Borgarstj\u00f3ri Palermo, Leoluca Orlando, kallar borgina ‘borg farandsf\u00f3lks’ og sta\u00f0setur borgarp\u00f3lit\u00edkina \u00ed kjarna \u00e1takanna \u00e1 \u00cdtal\u00edu, og Evr\u00f3pu \u00ed v\u00ed\u00f0ara samhengi, um fl\u00f3ttamannab\u00e1tana sem leita um \u00feessar mundir vinveittra hafnaborga. \u00c1 me\u00f0an a\u00f0 \u00cdtal\u00eda sj\u00e1lf hefur loka\u00f0 \u00e1 b\u00e1ta arkar Orlando ni\u00f0ur a\u00f0 h\u00f6fn og heilsar f\u00f3lki \u00e1 flandri me\u00f0 handabandi. \u00deetta minnir \u00e1 gamla t\u00edma \u00ed Reykjav\u00edkurh\u00f6fn \u00feegar far\u00feegab\u00e1tum var fagna\u00f0 eins og \u00fej\u00f3\u00f0h\u00e1t\u00ed\u00f0 v\u00e6ri. “H\u00e9r \u00ed Palermo \u2013 og \u00feetta er \u00f3breytanleg \u00e1kv\u00f6r\u00f0un okkar \u2013 eru engir innflytjendur. \u00deeir sem koma til borgarinnar ver\u00f0a Palermob\u00faar. Yfirl\u00fdsingin ‘\u00c9g er manneskja’ er hluti af stj\u00f3rnarskr\u00e1 Palermoborgar og krefst vi\u00f0urkenningar \u00e1 r\u00e9tti f\u00f3lks til al\u00fej\u00f3\u00f0legs hreyfanleika sem grundvallarmannr\u00e9ttindi’, segir Orlando \u00ed texta s\u00fdningarskr\u00e1rinnar. Vi\u00f0 hef\u00f0um \u00e1tt a\u00f0 setja svipa\u00f0a m\u00e1lsgrein \u00ed okkar reykv\u00edsku stj\u00f3rnarskr\u00e1 \u00e1 me\u00f0an t\u00e6kif\u00e6ri gafst og b\u00e1takomur v\u00f6ktu f\u00f6gnu\u00f0.<\/p>\n
Titill s\u00fdningarinnar er fenginn \u00far smi\u00f0ju franska landslagsarkitektsins Gilles Cl\u00e9ment sem nota\u00f0i hugtaki\u00f0 pl\u00e1netugar\u00f0urinn til a\u00f0 l\u00fdsa mannkyni sem gar\u00f0yrkjum\u00f6nnum jar\u00f0arinnar. Hugtak Cl\u00e9ment er innbl\u00e1si\u00f0 af \u00feekktu 19. aldar m\u00e1lverki sikileyska m\u00e1larans Francesco Lojacono sem s\u00fdnir grasagar\u00f0 borgarinnar \u00fear sem allar tegundirnar eru a\u00f0fluttar og \u00feykir verki\u00f0 og gar\u00f0urinn vera myndl\u00edking fyrir l\u00fd\u00f0fr\u00e6\u00f0i og s\u00f6gu borgarinnar. \u00deessi saga einkennist af reki f\u00f3lks og plantna me\u00f0 b\u00e1tum hva\u00f0an\u00e6va a\u00f0 og \u00fear sem Palermo hefur haft \u00fea\u00f0 hlutverk a\u00f0 vera festi fyrir f\u00f3lk og pl\u00f6ntur \u00e1 reki. \u00dea\u00f0 var einmitt mikill \u00e1hugi bla\u00f0amanns \u00e1 gar\u00f0yrkju og reki og festu f\u00f3lks og plantna a\u00f0 h\u00fan dr\u00f3st a\u00f0 Manifesta \u00ed \u00e1r. \u00c1huginn vakna\u00f0i vi\u00f0 a\u00f0 hafa unni\u00f0 a\u00f0 vinningstill\u00f6gu samkeppni Faxafl\u00f3ahafna um \u00fatilistaverk vi\u00f0 mi\u00f0b\u00e6jarh\u00f6fnina \u2013 villigar\u00f0i \u00e1 m\u00f6rkum sj\u00e1var og lands, festi fyrir reka \u00e1 beinan en einnig t\u00e1knr\u00e6nan h\u00e1tt. ‘Garden of Flows’ (‘Fl\u00e6\u00f0isgar\u00f0urinn’) er eitt af \u00ferem \u00feemum tv\u00ed\u00e6ringsins \u00ed \u00e1r.<\/p>\n
Anna\u00f0 \u00feema er ‘Out of Control Room’ (‘Stj\u00f3rnlausa R\u00fdmi\u00f0’) sem v\u00edsar \u00ed sta\u00f0setningu eyjarinnar og \u00fe\u00e1ttt\u00f6ku \u00ed \u00feeim landfr\u00e6\u00f0ilegu og p\u00f3l\u00edt\u00edsku breytingart\u00edmum sem vi\u00f0 lifum \u00ed dag. \u00deri\u00f0ja \u00feema\u00f0 er ‘City on Stage’ (‘Borg sem Svi\u00f0’) og byggir \u00e1 forranns\u00f3kn sem h\u00e1t\u00ed\u00f0arst\u00fdran Hedwig Fijen panta\u00f0i af hollenska arkitektafyrirt\u00e6kinu ‘Office for Metropolitan Architecture (OMA)’ (‘Skrifstofa St\u00f3rborgar Arkitekt\u00fars’) \u00e1 menningarlegum, f\u00e9lagslegum, landfr\u00e6\u00f0ilegum og p\u00f3lit\u00edsku fl\u00e6kjustigi borgarinnar og sem skapar ramma tv\u00ed\u00e6ringsins. S\u00fdningarstj\u00f3rarnir fj\u00f3rir t\u00f3ku s\u00e9r \u00feessa ranns\u00f3kn sem upphafspunkt en einn \u00feeirra er