0 a\u00f0fer\u00f0 sem er einkennanndi fyrir listamanninn: S\u00edendurteknum m\u00e1lningarstrokum sem mynda me\u00f0 t\u00edmanum korn\u00f3tta kristals\u00e1fer\u00f0. A\u00f0eins tv\u00f6 verk s\u00fdningarinnar skilja sig \u00fear \u00far. Fyrsta verki\u00f0 er Rimlaverk<\/i><\/strong> fr\u00e1 1988 (Sj\u00e1 a\u00f0almynd me\u00f0 grein), me\u00f0 glanslakka\u00f0an ramma utan um rimla \u00ed mj\u00fakum og hl\u00fdjum gr\u00e1- og rau\u00f0t\u00f3num. \u00deetta verk er nokkurs konar kveikja s\u00fdningarinnar \u2013 \u00datgangspunktur papp\u00edrsverkanna. Me\u00f0 rimlaverkunum leysti hann kreppu m\u00e1lverksins, sem \u00e1 \u00feeim t\u00edma \u00fe\u00f3tti fyrirsj\u00e1anlegur og sta\u00f0na\u00f0ur mi\u00f0ill. Afskornir kantar og truflun \u00e1 fjarv\u00edddinni. Rofnir og \u00fer\u00edv\u00ed\u00f0ir fletir sem teygja sig \u00fat fyrir og \u00e1 bak vi\u00f0 kantana. Hitt verki\u00f0 sem sker sig \u00f6rl\u00edti\u00f0 \u00far er a\u00f0 finna \u00e1 efri h\u00e6\u00f0 galler\u00edsins. \u00dea\u00f0 er verki\u00f0 S\u00daM Colour-Ring <\/i><\/strong>fr\u00e1 1992 sem samanstendur af hundra\u00f0 sext\u00edu og sex sl\u00e9ttm\u00e1lu\u00f0um trefjapl\u00f6tum, \u00fe\u00e1 hengdum upp \u00e1 reglubundinn h\u00e1tt \u00e1 dreif um salinn. \u00cd dag hefur pl\u00f6tunum veri\u00f0 ra\u00f0a\u00f0 saman \u00ed tvo st\u00e6rri fleti, sem styrkir \u00fe\u00e1 upplifun a\u00f0 verkin sem eru til s\u00fdnis \u00ed BERG Contemporary s\u00e9u eins konar uppskera vinnu sem h\u00f3fst fyrir l\u00f6ngu s\u00ed\u00f0an.<\/span><\/p>\n

Kees, sem er sj\u00e1lfl\u00e6r\u00f0ur, kom fyrst til \u00cdslands \u00e1ri\u00f0 1976 eftir a\u00f0 hafa s\u00e9\u00f0 s\u00fdningu \u00e1 verkum Kristj\u00e1ns og Sigur\u00f0ar Gu\u00f0mundssona \u00ed heimab\u00e6 s\u00ednum Haarlem \u00ed Hollandi. Sama \u00e1r h\u00e9lt hann s\u00edna fyrstu s\u00fdningu \u00ed S\u00daM-salnum og s\u00ed\u00f0an hefur hann haft annan f\u00f3tinn \u00e1 \u00cdslandi og teki\u00f0 virkan \u00fe\u00e1tt \u00ed listsenunni h\u00e9r. Me\u00f0al annars t\u00f3k hann \u00fe\u00e1tt \u00ed stofnun N\u00fdlistasafnsins \u00e1ri\u00f0 1978. \u00cd dj\u00fapi litanna <\/i>er fyrsta einkas\u00fdning hans \u00ed BERG Contemporary. \u00der\u00e1tt fyrir or\u00f0leysi\u00f0 eru verkin \u00e1 s\u00fdningunni alls ekki hlj\u00f3\u00f0l\u00e1t. \u00deau draga okkur a\u00f0 s\u00e9r og hv\u00edsla til okkar leyndarm\u00e1lum um litina.\u00a0<\/span><\/p>\n

