{"id":6639,"date":"2018-06-12T09:35:42","date_gmt":"2018-06-12T09:35:42","guid":{"rendered":"http:\/\/artzine.is\/?p=6639"},"modified":"2018-06-12T16:04:31","modified_gmt":"2018-06-12T16:04:31","slug":"skynraenn-thverskurdur-tuma-magnussonar","status":"publish","type":"post","link":"https:\/\/artzine.is\/?p=6639","title":{"rendered":"Skynr\u00e6nn \u00feverskur\u00f0ur Tuma Magn\u00fassonar"},"content":{"rendered":"

[et_pb_section fb_built=“1″ fullwidth=“on“ custom_padding_last_edited=“on|desktop“ _builder_version=“3.0.74″ custom_padding_tablet=“50px|0|50px|0″ transparent_background=“off“ padding_mobile=“off“][et_pb_fullwidth_image src=“http:\/\/artzine.is\/wp-content\/uploads\/2018\/06\/Arbejdsvidenskab-udefra.jpg“ _builder_version=“3.2.2″][\/et_pb_fullwidth_image][\/et_pb_section][et_pb_section fb_built=“1″ custom_padding_last_edited=“on|desktop“ admin_label=“section“ _builder_version=“3.0.74″ custom_padding_tablet=“50px|0|50px|0″ transparent_background=“off“ padding_mobile=“off“][et_pb_row padding_mobile=“off“ column_padding_mobile=“on“ _builder_version=“3.0.47″ background_size=“initial“ background_position=“top_left“ background_repeat=“repeat“][et_pb_column type=“4_4″ _builder_version=“3.0.47″ column_padding_mobile=“on“ parallax=“off“ parallax_method=“on“][et_pb_post_title author=“off“ date_format=“j.m. Y“ categories=“off“ comments=“off“ featured_image=“off“ _builder_version=“3.6″ title_font=“Oswald|600||on|||||“ title_font_size=“35px“ title_letter_spacing=“1px“ title_all_caps=“on“ background_color=“rgba(255,255,255,0)“ parallax=“on“ parallax_method=“off“ use_border_color=“off“ border_color=“#ffffff“ border_style=“solid“ parallax_effect=“on“ module_bg_color=“rgba(255,255,255,0)“ global_module=“3887″ saved_tabs=“all“][\/et_pb_post_title][et_pb_text _builder_version=“3.6″ background_size=“initial“ background_position=“top_left“ background_repeat=“repeat“]<\/p>\n

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Listamannarekna s\u00fdningarr\u00fdmi\u00f0 Pirpa er sta\u00f0sett vi\u00f0 Gr\u00f8nttorvet, e\u00f0a Gr\u00e6nmetistorgi\u00f0, \u00ed \u00fathverfi Kaupmannahafnar \u00ed Danm\u00f6rku. \u00dear m\u00e1 um \u00feessar mundir sj\u00e1 og heyra innsetningu listamannsins Tuma Magn\u00fassonar sem ber heiti\u00f0 \u201eArbejdsvidenskab\u201c e\u00f0a \u201eVinnuv\u00edsindi\u201c. H\u00fan s\u00e6kir efni\u00f0vi\u00f0 \u00ed umhverfi Pirpa sem undanfari\u00f0 hefur teki\u00f0 miklum breytingum. Fyrir tveimur \u00e1rum yfirg\u00e1fu s\u00ed\u00f0ustu heildsalarnir Gr\u00e6nmetistorgi\u00f0 sem \u00e1\u00f0ur var l\u00edfleg mi\u00f0st\u00f6\u00f0 gr\u00e6nmetis-, \u00e1vaxta- og bl\u00f3mas\u00f6lu. \u00dea\u00f0 st\u00f3\u00f0 til a\u00f0 umbreyta torginu \u00ed \u00edb\u00fa\u00f0arkjarna. \u00dea\u00f0 \u00e1tti a\u00f0 r\u00edfa \u00fe\u00e6r byggingar sem \u00e1\u00f0ur h\u00fdstu heilds\u00f6lurnar til a\u00f0 skapa r\u00fam fyrir framt\u00ed\u00f0ina. Ni\u00f0urrifi\u00f0 hefur reynst t\u00edmafrekt og enn \u00ed dag eru steypubyggingar \u00e1 sv\u00e6\u00f0inu a\u00f0 umbreytast \u00ed duft \u00e1 me\u00f0an n\u00fd \u00edb\u00fa\u00f0arh\u00fasn\u00e6\u00f0i r\u00edsa. S\u00fdningarr\u00fdmi\u00f0 Pirpa, \u00e1samt \u00f6rf\u00e1um sm\u00e1verslunum, litlum framlei\u00f0slufyrirt\u00e6kjum og listam\u00f6nnum hefur hrei\u00f0ra\u00f0 um sig t\u00edmabundi\u00f0 \u00ed r\u00f3tinu. \u00cd yfirgefnum byggingum sem enn f\u00e1 a\u00f0 standa. <\/strong><\/p>\n