einmitt sikileyski arkitektinn Ippolito Pestellini Laparelli sem b\u00fasettur er \u00ed Rotterdam og er me\u00f0eigandi \u00ed OMA arkitektafyrirt\u00e6kinu. Metna\u00f0arfullt markmi\u00f0 Orlando borgarstj\u00f3ra andar \u00fearna sterkt inn en \u00fea\u00f0 takmarkast ekki vi\u00f0 a\u00f0 setja \u00e1 svi\u00f0 nokkra m\u00e1nu\u00f0i af listvi\u00f0bur\u00f0um heldur l\u00edtur hann \u00e1 tv\u00ed\u00e6ringinn sem t\u00e6ki til a\u00f0 breyta borginni sj\u00e1lfri og \u00fer\u00f3a me\u00f0 menninguna a\u00f0 vopni. \u00de\u00f3 falleg s\u00e9 og sjarmerandi er borgin auglj\u00f3slega a\u00f0 m\u00f6rgu leiti \u00ed ni\u00f0urn\u00ed\u00f0slu.<\/p>\n
\u00c1\u00f0ur en fari\u00f0 er n\u00e1nar \u00fat \u00ed \u00fea\u00f0 er vert a\u00f0 fjalla a\u00f0eins um a\u00f0al\u00e1hugam\u00e1l bla\u00f0amanns, gar\u00f0yrkjuhlutann. Me\u00f0 \u00fe\u00e1 reynslu \u00ed farteskinu a\u00f0 hafa b\u00fai\u00f0 um hr\u00ed\u00f0 \u00ed Nor\u00f0ur-Afr\u00edku var\u00f0 bla\u00f0amanni \u00fea\u00f0 lj\u00f3st fr\u00e1 fyrstu m\u00edn\u00fatu a\u00f0 kerfisbundi\u00f0 \u00e1horf og skipul\u00f6g\u00f0 r\u00fdni v\u00e6ri ekki m\u00f6guleg \u00ed Palermo heldur v\u00e6ri m\u00e1li\u00f0 a\u00f0 fylgja fl\u00e6\u00f0inu og sj\u00e1 hva\u00f0 k\u00e6mi \u00ed fangi\u00f0. \u00deetta reyndist mj\u00f6g \u00e1rangursr\u00edk a\u00f0fer\u00f0 og \u00ed takt vi\u00f0 fl\u00e6\u00f0isgar\u00f0inn sem l\u00edkt og pl\u00f6ntur og menn jar\u00f0ar og reyndar tv\u00ed\u00e6ringurinn sj\u00e1lfur fl\u00e6ddi yfir borgina \u00e1 mj\u00f6g l\u00fd\u00f0r\u00e6\u00f0islegan h\u00e1tt me\u00f0 enga s\u00e9rstaka a\u00f0als\u00fdningu \u00e1 einum sta\u00f0. Fyrir \u00fe\u00e1 sem \u00feekkja ekki til er eitt a\u00f0alvandam\u00e1l Sikileyjar \u00feurrkur sem er aflei\u00f0ing \u00feess a\u00f0 undir lok 30 \u00e1ra str\u00ed\u00f0sins \u00ed \u00de\u00fdskalandi 17. aldar \u00fe\u00e1 var f\u00f3lki gefi\u00f0 leyfi til a\u00f0 leggja undir sig auki\u00f0 landsv\u00e6\u00f0i til r\u00e6ktunar og b\u00fasetu til \u00feess a\u00f0 fj\u00e1rmagna str\u00ed\u00f0sreksturinn.<\/p>\n Eitt af \u00feessum landsv\u00e6\u00f0um var Sikiley og sk\u00f3glendi var rutt til a\u00f0 koma fyrir korn\u00f6krum. \u00deetta, og s\u00ed\u00f0ari t\u00edma \u00fer\u00f3un, olli \u00fev\u00ed a\u00f0 rakinn sem trj\u00e1r\u00e6turnar h\u00e9ldu \u00ed j\u00f6r\u00f0u hefur horfi\u00f0 miki\u00f0 til. \u00dea\u00f0 var \u00fev\u00ed \u00e1hugavert a\u00f0 sko\u00f0a innsetningar og gj\u00f6rningaverk l\u00fandunarb\u00faanna Alon Schwabe og Daniel Fern\u00e1ndez Pascual ‘Cooking Sections’ (‘Eldunar Hlutar’) en \u00fea\u00f0 f\u00f3lst \u00ed tilraun til a\u00f0 r\u00e6kta tv\u00f6 l\u00edm\u00f3nutr\u00e9 \u00ed gar\u00f0inum \u00e1 Chiesa di S. Maria dello Spasimo h\u00f6llinni \u00e1n \u00feess a\u00f0 v\u00f6kva \u00feau me\u00f0 \u00fev\u00ed a\u00f0 festa raka \u00ed terra cotta m\u00farsteinum sem umluktu tr\u00e9in og v\u00f6kvu\u00f0u \u00feau me\u00f0 n\u00e6rveru sinni. \u00d6nnur tilraun \u00ed Giardiono dei Giusti gar\u00f0inum var a\u00f0 festa raka \u00ed fiskinetum sem umluktu h\u00e1vaxinn tr\u00e9 sem \u00fear voru fyrir. Tv\u00ed\u00e6ringurinn er st\u00fatfullur af fleiri \u00e1hugaver\u00f0um verkum sem r\u00fdna \u00ed, breg\u00f0ast vi\u00f0 e\u00f0a kallast \u00e1 vi\u00f0 sta\u00f0bundinn og oft \u00e1 t\u00ed\u00f0um um lei\u00f0 hnattr\u00e6nan veruleika.