SAVVY Contemporary er merkileg listami\u00f0st\u00f6\u00f0 sem l\u00edtur frekar \u00e1 sig sem ranns\u00f3knarstofu en s\u00fdningarsta\u00f0. Me\u00f0 27 \u00feverfaglega starfsmenn \u00ed teyminu og \u00fear af \u00ferj\u00e1 listr\u00e6na stj\u00f3rnendur skilgreina \u00feau starfsemi s\u00edna sem vettvang til k\u00f6nnunar \u00e1 hva\u00f0 \u00fea\u00f0 s\u00e9 sem byggir undir vi\u00f0horf um hva\u00f0 telst vestr\u00e6nt og hva\u00f0 ekki. Markmi\u00f0i\u00f0 er a\u00f0 skilja betur og afbyggja hugmyndafr\u00e6\u00f0i og hugmyndir sem liggja a\u00f0 baki sl\u00edkum vi\u00f0horfum. \u00cd \u00feessu samhengi sta\u00f0setja \u00feau SAVVY sem sta\u00f0 fyrir \u00feekkingarfr\u00e6\u00f0ilegan fj\u00f6lbreytileika og hafa lagt mikla \u00e1herslu \u00e1 afbyggingu n\u00fdlenduhugsunar \u00ed \u00feeim fj\u00f6lm\u00f6rgu verkefnum, \u00fag\u00e1fum og s\u00fdningum sem \u00feau hafa sta\u00f0i\u00f0 a\u00f0.<\/p>\n H\u00e9r \u00e1 landi er \u00fea\u00f0 helst listah\u00e1t\u00ed\u00f0in Cycle sem hefur teki\u00f0 s\u00e9r \u00fe\u00e1 st\u00f6\u00f0u a\u00f0 vera svipu\u00f0 ranns\u00f3knarstofa me\u00f0 \u00feriggja \u00e1ra \u00feverfaglega dagskr\u00e1 sem h\u00f3fst \u00ed fyrra og tekur inn samf\u00e9lagsleg, p\u00f3l\u00edt\u00edsk og akadem\u00edsk sj\u00f3narhorn \u00ed ranns\u00f3kn sinni \u00e1 fyrirb\u00e6runum n\u00fdlenda, \u00fej\u00f3\u00f0ernishyggja, samheldni og hverjir f\u00e1 a\u00f0 vera me\u00f0. \u00cd samhengi Cycle hefur m.a. veri\u00f0 sko\u00f0a\u00f0 hvernig menningarsagnfr\u00e6\u00f0ingurinn Ann-Sofie Gremaud hefur bori\u00f0 kennsl \u00e1 \u00cdsland sem dullendu \u00ed n\u00fdlegri doktorsritger\u00f0 sinni og \u00fea\u00f0 \u00e1stand jafnframt sko\u00f0a\u00f0 \u00ed samhengi vi\u00f0 reynslu annarra \u00e1 hinu Vest-Norr\u00e6na sv\u00e6\u00f0i. Hugtaki\u00f0 dullenda er \u00fe\u00fd\u00f0ing \u00e1 hugtaki mannfr\u00e6\u00f0ingsins Michael Herzfeld og v\u00edsar \u00ed \u00f3lj\u00f3s m\u00f6rk e\u00f0a gr\u00e1tt sv\u00e6\u00f0i \u00ed n\u00fdlendu- og menningars\u00f6gunni \u00fear sem sta\u00f0a n\u00fdlendunnar e\u00f0a fyrrum n\u00fdlendurnar er ekki alltaf mj\u00f6g sk\u00fdr. Me\u00f0 \u00fev\u00ed a\u00f0 koma me\u00f0 \u00feessa umr\u00e6\u00f0u inn \u00ed \u00edslensku samt\u00edmalistasenuna hefur Cycle unni\u00f0 miki\u00f0 afrek.<\/p>\n Hinga\u00f0 til hefur \u00fea\u00f0 almennt veri\u00f0 feimnism\u00e1l a\u00f0 sko\u00f0a \u00cdsland og Nor\u00f0vestri\u00f0 \u00ed samhengi eftirn\u00fdlendukenninga. Veruleiki Nor\u00f0vestursins hefur ekki veri\u00f0 tekinn inn \u00ed atbur\u00f0i tengdum sko\u00f0un \u00e1 eftirn\u00fdlendut\u00edmum innan Evr\u00f3pu jafnvel \u00fe\u00f3 opnast hafi fyrir a\u00f0 sl\u00edka sko\u00f0un annars sta\u00f0ar \u00ed Evr\u00f3pu. \u00c1ri\u00f0 2016 \u00feegar a\u00f0standendur \u00edrska tv\u00ed\u00e6ringsins Eva bu\u00f0u s\u00fdningarstj\u00f3ranum Koyo Kouoh a\u00f0 setja upp s\u00fdningu sem rannsaka\u00f0i eftirn\u00fdlendu\u00e1stand \u00e1 \u00cdrlandi \u00fe\u00e1 voru n\u00e1grannarnir \u00ed nor\u00f0vestri ekki teknir me\u00f0 svo d\u00e6mi s\u00e9 teki\u00f0. Still (the) Barbarians <\/i>var \u00e1hugaver\u00f0 s\u00fdning \u00fear sem reynsla \u00cdra var \u00ed fyrsta skipti sko\u00f0u\u00f0 sem n\u00fdlendu- og eftirn\u00fdlendu\u00e1stand \u00ed samhengi vi\u00f0 reynslu Afr\u00edkub\u00faa og var mikil eftirsj\u00e1 a\u00f0 ekki hef\u00f0i veri\u00f0 \u00e1kve\u00f0i\u00f0 a\u00f0 sko\u00f0a fyrirb\u00e6ri\u00f0 \u00ed st\u00e6rra Vestnorr\u00e6nu samhengi.