S\u00fdningar Pirpa hverfast \u00e1vallt a\u00f0 einhverju leyti um s\u00f6gu sv\u00e6\u00f0isins, ark\u00edtekt\u00far \u00feess e\u00f0a \u00fe\u00e1 umbreytingu sem n\u00fa \u00e1 s\u00e9r sta\u00f0 \u00fear. Eins og titillinn gefur til kynna fjallar innsetning Tuma um vinnuna. \u00cd \u00feessu sta\u00f0bundna verki, sem samastendur af \u00f3mandi hlutum \u00e1samt uppt\u00f6kum af hlj\u00f3\u00f0i og myndum, tekur Tumi snei\u00f0mynd af hinum mismunandi vinnuferlum sem m\u00f3ta\u00f0 hafa sv\u00e6\u00f0i\u00f0 s\u00ed\u00f0astli\u00f0na m\u00e1nu\u00f0i.<\/p>\n

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M\u00e1var taka \u00e1 m\u00f3ti gestum s\u00fdningarinnar me\u00f0 gargandi s\u00f6ng. \u00dar fjarska m\u00e1 heyra jar\u00f0\u00fdtu berjast vi\u00f0 a\u00f0 ry\u00f0ja \u00e1 undan s\u00e9r einhverjum massa. H\u00e9r eru \u00fe\u00f3 engir m\u00e1var \u00e1 fer\u00f0 og \u00fer\u00e1tt fyrir vinnuv\u00e9lar \u00ed n\u00e1grenninu er engin jar\u00f0\u00fdta \u00ed sj\u00f3nl\u00ednu. Hlj\u00f3\u00f0i\u00f0 kemur fr\u00e1 g\u00f6mlu hringbor\u00f0i og vinnukolli \u00far plasti sem blasa vi\u00f0 sj\u00f3num fyrir utan Pirpa. Sm\u00e1m saman d\u00fdpkar r\u00f3mur m\u00e1vanna. \u00dea\u00f0 h\u00e6gist \u00e1 og jar\u00f0\u00fdtan vir\u00f0ist eiga erfi\u00f0ara um vik a\u00f0 komast \u00e1fram. Hlj\u00f3\u00f0spori\u00f0 teygist til, hra\u00f0inn breytist og t\u00ed\u00f0nin fylgir me\u00f0. Ef tekin eru nokkur skref \u00e1fram, framhj\u00e1 kollinum og bor\u00f0inu og inn fyrir dyr s\u00fdningarr\u00fdmisins, st\u00e6kkar hlj\u00f3\u00f0heimurinn. Hann umlykur l\u00edkamann \u00far hverju horni.<\/p>\n

Heyra m\u00e1 \u00f3m af nokkrum mismunandi atbur\u00f0ar\u00e1sum, sem vir\u00f0ast gerast \u00e1 sama t\u00edma: Byggingarframkv\u00e6mdum, k\u00fasti sem dreginn er eftir gangst\u00e9tt og gleri sem sl\u00e6st saman. \u00deessi mismunandi hlj\u00f3\u00f0 hlj\u00f3ma \u00ed takt en vir\u00f0ast \u00fe\u00f3 ekki alveg \u00ed samr\u00e6mi vi\u00f0 \u00feann veruleika sem blasir vi\u00f0 \u00e1 lei\u00f0 til s\u00fdningarinnar \u00ed gegnum hverfi\u00f0. Hlj\u00f3\u00f0in spilast \u00e1 mismunandi hra\u00f0a og eins og r\u00f3mur m\u00e1vanna breytist t\u00f3nfalli\u00f0 einnig. Me\u00f0fram veggjunum hv\u00edla sex skj\u00e1ir ofan \u00e1 h\u00e1t\u00f6lurum sem s\u00fdna uppruna hlj\u00f3\u00f0sins. Ung st\u00falka s\u00f3par gangst\u00e9tt fyrir utan nytjamarka\u00f0, vinnuv\u00e9lar brj\u00f3ta s\u00e9r lei\u00f0 \u00ed gegnum steypu og tveir menn tappa epladrykk \u00e1 fl\u00f6skur og innsigla \u00fe\u00e6r. Myndirnar hreyfast \u00ed takt vi\u00f0 hlj\u00f3\u00f0i\u00f0, hra\u00f0ar og hra\u00f0ar. \u00deegar h\u00e1markshra\u00f0a hefur veri\u00f0 n\u00e1\u00f0h\u00e6gist \u00e1 a\u00f0 n\u00fdju.<\/p>\n

