{"id":6061,"date":"2018-02-27T15:32:34","date_gmt":"2018-02-27T15:32:34","guid":{"rendered":"http:\/\/artzine.is\/?p=6061"},"modified":"2021-02-10T15:48:36","modified_gmt":"2021-02-10T15:48:36","slug":"ad-gefa-i-skyn-en-segja-ekki-allt","status":"publish","type":"post","link":"https:\/\/artzine.is\/?p=6061","title":{"rendered":"A\u00f0 gefa \u00ed skyn en segja ekki allt"},"content":{"rendered":"

[et_pb_section fb_built=“1″ fullwidth=“on“ _builder_version=“3.22″][et_pb_fullwidth_image src=“https:\/\/artzine.is\/wp-content\/uploads\/2018\/02\/Katrin-EIKON-AwardExhibition2018.jpg“ _builder_version=“3.0.105″][\/et_pb_fullwidth_image][\/et_pb_section][et_pb_section fb_built=“1″ _builder_version=“3.22″][et_pb_row _builder_version=“3.25″ background_size=“initial“ background_position=“top_left“ background_repeat=“repeat“][et_pb_column type=“4_4″ _builder_version=“3.25″ custom_padding=“|||“ custom_padding__hover=“|||“][et_pb_post_title meta=“off“ date_format=“j.m. Y“ featured_image=“off“ _builder_version=“4.7.7″ title_font=“|300||on|||||“ title_text_align=“center“ title_font_size=“40px“ title_letter_spacing=“1px“ background_color=“rgba(255,255,255,0)“ parallax=“on“ parallax_method=“off“ max_width=“100%“ title_font_size_tablet=“30px“ title_font_size_phone=“26px“ title_font_size_last_edited=“on|phone“ parallax_effect=“on“ module_bg_color=“rgba(255,255,255,0)“ use_border_color=“off“ border_color=“#ffffff“ border_style=“solid“ saved_tabs=“all“ global_module=“3887″][\/et_pb_post_title][et_pb_text admin_label=“01Text“ _builder_version=“3.27.4″]<\/p>\n

Katr\u00edn Elvarsd\u00f3ttir lj\u00f3smyndari og myndlistarma\u00f0ur er f\u00e6dd \u00e1ri\u00f0 1964 \u00e1 \u00cdsafir\u00f0i. Katr\u00edn lauk BA gr\u00e1\u00f0u \u00ed fr\u00f6nsku vi\u00f0 H\u00e1sk\u00f3la \u00cdslands 1988. H\u00fan stunda\u00f0i n\u00e1m \u00ed lj\u00f3smyndun vi\u00f0 Brevard Community Collage \u00e1 \u00e1runum 1988-1990 og lauk BFA pr\u00f3fi fr\u00e1 Art Institute \u00ed Boston \u00e1ri\u00f0 1993. Katr\u00edn hefur haldi\u00f0 margar einkas\u00fdningar h\u00e9rlendis og erlendis og er ein af stofnendum F\u00cdSL, f\u00e9lags \u00edslenskra samt\u00edmalj\u00f3smyndara. N\u00fdveri\u00f0 hlaut Katr\u00edn EIKON Award (45+)<\/em> ver\u00f0launin. Ver\u00f0launin voru veitt \u00ed V\u00ednarborg og verndari ver\u00f0launanna er go\u00f0s\u00f6gnin og fem\u00ednistinn Valie Export.<\/strong><\/p>\n

Bla\u00f0ama\u00f0ur artzine k\u00edkti \u00ed heims\u00f3kn til Katr\u00ednar<\/strong> og spur\u00f0i hana \u00fat \u00ed myndlistina, EIKON<\/em><\/strong> ver\u00f0launin og st\u00f6\u00f0u konunnar \u00ed samt\u00edmalj\u00f3smyndun.<\/p>\n

Af hverju myndlist og hva\u00f0 var\u00f0 til \u00feess a\u00f0 lj\u00f3smyndin var\u00f0 \u00feinn mi\u00f0ill \u00ed myndlistinni?<\/strong><\/em><\/p>\n