<\/p>\n Af \u00fe\u00e1tt\u00f6ku \u00cdslendinga var \u00fea\u00f0 helst a\u00f0 fr\u00e9tta a\u00f0 menningarfr\u00f6mu\u00f0urinn Sara L\u00f6we Da\u00f0ad\u00f3ttir t\u00f3k \u00fe\u00e1tt \u00ed 5 x 5 hli\u00f0ardagskr\u00e1nni en 5 galler\u00edum \u00ed Evr\u00f3pu sem starfa \u00e1 ja\u00f0ri \u00feess a\u00f0 vera verkafnami\u00f0u\u00f0 frekar en hrein s\u00f6lugaller\u00ed var bo\u00f0i\u00f0 a\u00f0 taka \u00fe\u00e1tt \u00ed dagskr\u00e1 sem st\u00f3\u00f0 yfir \u00e1 foropnunard\u00f6gum og opnunarhelgi h\u00e1t\u00ed\u00f0arinnar. \u00de\u00e1tttaka S\u00f6ru var hluti af dagskr\u00e1 berl\u00ednska galler\u00edsins Exile \u00e1 Balero marka\u00f0num og f\u00f3lst \u00ed \u00fatg\u00e1fu ‘Utopian Union’ (‘\u00dat\u00f3p\u00edu Samt\u00f6kin’) \u00e1 ‘Year one (1)’ (‘\u00c1r eitt (1)’) heimildarb\u00f3kinni. \u00cdslendingar \u00feekkja vel ‘Utopian Union’ sem m.a. t\u00f3k \u00fe\u00e1tt \u00ed Cycle listah\u00e1t\u00ed\u00f0inni \u00ed K\u00f3pavogi \u00e1 s\u00ed\u00f0asta \u00e1ri me\u00f0 hlutverkaleik. \u00datg\u00e1fan var \u00ed nafni Reflektor M, netvettvangs fyrir samt\u00edmalist sem sta\u00f0settur er \u00ed Munich og er undir stj\u00f3rn Mar\u00eda In\u00e9s Plaza Lazo<\/span> sem einnig er annar stj\u00f3rnanda Exile galler\u00eds.<\/span><\/p>\n \u00cd b\u00f3kinni er fari\u00f0 yfir atbur\u00f0i sem ‘Utopian Union’ hefur haldi\u00f0 \u00e1 Feneyjartv\u00ed\u00e6ringnum \u00ed tengslum vi\u00f0 \u00fe\u00fdska s\u00fdningarsk\u00e1lann; st\u00f3rfund listamanna, Rojava b\u00faa og fleiri \u00ed Berl\u00edn \u00e1 s\u00ed\u00f0asta \u00e1ri; vinnustofu \u00ed Kaupmannah\u00f6fn; hlutverkjaleiki \u00e1 vegum UU; og margt fleira. Anna\u00f0 verkefni sem Sara tekur \u00fe\u00e1tt \u00ed sem skipuleggjandi var einnig \u00e1 marka\u00f0num \u00e1 vegum Exile en \u00fea\u00f0 var verk p\u00f3lsku listakonunnar Kinga Kielczynska sem fjallar um afdrif s\u00ed\u00f0ustu leifa hins upprunalega Evr\u00f3pusk\u00f3glendis, Bialowieza sk\u00f3garins, sitthvoru megin vi\u00f0 landam\u00e6ri P\u00f3llands og Hv\u00edta R\u00fasslands. Kinga var me\u00f0 sta\u00f0bundna innsetningu samansettri af gr\u00f3\u00f0urafskur\u00f0i \u00far grasagar\u00f0i borgarinnar tro\u00f0num inn \u00ed b\u00edl en einnig af teikningum annars sta\u00f0ar \u00e1 marka\u00f0num sem k\u00f6llu\u00f0ust \u00e1 vi\u00f0 n\u00fdlega s\u00fdningu hennar \u00ed Exile.<\/span><\/p>\n Vi\u00f0amesta verkefni\u00f0 tengt \u00cdslandi \u00e1 tv\u00ed\u00e6ringnum er \u00e1n efa verkefni \u00edslensk\/svissneska listamannsins Christoph B\u00fcchel sem haldi\u00f0 er sams\u00ed\u00f0a tv\u00ed\u00e6ringnum. \u00de\u00e1tttaka hans er viljandi ger\u00f0 mj\u00f6g \u00f3r\u00e6\u00f0 en hvergi er minnst \u00e1 nafn hans \u00ed s\u00fdningarskr\u00e1nni e\u00f0a \u00e1 korti h\u00e1t\u00ed\u00f0arinnar. Or\u00f0r\u00f3mur um \u00fe\u00e1ttt\u00f6ku \u00e1samt nafni hans \u00e1 taupoka h\u00e1t\u00ed\u00f0arinnar er eina sem gefur til kynna a\u00f0 verk hans s\u00e9 einhvers sta\u00f0ar \u00e1 eyjunni. \u00dea\u00f0 var fyrir tilviljun a\u00f0 fyrsta manneskja sem bla\u00f0ama\u00f0ur rakst \u00e1 eftir a\u00f0 hafa stigi\u00f0 \u00fat \u00far r\u00fatunni fr\u00e1 Catania flugvelli var N\u00edna Magn\u00fasd\u00f3ttir s\u00fdningarstj\u00f3ri og skipuleggjandi me\u00f0 meiru. H\u00fan var st\u00f6dd \u00e1 d\u00e6miger\u00f0u Palermortorgi \u00e1samt \u00dau d\u00f3ttur sinni a\u00f0 safna stu\u00f0ningsundirskriftum fyrir verkefni\u00f0 ‘Barca Nostra’ (‘Skipi\u00f0 Okkar’). Verkefni\u00f0 sn\u00fdst um a\u00f0 flytja skipsflak fr\u00e1 Palermo til Brussel til hei\u00f0urs frelsis mannkyns til hreyfanleika og reisa \u00far skipinu ‘Minnismerki um Evr\u00f3pusambandi\u00f0’. <\/span><\/p>\n Skipi\u00f0 sj\u00e1lft f\u00f3rst me\u00f0 \u00fe\u00fasund fl\u00f3ttaf\u00f3lk innbyr\u00f0is \u00e1ri\u00f0 2015 og verkefni\u00f0 er kynnt sem frumkv\u00e6\u00f0i f\u00f3lks \u00e1 flandri og hvergi er minnst \u00e1 nafn forsprakkans sj\u00e1lfs Christoph B\u00fcchel. Undirskriftarbor\u00f0i\u00f0 er l\u00e1tlaust og ekki merkt \u00e1 Manifesta korti\u00f0 og s\u00f6fnunin l\u00edtur ekki \u00fat fyrir a\u00f0 hafa neitt me\u00f0 tv\u00ed\u00e6ringinn a\u00f0 gera. Rugla\u00f0ar raddir \u00e1 foropnunard\u00f6gunum hv\u00edslu\u00f0u s\u00edn \u00e1 milli “Hvar er verki\u00f0 hans Christophs?