Kvikmyndirnar \u00ed a\u00f0alkeppninni um Gullbj\u00f6rninn taka mj\u00f6g mismunandi afst\u00f6\u00f0u gagnvart mi\u00f0linum og h\u00e6gt er a\u00f0 l\u00edta \u00e1 \u00fe\u00e6r a\u00f0 hluta sem s\u00fdnishorn af hinum fj\u00f6lm\u00f6rgu flokkum h\u00e1t\u00ed\u00f0arinnar. \u00cd \u00e1r vann tilraunakennd ranns\u00f3knarmynd sem au\u00f0veldlega v\u00e6ri h\u00e6gt a\u00f0 segja a\u00f0 s\u00e9 fulltr\u00fai Forum flokksins. Forum g\u00e6ti \u00fatleggst \u00e1 \u00edslensku sem opinn samr\u00e6\u00f0uvettvangur. \u00dea\u00f0 var mynd leikst\u00fdrunnar og myndlistarkonunnar Adina Pintilie ‘Touch Me Not’ sem vann. \u00dea\u00f0 m\u00e1 ekki horfa framhj\u00e1 \u00fev\u00ed a\u00f0 \u00feessi \u00e1kv\u00f6r\u00f0un hefur miki\u00f0 menningarlegt og p\u00f3lit\u00edskt mikilv\u00e6gi. H\u00fan er afgerandi yfirl\u00fdsing hinnar al\u00fej\u00f3\u00f0legu d\u00f3mnefndar um hvert \u00feau vilja a\u00f0 h\u00e1t\u00ed\u00f0in stefni eftir a\u00f0 stj\u00f3rnandi hennar Dieter Kosslick h\u00e6ttir \u00e1ri\u00f0 2019. <\/span><\/span><\/p>\n \u00deetta er yfirl\u00fdsing sem er mj\u00f6g mikilv\u00e6g fyrir myndlistarmenn \u00ed kvikmyndager\u00f0, s\u00e9rstaklega \u00ed lj\u00f3si opinbers br\u00e9fs sem margir af helstu leikstj\u00f3rum \u00de\u00fdskalands skrifu\u00f0u undir s\u00ed\u00f0astli\u00f0inn n\u00f3vember og sem kalla\u00f0i \u00e1 \u00e1herslu \u00e1 st\u00e6rri n\u00f6fn og meiri t\u00f6fralj\u00f3ma frekar en \u00e1herslu h\u00e1t\u00ed\u00f0arinnar \u00e1 ranns\u00f3kn \u00e1 mismunandi afst\u00f6\u00f0um og m\u00f6guleikum kvikmyndanna. Forma\u00f0ur d\u00f3mnefndar, Tom Tykwer, sk\u00fdr\u00f0i \u00e1kv\u00f6r\u00f0un d\u00f3mnefndar me\u00f0 \u00fev\u00ed a\u00f0 \u00feau vildu ekki ver\u00f0launa \u00fea\u00f0 sem kvikmyndalistin g\u00e6ti \u00feegar gert vel heldur miki\u00f0 frekar hvert kvikmyndalistin g\u00e6ti fari\u00f0 \u00ed framt\u00ed\u00f0inni. Hann er a\u00f0 tala um m\u00f6guleika kvikmyndarinnar. Stefnan er \u00ed \u00e1tt tilraunarinnar.<\/span><\/span><\/p>\n \u00deetta eru ekki n\u00fd \u00e1t\u00f6k e\u00f0a umr\u00e6\u00f0ur. Tilraunaflokkur h\u00e1t\u00ed\u00f0arinnar, Forum, var upprunalega stofna\u00f0ur sem ‘Hinn al\u00fej\u00f3\u00f0legi umr\u00e6\u00f0uvettvangur um n\u00fdja kvikmyndalist’ \u00e1 umr\u00f3ts\u00e1runum \u00ed lok 7. \u00e1ratugarins, sem m\u00f3tv\u00e6gi vi\u00f0 Kvikmyndah\u00e1t\u00ed\u00f0ina \u00ed Berl\u00edn. Stofnh\u00f3purinn sem s\u00ed\u00f0ar var\u00f0 a\u00f0 Arsenal, \u00fe\u00fdsku stofnuninni um kvikmynda- og myndabandslist, vildi umbreyta kvikmyndalistinni \u00ed vettvang uppbyggilegrar menningarlegrar umr\u00e6\u00f0u og sko\u00f0anaskipta. \u00dea\u00f0 var svo \u00e1ri\u00f0 1970, \u00ed kj\u00f6lfar mikilv\u00e6gra breytinga \u00e1 Kvikmyndah\u00e1t\u00ed\u00f0inni \u00ed Berl\u00edn, sem Forum flokkurinn var innlima\u00f0ur \u00ed h\u00e1t\u00ed\u00f0ina sem vettvangur fyrir kvikmyndir sem eiga heima \u00e1 m\u00f6rkum myndlistar og kvikmyndalistar og \u00fear sem heimildarmyndir og sk\u00e1lda\u00f0ar myndir eru metnar \u00e1 jafnr\u00e6\u00f0isgrundvelli. Fr\u00e1 upphafi vildi Forum flokkurinn standa utan vi\u00f0 keppnisandann og er ekki me\u00f0 nein opinber ver\u00f0laun. Hinsvegar eru fj\u00f6ldinn allur af sj\u00e1lfst\u00e6\u00f0um ver\u00f0launum. \u00cd \u00e1r voru kvenleikstj\u00f3rar mj\u00f6g sigurs\u00e6lar \u00ed flokknum.<\/span><\/span><\/p>\n Forum flokkurinn er hinsvegar a\u00f0allega helga\u00f0ur myndum \u00ed fullri lengd og \u00fea\u00f0 var \u00e1ri\u00f0 2006 sem stj\u00f3rnarforma\u00f0ur Arsenal stofnunarinnar, Stefanie Schulte Strathaus \u00e1samt sj\u00e1lfst\u00e6\u00f0a kvikmynda- og myndlistar s\u00fdningarstj\u00f3ranum Anselm Franke, stofna\u00f0i ‘Forum Expanded’ undirflokkinn \u2013 hinn \u00fatv\u00edkka\u00f0i umr\u00e6\u00f0uvettvang. \u00dear f\u00e1 styttri myndir og einr\u00e1sa myndbandsverk a\u00f0 taka \u00fe\u00e1tt \u00e1samt innsetningarverkum og gj\u00f6rningum. Afsta\u00f0a Forum Expanded er a\u00f0 bj\u00f3\u00f0a upp \u00e1 gagnr\u00fdni og \u00fatv\u00edkka\u00f0a skynjun \u00e1 fyrirb\u00e6rinu kvikmynd. <\/span><\/span><\/p>\n \u00deessi r\u00fdni tekur \u00e1 sig form h\u00f3ps\u00fdningar \u00e1 innsetningaverkum \u00e1samt r\u00f6\u00f0 kvikmyndas\u00fdninga \u00ed hef\u00f0bundnum kvikmyndasal. Forum hefur fr\u00e1 upphafi veri\u00f0 helga\u00f0 tilraunakenndum fr\u00e1sagnarlei\u00f0um, \u00f3h\u00e1\u00f0 tegundaflokkunum, \u00fear sem meiri \u00e1h\u00e6tta hefur veri\u00f0 tekin en \u00ed \u00f6\u00f0rum flokkum h\u00e1t\u00ed\u00f0arinnar og \u00e1hersla hefur veri\u00f0 \u00e1 annars konar valm\u00f6guleika e\u00f0a s\u00fdn \u00e1 annars sam\u00feykktri kvikmyndas\u00f6gu. \u00dea\u00f0 sem gerir hinn \u00fatv\u00edkka\u00f0a undirflokk s\u00e9rstakan er a\u00f0 hann er vettvangur \u00fear sem heimildarmyndir, sk\u00e1lda\u00f0 efni, tilraunaefni, blendingar, einr\u00e1sa og margr\u00e1sa verk og innsetningar, kvikmynda- og myndbandsverk eru flokku\u00f0 saman og sko\u00f0u\u00f0 \u00ed samhengi vi\u00f0 hvort anna\u00f0. Vettvangurinn er ekki bara einstakur, \u00ed sambandi vi\u00f0 a\u00f0 horfa framhj\u00e1 hef\u00f0bundnum tegundaflokkunum og merkimi\u00f0um eftir s\u00fdningarsni\u00f0i, heldur er hann einnig einstakur a\u00f0 \u00fev\u00ed leiti a\u00f0 \u00ed honum taka s\u00fdningastj\u00f3rarnir \u00e1kve\u00f0a afst\u00f6\u00f0u e\u00f0a r\u00e9ttara sagt leggja \u00ed \u00e1kve\u00f0inn ranns\u00f3knarlei\u00f0angur me\u00f0 \u00e1kve\u00f0i\u00f0 s\u00fdningarheiti e\u00f0a spurningu a\u00f0 lei\u00f0arlj\u00f3si. \u00cd \u00feeirri ranns\u00f3kn r\u00famast b\u00e6\u00f0i heimsfrums\u00fdningar \u00e1 verkum og mikilv\u00e6g eldri verk \u00e1samt n\u00fdlegum verkum af tv\u00ed\u00e6ringum og \u00f6\u00f0rum s\u00fdningum. \u00cd flokknum eru engin ver\u00f0laun.