\u00c9g var \u00ed H\u00e1sk\u00f3la \u00cdslands a\u00f0 l\u00e6ra fr\u00f6nsku og \u00fatskrifa\u00f0ist \u00fea\u00f0an \u00feegar \u00e9g var 23 \u00e1ra. \u00deann vetur f\u00f3r \u00e9g \u00e1 lj\u00f3smyndan\u00e1mskei\u00f0 \u00ed I\u00f0nsk\u00f3lanum \u00fear sem \u00feessi mikli \u00e1hugi \u00e1 lj\u00f3smyndun vakna\u00f0i. \u00c9g keypti m\u00e9r myndav\u00e9l og f\u00f3r a\u00f0 taka lj\u00f3smyndir \u00e1 sama t\u00edma og \u00e9g var a\u00f0 kl\u00e1ra BA ritger\u00f0ina \u00ed fr\u00f6nskunni. \u00c9g f\u00f3r s\u00ed\u00f0an til Fl\u00f3r\u00edda \u00ed hef\u00f0bundi\u00f0 lj\u00f3smyndan\u00e1m og \u00fatskrifast \u00fea\u00f0an \u00e1ri\u00f0 1990. \u00deetta var fr\u00e1b\u00e6rt n\u00e1m og \u00fear var lagt miki\u00f0 upp \u00far t\u00e6kni. Deildarstj\u00f3rinn var me\u00f0 meistaragr\u00e1\u00f0u \u00ed myndlist fr\u00e1 Art Institute \u00ed Chicago. Hann haf\u00f0i fram\u00farstefnulega s\u00fdn og vi\u00f0 nutum g\u00f3\u00f0s af \u00fev\u00ed. A\u00f0 \u00fev\u00ed loknu s\u00f3tti \u00e9g um \u00ed Art Institute of Boston \u00fear sem var l\u00f6g\u00f0 mikil \u00e1hersla \u00e1 myndlist. \u00c9g valdi lj\u00f3smyndun sem a\u00f0alfag en \u00e9g \u00feurfti a\u00f0 taka skyldu\u00e1fanga eins og m\u00f3delteikningu, v\u00edde\u00f3kvikmyndager\u00f0, lj\u00f3smyndafr\u00e6\u00f0i og mikla listas\u00f6gu sem m\u00e9r fannst mj\u00f6g skemmtileg.<\/p>\n

\u00deegar \u00e9g \u00fatskrifa\u00f0ist haf\u00f0i \u00e9g mikinn \u00e1huga \u00e1 t\u00edskulj\u00f3smyndun, en \u00fea\u00f0 var ekki vins\u00e6lt me\u00f0al helstu kennara minna. \u00deeim fannst \u00feetta yfirbor\u00f0skenndur heimur og voru alltaf a\u00f0 vara mig vi\u00f0 neikv\u00e6\u00f0u hli\u00f0unum. \u00c9g f\u00f3r til Par\u00edsar \u00ed eitt sumar og vann sem t\u00edskulj\u00f3smyndari.<\/p>\n

[\/et_pb_text][et_pb_image src=“https:\/\/artzine.is\/wp-content\/uploads\/2018\/02\/EIKONcover.jpg“ show_bottom_space=“off“ align_tablet=“center“ align_phone=““ align_last_edited=“on|desktop“ admin_label=“boston-Image“ _builder_version=“3.23″][\/et_pb_image][et_pb_text admin_label=“01mynda-txt“ _builder_version=“3.27.4″]EIKON t\u00edmariti\u00f0 me\u00f0 verkinu Horfi\u00f0 Sumar 3 \u00e1 fors\u00ed\u00f0unni.<\/strong>
\n[\/et_pb_text][et_pb_text admin_label=“02Text“ _builder_version=“3.27.4″]<\/p>\n

\u00c9g haf\u00f0i mikinn \u00e1huga \u00e1 t\u00edmaritum – listr\u00e6num t\u00edskut\u00edmaritum eins og Interview<\/em><\/strong> – og m\u00e9r fannst \u00feetta spennandi heimur. \u00cd myndlist er ma\u00f0ur svo miki\u00f0 einn en \u00ed t\u00edskulj\u00f3smyndun er ma\u00f0ur aldrei einn. \u00dear er teymisvinna sem getur veri\u00f0 mj\u00f6g gefandi og skemmtileg. \u00cd Boston \u00e1tta\u00f0i \u00e9g mig \u00fe\u00f3 flj\u00f3tt \u00e1 \u00fev\u00ed a\u00f0 a\u00f0 \u00feessi heimur sn\u00e9rist a\u00f0 miklu leyti um a\u00f0 selja, \u00ed sta\u00f0 \u00feess a\u00f0 sn\u00faast um sk\u00f6punina. F\u00f3lk gat veri\u00f0 mj\u00f6g d\u00f3nalegt og margar af fyrirs\u00e6tunum veikar af \u00e1tr\u00f6skun. \u00deessi heimur var a\u00f0 m\u00f6rgu leyti erfi\u00f0ur eins og b\u00fai\u00f0 var a\u00f0 segja m\u00e9r, en \u00e9g haf\u00f0i \u00e1huga \u00e1 a\u00f0 b\u00faa til minn eigin skapandi heim og f\u00f3r til Danmerkur \u00fear sem \u00e9g vann sem t\u00edskulj\u00f3smyndari \u00ed r\u00fam tv\u00f6 \u00e1r. \u00dea\u00f0 er s\u00ed\u00f0an flj\u00f3tlega eftir a\u00f0 \u00e9g flyt til New York \u00e1ri\u00f0 1999 a\u00f0 myndlistin tekur yfir. Ser\u00edan M\u00f3rar<\/em><\/strong> er unnin \u00e1 \u00feeim t\u00edma og \u00e9g s\u00fdndi \u00feau verk \u00e1 m\u00f6rgum st\u00f6\u00f0um \u00ed Bandar\u00edkjunum.<\/p>\n