“ A\u00f0 rugla \u00ed f\u00f3lki \u00e1 \u00feennan h\u00e1tt virtist vera hluti af verkinu og gengi\u00f0 var enn\u00fe\u00e1 lengra me\u00f0 skipulag\u00f0ri heilsdagsfer\u00f0 ‘Dream in Progress’ (‘Draumur \u00ed Framf\u00f6rum’) \u00e1 ‘Manifesto Gibellina Nuova<\/strong>‘ upp \u00ed fj\u00f6llum Sikileyjar. Prenta\u00f0ur b\u00e6klingur sem fylgdi var alveg laus vi\u00f0 nafn Christophs og f\u00e1ir voru tilb\u00fanir a\u00f0 treysta \u00fev\u00ed a\u00f0 fer\u00f0in, sem leit \u00fat fyrir a\u00f0 vera t\u00faristafer\u00f0 svipa\u00f0ri kanar\u00edskri gr\u00edsaveislufer\u00f0, v\u00e6ri verki\u00f0.<\/span><\/p>\n Bla\u00f0ama\u00f0ur artzine \u00e1kva\u00f0 a\u00f0 fara a\u00f0 r\u00e1\u00f0leggingum N\u00ednu og fara \u00ed fer\u00f0ina, sleppa hr\u00e6\u00f0slunni vi\u00f0 a\u00f0 missa af a\u00f0 sj\u00e1 lykilverk \u00ed Palermo, treysta \u00e1 fl\u00e6\u00f0i\u00f0 og skella s\u00e9r \u00fat \u00ed \u00f3vissuna. Eftir a\u00f0 hafa misst af moskunni \u00ed Feneyjum var ekki m\u00e1li\u00f0 a\u00f0 missa af upp\u00e1t\u00e6kjum Christophs \u00e1 Manifesto \u00ed Trapani h\u00e9ra\u00f0i \u00ed Sikileyjarfj\u00f6llum.<\/span><\/p>\n Eins og Manifesta \u00fe\u00e1 deildi Manifesto s\u00e9r ni\u00f0ur \u00ed \u00ferj\u00fa megin\u00feema: ‘Archaeology of the future \u2013 collateral damage’ (‘Fornleifafr\u00e6\u00f0i framt\u00ed\u00f0arinnar \u2013 tryggt tj\u00f3n’) sem rannsakar hi\u00f0 \u00f3kl\u00e1ra\u00f0a og \u00ed r\u00fastum \u00ed hnattr\u00e6nu fl\u00e6\u00f0i samt\u00edmans me\u00f0 \u00fev\u00ed a\u00f0 heims\u00e6kja r\u00fastir b\u00e6ja sem or\u00f0i\u00f0 h\u00f6f\u00f0u illa \u00fati \u00ed jar\u00f0skj\u00e1lfta \u00e1ri\u00f0 1968 en einnig veigamiki\u00f0 landslistaverk \u00edtalska listamannsins Burri sem gleypt hefur r\u00fastir eins \u00feorpsins undir nafninu ‘Cretto’.<\/span><\/p>\n S\u00fdn hins mikla listamanns er fyrirfer\u00f0armikil og verki\u00f0 var sett upp \u00e1 s\u00ednum t\u00edma \u00ed \u00f3\u00fe\u00f6kk syrgjandi \u00feorpsb\u00faanna sem t\u00f6pu\u00f0u \u00fearna \u00e1ttum \u00ed gamla heimab\u00e6num sem steypt haf\u00f0i veri\u00f0 yfir. Anna\u00f0 \u00feema var ‘Concrete Utopia’ (‘Steypt \u00dat\u00f3p\u00eda) og einbl\u00edndi \u00e1 samband lista og arkitekt\u00fars og samtal \u00feessa greina vi\u00f0 b\u00e6inn Gibellina Nuova, samf\u00e9l\u00f6g innan \u00feess, hef\u00f0ir og almenningsr\u00fdmi. Gibellina Nuevo er b\u00e6r sem bygg\u00f0ur var til a\u00f0 h\u00fdsa \u00edb\u00faanna 2000 sem lif\u00f0u af jar\u00f0skj\u00e1lftanna \u00ed b\u00e6num sem landslagsverk Burri hefur gleypt. Hin n\u00fdja Gibellina er bygg\u00f0 me\u00f0 framt\u00ed\u00f0ina \u00ed huga e\u00f0a margfalt st\u00e6rri \u00edb\u00faafj\u00f6lda og var \u00e1 9. \u00e1ratugnum fyllt af tugum risast\u00f3rra vanr\u00e6ktra \u00fatilistaverka og \u00f3kl\u00e1ra\u00f0ra st\u00f3rmenningarbygginga undir stj\u00f3rn st\u00f3rmennis b\u00e6jarins sem haf\u00f0i \u00fe\u00e1 framt\u00ed\u00f0ars\u00fdn a\u00f0 byggja st\u00f3rb\u00e6 \u00e1 grundvelli listar og arkitekt\u00fars. \u00cd dag er mj\u00f6g ey\u00f0ilegt um a\u00f0 litast \u00e1 t\u00f3mum torgunum og \u00ed kringum verkin sem m\u00f6rg hver eru b\u00f6rn s\u00edns t\u00edma. Enginn veit hver borga\u00f0i fyrir \u00feetta allt saman.