<\/span><\/span><\/p>\n \u00c1ri\u00f0 2018 er Forum Expanded enn\u00fe\u00e1 reki\u00f0 \u00ed samstarfi Kvikmyndah\u00e1t\u00ed\u00f0arinnar \u00ed Berl\u00edn og Arsenal stofnunarinnar me\u00f0 Stefanie fremsta \u00ed flokki jafningja en Anselm Franke er meira \u00e1 hl\u00ed\u00f0arl\u00ednunni \u00fear sem hann er \u00ed dag yfirma\u00f0ur kvikmynda- og myndlistardagskr\u00e1 H\u00fass Menninga Heimsins (‘Haus der Kulturen der Welt’) \u00ed Berl\u00edn. Auk Stefanie stendur a\u00f0 baki s\u00fdningunni 2018 s\u00fdningarstj\u00f3rateymi sem samanstendur af s\u00fdr\u00edska kvikmynda og myndbandslistamanninum Khaled Abdulawahed, \u00fe\u00fdska tilraunakvikmynda s\u00fdningarstj\u00f3ranum Ulrich Ziemons og listakonunni, s\u00fdningarstj\u00f3ranum og einum af stofnanda ‘Contemporary Image Collective’ \u00ed Kair\u00f3, Maha Maamoun. Saman skipa \u00feau teymi sem segir s\u00f6gu af \u00e1herslunni \u00e1 fj\u00f6lbreytilega afst\u00f6\u00f0u \u00ed menningarp\u00f3lit\u00edk \u00de\u00fdskalands. <\/span><\/span><\/p>\n \u00deetta \u00e1ri\u00f0 var heiti s\u00fdningarinnar bein tilvitnun \u00ed sp\u00e1ss\u00edun\u00f3tu Maya Deren fr\u00e1 1947 um eiginleika Marxisma: ‘Kerfi sem er f\u00e6rt um a\u00f0 breyta sj\u00e1lfu s\u00e9r’ (‘A Mechanism Capable of Changing Itself’) og v\u00edsar \u00ed tilfelli s\u00fdningarinnar til kvikmyndalistarinnar sem er ekki a\u00f0eins f\u00e6r um a\u00f0 koma af sta\u00f0 breytingum e\u00f0a breytast heldur hefur einnig \u00ed s\u00e9r getuna til a\u00f0 skapa n\u00fd skynjunarform. Samkv\u00e6mt Stefanie v\u00edsar heiti\u00f0 auk \u00feess \u00ed stofnanarammann sj\u00e1lfan sem verkin eru s\u00fdnd \u00ed. Kvikmyndafr\u00e6\u00f0ingurinn Ute Holl h\u00e9lt r\u00e6\u00f0u \u00e1 opnun Forum Expanded s\u00fdningarinnar um kenningalegan bakgrunn ranns\u00f3knarspurningarinnar og titilsins. ‘‘Eins og Maya Deren ger\u00f0i r\u00e1\u00f0 fyrir a\u00f0 s\u00e9rhvert m\u00f3tt\u00f6kuform kvikmyndarinnar umbreytti l\u00edka vi\u00f0takendum \u00e1 sama t\u00edma \u00fe\u00e1 l\u00fdsir hugmynd hennar um kvikmyndalistina sam\u00e1hrifum st\u00fdrikerfis \u00fear sem t\u00e6knilegir, f\u00e9lagslegir og fagurfr\u00e6\u00f0ilegir \u00fe\u00e6ttir \u00e1samt skyn\u00fe\u00e1ttum eru \u00ed st\u00f6\u00f0ugu umbreytingarferli sem \u00e1 s\u00e9r sta\u00f0 \u00e1 gagnkv\u00e6man h\u00e1tt: ‘Kerfi sem er f\u00e6rt um a\u00f0 breyta sj\u00e1lfu s\u00e9r’,“ <\/i>h\u00e9lt Ute fram og h\u00e9lt \u00e1fram: “\u00dea\u00f0 var \u00f3sk Maya Deren a\u00f0 kvikmyndalistin myndi sta\u00f0setja okkur \u00ed sambandi vi\u00f0 hi\u00f0 \u00f3\u00feekkta frekar en a\u00f0 f\u00e6ra okkur undir stj\u00f3rn hins sta\u00f0la\u00f0a e\u00f0a d\u00e6miger\u00f0a<\/i>‘.’ \u00deetta er vi\u00f0horf sem bergm\u00e1lar ekki a\u00f0eins \u00ed s\u00fdningarstj\u00f3rninni \u00e1 Forum \/ Forum Expanded \u00ed \u00e1r heldur er einnig hvatinn \u00e1 bakvi\u00f0 \u00e1kv\u00f6r\u00f0un hinnar al\u00fej\u00f3\u00f0legu d\u00f3mnefndar sem veitti Gullbj\u00f6rninn.<\/span><\/span><\/p>\n Eins og undanfarin \u00e1r \u00e1tti s\u00fdningin s\u00e9r sta\u00f0 b\u00e6\u00f0i sem h\u00f3ps\u00fdning \u00ed Akademie der K\u00fcnste e\u00f0a Akadem\u00edu listarinnar vi\u00f0 Hansetenweg \u00ed Berl\u00edn og sem kvikmndas\u00fdningar \u00fear og \u00ed Arsenal stofnunni vi\u00f0 Potsdamer Platz. \u00cd s\u00fdningunni vir\u00f0ast s\u00fdningarstj\u00f3rarnir, eins og hin al\u00fej\u00f3\u00f0lega d\u00f3mnefnd, vera a\u00f0 leita a\u00f0 n\u00fdrri s\u00fdn \u00e1 fort\u00ed\u00f0inni og lei\u00f0 til a\u00f0 umbreyta henni \u00ed n\u00fdja s\u00fdn \u00e1 m\u00f6guleikum framt\u00ed\u00f0arinnar \u00fear sem lykilinn er \u00e1hersla \u00e1 framt\u00ed\u00f0arm\u00f6guleika kvikmynda- og myndbandlistarinnar frekar en a\u00f0 ver\u00f0launa \u00feaulreyndar a\u00f0fer\u00f0ir. Listam\u00f6nnunum sem var bo\u00f0i\u00f0 eru 58 talsins. N\u00fd verk voru vanalega eftir yngri kynsl\u00f3\u00f0ina \u00e1 me\u00f0an eldri verk voru valin \u00far s\u00f6gu avant-garde kvikmyndager\u00f0ar, vanalega fr\u00e1 mi\u00f0biki 20. aldarinnar \u00ed Bandar\u00edkjunum. \u00deegar liti\u00f0 er \u00e1 afrekaskr\u00e1 yngri listamanna kemur \u00ed lj\u00f3s a\u00f0 \u00feeir hafa flestir teki\u00f0 virkan \u00fe\u00e1tt \u00ed starfi mikilv\u00e6gra \u00fe\u00fdska e\u00f0a berl\u00ednskra liststofnanna, \u00fdmist me\u00f0 \u00fev\u00ed a\u00f0 s\u00fdna verk, taka vi\u00f0 styrk, veri\u00f0 \u00ed n\u00e1mi e\u00f0a eru \u00e1 skr\u00e1 hj\u00e1 bel\u00ednsku e\u00f0a \u00fe\u00fdsku galler\u00ed. F\u00e1ein verk koma \u00far st\u00f3rum tv\u00ed\u00e6ringum \u00e1 s\u00ed\u00f0asta \u00e1ri.<\/span><\/span><\/p>\n Einn listamannanna er hin \u00feekkta myndbandslistakona <\/span>Anouk de Clercq sem heimsfrums\u00fdndi n\u00fdjasta verk sitt ‘It’ \u00ed kvikmyndasal \u00ed Arsenal stofnuninni. Verki\u00f0 er samstarfsverkefni me\u00f0 lj\u00f3smyndaranum Tom Callemin.’It’ eins og fyrri verk Anouk tekur s\u00e9r sterka fagurfr\u00e6\u00f0ilega st\u00f6\u00f0u \u00e1 milli myrkurs og lj\u00f3ss og kannar hva\u00f0 gerist \u00fear \u00e1 milli. Anouk, sem b\u00fasett er \u00ed Berl\u00edn, er mj\u00f6g s\u00fdnileg \u00ed bel\u00ednsku senunni en \u00e1 sama t\u00edma var h\u00fan a\u00f0 s\u00fdna myndbandsverk \u00e1 tveim \u00f6\u00f0rum virtum s\u00fdningarst\u00f6\u00f0um \u00ed Berl\u00edn: \u00ed K\u00fcnstlerhaus Bethanien \u00ed Kreuzberg og ACUD galler\u00ed \u00ed Mitte hverfi. Einhverjir \u00e1 \u00cdslandi \u00feekkja e.t.v. til verka Anouk en h\u00fan var handhafi SIM vinnustofudvalar \u00e1ri\u00f0 2006 og t\u00f3k \u00fe\u00e1tt \u00ed s\u00fdningu \u00ed Safni \u00e1 Laugavegi undir s\u00fdningarstj\u00f3rn Birtu Gu\u00f0j\u00f3nsd\u00f3ttur. S\u00ed\u00f0an \u00fe\u00e1 hefur Anouk fer\u00f0ast \u00e1tta sinnum til \u00cdslands og jafnvel b\u00fai\u00f0 til verk sem eru innbl\u00e1sin af t\u00edma hennar og fer\u00f0al\u00f6gum \u00e1 landinu. <\/span><\/span><\/span><\/p>\n Anouk er ein af stofnendum Auguste Orts, belg\u00edsks framlei\u00f0slu- og dreifingarfyrirt\u00e6kis fyrir hlj\u00f3\u00f0-og myndverk myndlistarmanna sem falla \u00e1 milli flokkunarkerfa tegunda og forma. Verk Anouk eru framleidd af \u00feessu fyrirt\u00e6ki og fj\u00e1rm\u00f6gnu\u00f0 af fl\u00e6mska Hlj\u00f3\u00f0-og myndverkasj\u00f3\u00f0num og einnig af ranns\u00f3knarsj\u00f3\u00f0i Listah\u00e1sk\u00f3lans \u00ed Ghent en Anouk er me\u00f0 ranns\u00f3knarst\u00f6\u00f0u vi\u00f0 \u00feann sk\u00f3la. \u00c9g hitti hana stuttlega daginn fyrir frums\u00fdninguna og spur\u00f0i hana hva\u00f0 vettvangurinn Forum Expanded \u00fe\u00fdddi fyrir hana sem listamann: “<\/span>\u00dea\u00f0 er algerlega fr\u00e1b\u00e6rt a\u00f0 sj\u00e1 verk samfer\u00f0amanna \u00ed listinni \u00ed s\u00fdningarstj\u00f3rnu\u00f0u samhengi, sem er mj\u00f6g sjaldgj\u00e6ft fyrir st\u00f3rar h\u00e1t\u00ed\u00f0ir. Venjulega einbl\u00edna h\u00e1t\u00ed\u00f0ir \u00e1 \u00fea\u00f0 n\u00fdjasta af \u00fev\u00ed n\u00fdjasta, frums\u00fdningar os.fr.v en h\u00e9r blanda \u00feeir n\u00fdju efni vi\u00f0 eldri verk og leita eftir fl\u00e6\u00f0i \u00ed hverjum dagskr\u00e1rli\u00f0. Og svo m\u00e1 nefna a\u00f0 vinir m\u00ednir og samfer\u00f0amenn \u00ed kvikmyndalistinni b\u00faa \u00fat um allan heim og h\u00e9rna f\u00e1um vi\u00f0 t\u00e6kif\u00e6ri til a\u00f0 hittast aftur og skiptast \u00e1 sko\u00f0unum um myndirnar sem vi\u00f0 h\u00f6fum s\u00e9\u00f0, myndirnar sem vi\u00f0 erum a\u00f0 undirb\u00faa, o.sfr.v.’