Sunna \u00c1st\u00fe\u00f3rsd\u00f3ttir<\/em><\/p>\n

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S\u00fdningin stendur yfir til 6. okt\u00f3ber.<\/span><\/p>\n

Lj\u00f3smyndir: Vigf\u00fas Birgisson
\nBirtar me\u00f0 leyfi BERG Contemporary og listamannsins.<\/p>\n

Frekari uppl\u00fdsingar: BERG Contemporary<\/a><\/p>\n

[\/et_pb_text][\/et_pb_column][\/et_pb_row][\/et_pb_section]<\/p>\n","protected":false},"excerpt":{"rendered":"

Litaverk hollenska listamannsins Kees Visser blasa vi\u00f0 inn um glugga BERG Contemporary. Ferkanta\u00f0ir fletir \u00ed mismunandi st\u00e6r\u00f0um og litum, hengdir upp \u00e1 kerfisbundinn h\u00e1tt \u00e1 hv\u00edta veggi galler\u00edsins. \u00cd \u00f6llum s\u00ednum einfaldleika kalla verkin \u00fat og vekja forvitnina. \u00dea\u00f0 er nefnilega ekki allt sem s\u00fdnist, eitthva\u00f0 sem ekki stemmir en augun \u00fearfnast t\u00edma til a\u00f0 […]<\/p>\n","protected":false},"author":25,"featured_media":7441,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_et_pb_use_builder":"on","_et_pb_old_content":"

Litaverk hollenska listamannsins Kees Visser blasa vi\u00f0 inn um glugga BERG Contemporary. Ferkanta\u00f0ir fletir \u00ed mismunandi st\u00e6r\u00f0um og litum, hengdir upp \u00e1 kerfisbundinn h\u00e1tt \u00e1 hv\u00edta veggi galler\u00edsins. \u00cd \u00f6llum s\u00ednum einfaldleika kalla verkin \u00fat og vekja forvitnina. \u00dea\u00f0 er nefnilega ekki allt sem s\u00fdnist, eitthva\u00f0 sem ekki stemmir en augun \u00fearfnast t\u00edma til a\u00f0 greina hva\u00f0 \u00fea\u00f0 er. Verkin, sem \u00ed fyrstu vir\u00f0ast fyrirsj\u00e1anleg, leyna \u00e1 s\u00e9r. Hornin eru ekki alveg n\u00edut\u00edu gr\u00e1\u00f0ur og fletirnir eru hvorki einlitir n\u00e9 flatir. \u00dea\u00f0 er fyrst \u00feegar vi\u00f0 erum komin inn fyrir dyrnar \u00ed n\u00e1l\u00e6g\u00f0 vi\u00f0 verkin sem byrjum a\u00f0 taka eftir hva\u00f0 leynist undir yfirbor\u00f0inu. <\/b><\/span><\/p>

\u00dea\u00f0 er nefnilega oft \u00feannig a\u00f0 til \u00feess a\u00f0 eitthva\u00f0 komi okkur \u00e1 \u00f3vart, \u00feurfum vi\u00f0 fyrst a\u00f0 vera sannf\u00e6r\u00f0 um a\u00f0 eitthva\u00f0 s\u00e9 \u00e1 \u00e1kve\u00f0na vegu. \u00deetta kristallast \u00ed verkum Kees, sem \u00f3h\u00e6tt er a\u00f0 kalla einstaklega n\u00e1kv\u00e6man listamann. Eiginlega er honum best l\u00fdst sem kerfisfr\u00e6\u00f0ingi. Hann hellir s\u00e9r yfir vi\u00f0fangsefni\u00f0 \u00ed fleiri, fleiri \u00e1r. Sko\u00f0ar \u00fea\u00f0 \u00ed kr\u00f3k og kima og \u00far ver\u00f0a umfangsmiklar verkser\u00edur unnar af v\u00edsindalegri n\u00e1kv\u00e6mni. \u00deekkt eru me\u00f0al annars fl\u00e9ttuverkin hans og rimlaverkin, en \u00ed BERG Contemporary m\u00e1 sj\u00e1 afrakstur ranns\u00f3kna hans \u00e1 litr\u00f3finu og ge\u00f3metr\u00edskum formum undir yfirskriftinni \u00cd dj\u00fapi litanna: N\u00fd verk eftir Kees Visser<\/i>.<\/span><\/p>