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\u00deegar eyru okkar nema tilb\u00fain hlj\u00f3\u00f0, \u00fea\u00f0 er a\u00f0 segja hlj\u00f3\u00f0 sem b\u00fai\u00f0 er a\u00f0 taka upp og eiga vi\u00f0, g\u00f6ngum vi\u00f0 oftast \u00fat fr\u00e1 \u00fev\u00ed a\u00f0 um t\u00f3nlist s\u00e9 a\u00f0 r\u00e6\u00f0a. Allir hlutir gefa fr\u00e1 s\u00e9r hlj\u00f3\u00f0 sem vi\u00f0 heyrum st\u00f6\u00f0ugt \u00far umhverfi okkar. \u00cd skynjuninni nemum vi\u00f0 umhverfishlj\u00f3\u00f0 sem aflei\u00f0ingu hins sj\u00f3nr\u00e6na heims og \u00feegar auglj\u00f3slega er b\u00fai\u00f0 a\u00f0 fikta \u00ed raunt\u00edma hlj\u00f3\u00f0sins, eins og Tumi hefur gert h\u00e9r, eigum vi\u00f0 erfitt me\u00f0 a\u00f0 tengja \u00fea\u00f0 vi\u00f0 raunveruleikann. Vi\u00f0 erum vanari \u00fev\u00ed a\u00f0horfa \u00e1 hreyfimyndir \u00e1 auknum hra\u00f0a e\u00f0a \u00ed h\u00e6gs\u00fdningu. Auga\u00f0 \u00e1 ekkert erfitt me\u00f0 a\u00f0 greina hva\u00f0a hlutir e\u00f0a lifandi verur eru \u00e1 myndum, \u00fe\u00f3tt \u00e1tt hafi veri\u00f0 vi\u00f0 hra\u00f0ann. \u00dev\u00ed upplifum vi\u00f0 myndir yfirleitt \u00e1 einhvern h\u00e1tt sem framsetningu \u00e1 raunveruleikanum. \u00cd innsetningunni \u201eVinnuv\u00edsindi\u201c n\u00fdtir Tumi s\u00e9r samr\u00e6mingu mynda og hlj\u00f3\u00f0s \u00e1 athyglisver\u00f0an h\u00e1tt.<\/p>\n

Taktur hlj\u00f3\u00f0sporsins er skipulag\u00f0ur og mel\u00f3d\u00edskur. \u00der\u00e1tt fyrir \u00fea\u00f0 vir\u00f0ist verki\u00f0 fjarl\u00e6gjast heim t\u00f3nlistarinnar \u00feegar hlj\u00f3\u00f0 og mynd m\u00e6tast. Myndirnar hj\u00e1lpa okkur nefnilega a\u00f0 greina hlj\u00f3\u00f0i\u00f0 sem breytu \u00far umhverfinu. H\u00e9r vir\u00f0ist, frekar en t\u00f3nlist, vera \u00e1 fer\u00f0inni leikandi tilraun, framkv\u00e6mda \u00ed s\u00e9rst\u00f6kum tilgangi: Til a\u00f0 s\u00fdna fram \u00e1 a\u00f0 \u00fea\u00f0 tekur mislangan t\u00edma a\u00f0 vinna mismunandi verk. \u00cd s\u00f6mu andr\u00e1 beinist athygli gesta s\u00fdningarinnar a\u00f0 \u00feeirra eigin tilfinningu fyrir sta\u00f0 og stund.<\/p>\n

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\u00deeir vinnuferlar sem fyrir augu og eyru bera eru uppista\u00f0a samf\u00e9lagsins vi\u00f0 Gr\u00e6nmetistorgi\u00f0. Allt fr\u00e1 vinnu m\u00e1vanna vi\u00f0 a\u00f0 afla s\u00e9r l\u00edfsvi\u00f0urv\u00e6ris til byggingaframkv\u00e6mdanna. Sm\u00e1m saman kemur \u00ed lj\u00f3s a\u00f0 \u00fea\u00f0 er alltaf ein af atbur\u00f0ar\u00e1sunum \u00ed raunt\u00edma og hinar fylgja hra\u00f0a hennar. \u00deegar mennirnir tappa epladrykk \u00e1 fl\u00f6skur garga m\u00e1varnir \u00ed takt. \u00de\u00f3tt \u00feeir hlj\u00f3mi heldur \u00fereklausir. Steypan m\u00f6lvast og ryki\u00f0 safnast \u00ed bunka \u00e1 n\u00e1kv\u00e6mlega sama hra\u00f0a. H\u00e1lfri m\u00edn\u00fatu s\u00ed\u00f0ar eiga s\u00e9r sta\u00f0 skipti. N\u00fa gengur au\u00f0veldlega a\u00f0 brj\u00f3ta steypuna en st\u00falkan me\u00f0 s\u00f3pinn vir\u00f0ist fara \u00f3e\u00f0lilega miki\u00f0 fram \u00far s\u00e9r.<\/p>\n

Svona gengur verki\u00f0 fyrir sig. Eitt verkefni er unni\u00f0 \u00e1 raunt\u00edma og hin fylgja me\u00f0. Hring eftir hring. \u00dear me\u00f0 f\u00e1 \u00feau sem nj\u00f3ta verksins vinnuv\u00edsindi sv\u00e6\u00f0isins beint \u00ed \u00e6\u00f0 – \u00fea\u00f0 er a\u00f0 segja, hvernig unni\u00f0 er \u00far a\u00f0st\u00e6\u00f0um \u00e1 vettvangi. Hvernig eru hin mismunandi verkefni leyst af hendi, \u00e1 hversu skilvirkan e\u00f0a hagn\u00fdtan h\u00e1tt?<\/p>\n