<\/i><\/span>‘ Tilfinningin um a\u00f0 b\u00faa \u00ed tveim a\u00f0skildum heimum er eitthva\u00f0 sem allir listamenn sem vinna me\u00f0 kvikmyndir og myndb\u00f6nd \u00feurfa a\u00f0 f\u00e1st vi\u00f0. \u00dea\u00f0 er mismunur \u00e1 fj\u00e1rm\u00f6gnun, tegundaflokkun, samhengi, umr\u00e6\u00f0u og v\u00e6ntingum. <\/span><\/span><\/span><\/p>\n \u00c9g spyr Anouk hvernig \u00fea\u00f0 hefur veri\u00f0 fyrir hana a\u00f0 tilheyra tveim mismunandi heimum: “<\/span>\u00c9g byrja\u00f0i b\u00e6\u00f0i \u00ed myndlistarheiminum og \u00ed kvikmyndaheiminum \u00e1 sama t\u00edma: \u00feessir tveir heimar m\u00e6ttust sj\u00e1ldan. \u00c1 s\u00ed\u00f0ustu tveim \u00e1rum e\u00f0a svo hefur or\u00f0i\u00f0 til merkimi\u00f0i fyrir \u00fea\u00f0 sem \u00e9g og samfer\u00f0amenn m\u00ednir gera: ‘kvikmyndir myndlistarmanna’ (‘artist film’) e\u00f0a hreyfimyndir myndlistarmanna (‘artist moving image’) \u00feannig a\u00f0 fl\u00e6\u00f0i\u00f0 \u00e1 milli \u00feessara tveggja heima hefur or\u00f0i\u00f0 betra. <\/i><\/span><\/span><\/span>\u00dea\u00f0 hefur or\u00f0i\u00f0 til sena sem er st\u00f6\u00f0ugt a\u00f0 styrkjast og senan er me\u00f0 f\u00f3tinn inn fyrir dyrnar b\u00e6\u00f0i \u00ed kvikmynda- og myndlistarheiminum. <\/i><\/span><\/span><\/span><\/p>\n S\u00f6fn hafa or\u00f0i\u00f0 opnari og forvitnari um kvikmyndir og myndb\u00f6nd, kvikmyndah\u00e1t\u00ed\u00f0ir eru a\u00f0 leita eftir n\u00fdjum lei\u00f0um \u00ed kvikmyndager\u00f0 og \u00feannig komu \u00fe\u00e6r auga \u00e1 kvikmyndager\u00f0 myndlistarmanna. \u00dea\u00f0 vir\u00f0ist vera a\u00f0 \u00feessi sena af myndlistarm\u00f6nnum sem eru a\u00f0 gera kvikmyndir, virki \u00e6 meir eins og br\u00fa \u00e1 milli \u00feessara tveggja heima.’<\/i><\/span>‘ <\/span><\/span><\/span><\/p>\n Anouk hefur sj\u00e1lf veri\u00f0 virk \u00ed a\u00f0 br\u00faa bili\u00f0 en \u00e1 \u00e1runum 2015 \u2013 2017 skipulag\u00f0i Auguste Orts verkefni\u00f0 ‘On and For Production’ e\u00f0a ‘Um og fyrir framlei\u00f0slu’, frumkv\u00f6\u00f0laverkefni sem samanst\u00f3\u00f0 af r\u00f6\u00f0 funda v\u00ed\u00f0svegar um Evr\u00f3pu \u00fear sem m\u00e1lefni tengd framlei\u00f0slu og fj\u00e1rm\u00f6gnun \u00e1 kvikmyndager\u00f0 myndlistarmanna voru r\u00e6dd me\u00f0 \u00fe\u00e1ttt\u00f6ku lei\u00f0andi fagf\u00f3lks og fj\u00e1rm\u00f6gnunara\u00f0ila \u00far b\u00e1\u00f0um heimum. Christina Nord, fyrrverandi kvikmyndar\u00fdnir hj\u00e1 ‘die tageszeitung’ dagbla\u00f0inu \u00ed Berl\u00edn og n\u00faverandi yfirma\u00f0ur \u00ed menningardagskr\u00e1rdeild Goethe stofnunarinnar, skrifa\u00f0i grein um blendingsmyndir \u00ed s\u00fdningarskr\u00e1 Forum \/ Forum Expanded, \u00fear sem h\u00fan vitnar \u00ed or\u00f0 kvikmyndager\u00f0amannsins <\/span>Marcin Malaszczak var\u00f0andi \u00feetta: “Fyrir kvikmyndager\u00f0amenn, fyrir verki\u00f0 sj\u00e1lft, skipta tegundaflokkaskipanir ekki m\u00e1li. \u00deessar tegundaflokkanir eru a\u00f0eins nau\u00f0synlegar \u00feegar veri\u00f0 er a\u00f0 s\u00e6kja um styrk, \u00feegar \u00fe\u00fa vilt vinna \u00ed kerfinu. \u00de\u00e1 \u00fearf a\u00f0 stimpla allt. Sama \u00e1 vi\u00f0 um flestar h\u00e1t\u00ed\u00f0ir.<\/i>“ \u00deetta er hvatinn \u00e1 baki verkefni Anouk a\u00f0 f\u00e6ra saman fj\u00e1rm\u00f6gnunara\u00f0lia \u00ed myndlistar- og kvikmyndaheiminum til a\u00f0 hefja samr\u00e6\u00f0ur og sko\u00f0anaskipti, til a\u00f0 br\u00faa \u00feessa tvo heima.<\/span><\/span><\/p>\n Annar listama\u00f0ur sem heimsfrums\u00fdndi einr\u00e1sa verk \u00ed kvikmyndasal Akadem\u00edunnar er \u00fe\u00fdska tilraunakvikmyndager\u00f0akonan Clarissa Thieme, fyrrverandi a\u00f0sto\u00f0arpr\u00f3fessor vi\u00f0 Listah\u00e1sk\u00f3lann \u00ed Berlin og n\u00fdlega handhafi ranns\u00f3knarst\u00f6\u00f0u vi\u00f0 berl\u00ednsku ranns\u00f3knarmi\u00f0st\u00f6\u00f0ina fyrir \u00e6\u00f0ri ranns\u00f3knir \u00ed listum og v\u00edsindum (‘BAS’). Myndin hennar ‘<\/span>Today Is 11th June 1993′ <\/i><\/span>var \u00fer\u00f3u\u00f0 \u00ed ramma myndlistarranns\u00f3knarstyrks vi\u00f0 stofnunina sem Clarissa hefur fengi\u00f0 til a\u00f0 rannsaka myndbandsuppt\u00f6kur \u00far myndbandssafni Hamdija Kresevljakovic \u00ed<\/span> Sarajevo. <\/span><\/span><\/span><\/p>\n Myndin er fyrsta listr\u00e6na ni\u00f0ursta\u00f0an \u00far ranns\u00f3knarverkefninu en meira er \u00e1 lei\u00f0inni flj\u00f3tlega, gj\u00f6rningur og myndbandsinnsetning. Myndbandssafni\u00f0 samanstendur af uppt\u00f6kum sem teknar voru \u00e1 me\u00f0an \u00e1 fj\u00f6gurra \u00e1ra ums\u00e1tri um Sarajevo st\u00f3\u00f0 yfir, og var teki\u00f0 b\u00e6\u00f0i af <\/span>Kre\u0161evljakovic br\u00e6\u00f0rum og safna\u00f0 fr\u00e1 fr\u00e1 f\u00f3lki sem bj\u00f3 \u00ed borginni \u00e1 \u00feessum t\u00edma. \u00cd mynd Clarissu situr \u00fe\u00fd\u00f0andi \u00ed loku\u00f0um b\u00e1s fyrir framan v\u00f6rpun \u00e1 myndbandsuppt\u00f6ku \u00far safninu sem s\u00fdnir heimager\u00f0a v\u00edsindask\u00e1lds\u00f6gu \u00fear sem h\u00f3pur af ungu f\u00f3lki \u00edmyndar s\u00e9r a\u00f0 fl\u00fdja ums\u00e1tri\u00f0 me\u00f0 hj\u00e1lp t\u00edmav\u00e9lar. \u00deetta er einhvers konar framt\u00ed\u00f0ar\u00fat\u00f3p\u00edu \u00edmyndunarfantas\u00eda og \u00feess vegna frumlegt efni til a\u00f0 nota fyrir p\u00f3l\u00edt\u00edska og f\u00e9lagslega umr\u00e6\u00f0u. <\/span><\/span><\/p>\n \u00cd Spurningum&Sv\u00f6rum eftir s\u00fdninguna benti Clarissa \u00e1 a\u00f0 safni\u00f0 s\u00fdnir sj\u00f3narhorn sem er mj\u00f6g \u00f3l\u00edkt umfj\u00f6llun meginstraumsfj\u00f6lmi\u00f0la fr\u00e1 \u00feessum t\u00edma og geti \u00fea\u00f0 \u00fev\u00ed \u00fej\u00f3na\u00f0 sem einskonar gluggi aftur \u00ed \u00feennan t\u00edma. <\/span><\/span>Hvernig eigi a\u00f0 s\u00fdna og upplifa efni \u00far s\u00f6fnum er r\u00edkt svi\u00f0 til a\u00f0 gera tilraunir me\u00f0 og Clarissa gerir \u00feetta \u00e1 mj\u00f6g \u00e1hugaver\u00f0an h\u00e1tt me\u00f0 \u00fevi a\u00f0 b\u00faa til br\u00fa \u00e1 milli \u00fe\u00e1 og n\u00fa me\u00f0 \u00fev\u00ed a\u00f0 endurtaka \u00ed bergm\u00e1li fyrir\u00e1\u00e6tlanir hinna upprunalegu kvikmyndager\u00f0amanna. <\/span><\/span><\/p>\n Myndin, sem vir\u00f0ist \u00ed fyrstu vera einf\u00f6ld svi\u00f0setning \u00e1 efninu, er marglaga og kveikir \u00e1 hugrenningum og tengingum hj\u00e1 \u00e1horfandanum, ekki a\u00f0eins um hvernig ums\u00e1tri\u00f0 um Sarajevo var sett fram me\u00f0 almennum st\u00f6\u00f0lu\u00f0um h\u00e6tti \u00e1ri\u00f0 1993 og s\u00ed\u00f0ar, heldur einnig um hvernig ums\u00e1tur \u00ed samt\u00edmanum eru s\u00fdnd \u00ed meginstraumsfj\u00f6lmi\u00f0lum dagsins \u00ed dag. “Forum Expanded er blendingsvettvangur \u00fear sem kvikmyndalist og myndlist m\u00e6tast. Og \u00fea\u00f0 l\u00fdsir mj\u00f6g m\u00ednu eigin starfi. \u00c1 mj\u00f6g \u00e1hugaver\u00f0an h\u00e1tt \u00fe\u00e1 er vettvangurinn listr\u00e6n tilraun \u00ed sj\u00e1lfu s\u00e9r sem spyr spurninga um merkingu kvikmyndalistar \u00ed samt\u00edmanum og hva\u00f0 h\u00fan g\u00e6ti or\u00f0i\u00f0. Spurningar vaknar ekki einungis vegna verkanna sem s\u00fdnd eru heldur einnig vegna \u00e1horfenda. \u00deetta er mj\u00f6g d\u00fdrm\u00e6tur hugsunartankur og ranns\u00f3knarstofa“<\/i>, svarar Clarissa \u00feegar \u00e9g spyr hana af hva\u00f0 \u00fea\u00f0 s\u00e9 sem gerir \u00fea\u00f0 mikilv\u00e6gt a\u00f0 s\u00fdna verki\u00f0 hennar \u00e1 h\u00e1t\u00ed\u00f0inni. “M\u00e9r finnst \u00fea\u00f0 mj\u00f6g \u00e1hugavert a\u00f0 Forum \/ Forum Expanded s\u00e9 sta\u00f0sett sem flokkur \u00ed Kvikmyndah\u00e1t\u00ed\u00f0inni \u00ed Berl\u00edn, kvikmyndah\u00e1t\u00ed\u00f0 \u00ed A-flokki me\u00f0 svo marga a\u00f0ra flokka og me\u00f0 evr\u00f3pska kvikmyndamarka\u00f0inn \u00ed Martin Gropius Bau safninu sem er me\u00f0 \u00fe\u00fasundir mynda sem eru ekki einu sinni \u00e1 lista \u00ed s\u00fdningarskr\u00e1 h\u00e1t\u00ed\u00f0arinnar. <\/i><\/span><\/span><\/p>\n \u00c1 vissan h\u00e1tt eru Forum Expanded og evr\u00f3pski kvikmyndamarka\u00f0urinn \u00e1 sitthvorum enda ‘\u00f6fganna’. Me\u00f0 mj\u00f6g mikilli einf\u00f6ldun m\u00e1 au\u00f0vita\u00f0 segja a\u00f0 \u00fear s\u00e9 a\u00f0 finna muninn \u00e1 milli myndlist og s\u00f6luv\u00e6nna kvikmynda. \u00c9g held a\u00f0 vi\u00f0 getum ekki liti\u00f0 framhj\u00e1 \u00feeirri sta\u00f0reynd a\u00f0 mismunandi dreifingar- og fj\u00e1rm\u00f6gnunarlei\u00f0ir hafa mikil \u00e1hrif \u00e1 verkin okkar. \u00c9g s\u00e9 \u00feetta ekki svona svart og hv\u00edtt.<\/i> \u00c9g hef til d\u00e6mis mikinn skilning \u00e1 dreifingu \u00ed kvikmyndaheiminum sem hefur \u00fea\u00f0 a\u00f0 markmi\u00f0i a\u00f0 eins margt f\u00f3lk og m\u00f6gulegt er sj\u00e1i verki\u00f0. \u00deetta er mj\u00f6g \u00f3l\u00edk \u00feeirri einkar\u00e9ttar n\u00e1lgun sem felst \u00ed a\u00f0 b\u00faa til a\u00f0eins fimm eint\u00f6k sem seld eru sem listaverk. \u00dea\u00f0 eru j\u00e1kv\u00e6\u00f0 og neikv\u00e6\u00f0 \u00e1hrif sem koma \u00far b\u00e1\u00f0um \u00feessum \u00e1ttum a\u00f0 m\u00ednu viti. M\u00e9r finnst gott a\u00f0 sko\u00f0a \u00feetta mj\u00f6g gaumg\u00e6filega. Oftast h\u00f6fum vi\u00f0 ekki algerlega frj\u00e1lst val hvernig vi\u00f0 framlei\u00f0um og sj\u00f3setjum verkin okkar. En au\u00f0vita\u00f0 sem myndlistarma\u00f0ur e\u00f0a kvikmyndager\u00f0ama\u00f0ur \u00fe\u00e1 \u00fearftu a\u00f0 \u00feekkja vel hinar \u00f3l\u00edku lei\u00f0ir til \u00feess a\u00f0 geta stefnt a\u00f0 \u00fev\u00ed sem er best fyrir verki\u00f0 sem \u00fe\u00fa ert a\u00f0 vinna a\u00f0 \u00e1 hverri stundu. Segjum a\u00f0 \u00fea\u00f0 s\u00e9u mj\u00f6g \u00f3l\u00edkir kvikmyndaheimar undir \u00feaki Kvikmyndah\u00e1t\u00ed\u00f0arinnar \u00ed Berl\u00edn. \u00cd t\u00edu daga \u00fe\u00e1 segir f\u00f3lk \u00fe\u00e9r a\u00f0 \u00fea\u00f0 geri kvikmyndir og \u00feau gera \u00fea\u00f0 l\u00edka \u00f6ll. En \u00feetta er eins og hittingur mismunandi vetrarbrauta. \u00dear sem \u00e9g n\u00fdt sko\u00f0anaskipta \u00ed fremstu r\u00f6\u00f0 og \u00fear sem \u00fe\u00fa finnur \u00ed s\u00e9rhverjum \u00feessara mismunandi kvikmyndaheimum f\u00f3lk sem sannarlega elskar kvikmyndir og myndlist og brennur fyrir \u00fev\u00ed sem \u00fea\u00f0 gerir, \u00fe\u00e1 n\u00fdt \u00e9g \u00feess mj\u00f6g a\u00f0 Forum \/ Forum Expanded s\u00e9 sta\u00f0sett innan Kvikmyndah\u00e1t\u00ed\u00f0arinnr \u00ed Berl\u00edn og finnst vettangurinn veita b\u00e6\u00f0i innbl\u00e1stur og koma st\u00f6\u00f0ugt \u00e1 \u00f3vart.“<\/i><\/span><\/span><\/p>\n Hulda R\u00f3s Gu\u00f0nad\u00f3ttir<\/em><\/p>\n A\u00f0almynd me\u00f0 grein: Fr\u00e1 innsetningunni \u2018A Mechanism Capable of Changing Itself\u2019. 2-r\u00e1sa video innsetning \u2018Third Part of the Third Measure\u2019 eftir The Otolith Group.<\/p>\n Lj\u00f3smyndir: me\u00f0 leyfi h\u00f6funds greinarinnar og listamanna.<\/p>\n [\/et_pb_text][\/et_pb_column][\/et_pb_row][\/et_pb_section]<\/p>\n","protected":false},"excerpt":{"rendered":" Kvikmyndah\u00e1t\u00ed\u00f0in \u00ed Berl\u00edn er fyrsta al\u00fej\u00f3\u00f0lega kvikmyndah\u00e1t\u00ed\u00f0in \u00ed A flokki \u00e1 hverju \u00e1ri. \u00cd \u00e1r \u00e1tti h\u00fan s\u00e9r sta\u00f0 15. til 25. febr\u00faar. Ef d\u00e6ma \u00e1 af myndum og umfj\u00f6llun \u00ed meginstraumsfj\u00f6lmi\u00f0lum m\u00e6tti halda a\u00f0 h\u00e1t\u00ed\u00f0in snerist um t\u00f6fralj\u00f3ma rau\u00f0a teppisins. \u00dea\u00f0 er hinsvegar ekki m\u00e1li\u00f0 fyrir fagf\u00f3lk og \u00e1hugaf\u00f3lk um kvikmynda- og myndbandslist. H\u00e1t\u00ed\u00f0in […]<\/p>\n","protected":false},"author":16,"featured_media":6244,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_et_pb_use_builder":"on","_et_pb_old_content":" Kvikmyndah\u00e1t\u00ed\u00f0in \u00ed Berl\u00edn er fyrsta al\u00fej\u00f3\u00f0lega kvikmyndah\u00e1t\u00ed\u00f0in \u00ed A flokki \u00e1 hverju \u00e1ri. \u00cd \u00e1r \u00e1tti h\u00fan s\u00e9r sta\u00f0 15. til 25. febr\u00faar. Ef d\u00e6ma \u00e1 af myndum og umfj\u00f6llun \u00ed meginstraumsfj\u00f6lmi\u00f0lum m\u00e6tti halda a\u00f0 h\u00e1t\u00ed\u00f0in snerist um t\u00f6fralj\u00f3ma rau\u00f0a teppisins. \u00dea\u00f0 er hinsvegar ekki m\u00e1li\u00f0 fyrir fagf\u00f3lk og \u00e1hugaf\u00f3lk um kvikmynda- og myndbandslist. H\u00e1t\u00ed\u00f0in er mikilv\u00e6g mi\u00f0st\u00f6\u00f0 \u00e1 \u00fe\u00fdsku og al\u00fej\u00f3\u00f0legu senunni um myndabands- og kvikmyndalist myndlistarmanna. <\/span><\/span><\/strong><\/p> Kvikmyndirnar \u00ed a\u00f0alkeppninni um Gullbj\u00f6rninn taka mj\u00f6g mismunandi afst\u00f6\u00f0u gagnvart mi\u00f0linum og h\u00e6gt er a\u00f0 l\u00edta \u00e1 \u00fe\u00e6r a\u00f0 hluta sem s\u00fdnishorn af hinum fj\u00f6lm\u00f6rgu flokkum h\u00e1t\u00ed\u00f0arinnar. \u00cd \u00e1r vann tilraunakennd ranns\u00f3knarmynd sem au\u00f0veldlega v\u00e6ri h\u00e6gt a\u00f0 segja a\u00f0 s\u00e9 fulltr\u00fai Forum flokksins. Forum g\u00e6ti \u00fatleggst \u00e1 \u00edslensku sem opinn samr\u00e6\u00f0uvettvangur. \u00dea\u00f0 var mynd leikst\u00fdrunnar og myndlistarkonunnar Adina Pintilie 'Touch Me Not' sem vann. \u00dea\u00f0 m\u00e1 ekki horfa framhj\u00e1 \u00fev\u00ed a\u00f0 \u00feessi \u00e1kv\u00f6r\u00f0un hefur miki\u00f0 menningarlegt og p\u00f3lit\u00edskt mikilv\u00e6gi. H\u00fan er afgerandi yfirl\u00fdsing hinnar al\u00fej\u00f3\u00f0legu d\u00f3mnefndar um hvert \u00feau vilja a\u00f0 h\u00e1t\u00ed\u00f0in stefni eftir a\u00f0 