<\/span><\/p>\n \u00d3kl\u00e1ru\u00f0 risast\u00f3r gl\u00e6sibyggingin sem \u00e1tti a\u00f0 vera leikh\u00fas b\u00e6jarins minnir helst \u00e1 martr\u00f6\u00f0 um ofvaxi\u00f0 b\u00edlast\u00e6\u00f0ah\u00fas \u00ed Reykjav\u00edk. \u00deri\u00f0ja \u00feema Manifesto er ‘Uncultivated garden of coexistence \u2013 the third landscape’ (‘\u00d3r\u00e6kta\u00f0i gar\u00f0ur samb\u00fa\u00f0ar \u2013 \u00feri\u00f0ja landslagi\u00f0’) og kjarnast um heims\u00f3kn \u00ed grasagar\u00f0 Gibellina Nuova, risast\u00f3rt moldarfl\u00e6mi sem kallast \u00e1 vi\u00f0 \u00f3hirt listaverkin og \u00f3kl\u00e1ru\u00f0u byggingarnar \u00ed b\u00e6num en einnig vi\u00f0 titil og um lei\u00f0 langt\u00edma \u00e1setning Manifesta tv\u00ed\u00e6ringsins sj\u00e1lfs.<\/span><\/p>\n I Feneyjum t\u00f3kst Christoph a\u00f0 ganga inn \u00ed kjarna go\u00f0s\u00f6gunnar um hi\u00f0 frj\u00e1lslynda verslunarsamf\u00e9lag og um lei\u00f0 ganr\u00fdna afst\u00f6\u00f0u samt\u00edmalistasenunnar. \u00dea\u00f0 var\u00f0 ekki bara allt vitlaust \u00e1 borgarskrifstofum Feneyjaborgar heldur loku\u00f0u l\u00edka \u00e1hrifamiklir listamenn, h\u00e9r heima og al\u00fej\u00f3\u00f0lega, \u00e1 umr\u00e6\u00f0u \u00ed kringum verki\u00f0. Christoph haf\u00f0i hitt \u00e1 marga vi\u00f0kv\u00e6ma punkta en haf\u00f0i ekki gerst sekur um framandgeringu n\u00e9 a\u00f0 skreyta sig me\u00f0 menningu annarra \u00e1 \u00f3vi\u00f0eigandi h\u00e1tt. Hann var \u00ed g\u00f3\u00f0u og miklu samstarfi vi\u00f0 \u00edslamska samf\u00e9lagi\u00f0 \u00e1 \u00cdslandi og \u00ed Feneyjum og \u00fea\u00f0 skila\u00f0i s\u00e9r \u00ed umr\u00e6\u00f0u \u00e1 \u00feeim vettvangi, sem og \u00e1 fr\u00e6\u00f0i- og p\u00f3lit\u00edskum vettvangi \u00e1 al\u00fej\u00f3\u00f0av\u00edsu, var\u00f0andi vaxandi \u00edslamaf\u00f3b\u00edu og fleira, \u00fe\u00f3 a\u00f0ilar \u00ed samt\u00edmaheiminum sem ekki vildu rugga b\u00e1tnum hef\u00f0u \u00feagna\u00f0 e\u00f0a reynt a\u00f0 \u00feagga ni\u00f0ur. Verk \u00ed \u00edslenska sk\u00e1lanum hefur sjaldan haft jafn miki\u00f0 v\u00e6gi al\u00fej\u00f3\u00f0lega e\u00f0a sett \u00edslenska myndlistarsenu jafn r\u00e6kilega \u00e1 korti\u00f0. <\/span><\/p>\n \u00c1 Manifesto vinnur Christoph aftur \u00ed beinu samstarfi vi\u00f0 \u00e1kve\u00f0inn samf\u00e9lagsh\u00f3p sem hefur veri\u00f0 ja\u00f0arsettur og vanr\u00e6ktur. \u00cd \u00feessu tilfelli eru \u00fea\u00f0 \u00edb\u00faar \u00ed Trapani landb\u00fana\u00f0arh\u00e9ra\u00f0inu \u00e1 Sikiley. A\u00f0 vera \u00edb\u00faar \u00ed gleymdu h\u00e9ra\u00f0i e\u00f0a sv\u00e6\u00f0i er reynsla sem \u00edb\u00faar margra h\u00e9ra\u00f0a Evr\u00f3pu eiga sameiginlegt og \u00fev\u00ed hefur samstarfi\u00f0 v\u00ed\u00f0t\u00e6kari v\u00edsun. \u00c1 Sikiley stofnar Christoph til kjarnyrts samtals og leggur fram gagnr\u00fdna spurningu vi\u00f0 yfirl\u00fdst markmi\u00f0 Manifesta \u00ed Palermo og borga\u00f0a \u00fe\u00e1ttt\u00f6ku hollenska arkitektafyrirt\u00e6kisins OMA til a\u00f0 stunda ranns\u00f3knir \u00e1 veruleika Palermo. Fali\u00f0 undir fallegum \u00e1setningi \u00ed texta s\u00fdningaskr\u00e1rinnar er s\u00fa sta\u00f0reynd a\u00f0 ranns\u00f3knin gefur OMA mikilv\u00e6gt forskot \u00feegar \u00fatbo\u00f0 hefjast \u00ed \u00feeirri langt\u00edma framfarauppbyggingu sem Orlando borgarstj\u00f3ra s\u00e9r sem framt\u00ed\u00f0 borgarinnar. <\/span><\/p>\n Me\u00f0 \u00fev\u00ed a\u00f0 s\u00fdna b\u00e6inn Gibellina \u00ed n\u00fdrri og eldri ger\u00f0 undir upprunalegri fer\u00f0amannalei\u00f0s\u00f6gn f\u00f3lks \u00e1 sta\u00f0num tekst Christoph a\u00f0 leggja fram metar\u00fdni \u00e1 fyrirb\u00e6ri\u00f0 tv\u00ed\u00e6ringa \u00ed sj\u00e1lfu s\u00e9r og s\u00e9rstaklega Manifesta \u00ed Palermo en engin ford\u00e6mi eru fyrir sl\u00edkri forranns\u00f3kn arkitektafyrirt\u00e6kis. \u00cd lj\u00f3si \u00feess a\u00f0 Hedwig Fijen hefur l\u00fdst yfir a\u00f0 sl\u00edk forranns\u00f3kn arkitektafyrirt\u00e6kis s\u00e9 framt\u00ed\u00f0 Manifesta f\u00e6r verk Christops aukna vigt. \u00dea\u00f0 ver\u00f0ur hrifn\u00e6mum nau\u00f0synlegt til a\u00f0 halda s\u00e9r \u00e1 j\u00f6r\u00f0inni n\u00e1l\u00e6gt \u00fev\u00ed sem er.