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\u00de\u00f3 \u201eVinnuv\u00edsindi\u201c minni a\u00f0 m\u00f6rgu leyti \u00e1 pr\u00f3fun \u00e1 tilg\u00e1tu, talar innsetningin meira til skynjunar okkar en r\u00f6khyggjunnar. \u00c1st\u00e6\u00f0a \u00feess er samspil heyrnar og sj\u00f3nar. Eins og \u00e1\u00f0ur sag\u00f0i \u00fej\u00f3na myndirnar mikilv\u00e6gu hlutverki sem tenging hlj\u00f3\u00f0sins vi\u00f0 raunveruleikann. \u00dea\u00f0 er au\u00f0veldara fyrir okkur a\u00f0 sj\u00e1 hva\u00f0a atbur\u00f0arr\u00e1s birtist okkur \u00ed raunt\u00edma hverju sinni. Hins vegar virkar sj\u00f3nin \u00feannig a\u00f0 vi\u00f0 sj\u00e1um a\u00f0eins \u00fea\u00f0 sem er beint fyrir framan okkur.<\/p>\n

\u00der\u00e1tt fyrir sm\u00e6\u00f0 s\u00fdningarr\u00fdmisins er \u00f3m\u00f6gulegt a\u00f0 sj\u00e1 \u00f6ll sm\u00e1atri\u00f0i verksins \u00e1 sama andartaki. \u00deeir skj\u00e1ir sem blasa vi\u00f0 gestum eru ekki st\u00f3rir. Ef sta\u00f0i\u00f0 er fyrir mi\u00f0ju eins \u00feeirra er \u00f3m\u00f6gulegt a\u00f0 sj\u00e1 hva\u00f0 fram fer \u00e1 hinum skj\u00e1num \u00ed r\u00fdminu, \u00e1n \u00feess a\u00f0 sn\u00faa s\u00e9r. Heyrnin virkar hinsvegar \u00feannig a\u00f0 eyrun nema hlj\u00f3\u00f0 \u00far umhverfinu \u00far \u00f6llum \u00e1ttum. Jafnvel \u00fe\u00f3tt vi\u00f0 sn\u00faum baki vi\u00f0 hlj\u00f3\u00f0gjafanum. \u00dea\u00f0 er vel greinanlegt hva\u00f0a hlj\u00f3\u00f0spor tilheyrir \u00feeirri mynd sem ber fyrir augu, en hlj\u00f3\u00f0i\u00f0 fr\u00e1 hinum skj\u00e1num heyrist einnig. \u00deannig tengjast atbur\u00f0ar\u00e1sirnar saman. \u00cd gegnum skynjunina skapast vissa um \u00fea\u00f0 a\u00f0 epladrykkurinn s\u00e9 framleiddur \u00ed n\u00e1grenni vi\u00f0 st\u00falkuna me\u00f0 s\u00f3pinn. Jafnvel \u00fe\u00f3 \u00fea\u00f0 hlj\u00f3mi eins og a\u00f0 h\u00fan vinni heldur l\u00f6turlega.<\/p>\n

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\u201eVinnuv\u00edsindi\u201c, sem vi\u00f0 fyrstu kynni vir\u00f0ist vera leikur a\u00f0 veruleikanum, tilviljanakenndur samsl\u00e1ttur af mismunandi umhverfishlj\u00f3\u00f0um, breytist me\u00f0 t\u00edmanum \u00ed skynr\u00e6nan \u00feverskur\u00f0 af \u00feeim vanagangi og mynstrum sem einkenna hin mismunandi vinnubr\u00f6g\u00f0 sem Tumi tekur fyrir. Um lei\u00f0 birtist landslag Gr\u00e6nmetistorgsins, sem sv\u00e6\u00f0i \u00ed millibils\u00e1standi. \u00dea\u00f0 \u00fearf \u00fe\u00f3 ekki anna\u00f0 en a\u00f0 loka augunum til a\u00f0 hverfa \u00e1 mi\u00f0 taktfastrar og tilraunakenndrar t\u00f3nlistar. Hlj\u00f3\u00f0a sem \u00f3vissa r\u00edkir um hvort s\u00e9u \u00ed raun hluti af okkar heimi. \u00dear me\u00f0 rekur hugann inn \u00ed \u00e1\u00f0ur \u00f3\u00feekkt sv\u00e6\u00f0i \u00fear sem amstur hversdagsins anna\u00f0hvort stendur \u00ed sta\u00f0 e\u00f0a fl\u00fdgur \u00e1fram.\u00a0S\u00fdningin er opin til 23. j\u00fan\u00ed.<\/p>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n

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Sunna \u00c1st\u00fe\u00f3rsd\u00f3ttir<\/em><\/p>\n

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Lj\u00f3smyndir: Tumi Magn\u00fasson.<\/p>\n

Frekari uppl\u00fdsingar um listamanninn:
www.tumimagnusson.com<\/a><\/p>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n

[\/et_pb_text][\/et_pb_column][\/et_pb_row][\/et_pb_section]<\/p>\n","protected":false},"excerpt":{"rendered":"