\u00dea\u00f0 hafa veri\u00f0 gefin \u00fat m\u00f6rg b\u00f3kverk me\u00f0 lj\u00f3smyndum \u00fe\u00ednum \u00fear sem \u00fe\u00fa ert a\u00f0 vinna me\u00f0 \u00f6\u00f0rum listam\u00f6nnum. Eru b\u00f3kverkin mikilv\u00e6gur hluti af myndlistarferlinu?<\/strong><\/em><\/p>\n

S\u00fdning er eitt og b\u00f3kverk anna\u00f0. \u00dea\u00f0 er gaman a\u00f0 vinna me\u00f0 graf\u00edskum h\u00f6nnu\u00f0um vi\u00f0 ger\u00f0 b\u00f3kverka, vinna vi\u00f0 a\u00f0 velja \u00far og ra\u00f0a saman, og \u00fea\u00f0 er \u00ed raun tenging vi\u00f0 t\u00edmarita\u00e1hugann. \u00dea\u00f0 er au\u00f0velt a\u00f0 fer\u00f0ast me\u00f0 b\u00e6kur og senda \u00fe\u00e6r \u00fat \u00ed heim. \u00deetta er falleg og skemmtileg lei\u00f0 til a\u00f0 koma lj\u00f3smyndunum \u00e1 framf\u00e6ri. \u00c9g hef veri\u00f0 heppin me\u00f0 dreifingara\u00f0ila.<\/p>\n

[\/et_pb_text][et_pb_image src=“https:\/\/artzine.is\/wp-content\/uploads\/2018\/02\/KAtrinElvarsBooks.jpg“ show_bottom_space=“off“ align_tablet=“center“ align_phone=““ align_last_edited=“on|desktop“ admin_label=“Crymo-Image“ _builder_version=“3.23″][\/et_pb_image][et_pb_text admin_label=“02mynda-txt“ _builder_version=“3.27.4″]\u00derj\u00e1r b\u00e6kur Katr\u00ednar sem Crymogea hefur gefi\u00f0 \u00fat.<\/strong><\/span>
\n[\/et_pb_text][et_pb_text admin_label=“03Text“ _builder_version=“3.27.4″]<\/p>\n

Crymogea<\/em><\/strong> \u00fatg\u00e1fa hefur fengi\u00f0 al\u00fej\u00f3\u00f0lega dreifingu og \u00ferj\u00e1r b\u00e6kur, Equivocal<\/strong>,<\/em> Double Happiness<\/em><\/strong> og Vanished Summer<\/em><\/strong>, eru gefnar \u00fat af \u00feeim. \u00c9g er me\u00f0 enska titla \u00e1 \u00f6llum verkunum og \u00fea\u00f0 er me\u00f0vita\u00f0 til \u00feess a\u00f0 n\u00e1 til brei\u00f0ari h\u00f3ps. B\u00e6kurnar eru seldar og s\u00fdndar \u00fat um allan heim.<\/p>\n

Hva\u00f0 er \u00fea\u00f0 sem rekur \u00feig \u00e1fram \u00ed listsk\u00f6puninni?<\/strong><\/em><\/p>\n

\u00dea\u00f0 er \u00fe\u00f6rfin fyrir a\u00f0 segja s\u00f6gu og f\u00e1 f\u00f3lk til a\u00f0 \u00edmynda s\u00e9r hva\u00f0 s\u00e9 veri\u00f0 a\u00f0 fjalla um. \u00c9g gef eitthva\u00f0 \u00ed skyn en segi ekki allt. \u00c1horfandinn getur s\u00ed\u00f0an fyllt \u00ed ey\u00f0urnar og b\u00fai\u00f0 til s\u00edna eigin s\u00f6gu. \u00c9g hef a\u00f0allega veri\u00f0 fyrir \u00e1hrifum fr\u00e1 kvikmyndum og b\u00f3kmenntum. Leikstj\u00f3rinn David Lynch<\/strong> hefur haft mikil \u00e1hrif \u00e1 mig, alveg s\u00ed\u00f0an \u00e9g s\u00e1 fyrstu myndina hans Eraserhead<\/strong>.<\/em> \u00deau \u00e1hrif eru s\u00fdnileg \u00ed myndar\u00f6\u00f0inni M\u00f3rar<\/em> og fleiri verkum eftir mig. B\u00f3k Gyr\u00f0is El\u00edassonar Sand\u00e1rb\u00f3k<\/em><\/strong> haf\u00f0i \u00e1hrif \u00e1 ser\u00eduna Horfi\u00f0 sumar<\/em><\/strong> og titillinn kemur \u00far sm\u00e1s\u00f6gu eftir hann. B\u00f3kin segir fr\u00e1 fr\u00e1skildum m\u00e1lara sem sest a\u00f0 \u00ed hj\u00f3lh\u00fdsabygg\u00f0 og hyggst einbeita s\u00e9r a\u00f0 \u00fev\u00ed a\u00f0 m\u00e1la tr\u00e9.<\/p>\n