<\/p>\n Geographies of Imagination <\/i>er hluti af st\u00e6rra ranns\u00f3knarverkefni SAVVY Contemporary Dis-othering: Beyond Afropolitan and other labels<\/i> sem er samstarfverkefni SAVVY vi\u00f0 Bozar safni\u00f0 \u00ed Belg\u00edu. \u00dea\u00f0 er mikil \u00e1n\u00e6gja a\u00f0 sj\u00e1 a\u00f0 SAVVY \u00e1kva\u00f0 a\u00f0 taka \u00edslenskt verk me\u00f0 \u00ed s\u00fdninguna. \u00deetta er l\u00edklega \u00ed fyrsta skipti sem stofnun sem helgar sig eftirn\u00fdlenduranns\u00f3knum \u00ed v\u00ed\u00f0u al\u00fej\u00f3\u00f0legu samhengi gerir sl\u00edkt. \u00cd s\u00fdningunni Geographies of Imagination<\/i> gefur a\u00f0 l\u00edta verk eftir 17 listamenn sem flestir tengjast afr\u00edsku listasenunni e\u00f0a afr\u00edsku d\u00edasporunni \u00e1samt nokkrum \u00f6\u00f0rum sem fjalla um framandgeringu \u00e1 sj\u00e1lfum s\u00e9r \u00ed \u00fev\u00ed samhengi sem \u00feau b\u00faa e\u00f0a r\u00e9ttara sagt afbyggingu \u00e1 \u00feessari framandgeringu.<\/p>\n S\u00fdnendurnir eru flestir virkir \u00ed al\u00fej\u00f3\u00f0lega myndlistarheiminum me\u00f0 \u00fe\u00e1ttt\u00f6ku \u00ed hinum \u00fdmsum tv\u00ed\u00e6ringnum og s\u00fdningum eins og Dokumenta. \u00cd umfj\u00f6llun sinni um Ja\u00f0ar<\/i> e\u00f0a Borders<\/i> (2000) \u00ed s\u00fdningarskr\u00e1nni vitna s\u00fdningastj\u00f3rarnir beint \u00ed \u00d6nnu L\u00edndal sem segist sj\u00e1 IKEA hilluna sem t\u00e1kn heimilisins sem stofnun og r\u00fdmis \u00fear sem menningarskilyr\u00f0ing \u00e1 s\u00e9r sta\u00f0 og birtist. S\u00fdningarstj\u00f3rarnir sj\u00e1 tengsl \u00fear \u00e1 milli og innr\u00e1s n\u00e1tt\u00faru og menningar inn \u00ed einkal\u00edfi\u00f0 \u00e1 heimilinu eins og \u00fea\u00f0 birtist \u00ed verkinu. Fyrir \u00feeim fjallar verki\u00f0 um leit a\u00f0 sj\u00e1lfsmynd \u00ed gegnum n\u00e1tt\u00faru, v\u00edsindi og hef\u00f0ir og alltaf me\u00f0 dj\u00fapri me\u00f0vitund um sj\u00e1lfi\u00f0 \u00ed \u00feessum raunverulegu e\u00f0a \u00edmyndu\u00f0u r\u00fdmum. Verki\u00f0 s\u00e9 \u00e1kve\u00f0i\u00f0 ferli sem tengist ranns\u00f3kn \u00e1 sj\u00e1lfsmynd og r\u00fdmi \u00fear sem listama\u00f0urinn sko\u00f0ar tengsl s\u00edn vi\u00f0 n\u00e1tt\u00faruna, greinir v\u00edsindalegar a\u00f0fer\u00f0ir og n\u00e1lganir \u00e1 \u00feessa s\u00f6mu n\u00e1tt\u00faru og hvernig \u00feesar \u00f3l\u00edku n\u00e1lganir stj\u00f3rnunar og stj\u00f3rnleysis takast \u00e1.