Listamannarekna s\u00fdningarr\u00fdmi\u00f0 Pirpa er sta\u00f0sett vi\u00f0 Gr\u00f8nttorvet, e\u00f0a Gr\u00e6nmetistorgi\u00f0, \u00ed \u00fathverfi Kaupmannahafnar \u00ed Danm\u00f6rku. \u00dear m\u00e1 um \u00feessar mundir sj\u00e1 og heyra innsetningu listamannsins Tuma Magn\u00fassonar sem ber heiti\u00f0 \u201eArbejdsvidenskab\u201c e\u00f0a \u201eVinnuv\u00edsindi\u201c. H\u00fan s\u00e6kir efni\u00f0vi\u00f0 \u00ed umhverfi Pirpa sem undanfari\u00f0 hefur teki\u00f0 miklum breytingum. Fyrir tveimur \u00e1rum yfirg\u00e1fu s\u00ed\u00f0ustu heildsalarnir Gr\u00e6nmetistorgi\u00f0 sem \u00e1\u00f0ur var l\u00edfleg […]<\/p>\n","protected":false},"author":25,"featured_media":6643,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_et_pb_use_builder":"on","_et_pb_old_content":"

Listamannarekna s\u00fdningarr\u00fdmi\u00f0 Pirpa er sta\u00f0sett vi\u00f0 Gr\u00f8nttorvet, e\u00f0a Gr\u00e6nmetistorgi\u00f0, \u00ed \u00fathverfi Kaupmannahafnar \u00ed Danm\u00f6rku. \u00dear m\u00e1 um \u00feessar mundir sj\u00e1 og heyra innsetningu listamannsins Tuma Magn\u00fassonar sem ber heiti\u00f0 \u201eArbejdsvidenskab\u201c e\u00f0a \u201eVinnuv\u00edsindi\u201c. H\u00fan s\u00e6kir efni\u00f0vi\u00f0 \u00ed umhverfi Pirpa sem undanfari\u00f0 hefur teki\u00f0 miklum breytingum. Fyrir tveimur \u00e1rum yfirg\u00e1fu s\u00ed\u00f0ustu heildsalarnir Gr\u00e6nmetistorgi\u00f0 sem \u00e1\u00f0ur var l\u00edfleg mi\u00f0st\u00f6\u00f0 gr\u00e6nmetis-, \u00e1vaxta- og bl\u00f3mas\u00f6lu. \u00dea\u00f0 st\u00f3\u00f0 til a\u00f0 umbreyta torginu \u00ed \u00edb\u00fa\u00f0arkjarna. \u00dea\u00f0 \u00e1tti a\u00f0 r\u00edfa \u00fe\u00e6r byggingar sem \u00e1\u00f0ur h\u00fdstu heilds\u00f6lurnar til a\u00f0 skapa r\u00fam fyrir framt\u00ed\u00f0ina. Ni\u00f0urrifi\u00f0 hefur reynst t\u00edmafrekt og enn \u00ed dag eru steypubyggingar \u00e1 sv\u00e6\u00f0inu a\u00f0 umbreytast \u00ed duft \u00e1 me\u00f0an n\u00fd\u00edb\u00fa\u00f0arh\u00fasn\u00e6\u00f0i r\u00edsa. S\u00fdningarr\u00fdmi\u00f0 Pirpa, \u00e1samt \u00f6rf\u00e1um sm\u00e1verslunum, litlum framlei\u00f0slufyrirt\u00e6kjum og listam\u00f6nnum hafa hrei\u00f0ra\u00f0 um sig t\u00edmabundi\u00f0 \u00ed r\u00f3tinu. \u00cd yfirgefnum byggingum sem enn f\u00e1 a\u00f0 standa. <\/strong><\/p>

S\u00fdningar Pirpa hverfast \u00e1vallt a\u00f0 einhverju leyti um s\u00f6gu sv\u00e6\u00f0isins, ark\u00edtekt\u00far \u00feess e\u00f0a \u00fe\u00e1 umbreytingu sem n\u00fa \u00e1 s\u00e9r sta\u00f0 \u00fear. Eins og titillinn gefur til kynna fjallar innsetning Tuma um vinnuna. \u00cd \u00feessu sta\u00f0bundna verki, sem samastendur af \u00f3mandi hlutum \u00e1samt uppt\u00f6kum af hlj\u00f3\u00f0i og myndum, tekur Tumi snei\u00f0mynd af hinum mismunandi vinnuferlum sem m\u00f3ta\u00f0 hafa sv\u00e6\u00f0i\u00f0 s\u00ed\u00f0astli\u00f0na m\u00e1nu\u00f0i.<\/p>