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Kannanir sem hann s\u00f6kkti s\u00e9r \u00ed vi\u00f0 byrjun n\u00edunda \u00e1ratugs s\u00ed\u00f0ustu aldar. Hvar sem Kees dr\u00fdpur ni\u00f0ur f\u00e6ti er kerfisbundin n\u00e1lgun hans auglj\u00f3s: Allt fr\u00e1 a\u00f0fer\u00f0unum sem hann beitir til a\u00f0 skapa verkin og uppr\u00f6\u00f0un \u00feeirra \u00ed r\u00fdminu, til mi\u00f0lunar verkanna \u00e1 prenti og \u00e1 alheimsnetinu. Allt \u00e1 sinn r\u00e9tta sta\u00f0 og \u00fea\u00f0 er einmitt \u00ed \u00feeirri vissu sem hi\u00f0 \u00f3fyrirsj\u00e1anlega l\u00e6\u00f0ist inn. Undirritu\u00f0 dirfist nefnilega a\u00f0 halda \u00fev\u00ed fram a\u00f0 \u00feetta n\u00e1nast \u00e1r\u00e1ttukennda skipulag, sem er svo yfir\u00feyrmandi, s\u00e9 ekki a\u00f0eins lei\u00f0 listamannsins til a\u00f0 halda utan um \u00e6vistarfi\u00f0 heldur snilldarlega \u00fathugsu\u00f0 lei\u00f0 til a\u00f0 koma \u00e1horfendum \u00e1 \u00f3vart. \u00deegar allt er fyrirfram \u00fatreiknanlegt eru hin minnstu fr\u00e1hv\u00f6rf mun meira \u00e1berandi. \u00dear me\u00f0 s\u00e1 \u00f6rskekktir ferhyrningarnir efa \u00ed huga \u00e1horfenda og bi\u00f0la til \u00feeirra um a\u00f0 staldra vi\u00f0. Sko\u00f0a n\u00e1nar og demba s\u00e9r inn i verkin. \u00deetta sm\u00e1v\u00e6gilega en \u00f3v\u00e6nta brot \u00e1 l\u00f6gm\u00e1lum r\u00famfr\u00e6\u00f0innar vekur forvitni \u00e1horfenda og ge\u00f3metr\u00edsku formin, sem vi\u00f0 \u00feekkjum \u00f6ll eins og l\u00f3fann okkar og ey\u00f0um sjaldnast t\u00edma \u00ed, hverfast \u00e1 r\u00f6nguna. Vi\u00f0 f\u00f6rum a\u00f0 taka eftir \u00e1fer\u00f0 yfirbor\u00f0sins, hvernig lj\u00f3si\u00f0 fellur \u00e1 \u00fea\u00f0 og br\u00fdtur upp litina. Tilraun \u00feeirra til a\u00f0 n\u00e1 \u00fat fyrir \u00fatl\u00ednurnar og skapa \u00feannig l\u00e1tlausa hreyfingu \u00ed verkunum. \u00d6ll hugsun beinist a\u00f0 skynjuninni. Hvernig sj\u00f3nin okkar virkar og hva\u00f0a \u00e1hrif litir hafa \u00e1 okkur.<\/p>