<\/p>\n Sj\u00e1f n\u00e1lgu\u00f0ust s\u00fdningarstj\u00f3rarnir sitt hlutverk me\u00f0 \u00fev\u00ed a\u00f0 teikna upp l\u00ednulegt kort \u00e1 gangana \u00ed inngangi s\u00fdningarinnar sem s\u00fdnir kortafr\u00e6\u00f0ilegt vald \u00ed gegnum aldirnar og gerir \u00feannig s\u00fdnilega menningarlega, p\u00f3lit\u00edska og s\u00e1lfr\u00e6\u00f0ilega \u00fe\u00e6tti sem bygg\u00f0u undir framandgeringu st\u00f3r h\u00f3ps mannkyns. \u00cd greinarg\u00f3\u00f0um s\u00fdningartextanum sem fylgir s\u00fdningunni komast \u00feau a\u00f0 \u00feeirri ni\u00f0urst\u00f6\u00f0u a\u00f0 framandgering sn\u00faist ekki um hva\u00f0 s\u00e9r \u00f6\u00f0ruv\u00edsi \u00ed sj\u00e1lfu s\u00e9r e\u00f0a mikilv\u00e6gi \u00feess heldur sn\u00faist \u00feetta alltaf um vald og valdbeitingu. \u00dea\u00f0 a\u00f0 leggja \u00e1herslu \u00e1 \u00fea\u00f0 \u00f3l\u00edka s\u00e9 t\u00e6ki til a\u00f0 fremja ar\u00f0r\u00e1n \u2013 til a\u00f0 stj\u00f3rna – og \u00feetta hafi \u00ed raun skipt heiminum \u00ed tvennt, hina r\u00edku og hina f\u00e1t\u00e6ku. Segja m\u00e1 a\u00f0 s\u00ed\u00f0an \u00cdsland var ekki lengur skilgreint sem \u00feri\u00f0ja heims land \u00e1ri\u00f0 1974 h\u00f6fum vi\u00f0 sem samf\u00e9lag veri\u00f0 \u00ed miklu kapphlaupi til a\u00f0 komast \u00ed r\u00edka h\u00f3pinn. \u00cd h\u00f3p valdhafa jar\u00f0arinnar. A\u00f0 koma hlutunum undir stj\u00f3rn.<\/p>\n St\u00f3r hluti af \u00feessu kapphlaupi hefur veri\u00f0 a\u00f0 gleyma fort\u00ed\u00f0inni e\u00f0a r\u00e9ttara sagt b\u00faa til s\u00f6gu um hana sem hentar stj\u00f3rnanda. \u00cd \u00fev\u00ed verkefni passar ekki a\u00f0 bera sig saman vi\u00f0 a\u00f0ra en a\u00f0ra valdhafa sem vi\u00f0 viljum l\u00edkjast sem mest. \u00deessu hefur a\u00f0 sj\u00e1lfs\u00f6g\u00f0u fylgt hinar \u00fdmsu m\u00f3tsagnir. Vi\u00f0 erum hinsvegar ekki einst\u00f6k me\u00f0 okkar reynslu af \u00fev\u00ed a\u00f0 hafa veri\u00f0 undiroku\u00f0 af n\u00fdlenduherrum og getum l\u00e6rt margt me\u00f0 \u00fev\u00ed a\u00f0 vera \u00ed samtali vi\u00f0 f\u00f3lk me\u00f0 samb\u00e6rilega reynslu.<\/p>\n \u00dea\u00f0 sem s\u00fdningarstj\u00f3rarnir eru a\u00f0 reyna a\u00f0 gera me\u00f0 s\u00fdningunni er a\u00f0 sko\u00f0a hvernig \u00edmyndunarafli\u00f0 hefur veri\u00f0 nota\u00f0 til a\u00f0 framandgera, hvernig landafr\u00e6\u00f0i hefur veri\u00f0 notu\u00f0 sem valdt\u00e6ki og hvernig vilji til valds er kjarninn \u00ed framandgeringunni. \u00deannig sj\u00e1 \u00feau s\u00fdninguna sem r\u00fdmi fyrir listamenn a\u00f0 koma saman og vefa m\u00f6gulegar lei\u00f0ir til a\u00f0 svara spurningunni um hvernig vi\u00f0 getum sem mannkyn fundi\u00f0 til samheldni sem n\u00e6r lengra en til okkar n\u00e1nasta h\u00f3ps, til mannkyns alls, e\u00f0a jafnvel til jar\u00f0arinnar sem heild. Hvernig getum vi\u00f0 stoppa\u00f0 \u00fer\u00e1hyggju okkar fyrir \u00fev\u00ed a\u00f0 vilja eiga og stj\u00f3rna \u00f6\u00f0rum? Hvernig getum vi\u00f0 komist \u00fat \u00far \u00fe\u00e6gindaramma \u00feess a\u00f0 framandgera a\u00f0ra?