[\/et_pb_text][et_pb_image src=“https:\/\/artzine.is\/wp-content\/uploads\/2018\/02\/Mynd5.VanishedSummer10.jpg“ show_bottom_space=“off“ align_tablet=“center“ align_phone=““ align_last_edited=“on|desktop“ admin_label=“Horfi\u00f0 sumar 10-Image“ _builder_version=“3.23″][\/et_pb_image][et_pb_text admin_label=“03mynda-txt“ _builder_version=“3.27.4″]Horfi\u00f0 Sumar 10.<\/strong><\/span>
\n[\/et_pb_text][et_pb_text admin_label=“04Text“ _builder_version=“3.27.4″]<\/p>\n

\u00c9g var byrju\u00f0 a\u00f0 taka myndir \u00e1 hj\u00f3lh\u00fdsasv\u00e6\u00f0um \u00e1\u00f0ur en \u00e9g las b\u00f3kina, en h\u00e9lt \u00e1fram a\u00f0 mynda hj\u00f3lh\u00fdsi eftir \u00fea\u00f0. Harpa \u00c1rnad\u00f3ttir<\/strong> myndlistama\u00f0ur kom \u00ed heims\u00f3kn \u00e1 vinnustofuna m\u00edna stuttu s\u00ed\u00f0ar og vi\u00f0 f\u00f3rum a\u00f0 r\u00e6\u00f0a um verkin og b\u00f3kina hans Gyr\u00f0is. Harpa f\u00e9kk hugmyndina a\u00f0 s\u00fdningunni. \u00c9g kraf\u00f0ist \u00feess a\u00f0 h\u00fan yr\u00f0i s\u00fdningarstj\u00f3ri, h\u00fan var treg til \u00ed byrjun en f\u00e9llst \u00e1 a\u00f0 lokum. Vi\u00f0 unnum \u00feetta saman og \u00far var s\u00fdningin Horfi\u00f0 sumar<\/em> \u00ed AS\u00cd \u00e1ri\u00f0 2013.<\/p>\n

N\u00fa hafa \u00fdmsir fr\u00e6\u00f0imenn og h\u00f6fundar tj\u00e1\u00f0 sig um lj\u00f3smyndina og sannleiksgildi hennar. Hva\u00f0 finnst \u00fe\u00e9r um sannleiksgildi lj\u00f3smynda? Er lj\u00f3smyndin sannari eftirmynd af raunveruleikanum en til d\u00e6mis m\u00e1lverki\u00f0 eins og Susan Sontag vildi meina?<\/strong><\/em><\/p>\n

\u00dea\u00f0 eru \u00feessi einst\u00f6ku augnablik sem ma\u00f0ur n\u00e6r me\u00f0 lj\u00f3smyndinni og oft er \u00fea\u00f0 eitthva\u00f0 sem ekki er h\u00e6gt a\u00f0 endurtaka. Lj\u00f3smyndin \u00ed m\u00ednu tilviki er raunveruleikinn. \u00deetta er raunverulegur heimur \u00fev\u00ed \u00e9g b\u00fd aldrei neitt til \u00ed st\u00fad\u00ed\u00f3i. \u00c9g t\u00falka \u00fea\u00f0 sem er til og b\u00fd til \u00e1kve\u00f0inn heim me\u00f0 vali \u00e1 sj\u00f3narhorni, l\u00fdsingu og myndbyggingu. \u00c9g leita a\u00f0 hlutum sem tengjast \u00e1kve\u00f0inni nostalg\u00edu, eitthva\u00f0 sem \u00e9g tengi vi\u00f0 \u00far minni bernsku e\u00f0a t\u00edmatengdum atbur\u00f0um. Oftast er f\u00f3lk a\u00f0 taka myndir af \u00fev\u00ed sem er til, og \u00e9g geri \u00fea\u00f0, en \u00e9g er samt a\u00f0 opna \u00e1 einhverja t\u00falkun e\u00f0a a\u00f0ra m\u00f6guleika, n\u00fdja s\u00f6gu e\u00f0a annan raunveruleika.<\/p>\n