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M\u00e1var taka \u00e1 m\u00f3ti gestum s\u00fdningarinnar me\u00f0 gargandi s\u00f6ng. \u00dar fjarska m\u00e1 heyra jar\u00f0\u00fdtu berjast vi\u00f0 a\u00f0 ry\u00f0ja \u00e1 undan s\u00e9r einhverjum massa. H\u00e9r eru \u00fe\u00f3 engir m\u00e1var \u00e1 fer\u00f0 og \u00fer\u00e1tt fyrir vinnuv\u00e9lar \u00ed n\u00e1grenninu er engin jar\u00f0\u00fdta \u00ed sj\u00f3nl\u00ednu. Hlj\u00f3\u00f0i\u00f0 kemur fr\u00e1 g\u00f6mlu hringbor\u00f0i og vinnukolli \u00far plasti sem blasa vi\u00f0 sj\u00f3num fyrir utan Pirpa. Sm\u00e1m saman d\u00fdpkar r\u00f3mur m\u00e1vanna.\u00dea\u00f0 h\u00e6gist \u00e1 og jar\u00f0\u00fdtan vir\u00f0ist eiga erfi\u00f0ara um vik a\u00f0 komast \u00e1fram. Hlj\u00f3\u00f0spori\u00f0 teygist til, hra\u00f0inn breytist og t\u00ed\u00f0nin fylgir me\u00f0. Ef tekin eru nokkur skref \u00e1fram, framhj\u00e1 kollinum og bor\u00f0inu og inn fyrir dyr s\u00fdningarr\u00fdmisins, st\u00e6kkar hlj\u00f3\u00f0heimurinn. Hann umlykur l\u00edkamann \u00far hverju horni. Heyra m\u00e1 \u00f3m af nokkrum mismunandi atbur\u00f0ar\u00e1sum, sem vir\u00f0ast gerast \u00e1 sama t\u00edma: Byggingarframkv\u00e6mdum, k\u00fasti sem dreginn er eftir gangst\u00e9tt og gleri sem sl\u00e6st saman.\u00deessi mismunandi hlj\u00f3\u00f0 hlj\u00f3ma \u00ed takt en vir\u00f0ast \u00fe\u00f3 ekki alveg \u00ed samr\u00e6mi vi\u00f0 \u00feann veruleika sem blasir vi\u00f0 \u00e1 lei\u00f0 til s\u00fdningarinnar \u00ed gegnum hverfi\u00f0. Hlj\u00f3\u00f0in spilast \u00e1 mismunandi hra\u00f0a og eins og r\u00f3mur m\u00e1vanna breytist t\u00f3nfalli\u00f0 einnig. Me\u00f0fram veggjunum hv\u00edla sex skj\u00e1ir ofan \u00e1 h\u00e1t\u00f6lurum sem s\u00fdna uppruna hlj\u00f3\u00f0sins. Ung st\u00falka s\u00f3par gangst\u00e9tt fyrir utan nytjamarka\u00f0, vinnuv\u00e9lar brj\u00f3ta s\u00e9r lei\u00f0 \u00ed gegnum steypu og tveir menn tappa epladrykk \u00e1 fl\u00f6skur og innsigla\u00fe\u00e6r. Myndirnar hreyfast \u00ed takt vi\u00f0 hlj\u00f3\u00f0i\u00f0, hra\u00f0ar og hra\u00f0ar. \u00deegar h\u00e1markshra\u00f0a hefur veri\u00f0 n\u00e1\u00f0h\u00e6gist \u00e1 a\u00f0 n\u00fdju.<\/p>

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\u00deegar eyru okkar nema tilb\u00fain hlj\u00f3\u00f0, \u00fea\u00f0 er a\u00f0 segja hlj\u00f3\u00f0 sem b\u00fai\u00f0 er a\u00f0 taka upp og eiga vi\u00f0, g\u00f6ngum vi\u00f0 oftast \u00fat fr\u00e1 \u00fev\u00ed a\u00f0 um t\u00f3nlist s\u00e9 a\u00f0 r\u00e6\u00f0a. Allir hlutir gefa fr\u00e1 s\u00e9r hlj\u00f3\u00f0 sem vi\u00f0 heyrum st\u00f6\u00f0ugt \u00far umhverfi okkar. \u00cd skynjuninni nemum vi\u00f0 umhverfishlj\u00f3\u00f0 sem aflei\u00f0ingu hins sj\u00f3nr\u00e6na heims og \u00feegar auglj\u00f3slega er b\u00fai\u00f0 a\u00f0 fikta \u00ed raunt\u00edma hlj\u00f3\u00f0sins, eins og Tumi hefur gert h\u00e9r, eigum vi\u00f0 erfitt me\u00f0 a\u00f0 tengja \u00fea\u00f0 vi\u00f0 raunveruleikann. Vi\u00f0 erum vanari \u00fev\u00ed a\u00f0horfa \u00e1 hreyfimyndir \u00e1 auknum hra\u00f0a e\u00f0a \u00ed h\u00e6gs\u00fdningu. Auga\u00f0 \u00e1 ekkert erfitt me\u00f0 a\u00f0 greina hva\u00f0a hlutir e\u00f0a lifandi verur eru \u00e1 myndum, \u00fe\u00f3tt \u00e1tt hafi veri\u00f0 vi\u00f0 hra\u00f0ann. \u00dev\u00ed upplifum vi\u00f0myndir yfirleitt \u00e1 einhvern h\u00e1tt sem framsetningu \u00e1 raunveruleikanum. \u00cd innsetningunni \u201eVinnuv\u00edsindi\u201c n\u00fdtir Tumi s\u00e9r samr\u00e6mingu mynda og hlj\u00f3\u00f0s \u00e1 athyglisver\u00f0an h\u00e1tt. Taktur hlj\u00f3\u00f0sporsins er skipulag\u00f0ur og mel\u00f3d\u00edskur. \u00der\u00e1tt fyrir \u00fea\u00f0 vir\u00f0ist verki\u00f0 fjarl\u00e6gjast heim t\u00f3nlistarinnar \u00feegar hlj\u00f3\u00f0 og mynd m\u00e6tast. Myndirnar hj\u00e1lpa okkur nefnilega a\u00f0 greina hlj\u00f3\u00f0i\u00f0sem breytu \u00far umhverfinu. H\u00e9r vir\u00f0ist, frekar en t\u00f3nlist, vera \u00e1 fer\u00f0inni leikandi tilraun, framkv\u00e6mda \u00ed s\u00e9rst\u00f6kum tilgangi: Til a\u00f0 s\u00fdna fram \u00e1 a\u00f0 \u00fea\u00f0 tekur mislangan t\u00edma a\u00f0 vinna mismunandi verk. \u00cd s\u00f6mu andr\u00e1 beinist athygli gesta s\u00fdningarinnar a\u00f0 \u00feeirra eigin tilfinningu fyrir sta\u00f0 og stund.<\/p>