stj\u00f3rnandi hennar Dieter Kosslick h\u00e6ttir \u00e1ri\u00f0 2019. <\/span><\/span><\/p> \u00deetta er yfirl\u00fdsing sem er mj\u00f6g mikilv\u00e6g fyrir myndlistarmenn \u00ed kvikmyndager\u00f0, s\u00e9rstaklega \u00ed lj\u00f3si opinbers br\u00e9fs sem margir af helstu leikstj\u00f3rum \u00de\u00fdskalands skrifu\u00f0u undir s\u00ed\u00f0astli\u00f0inn n\u00f3vember og sem kalla\u00f0i \u00e1 \u00e1herslu \u00e1 st\u00e6rri n\u00f6fn og meiri t\u00f6fralj\u00f3ma frekar en \u00e1herslu h\u00e1t\u00ed\u00f0arinnar \u00e1 ranns\u00f3kn \u00e1 mismunandi afst\u00f6\u00f0um og m\u00f6guleikum kvikmyndanna. Forma\u00f0ur d\u00f3mnefndar, Tom Tykwer, sk\u00fdr\u00f0i \u00e1kv\u00f6r\u00f0un d\u00f3mnefndar me\u00f0 \u00fev\u00ed a\u00f0 \u00feau vildu ekki ver\u00f0launa \u00fea\u00f0 sem kvikmyndalistin g\u00e6ti \u00feegar gert vel heldur miki\u00f0 frekar hvert kvikmyndalistin g\u00e6ti fari\u00f0 \u00ed framt\u00ed\u00f0inni. Hann er a\u00f0 tala um m\u00f6guleika kvikmyndarinnar. Stefnan er \u00ed \u00e1tt tilraunarinnar.<\/span><\/span><\/p> \u00deetta eru ekki n\u00fd \u00e1t\u00f6k e\u00f0a umr\u00e6\u00f0ur. Tilraunaflokkur h\u00e1t\u00ed\u00f0arinnar, Forum, var upprunalega stofna\u00f0ur sem 'Hinn al\u00fej\u00f3\u00f0legi umr\u00e6\u00f0uvettvangur um n\u00fdja kvikmyndalist' \u00e1 umr\u00f3ts\u00e1runum \u00ed lok 7. \u00e1ratugarins, sem m\u00f3tv\u00e6gi vi\u00f0 Kvikmyndah\u00e1t\u00ed\u00f0ina \u00ed Berl\u00edn. Stofnh\u00f3purinn sem s\u00ed\u00f0ar var\u00f0 a\u00f0 Arsenal, \u00fe\u00fdsku stofnuninni um kvikmynda- og myndabandslist, vildi umbreyta kvikmyndalistinni \u00ed vettvang uppbyggilegrar menningarlegrar umr\u00e6\u00f0u og sko\u00f0anaskipta. \u00dea\u00f0 var svo \u00e1ri\u00f0 1970, \u00ed kj\u00f6lfar mikilv\u00e6gra breytinga \u00e1 Kvikmyndah\u00e1t\u00ed\u00f0inni \u00ed Berl\u00edn, sem Forum flokkurinn var innlima\u00f0ur \u00ed h\u00e1t\u00ed\u00f0ina sem vettvangur fyrir kvikmyndir sem eiga heima \u00e1 m\u00f6rkum myndlistar og kvikmyndalistar og \u00fear sem heimildarmyndir og sk\u00e1lda\u00f0ar myndir eru metnar \u00e1 jafnr\u00e6\u00f0isgrundvelli. Fr\u00e1 upphafi vildi Forum flokkurinn standa utan vi\u00f0 keppnisandann og er ekki me\u00f0 nein opinber ver\u00f0laun. Hinsvegar eru fj\u00f6ldinn allur af sj\u00e1lfst\u00e6\u00f0um ver\u00f0launum. \u00cd \u00e1r voru kvenleikstj\u00f3rar mj\u00f6g sigurs\u00e6lar \u00ed flokknum.<\/span><\/span><\/p> Forum flokkurinn er hinsvegar a\u00f0allega helga\u00f0ur myndum \u00ed fullri lengd og \u00fea\u00f0 var \u00e1ri\u00f0 2006 sem stj\u00f3rnarforma\u00f0ur Arsenal stofnunarinnar, Stefanie Schulte Strathaus \u00e1samt sj\u00e1lfst\u00e6\u00f0a kvikmynda- og myndlistar s\u00fdningarstj\u00f3ranum Anselm Franke, stofna\u00f0i 'Forum Expanded' undirflokkinn \u2013 hinn \u00fatv\u00edkka\u00f0i umr\u00e6\u00f0uvettvang. \u00dear f\u00e1 styttri myndir og einr\u00e1sa myndbandsverk a\u00f0 taka \u00fe\u00e1tt \u00e1samt innsetningarverkum og gj\u00f6rningum. Afsta\u00f0a Forum Expanded er a\u00f0 bj\u00f3\u00f0a upp \u00e1 gagnr\u00fdni og \u00fatv\u00edkka\u00f0a skynjun \u00e1 fyrirb\u00e6rinu kvikmynd. <\/span><\/span><\/p> \u00deessi r\u00fdni tekur \u00e1 sig form h\u00f3ps\u00fdningar \u00e1 innsetningaverkum \u00e1samt r\u00f6\u00f0 kvikmyndas\u00fdninga \u00ed hef\u00f0bundnum kvikmyndasal. Forum hefur fr\u00e1 upphafi veri\u00f0 helga\u00f0 tilraunakenndum fr\u00e1sagnarlei\u00f0um, \u00f3h\u00e1\u00f0 tegundaflokkunum, \u00fear sem meiri \u00e1h\u00e6tta hefur veri\u00f0 tekin en \u00ed \u00f6\u00f0rum flokkum h\u00e1t\u00ed\u00f0arinnar og \u00e1hersla hefur veri\u00f0 \u00e1 annars konar valm\u00f6guleika e\u00f0a s\u00fdn \u00e1 annars sam\u00feykktri kvikmyndas\u00f6gu. \u00dea\u00f0 sem gerir hinn \u00fatv\u00edkka\u00f0a undirflokk s\u00e9rstakan er a\u00f0 hann er vettvangur \u00fear sem heimildarmyndir, sk\u00e1lda\u00f0 efni, tilraunaefni, blendingar, einr\u00e1sa og margr\u00e1sa verk og innsetningar, kvikmynda- og myndbandsverk eru flokku\u00f0 saman og sko\u00f0u\u00f0 \u00ed samhengi vi\u00f0 hvort anna\u00f0. Vettvangurinn er ekki bara einstakur, \u00ed sambandi vi\u00f0 a\u00f0 horfa framhj\u00e1 hef\u00f0bundnum tegundaflokkunum og merkimi\u00f0um eftir s\u00fdningarsni\u00f0i, heldur er hann einnig einstakur a\u00f0 \u00fev\u00ed leiti a\u00f0 \u00ed honum taka s\u00fdningastj\u00f3rarnir \u00e1kve\u00f0a afst\u00f6\u00f0u e\u00f0a r\u00e9ttara sagt leggja \u00ed \u00e1kve\u00f0inn ranns\u00f3knarlei\u00f0angur me\u00f0 \u00e1kve\u00f0i\u00f0 s\u00fdningarheiti e\u00f0a spurningu a\u00f0 lei\u00f0arlj\u00f3si. \u00cd \u00feeirri ranns\u00f3kn r\u00famast b\u00e6\u00f0i heimsfrums\u00fdningar \u00e1 verkum og mikilv\u00e6g eldri verk \u00e1samt n\u00fdlegum verkum af tv\u00ed\u00e6ringum og \u00f6\u00f0rum s\u00fdningum. \u00cd flokknum eru engin ver\u00f0laun.<\/span><\/span><\/p> \u00c1ri\u00f0 2018 er Forum Expanded enn\u00fe\u00e1 reki\u00f0 \u00ed samstarfi Kvikmyndah\u00e1t\u00ed\u00f0arinnar \u00ed Berl\u00edn og Arsenal stofnunarinnar me\u00f0 Stefanie fremsta \u00ed flokki jafningja en Anselm Franke er meira \u00e1 hl\u00ed\u00f0arl\u00ednunni \u00fear sem hann er \u00ed dag yfirma\u00f0ur kvikmynda- og myndlistardagskr\u00e1 H\u00fass Menninga Heimsins ('Haus der Kulturen der Welt') \u00ed Berl\u00edn. Auk Stefanie stendur a\u00f0 baki s\u00fdningunni 2018 s\u00fdningarstj\u00f3rateymi sem samanstendur af s\u00fdr\u00edska kvikmynda og myndbandslistamanninum Khaled Abdulawahed, \u00fe\u00fdska tilraunakvikmynda s\u00fdningarstj\u00f3ranum Ulrich Ziemons og listakonunni, s\u00fdningarstj\u00f3ranum og einum af stofnanda 'Contemporary Image Collective' \u00ed Kair\u00f3, Maha Maamoun. Saman skipa \u00feau teymi sem segir s\u00f6gu af \u00e1herslunni \u00e1 fj\u00f6lbreytilega afst\u00f6\u00f0u \u00ed menningarp\u00f3lit\u00edk \u00de\u00fdskalands. <\/span><\/span><\/p> \u00deetta \u00e1ri\u00f0 var heiti s\u00fdningarinnar bein tilvitnun \u00ed sp\u00e1ss\u00edun\u00f3tu Maya Deren fr\u00e1 1947 um eiginleika Marxisma: 'Kerfi sem er f\u00e6rt um a\u00f0 breyta sj\u00e1lfu s\u00e9r' ('A Mechanism Capable of Changing Itself') og v\u00edsar \u00ed tilfelli s\u00fdningarinnar til kvikmyndalistarinnar sem er ekki a\u00f0eins f\u00e6r um a\u00f0 koma af sta\u00f0 breytingum e\u00f0a breytast heldur hefur einnig \u00ed s\u00e9r getuna til a\u00f0 skapa n\u00fd skynjunarform. Samkv\u00e6mt Stefanie v\u00edsar heiti\u00f0 auk \u00feess \u00ed stofnanarammann sj\u00e1lfan sem verkin eru s\u00fdnd \u00ed. Kvikmyndafr\u00e6\u00f0ingurinn Ute Holl h\u00e9lt r\u00e6\u00f0u \u00e1 opnun Forum Expanded s\u00fdningarinnar um kenningalegan bakgrunn ranns\u00f3knarspurningarinnar