<\/p>\n Hulda R\u00f3s Gu\u00f0nad\u00f3ttir<\/em><\/p>\n A\u00f0almynd me\u00f0 grein: Ja\u00f0ar (2000) Geographies of Imagination er opi\u00f0 til 11. n\u00f3vember 2018: Vefs\u00ed\u00f0a Savvy [\/et_pb_text][\/et_pb_column][\/et_pb_row][\/et_pb_section]<\/p>\n","protected":false},"excerpt":{"rendered":" Um \u00feessar mundir s\u00fdnir Anna L\u00edndal verki\u00f0 Ja\u00f0ar (2000) \u00e1 s\u00fdningunni Geographies of Imagination \u00e1 SAVVY Contemporary \u00ed Berl\u00edn. Verki\u00f0 var fyrst s\u00fdnt \u00ed sinni endanlegu mynd \u00e1 Gwangju tv\u00ed\u00e6ringnum \u00e1ri\u00f0 2000 eftir a\u00f0 h\u00fan haf\u00f0i veri\u00f0 b\u00fain a\u00f0 vinna a\u00f0 \u00fev\u00ed \u00ed tv\u00f6 \u00e1r og hefur s\u00ed\u00f0an veri\u00f0 s\u00fdnt \u00ed hinu \u00fdmsu samhengi v\u00ed\u00f0a […]<\/p>\n","protected":false},"author":16,"featured_media":7383,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_et_pb_use_builder":"on","_et_pb_old_content":" Um \u00feessar mundir s\u00fdnir Anna L\u00edndal verki\u00f0 Ja\u00f0ar<\/i> (2000) \u00e1 s\u00fdningunni Geographies of Imagination<\/i> \u00e1 Savvy Contemporary \u00ed Berl\u00edn. Verki\u00f0 var fyrst s\u00fdnt \u00ed sinni endanlegu mynd \u00e1 Gwangju tv\u00ed\u00e6ringnum \u00e1ri\u00f0 2000 eftir a\u00f0 h\u00fan haf\u00f0i veri\u00f0 b\u00fain a\u00f0 vinna a\u00f0 \u00fev\u00ed \u00ed tv\u00f6 \u00e1r og hefur s\u00ed\u00f0an veri\u00f0 s\u00fdnt \u00ed hinu \u00fdmsu samhengi v\u00ed\u00f0a um heim. Verki\u00f0 er v\u00edde\u00f3sk\u00falpt\u00far sem er einskonar innsetning \u00ed heimilislega IKEA hillu me\u00f0 fj\u00f3rum sj\u00f3nv\u00f6rpum sem s\u00fdna sitthvort v\u00edde\u00f3i\u00f0. Eitt v\u00edde\u00f3i\u00f0 s\u00fdnir uppt\u00f6kur \u00d6nnu af eldgosi \u00ed Gr\u00edmsv\u00f6tnum \u00e1ri\u00f0 1998; anna\u00f0 v\u00edde\u00f3 s\u00fdnir uppt\u00f6ku hennar \u00ed fyrstu fer\u00f0 hennar me\u00f0 J\u00f6klaranns\u00f3knarf\u00e9laginu \u00ed Gr\u00edmsv\u00f6tn sk\u00f6mmu \u00e1\u00f0ur og s\u00fdnir v\u00edsindamenn a\u00f0 st\u00f6rfum; \u00feri\u00f0ja v\u00edde\u00f3i\u00f0 s\u00fdnir hennar eigin f\u00e6tur busla \u00ed vatni \u00fat \u00ed n\u00e1tt\u00farunni; og s\u00ed\u00f0asta v\u00edde\u00f3i\u00f0 s\u00fdnir st\u00falku \u00e1 fermingaraldri lesa upp \u00far Nj\u00e1lu. \u00c1 hillurnar er s\u00ed\u00f0an ra\u00f0a\u00f0 pl\u00f6ntum og \u00fdmsum kunnuglegum skrautmunum eins og fj\u00f6lskyldumyndum \u00ed r\u00f6mmum, styttum af rj\u00fapum og selum og glerju\u00f0um keramiksk\u00e1lum eins og \u00feekkist v\u00ed\u00f0a \u00e1 \u00edslenskum heimilum.<\/strong><\/p> Savvy Contemporary er merkileg listami\u00f0st\u00f6\u00f0 sem l\u00edtur frekar \u00e1 sig sem ranns\u00f3knarstofu en s\u00fdningarsta\u00f0. Me\u00f0 27 \u00feverfaglega starfsmenn \u00ed teyminu og \u00fear af \u00ferj\u00e1 listr\u00e6na stj\u00f3rnendur skilgreina \u00feau starfsemi s\u00edna sem vettvang til k\u00f6nnunar \u00e1 hva\u00f0 \u00fea\u00f0 s\u00e9 sem byggir undir vi\u00f0horf um hva\u00f0 telst vestr\u00e6nt og hva\u00f0 ekki. Markmi\u00f0i\u00f0 er a\u00f0 skilja betur og afbyggja hugmyndafr\u00e6\u00f0i og hugmyndir sem liggja a\u00f0 baki sl\u00edkum vi\u00f0horfum. \u00cd \u00feessu samhengi sta\u00f0setja \u00feau Savvy sem sta\u00f0 fyrir \u00feekkingarfr\u00e6\u00f0ilegan fj\u00f6lbreytileika og hafa lagt mikla \u00e1herslu \u00e1 afbyggingu n\u00fdlenduhugsunar \u00ed \u00feeim fj\u00f6lm\u00f6rgu verkefnum, \u00fag\u00e1fum og s\u00fdningum sem \u00feau hafa sta\u00f0i\u00f0 a\u00f0.