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\u00deeir vinnuferlar sem fyrir augu og eyru bera eru uppista\u00f0a samf\u00e9lagsins vi\u00f0Gr\u00e6nmetistorgi\u00f0. Allt fr\u00e1 vinnu m\u00e1vanna vi\u00f0 a\u00f0 afla s\u00e9r l\u00edfsvi\u00f0urv\u00e6ris til byggingaframkv\u00e6mdanna. Sm\u00e1m saman kemur \u00ed lj\u00f3s a\u00f0 \u00fea\u00f0 er alltaf ein af atbur\u00f0ar\u00e1sunum \u00ed raunt\u00edma og hinar fylgja hra\u00f0a hennar. \u00deegar mennirnir tappa epladrykk \u00e1 fl\u00f6skur garga m\u00e1varnir \u00ed takt. \u00de\u00f3tt \u00feeir hlj\u00f3mi heldur \u00fereklausir. Steypan m\u00f6lvast og ryki\u00f0 safnast \u00ed bunka \u00e1 n\u00e1kv\u00e6mlega sama hra\u00f0a. H\u00e1lfri m\u00edn\u00fatu s\u00ed\u00f0ar eiga s\u00e9r sta\u00f0 skipti. N\u00fa gengur au\u00f0veldlega a\u00f0 brj\u00f3ta steypuna en st\u00falkan me\u00f0 s\u00f3pinn vir\u00f0ist fara \u00f3e\u00f0lilega miki\u00f0 fram \u00far s\u00e9r. Svona gengur verki\u00f0 fyrir sig. Eitt verkefni er unni\u00f0 \u00e1 raunt\u00edma og hin fylgja me\u00f0. Hring eftir hring. \u00dear me\u00f0 f\u00e1 \u00feau sem nj\u00f3ta verksins vinnuv\u00edsindi sv\u00e6\u00f0isins beint \u00ed \u00e6\u00f0 - \u00fea\u00f0 er a\u00f0 segja, hvernig unni\u00f0 er \u00far a\u00f0st\u00e6\u00f0um \u00e1 vettvangi. Hvernig eru hin mismunandi verkefni leyst af hendi, \u00e1 hversu skilvirkan e\u00f0a hagn\u00fdtan h\u00e1tt?<\/p>