Tj\u00f6ld af \u00fdmsu tagi koma gjarnan fyrir \u00ed verkum \u00fe\u00ednum; gluggatj\u00f6ld og leiktj\u00f6ld. Hva\u00f0 standa tj\u00f6ldin fyrir?<\/strong><\/em><\/p>\n

Tj\u00f6ldin v\u00edsa \u00ed svo margt. Eins og til d\u00e6mis \u00feegar ma\u00f0ur stendur fyrir framan tjaldi\u00f0 og \u00edmyndar s\u00e9r hva\u00f0 leynist \u00fear \u00e1 bakvi\u00f0. Svo er \u00fea\u00f0 fagurfr\u00e6\u00f0in. Rau\u00f0i liturinn. Tj\u00f6ldin eru l\u00edka tilv\u00edsun \u00ed leikh\u00fasi\u00f0 og leikh\u00fastj\u00f6ld. Svo fann \u00e9g \u00feessi gulu tj\u00f6ld \u00e1 \u00cdtal\u00edu sem eru miki\u00f0 \u00ed Equivocal<\/em> ser\u00edunni. S\u00f3lin sk\u00edn \u00ed gegnum \u00feessi gulu tj\u00f6ld. Hva\u00f0 er fyrir innan og hva\u00f0 er fyrir utan? \u00deetta eru tveir heimar, tj\u00f6ldin eru eins og skil \u00e1 milli tveggja heima.<\/p>\n

[\/et_pb_text][et_pb_image src=“https:\/\/artzine.is\/wp-content\/uploads\/2018\/02\/Red-TheaterCurtains.jpg“ show_bottom_space=“off“ align_tablet=“center“ align_phone=““ align_last_edited=“on|desktop“ admin_label=“Rau\u00f0 tjold-Image“ _builder_version=“3.23″][\/et_pb_image][et_pb_text admin_label=“04mynda-txt“ _builder_version=“3.27.4″]Rau\u00f0 Leikh\u00fastj\u00f6ld fr\u00e1 myndar\u00f6\u00f0inni Equivocal.<\/strong><\/span>
\n[\/et_pb_text][et_pb_text admin_label=“05Text“ _builder_version=“3.27.4″]\u00de\u00fa hlaust \u00e1 d\u00f6gunum afar \u00e1hugaver\u00f0a vi\u00f0urkenningu; EIKON ver\u00f0launin fyrir kvenlistamenn sem komnar eru yfir 45 \u00e1ra aldurinn. Valie Export er verndari verkefnisins. Seg\u00f0u okkur a\u00f0eins fr\u00e1 \u00feessum ver\u00f0launum.<\/strong><\/em><\/p>\n

\u00c9g s\u00e1 ver\u00f0launin augl\u00fdst og \u00feekkti til t\u00edmaritsins. EIKON<\/em><\/strong> t\u00edmariti\u00f0 er mj\u00f6g vanda\u00f0 austur\u00edskt t\u00edmarit sem er gefi\u00f0 \u00fat \u00e1 ensku og \u00fe\u00fdsku. \u00dea\u00f0 sem m\u00e9r fannst \u00e1hugavert var a\u00f0 \u00feessi ver\u00f0laun eru ekki fyrir ungar og upprennandi listakonur heldur fyrir evr\u00f3pskar konur sem eru or\u00f0nar 45 \u00e1ra og sem eru a\u00f0 vinna me\u00f0 lj\u00f3smyndina sem mi\u00f0il e\u00f0a \u00ed n\u00fdmi\u00f0lum (e. New Media).<\/p>\n

\u00derj\u00e1r konur hlutu ver\u00f0launin, Gabriele Rothemann<\/strong>, Susan MacWilliam<\/strong> og \u00e9g. Ver\u00f0launaafhendingin var \u00ed V\u00ednarborg \u00ed n\u00f3vember og gefi\u00f0 var \u00fat t\u00edmarit \u00e1 ensku og \u00fe\u00fdsku \u00fear sem birtar voru myndir og texti um hverja okkar. Listfr\u00e6\u00f0ingurinn Lucas German<\/strong> og s\u00fdningarstj\u00f3ri hj\u00e1 Kunshalle \u00ed V\u00ednarborg skrifa\u00f0i textann sem birtist me\u00f0 m\u00ednum verkum \u00ed t\u00edmaritinu. Myndin \u00e1 fors\u00ed\u00f0unni er \u00far ser\u00edunni Horfi\u00f0 sumar<\/em> og er tekin \u00e1 hj\u00f3lh\u00fdsasv\u00e6\u00f0i \u00fear sem einhver haf\u00f0i \u00e1kve\u00f0i\u00f0 a\u00f0 b\u00faa til tj\u00f6rn \u00far sv\u00f6rtu plasti, me\u00f0 vatni \u00ed og svartri plast\u00f6nd. Fors\u00ed\u00f0umyndin er kannski ekki l\u00fdsandi fyrir \u00fea\u00f0 sem \u00e9g hef veri\u00f0 a\u00f0 gera, og \u00fe\u00f3, \u00e9g er a\u00f0 fjalla um hvernig ma\u00f0urinn upplifir n\u00e1tt\u00faruna og hvernig \u00feetta mannger\u00f0a blandast vi\u00f0 n\u00e1tt\u00faruna.<\/p>\n