<\/span><\/p>\n Manifesta sem fer\u00f0a-tv\u00ed\u00e6ringur getur sannarlega virka\u00f0 sem t\u00e6ki til a\u00f0 fl\u00fdta fyrir heldrunarferli \u00ed h\u00f6ndum r\u00e9ttra a\u00f0ila hvort sem \u00feeir gera \u00fea\u00f0 af g\u00f3\u00f0um \u00e1setningi e\u00f0a til \u00feess a\u00f0 hagnast e\u00f0a eru \u00f3me\u00f0vita\u00f0ir um hver kostna\u00f0urinn er. \u00cd \u00feessu samhengi er gott a\u00f0 rifja upp hvernig Manifesta var\u00f0 n\u00e6stum \u00fev\u00ed haldi\u00f0 \u00e1 \u00cdslandi undir lok s\u00ed\u00f0asta \u00e1ratugar. Um mi\u00f0jan \u00e1ratuginn var \u00fe\u00fdska s\u00fdningarstj\u00f3ranum Christian Sch\u00f6en fali\u00f0 \u00fea\u00f0 verkefni\u00f0 a\u00f0 stofna \u00edslenska kynningarmi\u00f0st\u00f6\u00f0 myndlistar og koma myndlistarm\u00e1lum \u00ed faglegan jar\u00f0veg. Um svipa\u00f0 leiti \u00e1ri\u00f0 2005 var haldin Listah\u00e1t\u00ed\u00f0 \u00ed Reykjav\u00edk sem beindi sj\u00f3num a\u00f0 \u00edslenskri myndlist \u00e1 h\u00e1tt sem ekki haf\u00f0i \u00feekkst \u00e1\u00f0ur. <\/span><\/p>\n Mikilv\u00e6gt f\u00f3lk \u00far mi\u00f0ju listheimsins flyktist til landsins og var flogi\u00f0 \u00e1 milli myndlistars\u00fdninga Listah\u00e1t\u00ed\u00f0ar \u00ed \u00f6llum landshlutum. \u00deetta var h\u00e1t\u00ed\u00f0in sem kom \u00edslenskri myndlist \u00e1 korti\u00f0. Christoph B\u00fcchel var hluti af \u00feessari bylgju sem mynda\u00f0ist \u00ed kj\u00f6lfari\u00f0 og sem listamannavinnur\u00fdmi\u00f0 Klink og Bank var mi\u00f0l\u00e6gt \u00ed. N\u00edna Magn\u00fasd\u00f3ttir var einmitt stj\u00f3rnandi Klink og Bank \u00e1 \u00feessum t\u00edma og lykilmanneskja \u00ed tengslanetamyndun \u00ed kringum \u00fea\u00f0. <\/span><\/p>\n Christian var mj\u00f6g metna\u00f0arfullur fyrir h\u00f6nd \u00edslenskrar myndlistar og vildi n\u00fdta \u00feetta t\u00e6kif\u00e6ri sem athyglin \u00e1 Listah\u00e1ti\u00f0 2005 var. Hann nota\u00f0i tengsl s\u00edn vi\u00f0 stj\u00f3rnanda Berliner Liste listamessunnar til a\u00f0 Klink og Bank yr\u00f0i bo\u00f0in \u00fe\u00e1tttaka \u00fear og vann einnig n\u00f3tt og dag vi\u00f0 a\u00f0 sannf\u00e6ra \u00e1hrifaf\u00f3lk \u00ed \u00edslenskum nefndum um a\u00f0 \u00fea\u00f0 v\u00e6ri m\u00e1li\u00f0 a\u00f0 styrkja \u00edslenska listamenn eins og Egil S\u00e6bj\u00f6rnsson til vinnustofudvalar \u00ed K\u00fcnstlerhaus Bethanien \u00ed Berl\u00edn. Christin fylgdi svo athyglinni eftir me\u00f0 \u00fev\u00ed a\u00f0 bj\u00f3\u00f0a h\u00f3pi af Manifesta s\u00fdningarstj\u00f3rum til \u00cdslands me\u00f0 \u00fea\u00f0 \u00ed huga a\u00f0 undirb\u00faa jar\u00f0veginn fyrir \u00fea\u00f0 a\u00f0 Manifesta yr\u00f0i haldin flj\u00f3tlega \u00e1 \u00cdslandi. <\/span><\/p>\n Hedwig Fijen var mj\u00f6g hrifin af \u00feeirri hugmynd og lag\u00f0i s\u00e9rstaka \u00e1herslu \u00e1 a\u00f0 s\u00fdningarstj\u00f3rarnir f\u00e6ru til \u00cdslands til a\u00f0 velja \u00edslenska listamenn til \u00fe\u00e1tt\u00f6ku \u00e1 Manifesta. \u00dea\u00f0 var\u00f0 \u00far a\u00f0 listamennirnir Margr\u00e9t Bl\u00f6ndal, Ragnar Kjartansson og \u00d3lafur \u00d3lafsson\/Libia Castro t\u00f3ku \u00fe\u00e1tt \u00e1ri\u00f0 <\/span>2008. \u00cdslenska r\u00edki\u00f0 t\u00f3k l\u00edka vel \u00ed hugmyndina og samningur um a\u00f0 h\u00fdsa Manifesta l\u00e1 \u00e1 bor\u00f0i