<\/p> H\u00e9r \u00e1 landi er \u00fea\u00f0 helst listah\u00e1t\u00ed\u00f0in Cycle sem hefur teki\u00f0 s\u00e9r \u00fe\u00e1 st\u00f6\u00f0u a\u00f0 vera svipu\u00f0 ranns\u00f3knarstofa me\u00f0 \u00feriggja \u00e1ra \u00feverfaglega dagskr\u00e1 sem h\u00f3fst \u00ed fyrra og tekur inn samf\u00e9lagsleg, p\u00f3l\u00edt\u00edsk og akadem\u00edsk sj\u00f3narhorn \u00ed ranns\u00f3kn sinni \u00e1 fyrirb\u00e6runum n\u00fdlenda, \u00fej\u00f3\u00f0ernishyggja, samheldni og hverjir f\u00e1 a\u00f0 vera me\u00f0. \u00cd samhengi Cycle hefur m.a. veri\u00f0 sko\u00f0a\u00f0 hvernig menningarsagnfr\u00e6\u00f0ingurinn Ann-Sofie Gremaud hefur bori\u00f0 kennsl \u00e1 \u00cdsland sem dullendu \u00ed n\u00fdlegri doktorsritger\u00f0 sinni og \u00fea\u00f0 \u00e1stand jafnframt sko\u00f0a\u00f0 \u00ed samhengi vi\u00f0 reynslu annarra \u00e1 hinu Vest-Norr\u00e6na sv\u00e6\u00f0i. Me\u00f0 \u00fev\u00ed a\u00f0 koma me\u00f0 \u00feessa umr\u00e6\u00f0u inn \u00ed \u00edslensku samt\u00edmalistasenuna hefur Cycle unni\u00f0 miki\u00f0 afrek.<\/p> Hinga\u00f0 til hefur \u00fea\u00f0 almennt veri\u00f0 feimnism\u00e1l a\u00f0 sko\u00f0a \u00cdsland og Nor\u00f0vestri\u00f0 \u00ed samhengi eftirn\u00fdlendukenninga. Veruleiki Nor\u00f0vestursins hefur ekki veri\u00f0 tekinn inn \u00ed atbur\u00f0i tengdum sko\u00f0un \u00e1 eftirn\u00fdlendut\u00edmum innan Evr\u00f3pu jafnvel \u00fe\u00f3 opnast hafi fyrir a\u00f0 sl\u00edka sko\u00f0un annars sta\u00f0ar \u00ed Evr\u00f3pu. \u00c1ri\u00f0 2016 \u00feegar a\u00f0standendur \u00edrska tv\u00ed\u00e6ringsins Eva bu\u00f0u s\u00fdningarstj\u00f3ranum Koyo Kouoh a\u00f0 setja upp s\u00fdningu sem rannsaka\u00f0i eftirn\u00fdlendu\u00e1stand \u00e1 \u00cdrlandi \u00fe\u00e1 voru n\u00e1grannarnir \u00ed nor\u00f0vestri ekki teknir me\u00f0 svo d\u00e6mi s\u00e9 teki\u00f0. Still (the) Barbarians <\/i>var \u00e1hugaver\u00f0 s\u00fdning \u00fear sem reynsla \u00cdra var \u00ed fyrsta skipti sko\u00f0u\u00f0 sem n\u00fdlendu- og eftirn\u00fdlendu\u00e1stand \u00ed samhengi vi\u00f0 reynslu Afr\u00edkub\u00faa og var mikil eftirsj\u00e1 a\u00f0 ekki hef\u00f0i veri\u00f0 \u00e1kve\u00f0i\u00f0 a\u00f0 sko\u00f0a fyrirb\u00e6ri\u00f0 \u00ed st\u00e6rra Vestnorr\u00e6nu samhengi.<\/p> Geographies of Imagination <\/i>er hluti af st\u00e6rra ranns\u00f3knarverkefni Savvy Contemporary Dis-othering: Beyond Afropolitan and other labels<\/i> sem er samstarfverkefni Savvy vi\u00f0 Bozar safni\u00f0 \u00ed Belg\u00edu. \u00dea\u00f0 er mikil \u00e1n\u00e6gja a\u00f0 sj\u00e1 a\u00f0 Savvy \u00e1kva\u00f0 a\u00f0 taka \u00edslenskt verk me\u00f0 \u00ed s\u00fdninguna. \u00deetta er l\u00edklega \u00ed fyrsta skipti sem stofnun sem helgar sig eftirn\u00fdlenduranns\u00f3knum \u00ed v\u00ed\u00f0u al\u00fej\u00f3\u00f0legu samhengi gerir sl\u00edkt. \u00cd s\u00fdningunni Geographies of Imagination<\/i> gefur a\u00f0 l\u00edta verk eftir 17 listamenn sem flestir tengjast afr\u00edsku listasenunni e\u00f0a afr\u00edsku d\u00edasporunni \u00e1samt nokkrum \u00f6\u00f0rum sem fjalla um framandgeringu \u00e1 sj\u00e1lfum s\u00e9r \u00ed \u00fev\u00ed samhengi sem \u00feau b\u00faa e\u00f0a r\u00e9ttara sagt afbyggingu \u00e1 \u00feessari framandgeringu.