[\/et_pb_text][et_pb_image src=“https:\/\/artzine.is\/wp-content\/uploads\/2018\/02\/EIKON.KUSTLERHAUS.jpg“ show_bottom_space=“off“ align_tablet=“center“ align_phone=““ align_last_edited=“on|desktop“ admin_label=“Kuntler-Image“ _builder_version=“3.23″][\/et_pb_image][et_pb_text admin_label=“05mynda-txt“ _builder_version=“3.27.4″]S\u00fdningin EIKON Award \u00ed Kunstlerhaus V\u00ednarborg.<\/strong><\/span>
\n[\/et_pb_text][et_pb_text admin_label=“06Text“ _builder_version=“3.27.4″]<\/p>\n

N\u00fa \u00ed febr\u00faar var opnu\u00f0 st\u00f3r s\u00fdning \u00ed Kustlerhaus 1050 \u00ed V\u00ednarborg me\u00f0 verkum okkar sem hlutu EIKON<\/em> ver\u00f0launin. \u00dear s\u00fdni \u00e9g verk \u00far myndar\u00f6\u00f0unum Vanished Summer<\/em> og Equivocal<\/em>, \u00e1samt n\u00fdrra verki sem \u00e9g kalla Solar Eclipse Shadow<\/em> sem er varpa\u00f0 \u00e1 vegg \u00ed dimmum sal. Vi\u00f0 \u00fea\u00f0 a\u00f0 varpa verkinu myndast \u00f6\u00f0ruv\u00edsi stemmning en ef lj\u00f3smyndirnar v\u00e6ru birtar \u00ed ramma \u00ed hef\u00f0bundnu r\u00fdmi.<\/p>\n

Tekur \u00fe\u00fa myndir \u00fe\u00ednar \u00e1 filmu e\u00f0a stafr\u00e6nt?<\/strong><\/em><\/p>\n

\u00c9g vinn eins og filmulj\u00f3smyndari \u00fev\u00ed \u00e9g l\u00e6r\u00f0i \u00e1 filmu og kann \u00fe\u00e1 t\u00e6kni. \u00c9g skipti yfir \u00ed stafr\u00e6na t\u00e6kni \u00feegar \u00e9g byrja\u00f0i \u00e1 b\u00f3kinni Equivocal<\/em> \u00e1ri\u00f0 2007. \u00c9g hugsa samt eins og \u00feegar unni\u00f0 er me\u00f0 filmu \u00fe\u00f3 \u00e9g s\u00e9 a\u00f0 vinna stafr\u00e6nt. \u00c9g tek f\u00e1ar myndir og \u00e9g legg miki\u00f0 upp \u00far \u00fev\u00ed a\u00f0 velja hvern ramma vel \u00fev\u00ed \u00e9g vil ekki \u00feurfa a\u00f0 velja \u00far of m\u00f6rgum r\u00f6mmum eftir a\u00f0 myndat\u00f6ku l\u00edkur.<\/p>\n

\u00de\u00fa varst s\u00fdningarh\u00f6fundur s\u00fdningarinnar Betur sj\u00e1 augu \u2013 Lj\u00f3smyndun \u00edslenskra kvenna 1872-2013 sem opnu\u00f0 var \u00ed \u00dej\u00f3\u00f0minjasafninu og Lj\u00f3smyndasafninu \u00e1ri\u00f0 2014. \u00c1 s\u00fdningunni voru til s\u00fdnis lj\u00f3smyndaverk kvenna fr\u00e1 \u00e1rinu 1872 til \u00e1rsins 2013 og var afrakstur tveggja \u00e1ra ranns\u00f3knarvinnu \u00feinnar. Hva\u00f0 var\u00f0 til \u00feess a\u00f0 \u00fe\u00fa f\u00f3rst \u00ed \u00feessa ranns\u00f3knarvinnu og hva\u00f0 kom \u00fe\u00e9r mest \u00e1 \u00f3vart vi\u00f0 ger\u00f0 s\u00fdningarinnar? <\/strong><\/em><\/p>\n