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\u00cd tungum\u00e1linu okkar notum vi\u00f0 liti sem verkf\u00e6ri til a\u00f0 l\u00fdsa hlutunum \u00ed kringum okkur. Litir eru l\u00fdsingaror\u00f0 sem l\u00fdsa eiginleikum einhvers annars fyrirb\u00e6ris en \u00feeirra sj\u00e1lfra. Himininn er bl\u00e1r og bollinn sem \u00e9g drekk svart morgunkaffi\u00f0 \u00far er rau\u00f0ur. Eftir \u00feessa fullyr\u00f0ingu er \u00e9g samt engu n\u00e6r um hva\u00f0a fyrirb\u00e6ri bl\u00e1i, svarti e\u00f0a rau\u00f0i liturinn eru e\u00f0a hvernig vi\u00f0 upplifum n\u00e1kv\u00e6mlega \u00feessa liti. En \u00ed \u00feeim verkum Kees sem n\u00fa eru til s\u00fdnis \u00ed BERG Contemporary eru litirnir \u00ed svi\u00f0slj\u00f3sinu sem skynr\u00e6n fyrirb\u00e6ri utan tungum\u00e1lsins. Hann breg\u00f0ur litunum b\u00f3kstaflega undir sj\u00f3ngler. \u00c1 s\u00fdningunni er a\u00f0 finna yfirlitstexta J\u00f3n Propp\u00e9 , prentu\u00f0um \u00e1 A4 bl\u00f6\u00f0 sem h\u00e6gt er a\u00f0 gr\u00edpa me\u00f0 s\u00e9r \u00feegar gengi\u00f0 er inn \u00ed r\u00fdmi\u00f0. Annars eru engin verkskilti e\u00f0a annar texti sj\u00e1anlegur. Bara litafletirnir sem um lei\u00f0 og byrja\u00f0 er a\u00f0 gefa \u00feeim gaum byrja a\u00f0 dansa fyrir augunum. <\/span><\/p>

Verkin \u00e1 s\u00fdningunni eru nefnilega allt anna\u00f0 en einlit. \u00c1 fletinum m\u00e6tast \u00fdmsir t\u00f3nar sem \u00far fjarl\u00e6g\u00f0 vir\u00f0ast einr\u00f3ma, en \u00feegar vi\u00f0 f\u00e6rum okkur n\u00e6r opnast heill heimur af slagf\u00f6stum litahrynjanda. Enda eiga litir miklu meira skylt me\u00f0 t\u00f3nlistinni en tungum\u00e1linu. <\/span><\/p>

S\u00fdningin \u00cd dj\u00fapi litanna <\/i>spannar a\u00f0 mestu n\u00fdleg verk fr\u00e1 s\u00ed\u00f0ustu t\u00edu \u00e1rum, unnin \u00e1 papp\u00edr me\u00f0 a\u00f0fer\u00f0 sem er einkennanndi fyrir listamanninn: S\u00edendurteknum m\u00e1lningarstrokum sem mynda me\u00f0 t\u00edmanum korn\u00f3tta kristals\u00e1fer\u00f0. A\u00f0eins tv\u00f6 verk s\u00fdningarinnar skilja sig \u00fear \u00far. Fyrsta verki\u00f0 er Rimlaverk<\/i> fr\u00e1 1988, me\u00f0 glanslakka\u00f0an ramma utan um rimla \u00ed mj\u00fakum og hl\u00fdjum gr\u00e1- og rau\u00f0t\u00f3num. \u00deetta verk er nokkurs konar kveikja s\u00fdningarinnar \u2013 \u00datgangspunktur papp\u00edrsverkanna. Me\u00f0 rimlaverkunum leysti hann kreppu m\u00e1lverksins, sem \u00e1 \u00feeim t\u00edma \u00fe\u00f3tti fyrirsj\u00e1anlegur og sta\u00f0na\u00f0ur mi\u00f0ill. Afskornir kantar og truflun \u00e1 fjarv\u00edddinni. Rofnir og \u00fer\u00edv\u00ed\u00f0ir fletir sem teygja sig \u00fat fyrir og \u00e1 bak vi\u00f0 kantana. Hitt verki\u00f0 sem sker sig \u00f6rl\u00edti\u00f0 \u00far er a\u00f0 finna \u00e1 efri h\u00e6\u00f0 galler\u00edsins. \u00dea\u00f0 er verki\u00f0 S\u00fam Colour-Ring <\/i>fr\u00e1 1992 sem samanstendur af hundra\u00f0 sext\u00edu og sex sl\u00e9ttm\u00e1lu\u00f0um trefjapl\u00f6tum, \u00fe\u00e1 hengdum upp \u00e1 reglubundinn h\u00e1tt \u00e1 dreif um salinn. \u00cd dag hefur pl\u00f6tunum veri\u00f0 ra\u00f0a\u00f0 saman \u00ed tvo st\u00e6rri fleti, sem styrkir \u00fe\u00e1 upplifun a\u00f0 verkin sem eru til s\u00fdnis \u00ed BERG Contemporary s\u00e9u eins konar uppskera vinnu sem h\u00f3fst fyrir l\u00f6ngu s\u00ed\u00f0an. <\/span><\/p>