<\/p> S\u00fdnendurnir eru flestir virkir \u00ed al\u00fej\u00f3\u00f0lega myndlistarheiminum me\u00f0 \u00fe\u00e1ttt\u00f6ku \u00ed hinum \u00fdmsum tv\u00ed\u00e6ringnum og s\u00fdningum eins og Dokumenta. \u00cd umfj\u00f6llun sinni um Ja\u00f0ar<\/i> e\u00f0a Borders<\/i> (2000) \u00ed s\u00fdningarskr\u00e1nni vitna s\u00fdningastj\u00f3rarnir beint \u00ed \u00d6nnu L\u00edndal sem segist sj\u00e1 IKEA hilluna sem t\u00e1kn heimilisins sem stofnun og r\u00fdmis \u00fear sem menningarskilyr\u00f0ing \u00e1 s\u00e9r sta\u00f0 og birtist. S\u00fdningarstj\u00f3rarnir sj\u00e1 tengsl \u00fear \u00e1 milli og innr\u00e1s n\u00e1tt\u00faru og menningar inn \u00ed einkal\u00edfi\u00f0 \u00e1 heimilinu eins og \u00fea\u00f0 birtist \u00ed verkinu. Fyrir \u00feeim fjallar verki\u00f0 um leit a\u00f0 sj\u00e1lfsmynd \u00ed gegnum n\u00e1tt\u00faru, v\u00edsindi og hef\u00f0ir og alltaf me\u00f0 dj\u00fapri me\u00f0vitund um sj\u00e1lfi\u00f0 \u00ed \u00feessum raunverulegu e\u00f0a \u00edmyndu\u00f0u r\u00fdmum. Verki\u00f0 s\u00e9 \u00e1kve\u00f0i\u00f0 ferli sem tengist ranns\u00f3kn \u00e1 sj\u00e1lfsmynd og r\u00fdmi \u00fear sem listama\u00f0urinn sko\u00f0ar tengsl s\u00edn vi\u00f0 n\u00e1tt\u00faruna, greinir v\u00edsindalegar a\u00f0fer\u00f0ir og n\u00e1lganir \u00e1 \u00feessa s\u00f6mu n\u00e1tt\u00faru og hvernig \u00feesar \u00f3l\u00edku n\u00e1lganir stj\u00f3rnunar og stj\u00f3rnleysis takast \u00e1.<\/p> Sj\u00e1f n\u00e1lgu\u00f0ust s\u00fdningarstj\u00f3rarnir sitt hlutverk me\u00f0 \u00fev\u00ed a\u00f0 teikna upp l\u00ednulegt kort \u00e1 gangana \u00ed inngangi s\u00fdningarinnar sem s\u00fdnir kortafr\u00e6\u00f0ilegt vald \u00ed gegnum aldirnar og gerir \u00feannig s\u00fdnilega menningarlega, p\u00f3lit\u00edska og s\u00e1lfr\u00e6\u00f0ilega \u00fe\u00e6tti sem bygg\u00f0u undir framandgeringu st\u00f3r h\u00f3ps mannkyns. \u00cd greinarg\u00f3\u00f0um s\u00fdningartextanum sem fylgir s\u00fdningunni komast \u00feau a\u00f0 \u00feeirri ni\u00f0urst\u00f6\u00f0u a\u00f0 framandgering sn\u00faist ekki um hva\u00f0 s\u00e9r \u00f6\u00f0ruv\u00edsi \u00ed sj\u00e1lfu s\u00e9r e\u00f0a mikilv\u00e6gi \u00feess heldur sn\u00faist \u00feetta alltaf um vald og valdbeitingu. \u00dea\u00f0 a\u00f0 leggja \u00e1herslu \u00e1 \u00fea\u00f0 \u00f3l\u00edka s\u00e9 t\u00e6ki til a\u00f0 fremja ar\u00f0r\u00e1n \u2013 til a\u00f0 stj\u00f3rna - og \u00feetta hafi \u00ed raun skipt heiminum \u00ed tvennt, hina r\u00edku og hina f\u00e1t\u00e6ku. Segja m\u00e1 a\u00f0 s\u00ed\u00f0an \u00cdsland var ekki lengur skilgreint sem \u00feri\u00f0ja heims land \u00e1ri\u00f0 1974 h\u00f6fum vi\u00f0 sem samf\u00e9lag veri\u00f0 \u00ed miklu kapphlaupi til a\u00f0 komast \u00ed r\u00edka h\u00f3pinn. \u00cd h\u00f3p valdhafa jar\u00f0arinnar. A\u00f0 koma hlutunum undir stj\u00f3rn.