\u00deetta byrja\u00f0i \u00feannig a\u00f0 \u00e9g f\u00f3r til \u00dej\u00f3\u00f0minjasafnsins me\u00f0 hugmynd a\u00f0 s\u00fdningu. \u00de\u00e1 var \u00c1g\u00fasta Krist\u00f3fersd\u00f3ttir<\/strong> s\u00fdningarstj\u00f3ri \u00fear. Mig langa\u00f0i a\u00f0 setja upp s\u00fdningu me\u00f0 samt\u00edmalj\u00f3smyndum kvenna. Fram a\u00f0 \u00fev\u00ed haf\u00f0i ekki veri\u00f0 miki\u00f0 um s\u00fdningar sem endurspeglu\u00f0u verk kvenna. \u00c1g\u00fastu leist vel \u00e1 hugmyndina en fannst a\u00f0 setja m\u00e6tti hana \u00ed st\u00e6rra samhengi, sko\u00f0a safneignina og lj\u00f3smyndas\u00f6gu kvenna aftur \u00ed t\u00edmann. \u00dea\u00f0 var\u00f0 til \u00feess a\u00f0 vi\u00f0 f\u00f3rum \u00ed samstarf vi\u00f0 Lj\u00f3smyndasafn Reykjav\u00edkur. Inga L\u00e1ra<\/strong> deildarstj\u00f3ri Lj\u00f3smyndasafnsins skrifa\u00f0i \u00f6llum s\u00f6fnum landsins og spur\u00f0i hva\u00f0 \u00feau \u00e6ttu af lj\u00f3smyndaverkum eftir konur.<\/p>\n

Vi\u00f0 f\u00f3rum s\u00ed\u00f0an og sko\u00f0u\u00f0um \u00feau myndas\u00f6fn sem fundust. \u00c9g sko\u00f0a\u00f0i skr\u00e1r yfir allar s\u00fdningar sem settar hafa veri\u00f0 upp fr\u00e1 1970, og einnig hva\u00f0a konur h\u00f6f\u00f0u haldi\u00f0 \u00e1fram a\u00f0 vinna vi\u00f0 lj\u00f3smyndami\u00f0illinn eftir Listah\u00e1t\u00ed\u00f0 kvenna sem haldin var \u00e1ri\u00f0 1985. \u00de\u00e6r sem h\u00f6f\u00f0u l\u00e1ti\u00f0 mest a\u00f0 s\u00e9r kve\u00f0a endu\u00f0u \u00e1 s\u00fdningunni. \u00derj\u00fa megin vi\u00f0fangsefni voru mest \u00e1berandi \u00ed verkum kvennanna; Landslag og n\u00e1tt\u00fara<\/em>, Portrettmyndir<\/em> og Heimili og fj\u00f6lskyldan<\/em>, og \u00feau ur\u00f0u \u00e1berandi \u00e1 s\u00fdningunni. \u00deegar n\u00e6r kom okkar samt\u00edma valdi \u00e9g konur sem h\u00f6f\u00f0u veri\u00f0 virkar og p\u00f6ssu\u00f0u vi\u00f0 \u00feessi \u00ferj\u00fa vi\u00f0fangsefni sem \u00e9g valdi a\u00f0 s\u00fdna. \u00dea\u00f0 sem kom m\u00e9r mest \u00e1 \u00f3vart \u00ed \u00feessu verkefni var a\u00f0 finna marga d\u00fdrgripi sem enginn haf\u00f0i s\u00e9\u00f0.<\/p>\n

[\/et_pb_text][et_pb_image src=“https:\/\/artzine.is\/wp-content\/uploads\/2018\/02\/Kvennasyning-plakat.jpg“ show_bottom_space=“off“ align=“center“ align_tablet=“center“ align_phone=““ align_last_edited=“on|desktop“ admin_label=“plakat-Image“ _builder_version=“3.23″][\/et_pb_image][et_pb_text admin_label=“06mynda-txt“ _builder_version=“3.27.4″]Bo\u00f0skort hanna\u00f0 af \u00c1rmanni Agnarsyni.<\/strong><\/span>
\n[\/et_pb_text][et_pb_text _builder_version=“3.27.4″]<\/p>\n