og titilsins. ''Eins og Maya Deren ger\u00f0i r\u00e1\u00f0 fyrir a\u00f0 s\u00e9rhvert m\u00f3tt\u00f6kuform kvikmyndarinnar umbreytti l\u00edka vi\u00f0takendum \u00e1 sama t\u00edma \u00fe\u00e1 l\u00fdsir hugmynd hennar um kvikmyndalistina sam\u00e1hrifum st\u00fdrikerfis \u00fear sem t\u00e6knilegir, f\u00e9lagslegir og fagurfr\u00e6\u00f0ilegir \u00fe\u00e6ttir \u00e1samt skyn\u00fe\u00e1ttum eru \u00ed st\u00f6\u00f0ugu umbreytingarferli sem \u00e1 s\u00e9r sta\u00f0 \u00e1 gagnkv\u00e6man h\u00e1tt: 'Kerfi sem er f\u00e6rt um a\u00f0 breyta sj\u00e1lfu s\u00e9r','' <\/i>h\u00e9lt Ute fram og h\u00e9lt \u00e1fram: ''\u00dea\u00f0 var \u00f3sk Maya Deren a\u00f0 kvikmyndalistin myndi sta\u00f0setja okkur \u00ed sambandi vi\u00f0 hi\u00f0 \u00f3\u00feekkta frekar en a\u00f0 f\u00e6ra okkur undir stj\u00f3rn hins sta\u00f0la\u00f0a e\u00f0a d\u00e6miger\u00f0a<\/i>'.' \u00deetta er vi\u00f0horf sem bergm\u00e1lar ekki a\u00f0eins \u00ed s\u00fdningarstj\u00f3rninni \u00e1 Forum \/ Forum Expanded \u00ed \u00e1r heldur er einnig hvatinn \u00e1 bakvi\u00f0 \u00e1kv\u00f6r\u00f0un hinnar al\u00fej\u00f3\u00f0legu d\u00f3mnefndar sem veitti Gullbj\u00f6rninn.<\/span><\/span><\/p> Eins og undanfarin \u00e1r \u00e1tti s\u00fdningin s\u00e9r sta\u00f0 b\u00e6\u00f0i sem h\u00f3ps\u00fdning \u00ed Akademie der K\u00fcnste e\u00f0a Akadem\u00edu listarinnar vi\u00f0 Hansetenweg \u00ed Berl\u00edn og sem kvikmndas\u00fdningar \u00fear og \u00ed Arsenal stofnunni vi\u00f0 Potsdamer Platz. \u00cd s\u00fdningunni vir\u00f0ast s\u00fdningarstj\u00f3rarnir, eins og hin al\u00fej\u00f3\u00f0lega d\u00f3mnefnd, vera a\u00f0 leita a\u00f0 n\u00fdrri s\u00fdn \u00e1 fort\u00ed\u00f0inni og lei\u00f0 til a\u00f0 umbreyta henni \u00ed n\u00fdja s\u00fdn \u00e1 m\u00f6guleikum framt\u00ed\u00f0arinnar \u00fear sem lykilinn er \u00e1hersla \u00e1 framt\u00ed\u00f0arm\u00f6guleika kvikmynda- og myndbandlistarinnar frekar en a\u00f0 ver\u00f0launa \u00feaulreyndar a\u00f0fer\u00f0ir. Listam\u00f6nnunum sem var bo\u00f0i\u00f0 eru 58 talsins. N\u00fd verk voru vanalega eftir yngri kynsl\u00f3\u00f0ina \u00e1 me\u00f0an eldri verk voru valin \u00far s\u00f6gu avant-garde kvikmyndager\u00f0ar, vanalega fr\u00e1 mi\u00f0biki 20. aldarinnar \u00ed Bandar\u00edkjunum. \u00deegar liti\u00f0 er \u00e1 afrekaskr\u00e1 yngri listamanna kemur \u00ed lj\u00f3s a\u00f0 \u00feeir hafa flestir teki\u00f0 virkan \u00fe\u00e1tt \u00ed starfi mikilv\u00e6gra \u00fe\u00fdska e\u00f0a berl\u00ednskra liststofnanna, \u00fdmist me\u00f0 \u00fev\u00ed a\u00f0 s\u00fdna verk, taka vi\u00f0 styrk, veri\u00f0 \u00ed n\u00e1mi e\u00f0a eru \u00e1 skr\u00e1 hj\u00e1 bel\u00ednsku e\u00f0a \u00fe\u00fdsku galler\u00ed. F\u00e1ein verk koma \u00far st\u00f3rum tv\u00ed\u00e6ringum \u00e1 s\u00ed\u00f0asta \u00e1ri.<\/span><\/span><\/p> Einn listamannanna er hin \u00feekkta myndbandslistakona <\/span>Anouk de Clercq sem heimsfrums\u00fdndi n\u00fdjasta verk sitt 'It' \u00ed kvikmyndasal \u00ed Arsenal stofnuninni. Verki\u00f0 er samstarfsverkefni me\u00f0 lj\u00f3smyndaranum Tom Callemin.'It' eins og fyrri verk Anouk tekur s\u00e9r sterka fagurfr\u00e6\u00f0ilega st\u00f6\u00f0u \u00e1 milli myrkurs og lj\u00f3ss og kannar hva\u00f0 gerist \u00fear \u00e1 milli. Anouk, sem b\u00fasett er \u00ed Berl\u00edn, er mj\u00f6g s\u00fdnileg \u00ed bel\u00ednsku senunni en \u00e1 sama t\u00edma var h\u00fan a\u00f0 s\u00fdna myndbandsverk \u00e1 tveim \u00f6\u00f0rum virtum s\u00fdningarst\u00f6\u00f0um \u00ed Berl\u00edn: \u00ed K\u00fcnstlerhaus Bethanien \u00ed Kreuzberg og ACUD galler\u00ed \u00ed Mitte hverfi. Einhverjir \u00e1 \u00cdslandi \u00feekkja e.t.v. til verka Anouk en h\u00fan var handhafi SIM vinnustofudvalar \u00e1ri\u00f0 2006 og t\u00f3k \u00fe\u00e1tt \u00ed s\u00fdningu \u00ed Safni \u00e1 Laugavegi undir s\u00fdningarstj\u00f3rn Birtu Gu\u00f0j\u00f3nsd\u00f3ttur. S\u00ed\u00f0an \u00fe\u00e1 hefur Anouk fer\u00f0ast \u00e1tta sinnum til \u00cdslands og jafnvel b\u00fai\u00f0 til verk sem eru innbl\u00e1sin af t\u00edma hennar og fer\u00f0al\u00f6gum \u00e1 landinu. <\/span><\/span><\/span><\/p> Anouk er ein af stofnendum Auguste Orts, belg\u00edsks framlei\u00f0slu- og dreifingarfyrirt\u00e6kis fyrir hlj\u00f3\u00f0-og myndverk myndlistarmanna sem falla \u00e1 milli flokkunarkerfa tegunda og forma. Verk Anouk eru framleidd af \u00feessu fyrirt\u00e6ki og fj\u00e1rm\u00f6gnu\u00f0 af fl\u00e6mska Hlj\u00f3\u00f0-og myndverkasj\u00f3\u00f0num og einnig af ranns\u00f3knarsj\u00f3\u00f0i Listah\u00e1sk\u00f3lans \u00ed Ghent en Anouk er me\u00f0 ranns\u00f3knarst\u00f6\u00f0u vi\u00f0 \u00feann sk\u00f3la. \u00c9g hitti hana stuttlega daginn fyrir frums\u00fdninguna og spur\u00f0i hana hva\u00f0 vettvangurinn Forum Expanded \u00fe\u00fdddi fyrir hana sem listamann: ''<\/span>\u00dea\u00f0 er algerlega fr\u00e1b\u00e6rt a\u00f0 sj\u00e1 verk samfer\u00f0amanna \u00ed listinni \u00ed s\u00fdningarstj\u00f3rnu\u00f0u samhengi, sem er mj\u00f6g sjaldgj\u00e6ft fyrir st\u00f3rar h\u00e1t\u00ed\u00f0ir. Venjulega einbl\u00edna h\u00e1t\u00ed\u00f0ir \u00e1 \u00fea\u00f0 n\u00fdjasta af \u00fev\u00ed n\u00fdjasta, frums\u00fdningar os.fr.v en h\u00e9r blanda \u00feeir n\u00fdju efni vi\u00f0 eldri verk og leita eftir fl\u00e6\u00f0i \u00ed hverjum dagskr\u00e1rli\u00f0. Og svo m\u00e1 nefna a\u00f0 vinir m\u00ednir og samfer\u00f0amenn \u00ed kvikmyndalistinni b\u00faa \u00fat um allan heim og h\u00e9rna f\u00e1um vi\u00f0 t\u00e6kif\u00e6ri til a\u00f0 hittast aftur og skiptast \u00e1 sko\u00f0unum um myndirnar sem vi\u00f0 h\u00f6fum s\u00e9\u00f0, myndirnar sem vi\u00f0 erum a\u00f0 undirb\u00faa, o.sfr.v.'<\/i><\/span>' Tilfinningin um a\u00f0 b\u00faa \u00ed tveim a\u00f0skildum heimum er eitthva\u00f0 sem allir listamenn sem vinna me\u00f0 kvikmyndir og myndb\u00f6nd \u00feurfa a\u00f0 f\u00e1st vi\u00f0. \u00dea\u00f0 er mismunur \u00e1 fj\u00e1rm\u00f6gnun, tegundaflokkun, samhengi, umr\u00e6\u00f0u og v\u00e6ntingum. <\/span><\/span><\/span><\/p> \u00c9g spyr Anouk hvernig \u00fea\u00f0 hefur veri\u00f0 fyrir hana a\u00f0 tilheyra tveim mismunandi heimum: ''<\/span>\u00c9g byrja\u00f0i b\u00e6\u00f0i \u00ed myndlistarheiminum og \u00ed kvikmyndaheiminum \u00e1 sama t\u00edma: \u00feessir tveir heimar m\u00e6ttust sj\u00e1ldan. \u00c1 s\u00ed\u00f0ustu tveim \u00e1rum e\u00f0a svo hefur or\u00f0i\u00f0 til merkimi\u00f0i fyrir \u00fea\u00f0 sem \u00e9g og samfer\u00f0amenn m\u00ednir gera: 'kvikmyndir myndlistarmanna' ('artist film') e\u00f0a hreyfimyndir myndlistarmanna ('artist moving image') \u00feannig a\u00f0 fl\u00e6\u00f0i\u00f0 \u00e1 milli \u00feessara tveggja heima hefur or\u00f0i\u00f0 betra. <\/i><\/span><\/span><\/span>\u00dea\u00f0 hefur or\u00f0i\u00f0 til sena sem er st\u00f6\u00f0ugt a\u00f0 styrkjast og senan er me\u00f0 f\u00f3tinn inn fyrir dyrnar b\u00e6\u00f0i \u00ed kvikmynda- og myndlistarheiminum. <\/i><\/span><\/span><\/span><\/p> S\u00f6fn hafa or\u00f0i\u00f0 opnari og forvitnari um kvikmyndir og myndb\u00f6nd, kvikmyndah\u00e1t\u00ed\u00f0ir eru a\u00f0 leita eftir n\u00fdjum lei\u00f0um \u00ed kvikmyndager\u00f0 og \u00feannig komu \u00fe\u00e6r auga \u00e1 kvikmyndager\u00f0 myndlistarmanna. \u00dea\u00f0 vir\u00f0ist vera a\u00f0 \u00feessi sena af myndlistarm\u00f6nnum sem eru a\u00f0 gera kvikmyndir, virki \u00e6 meir eins og br\u00fa \u00e1 milli \u00feessara tveggja heima.'