<\/p> St\u00f3r hluti af \u00feessu kapphlaupi hefur veri\u00f0 a\u00f0 gleyma fort\u00ed\u00f0inni e\u00f0a r\u00e9ttara sagt b\u00faa til s\u00f6gu um hana sem hentar stj\u00f3rnanda. \u00cd \u00fev\u00ed verkefni passar ekki a\u00f0 bera sig saman vi\u00f0 a\u00f0ra en a\u00f0ra valdhafa sem vi\u00f0 viljum l\u00edkjast sem mest. \u00deessu hefur a\u00f0 sj\u00e1lfs\u00f6g\u00f0u fylgt hinar \u00fdmsu m\u00f3tsagnir. Vi\u00f0 erum hinsvegar ekki einst\u00f6k me\u00f0 okkar reynslu af \u00fev\u00ed a\u00f0 hafa veri\u00f0 undiroku\u00f0 af n\u00fdlenduherrum og getum l\u00e6rt margt me\u00f0 \u00fev\u00ed a\u00f0 vera \u00ed samtali vi\u00f0 f\u00f3lk me\u00f0 samb\u00e6rilega reynslu.<\/p> \u00dea\u00f0 sem s\u00fdningarstj\u00f3rarnir eru a\u00f0 reyna a\u00f0 gera me\u00f0 s\u00fdningunni er a\u00f0 sko\u00f0a hvernig \u00edmyndunarafli\u00f0 hefur veri\u00f0 nota\u00f0 til a\u00f0 framandgera, hvernig landafr\u00e6\u00f0i hefur veri\u00f0 notu\u00f0 sem valdt\u00e6ki og hvernig vilji til valds er kjarninn \u00ed framandgeringunni. \u00deannig sj\u00e1 \u00feau s\u00fdninguna sem r\u00fdmi fyrir listamenn a\u00f0 koma saman og vefa m\u00f6gulegar lei\u00f0ir til a\u00f0 svara spurningunni um hvernig vi\u00f0 getum sem mannkyn fundi\u00f0 til samheldni sem n\u00e6r lengra en til okkar n\u00e1nasta h\u00f3ps, til mannkyns alls, e\u00f0a jafnvel til jar\u00f0arinnar sem heild. Hvernig getum vi\u00f0 stoppa\u00f0 \u00fer\u00e1hyggju okkar fyrir \u00fev\u00ed a\u00f0 vilja eiga og stj\u00f3rna \u00f6\u00f0rum? Hvernig getum vi\u00f0 komist \u00fat \u00far \u00fe\u00e6gindaramma \u00feess a\u00f0 framandgera a\u00f0ra?<\/p> Hulda R\u00f3s Gu\u00f0nad\u00f3ttir<\/em><\/p> Lj\u00f3smyndir:\u00a0Patrik Bablo og Raisa Galofre.<\/p> A\u00f0almynd me\u00f0 grein: Ja\u00f0ar (2000)<\/p> Geographies of Imagination er opi\u00f0 til 11. n\u00f3vember 2018: Vefs\u00ed\u00f0a Savvy<\/a><\/p>![\"\"](\"https:\/\/artzine.is\/wp-content\/uploads\/2018\/09\/SAVVY-Geographies-of-Imagination-Selection2-6.jpg\")
Gestur vir\u00f0ir verk \u00d6nnu fyrir s\u00e9r.<\/strong><\/span><\/p>\n![\"\"](\"https:\/\/artzine.is\/wp-content\/uploads\/2018\/09\/SAVVY-Geographies-of-Imagination-Selection2-2.jpg\")
S\u00fdningastj\u00f3rarnir Antonia Alampi og Bonaventure Soh Bejeng Ndikung sem jafnframt eru b\u00e6\u00f0i listr\u00e6nir stj\u00f3rnendur SAVVY Contemporary \u00e1samt Elena Agudio. \u00cd bakgrunni s\u00e9st opnunarverk s\u00fdningarstj\u00f3ranna sj\u00e1lfra.<\/strong><\/span><\/p>\n![\"\"](\"https:\/\/artzine.is\/wp-content\/uploads\/2018\/09\/SAVVY-Geographies-of-Imagination-Preselection08.jpg\")
Foropnunargestir hlusta \u00e1 opnunarr\u00e6\u00f0u s\u00fdningastj\u00f3ranna Antonia Alampi og Bonaventure Soh Bejeng Ndikung. \u00cd bakgrunni s\u00e9st opnunarverk s\u00fdningarstj\u00f3ranna sj\u00e1lfra.<\/strong><\/span><\/p>\n![\"\"](\"https:\/\/artzine.is\/wp-content\/uploads\/2018\/09\/SAVVY-Geographies-of-Imagination-Selection2-5.jpg\")