Mennta- og menningarm\u00e1lar\u00e1\u00f0herra til undirskriftar \u00feegar Lehmann br\u00e6\u00f0ur ur\u00f0u gjald\u00ferota. \u00deegar \u00cdsland var\u00f0 s\u00ed\u00f0an n\u00e6r gjald\u00ferota \u00ed kj\u00f6lfari\u00f0 st\u00f3\u00f0 vali\u00f0 \u00e1 milli \u00feess a\u00f0 hei\u00f0ra tvo samninga sem l\u00e1gu \u00e1 bor\u00f0inu og hei\u00f0urs\u00fe\u00e1tttaka \u00cdslands \u00ed b\u00f3kamessunni \u00ed Frankfurt var\u00f0 ofan \u00e1. <\/span><\/p>\n Eftir langt ferli og uppbyggingu til a\u00f0 koma \u00feessum mikilv\u00e6ga atbur\u00f0i til \u00cdslands \u00fe\u00e1 voru \u00feetta a\u00f0 sj\u00e1lfs\u00f6g\u00f0u mikil vonbrig\u00f0i. Reykjav\u00edkurborg og \u00edslenska r\u00edki\u00f0 h\u00f6f\u00f0u vissulega ekki s\u00f6mu s\u00fdn \u00e1 myndlistarvi\u00f0bur\u00f0 sem eitthva\u00f0 sem h\u00e6gt v\u00e6ri a\u00f0 byggja \u00e1 eins og Orlando borgarstj\u00f3ri Palermo gerir \u00ed dag e\u00f0a st\u00f3rhugar 9. \u00e1ratugarins ger\u00f0u \u00ed Gibellina Nuova. Heldrunarferli er fl\u00f3ki\u00f0 og marglaga fyrirb\u00e6ri sem eins og n\u00fdlenduferli\u00f0 kjarnast um a\u00f0 einn \u00fej\u00f3\u00f0f\u00e9lagsh\u00f3pur tekur yfir r\u00fdmi annars og \u00fev\u00ed fylgir umbreyting \u00e1 fagurfr\u00e6\u00f0i og \u00e1s\u00fdnd og margt fleira. \u00c1kve\u00f0nir h\u00f3par hagnast og hagur \u00feeirra v\u00e6nkast \u00e1 me\u00f0an a\u00f0rir h\u00f3par eru ja\u00f0arsettir. <\/span><\/p>\n Myndlistarheimurinn er ekki laus vi\u00f0 a\u00f0 vera sta\u00f0settur \u00ed \u00feessari hringr\u00e1s og hafa \u00e1kve\u00f0i\u00f0 hlutverk. Oft b\u00e6tist hagur myndlistarsenu \u00ed upphafi sl\u00edks ferils, h\u00fasn\u00e6\u00f0i b\u00fd\u00f0st til d\u00e6mis \u00e1 g\u00f3\u00f0um sta\u00f0 \u00e1 g\u00f3\u00f0u ver\u00f0i, en \u00e1 s\u00ed\u00f0ari stigum kemur oft annar h\u00f3pur og tekur yfir og myndlistarsenunni er \u00fdtt \u00fat \u00e1 ja\u00f0arinn. \u00deetta er \u00e1kve\u00f0inn mekanismi sem hefur sinn ry\u00f0ma, s\u00edn tannhj\u00f3l, sem \u00fearf a\u00f0 gefa gaum \u00ed umhverfi sem gefur sig \u00fat fyrir a\u00f0 vera gagnr\u00fdni\u00f0. ‘Follow the money’, hv\u00edslar N\u00edna a\u00f0 m\u00e9r og horfir k\u00edminn \u00e1 einn \u00fe\u00e1tttakanda \u00ed Draumaframfarafer\u00f0inni, arkitekt fr\u00e1 OMA sem vir\u00f0ist ekki gera s\u00e9r neina grein fyrir gagnr\u00fdnu vi\u00f0horfi verksins til hans eigins fyrir\u00e6tlanna og sj\u00f3narmi\u00f0a. Bla\u00f0ama\u00f0ur er \u00e1 b\u00e1\u00f0um \u00e1ttum. Vissulega yr\u00f0i \u00fea\u00f0 st\u00f3rkostlegt t\u00e6kif\u00e6ri fyrir \u00edslenska myndlistarsenu a\u00f0 f\u00e1 Manifesta til \u00cdslands en lj\u00f3st er a\u00f0 mikilv\u00e6gt er a\u00f0 vera me\u00f0vita\u00f0ur um hver s\u00e9u helstu tannhj\u00f3lin og hverju s\u00e9 veri\u00f0 a\u00f0 f\u00f3rna og hverjir s\u00e9u a\u00f0 hagnast \u00feegar r\u00e6tt er um samspil heldrunarferils, fasteigna- og borgar\u00fer\u00f3unar og myndlistar- og menningaratbur\u00f0a.<\/span><\/p>\n Hulda R\u00f3s Gu\u00f0nad\u00f3ttir<\/em><\/p>\n <\/p>\n Lj\u00f3smyndirnar \u00ed greininni eru birtar me\u00f0 leyfi Huldu R\u00f3sar Gu\u00f0nad\u00f3ttur, mynd af mi\u00f0a er birt me\u00f0 leyfi\u00a0Fondazione Manifesto<\/p>\n Hlekkir sem tengjast efni greinarinnar:<\/p>\n http:\/\/m12.manifesta.org<\/span><\/u><\/span><\/span><\/a><\/p>\n www.cooking-sections.com<\/a><\/p>\n www.fondazionemanifesto.org<\/a><\/p>\n http:\/\/oma.eu\/<\/span><\/a><\/u><\/span><\/span><\/p>\n http:\/\/exilegallery.org\/<\/span><\/a><\/u><\/span><\/span><\/p>\n http:\/\/www.utopianunion.org\/<\/span><\/a><\/u><\/span><\/span><\/p>\n http:\/\/www.kingakielczynska.com\/<\/span><\/a><\/u><\/span><\/span><\/p>\n![\"\"](\"http:\/\/artzine.is\/wp-content\/uploads\/2018\/07\/Palermo03.jpg\")