<\/i><\/span>' <\/span><\/span><\/span><\/p> Anouk hefur sj\u00e1lf veri\u00f0 virk \u00ed a\u00f0 br\u00faa bili\u00f0 en \u00e1 \u00e1runum 2015 \u2013 2017 skipulag\u00f0i Auguste Orts verkefni\u00f0 'On and For Production' e\u00f0a 'Um og fyrir framlei\u00f0slu', frumkv\u00f6\u00f0laverkefni sem samanst\u00f3\u00f0 af r\u00f6\u00f0 funda v\u00ed\u00f0svegar um Evr\u00f3pu \u00fear sem m\u00e1lefni tengd framlei\u00f0slu og fj\u00e1rm\u00f6gnun \u00e1 kvikmyndager\u00f0 myndlistarmanna voru r\u00e6dd me\u00f0 \u00fe\u00e1ttt\u00f6ku lei\u00f0andi fagf\u00f3lks og fj\u00e1rm\u00f6gnunara\u00f0ila \u00far b\u00e1\u00f0um heimum. Christina Nord, fyrrverandi kvikmyndar\u00fdnir hj\u00e1 'die tageszeitung' dagbla\u00f0inu \u00ed Berl\u00edn og n\u00faverandi yfirma\u00f0ur \u00ed menningardagskr\u00e1rdeild Goethe stofnunarinnar, skrifa\u00f0i grein um blendingsmyndir \u00ed s\u00fdningarskr\u00e1 Forum \/ Forum Expanded, \u00fear sem h\u00fan vitnar \u00ed or\u00f0 kvikmyndager\u00f0amannsins <\/span>Marcin Malaszczak var\u00f0andi \u00feetta: ''Fyrir kvikmyndager\u00f0amenn, fyrir verki\u00f0 sj\u00e1lft, skipta tegundaflokkaskipanir ekki m\u00e1li. \u00deessar tegundaflokkanir eru a\u00f0eins nau\u00f0synlegar \u00feegar veri\u00f0 er a\u00f0 s\u00e6kja um styrk, \u00feegar \u00fe\u00fa vilt vinna \u00ed kerfinu. \u00de\u00e1 \u00fearf a\u00f0 stimpla allt. Sama \u00e1 vi\u00f0 um flestar h\u00e1t\u00ed\u00f0ir.<\/i>'' \u00deetta er hvatinn \u00e1 baki verkefni Anouk a\u00f0 f\u00e6ra saman fj\u00e1rm\u00f6gnunara\u00f0lia \u00ed myndlistar- og kvikmyndaheiminum til a\u00f0 hefja samr\u00e6\u00f0ur og sko\u00f0anaskipti, til a\u00f0 br\u00faa \u00feessa tvo heima.<\/span><\/span><\/p> Annar listama\u00f0ur sem heimsfrums\u00fdndi einr\u00e1sa verk \u00ed kvikmyndasal Akadem\u00edunnar er \u00fe\u00fdska tilraunakvikmyndager\u00f0akonan Clarissa Thieme, fyrrverandi a\u00f0sto\u00f0arpr\u00f3fessor vi\u00f0 Listah\u00e1sk\u00f3lann \u00ed Berlin og n\u00fdlega handhafi ranns\u00f3knarst\u00f6\u00f0u vi\u00f0 berl\u00ednsku ranns\u00f3knarmi\u00f0st\u00f6\u00f0ina fyrir \u00e6\u00f0ri ranns\u00f3knir \u00ed listum og v\u00edsindum ('BAS'). Myndin hennar '<\/span>Today Is 11th June 1993' <\/i><\/span>var \u00fer\u00f3u\u00f0 \u00ed ramma myndlistarranns\u00f3knarstyrks vi\u00f0 stofnunina sem Clarissa hefur fengi\u00f0 til a\u00f0 rannsaka myndbandsuppt\u00f6kur \u00far myndbandssafni Hamdija Kresevljakovic \u00ed<\/span> Sarajevo. <\/span><\/span><\/span><\/p> Myndin er fyrsta listr\u00e6na ni\u00f0ursta\u00f0an \u00far ranns\u00f3knarverkefninu en meira er \u00e1 lei\u00f0inni flj\u00f3tlega, gj\u00f6rningur og myndbandsinnsetning. Myndbandssafni\u00f0 samanstendur af uppt\u00f6kum sem teknar voru \u00e1 me\u00f0an \u00e1 fj\u00f6gurra \u00e1ra ums\u00e1tri um Sarajevo st\u00f3\u00f0 yfir, og var teki\u00f0 b\u00e6\u00f0i af <\/span>Kre\u0161evljakovic br\u00e6\u00f0rum og safna\u00f0 fr\u00e1 fr\u00e1 f\u00f3lki sem bj\u00f3 \u00ed borginni \u00e1 \u00feessum t\u00edma. \u00cd mynd Clarissu situr \u00fe\u00fd\u00f0andi \u00ed loku\u00f0um b\u00e1s fyrir framan v\u00f6rpun \u00e1 myndbandsuppt\u00f6ku \u00far safninu sem s\u00fdnir heimager\u00f0a v\u00edsindask\u00e1lds\u00f6gu \u00fear sem h\u00f3pur af ungu f\u00f3lki \u00edmyndar s\u00e9r a\u00f0 fl\u00fdja ums\u00e1tri\u00f0 me\u00f0 hj\u00e1lp t\u00edmav\u00e9lar. \u00deetta er einhvers konar framt\u00ed\u00f0ar\u00fat\u00f3p\u00edu \u00edmyndunarfantas\u00eda og \u00feess vegna frumlegt efni til a\u00f0 nota fyrir p\u00f3l\u00edt\u00edska og f\u00e9lagslega umr\u00e6\u00f0u. <\/span><\/span><\/p> \u00cd Spurningum&Sv\u00f6rum eftir s\u00fdninguna benti Clarissa \u00e1 a\u00f0 safni\u00f0 s\u00fdnir sj\u00f3narhorn sem er mj\u00f6g \u00f3l\u00edkt umfj\u00f6llun meginstraumsfj\u00f6lmi\u00f0la fr\u00e1 \u00feessum t\u00edma og geti \u00fea\u00f0 \u00fev\u00ed \u00fej\u00f3na\u00f0 sem einskonar gluggi aftur \u00ed \u00feennan t\u00edma. <\/span><\/span>Hvernig eigi a\u00f0 s\u00fdna og upplifa efni \u00far s\u00f6fnum er r\u00edkt svi\u00f0 til a\u00f0 gera tilraunir me\u00f0 og Clarissa gerir \u00feetta \u00e1 mj\u00f6g \u00e1hugaver\u00f0an h\u00e1tt me\u00f0 \u00fevi a\u00f0 b\u00faa til br\u00fa \u00e1 milli \u00fe\u00e1 og n\u00fa me\u00f0 \u00fev\u00ed a\u00f0 endurtaka \u00ed bergm\u00e1li fyrir\u00e1\u00e6tlanir hinna upprunalegu kvikmyndager\u00f0amanna. <\/span><\/span><\/p> Myndin, sem vir\u00f0ist \u00ed fyrstu vera einf\u00f6ld svi\u00f0setning \u00e1 efninu, er marglaga og kveikir \u00e1 hugrenningum og tengingum hj\u00e1 \u00e1horfandanum, ekki a\u00f0eins um hvernig ums\u00e1tri\u00f0 um Sarajevo var sett fram me\u00f0 almennum st\u00f6\u00f0lu\u00f0um h\u00e6tti \u00e1ri\u00f0 1993 og s\u00ed\u00f0ar, heldur einnig um hvernig ums\u00e1tur \u00ed samt\u00edmanum eru s\u00fdnd \u00ed meginstraumsfj\u00f6lmi\u00f0lum dagsins \u00ed dag. ''Forum Expanded er blendingsvettvangur \u00fear sem kvikmyndalist og myndlist m\u00e6tast. Og \u00fea\u00f0 l\u00fdsir mj\u00f6g m\u00ednu eigin starfi. \u00c1 mj\u00f6g \u00e1hugaver\u00f0an h\u00e1tt \u00fe\u00e1 er vettvangurinn listr\u00e6n tilraun \u00ed sj\u00e1lfu s\u00e9r sem spyr spurninga um merkingu kvikmyndalistar \u00ed samt\u00edmanum og hva\u00f0 h\u00fan g\u00e6ti or\u00f0i\u00f0. Spurningar vaknar ekki einungis vegna verkanna sem s\u00fdnd eru heldur einnig vegna \u00e1horfenda. \u00deetta er mj\u00f6g d\u00fdrm\u00e6tur hugsunartankur og ranns\u00f3knarstofa''<\/i>, svarar Clarissa \u00feegar \u00e9g spyr hana af hva\u00f0 \u00fea\u00f0 s\u00e9 sem gerir \u00fea\u00f0 mikilv\u00e6gt a\u00f0 s\u00fdna verki\u00f0 hennar \u00e1 h\u00e1t\u00ed\u00f0inni. ''M\u00e9r finnst \u00fea\u00f0 mj\u00f6g \u00e1hugavert a\u00f0 Forum \/ Forum Expanded s\u00e9 sta\u00f0sett sem flokkur \u00ed Kvikmyndah\u00e1t\u00ed\u00f0inni \u00ed Berl\u00edn, kvikmyndah\u00e1t\u00ed\u00f0 \u00ed A-flokki me\u00f0 svo marga a\u00f0ra flokka og me\u00f0 evr\u00f3pska kvikmyndamarka\u00f0inn \u00ed Martin Gropius Bau safninu sem er me\u00f0 \u00fe\u00fasundir mynda sem eru ekki einu sinni \u00e1 lista \u00ed s\u00fdningarskr\u00e1 h\u00e1t\u00ed\u00f0arinnar. \u00c1 vissan h\u00e1tt eru Forum Expanded og evr\u00f3pski kvikmyndamarka\u00f0urinn \u00e1 sitthvorum enda '\u00f6fganna'. Me\u00f0 mj\u00f6g mikilli einf\u00f6ldun m\u00e1 au\u00f0vita\u00f0 segja a\u00f0 \u00fear s\u00e9 a\u00f0 finna muninn \u00e1 milli myndlist og s\u00f6luv\u00e6nna kvikmynda. \u00c9g held a\u00f0 vi\u00f0 getum ekki liti\u00f0 framhj\u00e1 \u00feeirri sta\u00f0reynd a\u00f0 mismunandi dreifingar- og fj\u00e1rm\u00f6gnunarlei\u00f0ir hafa mikil \u00e1hrif \u00e1 verkin okkar. \u00c9g s\u00e9 \u00feetta ekki svona svart og hv\u00edtt.