Anna L\u00edndal \u00e1samt myndlistarkonunum Huldu R\u00f3s Gu\u00f0nad\u00f3ttir til vinstri sem b\u00fasett hefur veri\u00f0 \u00ed Berl\u00edn \u00ed um \u00e1ratug og Rebecca Moran sem dvelur \u00ed Berl\u00edn \u00ed um nokkurra m\u00e1na\u00f0a skei\u00f0.<\/strong><\/span><\/p>\n![\"\"](\"https:\/\/artzine.is\/wp-content\/uploads\/2018\/09\/SAVVY-Geographies-of-Imagination-Preselection07.jpg\")
Opnunargestir dvelja \u00ed verki \u00d6nnu L\u00edndal Ja\u00f0ar fr\u00e1 \u00e1rinu 2000. <\/strong><\/span><\/p>\n![\"\"](\"https:\/\/artzine.is\/wp-content\/uploads\/2018\/09\/SAVVY-Geographies-of-Imagination-Preselection06.jpg\")
\u00cd bakgrunni s\u00e9st verki\u00f0 Estonian Race eftir myndlistarkonuna Tanja Muravskaja. \u00cd forgunni verk myndlistarmannnsins Oscar Murillo.<\/strong><\/span><\/p>\n
\n
<\/strong>Lj\u00f3smyndir:\u00a0Patrik Bablo og Raisa Galofre.<\/p>\n
<\/a>Annar hluti af ranns\u00f3knarverkefni Cycle mun opnast almenning \u00ed s\u00ed\u00f0ustu viku okt\u00f3ber me\u00f0 listah\u00e1t\u00ed\u00f0inni Cycle \u00e1 \u00fdmsum st\u00f6\u00f0um \u00ed K\u00f3pavogi og Reykjav\u00edk: Vefs\u00ed\u00f0a Cycle<\/a><\/p>\n![\"\"](\"http:\/\/artzine.is\/wp-content\/uploads\/2018\/09\/SAVVY-Geographies-of-Imagination-Selection2-6.jpg\")
Gestur vir\u00f0ir verk \u00d6nnu fyrir s\u00e9r.<\/strong><\/p>![\"\"](\"http:\/\/artzine.is\/wp-content\/uploads\/2018\/09\/SAVVY-Geographies-of-Imagination-Selection2-2.jpg\")
S\u00fdningastj\u00f3rarnir Antonia Alampi og Bonaventure Soh Bejeng Ndikung sem jafnframt eru b\u00e6\u00f0i listr\u00e6nir stj\u00f3rnendur Savvy Contemporary \u00e1samt Elena Agudio. \u00cd bakgrunni s\u00e9st opnunarverk s\u00fdningarstj\u00f3ranna sj\u00e1lfra.<\/strong><\/p>![\"\"](\"http:\/\/artzine.is\/wp-content\/uploads\/2018\/09\/SAVVY-Geographies-of-Imagination-Preselection08.jpg\")
Foropnunargestir hlusta \u00e1 opnunarr\u00e6\u00f0u s\u00fdningastj\u00f3ranna Antonia Alampi og Bonaventure Soh Bejeng Ndikung sem jafnframt eru b\u00e6\u00f0i listr\u00e6nir stj\u00f3rnendur Savvy Contemporary \u00e1samt Elena Agudio. \u00cd bakgrunni s\u00e9st opnunarverk s\u00fdningarstj\u00f3ranna sj\u00e1lfra.<\/strong><\/p>![\"\"](\"http:\/\/artzine.is\/wp-content\/uploads\/2018\/09\/SAVVY-Geographies-of-Imagination-Selection2-5.jpg\")
Anna L\u00edndal \u00e1samt myndlistarkonunum Huldu R\u00f3s Gu\u00f0nad\u00f3ttir til vinstri sem b\u00fasett hefur veri\u00f0 \u00ed Berl\u00edn \u00ed um \u00e1ratug og Rebecca Moran sem dvelur \u00ed Berl\u00edn \u00ed um nokkurra m\u00e1na\u00f0a skei\u00f0.<\/strong><\/p>![\"\"](\"http:\/\/artzine.is\/wp-content\/uploads\/2018\/09\/SAVVY-Geographies-of-Imagination-Preselection07.jpg\")
Opnunargestir dvelja \u00ed verki \u00d6nnu L\u00edndal Ja\u00f0ar fr\u00e1 \u00e1rinu 2000. <\/strong><\/p>![\"\"](\"http:\/\/artzine.is\/wp-content\/uploads\/2018\/09\/SAVVY-Geographies-of-Imagination-Preselection06.jpg\")
\u00cd bakgrunni s\u00e9st verki\u00f0 Estonian Race eftir myndlistarkonuna Tanja Muravskaja. \u00cd forgunni verk myndlistarmannnsins Oscar Murillo.<\/strong><\/p>