\nWhat Is Above Is What Is Below. ‘Cooking Sections’ \u00ed Giardino dei Giusti gar\u00f0inum. ‘Garden of Flows’ hluti tv\u00ed\u00e6ringsins.<\/span><\/strong><\/span><\/p>\n![\"\"](\"http:\/\/artzine.is\/wp-content\/uploads\/2018\/07\/Palermo06.jpg\")
L\u00edm\u00f3nutr\u00e9 ‘performerar’ \u00ed verkinu What Is Above IS What Is Below \u00far ‘Garden of Flows’ hluta tv\u00ed\u00e6ringsins.<\/span><\/strong><\/span><\/p>\n![\"\"](\"http:\/\/artzine.is\/wp-content\/uploads\/2018\/07\/Palermo09.jpg\")
5 x5 var n\u00fd hli\u00f0ardagskr\u00e1 \u00e1 Manifesta \u00ed \u00e1r. Fimm galler\u00edum var bo\u00f0i\u00f0 a\u00f0 koma til Palermo og vera \u00ed samtali vi\u00f0 fagf\u00f3lk \u00far lista- og menningarheimi borgarinnar me\u00f0 \u00fev\u00ed a\u00f0 setja um ‘pop-up’ s\u00fdningar. Galler\u00edin voru a\u00f0allega fr\u00e1 \u00cdtal\u00edu en einnig var Annet Gelink \u00ed Hollandi og Exile \u00ed Berl\u00edn bo\u00f0i\u00f0 a\u00f0 taka \u00fe\u00e1tt. Exile valdi a\u00f0 vera me\u00f0 ‘sumarb\u00fa\u00f0ir’ \u00e1 Balero marka\u00f0i borgarinnar \u00e1 foropnunard\u00f6gum og opnunarhelgi tv\u00ed\u00e6ringsins. H\u00e9r s\u00e9rst Sara L\u00f6ve Da\u00f0ad\u00f3ttir undirb\u00faa b\u00f3ka\u00fatg\u00e1fu ‘Utopian Union’ og ‘Reflektor M’ \u00e1 Balero marka\u00f0num.<\/span><\/strong><\/span><\/p>\n![\"\"](\"http:\/\/artzine.is\/wp-content\/uploads\/2018\/07\/Palermo12.jpg\")
Verk p\u00f3lsku listakonunnar Kinga Kielczynska \u00e1 vegum Exile galler\u00ed \u00e1 Balero marka\u00f0num.<\/span><\/strong><\/span><\/p>\n![\"\"](\"http:\/\/artzine.is\/wp-content\/uploads\/2018\/07\/midi.jpg\")
Mi\u00f0i \u00ed fer\u00f0ina\u00a0Manifesto Gibellina Nuova\u00a0upp \u00ed fj\u00f6ll Sikileyjar.<\/span><\/strong><\/span><\/p>\n![\"\"](\"http:\/\/artzine.is\/wp-content\/uploads\/2018\/07\/Palermo14.jpg\")
Fer\u00f0af\u00e9lagar \u00ed ‘Dream in Progress’ fer\u00f0inni kl\u00f3ra s\u00e9r \u00ed hausnum \u00ed r\u00fastum b\u00e6jarins sem lag\u00f0ist \u00ed ey\u00f0i \u00ed jar\u00f0skj\u00e1lftunum 1968. Fyrir mi\u00f0ju er lei\u00f0s\u00f6guma\u00f0ur \u00far h\u00e9ra\u00f0i.\u00a0<\/span><\/strong><\/span><\/p>\n![\"\"](\"http:\/\/artzine.is\/wp-content\/uploads\/2018\/07\/Palermo15.jpg\")
Fer\u00f0af\u00e9lagar dj\u00fapt \u00ed i\u00f0rum Cretto landlistaverks Burri sem sta\u00f0sett er yfir \u00feeim sta\u00f0 sem b\u00e6rinn Gibellina var \u00e1\u00f0ur.\u00a0Fremst \u00e1 myndinni er N\u00edna Magn\u00fasd\u00f3ttir s\u00fdningarstj\u00f3ri a\u00f0 r\u00e6\u00f0a vi\u00f0 fer\u00f0af\u00e9laga.<\/span><\/strong><\/span><\/p>\n![\"\"](\"http:\/\/artzine.is\/wp-content\/uploads\/2018\/07\/Palermo16.jpg\")
Form og l\u00ednur Cretto kallast ekki einungis \u00e1 vi\u00f0 sprungum\u00e1lverkin sem listama\u00f0urinn er \u00feekktur fyrir heldur einnig ‘arkitekt\u00far’ \u00ed landslagi landb\u00fana\u00f0ah\u00e9ra\u00f0sins \u00ed kring.<\/span><\/strong><\/span><\/p>\n![\"\"](\"http:\/\/artzine.is\/wp-content\/uploads\/2018\/07\/Palermo18.jpg\")
Arkitekt OMA tekur h\u00e9r mynd af \u00f3kl\u00e1ra\u00f0ri leikh\u00fasbyggingu Gibellina Nuova.<\/span><\/strong><\/span><\/p>\n![\"\"](\"http:\/\/artzine.is\/wp-content\/uploads\/2018\/07\/Palermo17.jpg\")
\nFer\u00f0af\u00e9lagar \u00e1 torgi fyrir framan borgarskrifstofur Gibbelina Nuova. \u00c1 myndinni s\u00e1st brot af st\u00f3rum og vanr\u00e6ktum \u00fatilistaverkum b\u00e6jarins og einnig a\u00f0keyptum arkitekt\u00far.<\/span><\/strong><\/span><\/p>\n\u00deegar Manifesta var n\u00e6stum \u00fev\u00ed haldin \u00e1 \u00cdslandi<\/h2>\n
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