<\/i> \u00c9g hef til d\u00e6mis mikinn skilning \u00e1 dreifingu \u00ed kvikmyndaheiminum sem hefur \u00fea\u00f0 a\u00f0 markmi\u00f0i a\u00f0 eins margt f\u00f3lk og m\u00f6gulegt er sj\u00e1i verki\u00f0. \u00deetta er mj\u00f6g \u00f3l\u00edk \u00feeirri einkar\u00e9ttar n\u00e1lgun sem felst \u00ed a\u00f0 b\u00faa til a\u00f0eins fimm eint\u00f6k sem seld eru sem listaverk. \u00dea\u00f0 eru j\u00e1kv\u00e6\u00f0 og neikv\u00e6\u00f0 \u00e1hrif sem koma \u00far b\u00e1\u00f0um \u00feessum \u00e1ttum a\u00f0 m\u00ednu viti. M\u00e9r finnst gott a\u00f0 sko\u00f0a \u00feetta mj\u00f6g gaumg\u00e6filega. Oftast h\u00f6fum vi\u00f0 ekki algerlega frj\u00e1lst val hvernig vi\u00f0 framlei\u00f0um og sj\u00f3setjum verkin okkar. En au\u00f0vita\u00f0 sem myndlistarma\u00f0ur e\u00f0a kvikmyndager\u00f0ama\u00f0ur \u00fe\u00e1 \u00fearftu a\u00f0 \u00feekkja vel hinar \u00f3l\u00edku lei\u00f0ir til \u00feess a\u00f0 geta stefnt a\u00f0 \u00fev\u00ed sem er best fyrir verki\u00f0 sem \u00fe\u00fa ert a\u00f0 vinna a\u00f0 \u00e1 hverri stundu. Segjum a\u00f0 \u00fea\u00f0 s\u00e9u mj\u00f6g \u00f3l\u00edkir kvikmyndaheimar undir \u00feaki Kvikmyndah\u00e1t\u00ed\u00f0arinnar \u00ed Berl\u00edn. \u00cd t\u00edu daga \u00fe\u00e1 segir f\u00f3lk \u00fe\u00e9r a\u00f0 \u00fea\u00f0 geri kvikmyndir og \u00feau gera \u00fea\u00f0 l\u00edka \u00f6ll. En \u00feetta er eins og hittingur mismunandi vetrarbrauta. \u00dear sem \u00e9g n\u00fdt sko\u00f0anaskipta \u00ed fremstu r\u00f6\u00f0 og \u00fear sem \u00fe\u00fa finnur \u00ed s\u00e9rhverjum \u00feessara mismunandi kvikmyndaheimum f\u00f3lk sem sannarlega elskar kvikmyndir og myndlist og brennur fyrir \u00fev\u00ed sem \u00fea\u00f0 gerir, \u00fe\u00e1 n\u00fdt \u00e9g \u00feess mj\u00f6g a\u00f0 Forum \/ Forum Expanded s\u00e9 sta\u00f0sett innan Kvikmyndah\u00e1t\u00ed\u00f0arinnr \u00ed Berl\u00edn og finnst vettangurinn veita b\u00e6\u00f0i innbl\u00e1stur og koma st\u00f6\u00f0ugt \u00e1 \u00f3vart.''<\/i><\/span><\/span><\/p> Hulda R\u00f3s Gu\u00f0nad\u00f3ttir<\/em><\/p> A\u00f0almynd me\u00f0 grein: Fr\u00e1 innsetningunni \u2018A Mechanism Capable of Changing Itself\u2019. 2-r\u00e1sa video innsetning \u2018Third Part of the Third Measure\u2019 eftir The Otolith Group.<\/p> Lj\u00f3smyndir: me\u00f0 leyfi h\u00f6funds greinarinnar og listamanna.<\/p>","_et_gb_content_width":"","_jetpack_memberships_contains_paid_content":false,"footnotes":""},"categories":[11],"tags":[378,759],"class_list":["post-6287","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-umfjollun","tag-hulda-ros-gudnadottir","tag-myndlistarrannsokn-og-tilraun-vinnur-kvikmyndahatidina-i-berlin"],"yoast_head":"\n![\"\"](\"wp-content\/uploads\/2018\/03\/Forum-expanded-innsetning.jpg\")
Fr\u00e1 innsetningunni \u2018A Mechanism Capable of Changing Itself\u2019. Fr\u00e1 vinstri til h\u00e6gri: \u2018Strange Meetings\u2019 eftir Jane Jin Kaisen, \u2018Pink Slime Ceasar Shift\u2019 eftir Jen Liu og \u2018Caf\u00e9 Togo\u2019 eftir Musquiqui Chihying og Gregor Kasper.<\/strong><\/span><\/p>\n![\"\"](\"wp-content\/uploads\/2018\/03\/Thieme-still.jpg\")
Stilla \u00far \u2018Today Is 11th June 1993\u2019 eftir Clarissa Thieme.<\/strong><\/span><\/p>\n![\"\"](\"wp-content\/uploads\/2018\/03\/clarissa-Thieme.jpg\")
Kvikmyndager\u00f0ar og myndlistakonan Clarissa Thieme.<\/strong><\/span><\/p>\n![\"\"](\"wp-content\/uploads\/2018\/03\/Anouk-de-Clerq.jpg\")
Anouk de Clercq \u00e1samt kollegum s\u00ednum fyrir utan Akademie der K\u00fcnste.<\/strong><\/span><\/p>\n![\"\"](\"wp-content\/uploads\/2018\/03\/syningarstjorar.jpg\")
S\u00fdningarstj\u00f3rateymi Forum Expanded 2018. Fr\u00e1 vinstri til h\u00e6gri: framkv\u00e6mdastj\u00f3rinn Stefanie Schulte Strathaus, s\u00fdningarstj\u00f3rinn og me\u00f0-stofnandi\u00a0 \u2018Contemporary Image Collective\u2019 \u00ed Ka\u00edr\u00f3, Maha Maamoun, S\u00fdrlenski kvikmyndager\u00f0ar\/video-listama\u00f0urinn Khaled Abdulawahed og \u00fe\u00fdski tilraunakvikmynda s\u00fdningarstj\u00f3rinn Ulrich Ziemons.<\/strong><\/span><\/p>\n![\"\"](\"wp-content\/uploads\/2018\/03\/akademie-der-kunste.jpg\")
Akademie der K\u00fcnste \u2013 einn af st\u00f6\u00f0unum \u00fear sem Forum Expanded \u00e1 Berlinale Film Festival f\u00f3r fram.<\/strong><\/span><\/p>\n
\n![\"\"](\"http:\/\/artzine.is\/wp-content\/uploads\/2018\/03\/Forum-expanded-innsetning.jpg\")
Fr\u00e1 innsetningunni \u2018A Mechanism Capable of Changing Itself\u2019. Fr\u00e1 vinstri til h\u00e6gri: \u2018Strange Meetings\u2019 eftir Jane Jin Kaisen, \u2018Pink Slime Ceasar Shift\u2019 eftir Jen Liu og \u2018Caf\u00e9 Togo\u2019 eftir Musquiqui Chihying og Gregor Kasper<\/strong><\/p>![\"\"](\"http:\/\/artzine.is\/wp-content\/uploads\/2018\/03\/Thieme-still.jpg\")
Stilla \u00far \u2018Today Is 11th June 1993\u2019 eftir Clarissa Thieme.<\/strong><\/p>![\"\"](\"http:\/\/artzine.is\/wp-content\/uploads\/2018\/03\/clarissa-Thieme.jpg\")
Kvikmyndager\u00f0ar og myndlistakonan Clarissa Thieme.<\/strong><\/p>![\"\"](\"http:\/\/artzine.is\/wp-content\/uploads\/2018\/03\/Anouk-de-Clerq.jpg\")
Anouk de Clercq \u00e1samt kollegum s\u00ednum fyrir utan Akademie der K\u00fcnste.<\/strong><\/p>![\"\"](\"http:\/\/artzine.is\/wp-content\/uploads\/2018\/03\/syningarstjorar.jpg\")
S\u00fdningarstj\u00f3rateymi Forum Expanded 2018. Fr\u00e1 vinstri til h\u00e6gri: framkv\u00e6mdastj\u00f3rinn Stefanie Schulte Strathaus, s\u00fdningarstj\u00f3rinn og me\u00f0-stofnandi\u00a0 \u2018Contemporary Image Collective\u2019 \u00ed Ka\u00edr\u00f3, Maha Maamoun, S\u00fdrlenski kvikmyndager\u00f0ar\/video-listama\u00f0urinn Khaled Abdulawahed og \u00fe\u00fdski tilraunakvikmynda s\u00fdningarstj\u00f3rinn Ulrich Ziemons.<\/strong><\/p>![\"\"](\"http:\/\/artzine.is\/wp-content\/uploads\/2018\/03\/akademie-der-kunste.jpg\")
Akademie der K\u00fcnste \u2013 einn af st\u00f6\u00f0unum \u00fear sem Forum Expanded \u00e1 Berlinale Film Festival f\u00f3r fram.<\/strong><\/p>