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\u00de\u00f3 \u201eVinnuv\u00edsindi\u201c minni a\u00f0 m\u00f6rgu leyti \u00e1 pr\u00f3fun \u00e1 tilg\u00e1tu, talar innsetningin meira til skynjunar okkar en r\u00f6khyggjunnar. \u00c1st\u00e6\u00f0a \u00feess er samspil heyrnar og sj\u00f3nar. Eins og \u00e1\u00f0ur sag\u00f0i\u00fej\u00f3na myndirnar mikilv\u00e6gu hlutverki sem tenging hlj\u00f3\u00f0sins vi\u00f0 raunveruleikann. \u00dea\u00f0 er au\u00f0veldara fyrir okkur a\u00f0 sj\u00e1 hva\u00f0a atbur\u00f0arr\u00e1s birtist okkur \u00ed raunt\u00edma hverju sinni. Hins vegar virkar sj\u00f3nin \u00feannig a\u00f0 vi\u00f0 sj\u00e1um a\u00f0eins \u00fea\u00f0 sem er beint fyrir framan okkur. \u00der\u00e1tt fyrir sm\u00e6\u00f0 s\u00fdningarr\u00fdmisins er \u00f3m\u00f6gulegt a\u00f0 sj\u00e1 \u00f6ll sm\u00e1atri\u00f0i verksins \u00e1 sama andartaki. \u00deeir skj\u00e1ir sem blasa vi\u00f0 gestum eru ekki st\u00f3rir. Ef sta\u00f0i\u00f0 er fyrir mi\u00f0ju eins \u00feeirra er \u00f3m\u00f6gulegt a\u00f0 sj\u00e1 hva\u00f0fram fer \u00e1 hinum skj\u00e1num \u00ed r\u00fdminu, \u00e1n \u00feess a\u00f0 sn\u00faa s\u00e9r. Heyrnin virkar hinsvegar \u00feannig a\u00f0eyrun nema hlj\u00f3\u00f0 \u00far umhverfinu \u00far \u00f6llum \u00e1ttum. Jafnvel \u00fe\u00f3tt vi\u00f0 sn\u00faum baki vi\u00f0 hlj\u00f3\u00f0gjafanum.\u00dea\u00f0 er vel greinanlegt hva\u00f0a hlj\u00f3\u00f0spor tilheyrir \u00feeirri mynd sem ber fyrir augu, en hlj\u00f3\u00f0i\u00f0 fr\u00e1 hinum skj\u00e1num heyrist einnig. \u00deannig tengjast atbur\u00f0ar\u00e1sirnar saman. \u00cd gegnum skynjunina skapast vissa um \u00fea\u00f0 a\u00f0 epladrykkurinn s\u00e9 framleiddur \u00ed n\u00e1grenni vi\u00f0 st\u00falkuna me\u00f0 s\u00f3pinn. Jafnvel \u00fe\u00f3 \u00fea\u00f0 hlj\u00f3mi eins og a\u00f0 h\u00fan vinni heldur l\u00f6turlega.<\/p>

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\u201eVinnuv\u00edsindi\u201c, sem vi\u00f0 fyrstu kynni vir\u00f0ist vera leikur a\u00f0 veruleikanum, tilviljanakenndur samsl\u00e1ttur af mismunandi umhverfishlj\u00f3\u00f0um, breytist me\u00f0 t\u00edmanum \u00ed skynr\u00e6nan \u00feverskur\u00f0 af \u00feeim vanagangi og mynstrum sem einkenna hin mismunandi vinnubr\u00f6g\u00f0 sem Tumi tekur fyrir. Um lei\u00f0 birtist landslag Gr\u00e6nmetistorgsins, sem sv\u00e6\u00f0i \u00ed millibils\u00e1standi. \u00dea\u00f0 \u00fearf \u00fe\u00f3 ekki anna\u00f0 en a\u00f0 loka augunum til a\u00f0 hverfa \u00e1 mi\u00f0 taktfastrar og tilraunakenndrar t\u00f3nlistar. Hlj\u00f3\u00f0a sem \u00f3vissa r\u00edkir um hvort s\u00e9u \u00ed raun hluti af okkar heimi. \u00dear me\u00f0 rekur hugann inn \u00ed \u00e1\u00f0ur \u00f3\u00feekkt sv\u00e6\u00f0i \u00fear sem amstur hversdagsins anna\u00f0hvort stendur \u00ed sta\u00f0 e\u00f0a fl\u00fdgur \u00e1fram.<\/p>

Sunna \u00c1st\u00fe\u00f3rsd\u00f3ttir<\/em><\/p>

S\u00fdningin er opin til 23. j\u00fan\u00ed.<\/p>

Lj\u00f3smyndir: Tumi Magn\u00fasson.<\/p>

Frekari uppl\u00fdsingar um listamanninn:\u00a0www.tumimagnusson.com<\/a><\/p><\/div><\/div><\/div><\/div>","_et_gb_content_width":"","_jetpack_memberships_contains_paid_content":false,"footnotes":""},"categories":[1],"tags":[440,239,442,141,441],"class_list":["post-6639","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-uncategorized","tag-arbejdsvidenskab","tag-pirpa","tag-sunna-astthorsdottir","tag-tumi-magnusson","tag-vinnuvisindi"],"yoast_head":"\nSkynr\u00e6nn \u00feverskur\u00f0ur Tuma Magn\u00fassonar - artzine.is<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/artzine.is\/?p=6639\" \/>\n<meta property=\"og:locale\" content=\"is_IS\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Skynr\u00e6nn \u00feverskur\u00f0ur Tuma Magn\u00fassonar - artzine.is\" \/>\n<meta property=\"og:description\" content=\"Listamannarekna s\u00fdningarr\u00fdmi\u00f0 Pirpa er sta\u00f0sett vi\u00f0 Gr\u00f8nttorvet, e\u00f0a Gr\u00e6nmetistorgi\u00f0, \u00ed \u00fathverfi Kaupmannahafnar \u00ed Danm\u00f6rku. \u00dear m\u00e1 um \u00feessar mundir sj\u00e1 og heyra innsetningu listamannsins Tuma Magn\u00fassonar sem ber heiti\u00f0 \u201eArbejdsvidenskab\u201c e\u00f0a \u201eVinnuv\u00edsindi\u201c. H\u00fan s\u00e6kir efni\u00f0vi\u00f0 \u00ed umhverfi Pirpa sem undanfari\u00f0 hefur teki\u00f0 miklum breytingum. 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