Kees, sem er sj\u00e1lfl\u00e6r\u00f0ur, kom fyrst til \u00cdslands \u00e1ri\u00f0 1976 eftir a\u00f0 hafa s\u00e9\u00f0 s\u00fdningu \u00e1 verkum Kristj\u00e1ns og Sigur\u00f0ar Gu\u00f0mundssona \u00ed heimab\u00e6 s\u00ednum Haarlem \u00ed Hollandi. Sama \u00e1r h\u00e9lt hann s\u00edna fyrstu s\u00fdningu \u00ed S\u00daM-salnum og s\u00ed\u00f0an hefur hann haft annan f\u00f3tinn \u00e1 \u00cdslandi og teki\u00f0 virkan \u00fe\u00e1tt \u00ed listsenunni h\u00e9r. Me\u00f0al annars t\u00f3k hann \u00fe\u00e1tt \u00ed stofnun N\u00fdlistasafnsins \u00e1ri\u00f0 1978. \u00cd dj\u00fapi litanna <\/i>er fyrsta einkas\u00fdning hans \u00ed BERG Contemporary. \u00der\u00e1tt fyrir or\u00f0leysi\u00f0 eru verkin \u00e1 s\u00fdningunni alls ekki hlj\u00f3\u00f0l\u00e1t. \u00deau draga okkur a\u00f0 s\u00e9r og hv\u00edsla til okkar leyndarm\u00e1lum um litina.\u00a0<\/span><\/p>

Sunna \u00c1st\u00fe\u00f3rsd\u00f3ttir<\/em><\/p>

S\u00fdningin stendur yfir til 6. okt\u00f3ber.<\/span><\/p>

Lj\u00f3smyndir: Vigf\u00fas Birgisson
Birtar me\u00f0 leyfi BERG Contemporary og listamannsins.<\/p>

Frekari uppl\u00fdsingar: BERG Contemporary<\/a><\/p>","_et_gb_content_width":"","_jetpack_memberships_contains_paid_content":false,"footnotes":""},"categories":[11],"tags":[],"class_list":["post-7399","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-umfjollun"],"yoast_head":"\nSegulkraftur litanna \u2013 S\u00fdning Kees Visser \u00ed BERG Contemporary - artzine.is<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/artzine.is\/?p=7399\" \/>\n<meta property=\"og:locale\" content=\"is_IS\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Segulkraftur litanna \u2013 S\u00fdning Kees Visser \u00ed BERG Contemporary - artzine.is\" \/>\n<meta property=\"og:description\" content=\"Litaverk hollenska listamannsins Kees Visser blasa vi\u00f0 inn um glugga BERG Contemporary. 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