\u00c9g f\u00e9kk frj\u00e1lsar hendur vi\u00f0 val \u00e1 verkum og \u00e9g stend me\u00f0 \u00fev\u00ed vali, sem var fagurfr\u00e6\u00f0ilegt, s\u00f6gulegt og pers\u00f3nulegt. \u00deeir voru margir sem h\u00f6f\u00f0u sko\u00f0anir \u00e1 \u00feessu vali – sumar \u00f6ndver\u00f0ar m\u00ednum – en au\u00f0vita\u00f0 er ekki h\u00e6gt a\u00f0 gera \u00f6llum til h\u00e6fis. \u00c9g valdi konur eins og Nicoline Weywadt<\/strong>, sem var fyrsta konan sem kom heim fr\u00e1 n\u00e1mi \u00ed Kaupmannah\u00f6fn og starfa\u00f0i \u00e1 eigin stofu \u00e1 Dj\u00fapavogi fr\u00e1 1872, og au\u00f0vita\u00f0 \u00fe\u00e6r konur sem h\u00f6f\u00f0u veri\u00f0 starfandi lengst \u00e1 t\u00edmabilunu 1870-1930. Katr\u00edn Norgaard Vigf\u00fasson<\/strong> s\u00fdndi landslagsmyndir \u00e1 vors\u00fdningunni \u00ed Charlottenborg 1939. Gagnr\u00fdnendur h\u00e9r heima voru mj\u00f6g neikv\u00e6\u00f0ir \u00ed umfj\u00f6llun sinni \u00e1 \u00feeim verkum, sem var\u00f0 til \u00feess a\u00f0 h\u00fan s\u00fdndi \u00feau aldrei h\u00e9r heima. \u00deetta var karlaheimur og \u00feeim fannst f\u00e1ranlegt a\u00f0 kona v\u00e6ri a\u00f0 s\u00fdna \u00e1 svona virtri s\u00fdningu \u00ed Danm\u00f6rku. Lil\u00fd Tryggvad\u00f3ttir<\/strong> var ein \u00feeirra sem var me\u00f0 fr\u00e1b\u00e6rar myndir en geymdi \u00fe\u00e6r ofan \u00ed sk\u00faffu og s\u00fdndi aldrei. Mig langa\u00f0i a\u00f0 draga verk \u00feessara kvenna fram \u00ed dagslj\u00f3si\u00f0. Karlkynslj\u00f3smyndarar hiku\u00f0u ekki vi\u00f0 a\u00f0 kaupa s\u00e9r n\u00fdja linsu og fara upp \u00e1 fj\u00f6ll og mynda. Konurnar hugsu\u00f0u ekki \u00feannig e\u00f0a leyf\u00f0u s\u00e9r \u00fea\u00f0 ekki, \u00fe\u00e6r s\u00e1u um heimili\u00f0. R\u00f6dd \u00feeirra sem vildu komast a\u00f0 \u00ed lj\u00f3smyndun heyr\u00f0ist ekki \u00ed \u00feessu karlaveldi. Vald\u00eds \u00d3skarsd\u00f3ttir<\/strong> tala\u00f0i einmitt um \u00feetta \u00feegar h\u00fan var \u00ed Vestmannaeyjum a\u00f0 mynda gosi\u00f0. Allir karlkynslj\u00f3smyndar voru farnir og Vald\u00eds n\u00e1\u00f0i myndinni sem rata\u00f0i \u00e1 fors\u00ed\u00f0ur bla\u00f0anna. Karlkynskollegar hennar voru alls ekki \u00e1n\u00e6g\u00f0ir me\u00f0 \u201estelpuna\u201c sem var a\u00f0 trana s\u00e9r \u00fearna fram. Vald\u00eds lag\u00f0i sig virkilega fram, h\u00fan var frumleg og haf\u00f0i miki\u00f0 fram a\u00f0 f\u00e6ra sem lj\u00f3smyndari, skrifa\u00f0i texta og var mj\u00f6g p\u00f3l\u00edt\u00edsk en \u00e1tti ekki upp \u00e1 pallbor\u00f0i\u00f0 \u00e1 \u00feessum t\u00edma vegna kynjamisr\u00e9ttis.<\/p>\n

Hvernig finnst \u00fe\u00e9r sta\u00f0a konunnar vera \u00ed heimi samt\u00edmalj\u00f3smyndara?<\/strong><\/em><\/p>\n

\u00c9g hef pers\u00f3nulega aldrei upplifa\u00f0 \u00f3jafnr\u00e9tti innan geirans og m\u00e9r finnst \u00e9g ekki hafa fari\u00f0 \u00e1 mis vi\u00f0 t\u00e6kif\u00e6ri vegna \u00feess a\u00f0 \u00e9g er kona. \u00c9g held a\u00f0 \u00e9g hafi sloppi\u00f0 frekar vel. Au\u00f0vita\u00f0 er \u00feetta karlaheimur, sem endurspeglast til a\u00f0 mynda \u00ed t\u00edskuheiminum og \u00ed \u00fej\u00f3\u00f0f\u00e9laginu \u00f6llu, en \u00e9g hef aldrei upplifa\u00f0 \u00fea\u00f0 \u00e1 eigin skinni. M\u00e9r finnst samt sem \u00e1\u00f0ur sta\u00f0a konunnar innan myndlistar og samt\u00edmalj\u00f3smyndunar alls ekki vera g\u00f3\u00f0, ef liti\u00f0 er til s\u00fdningarinnar \u00ed \u00dej\u00f3\u00f0minjasafninu og \u00fat \u00ed hinn st\u00f3ra heim. \u00dea\u00f0 er greinilegt \u00e1 \u00feessum st\u00f3ru kvennas\u00fdningum sem hafa veri\u00f0 haldnar \u00e1 s\u00f6fnum um allar heim, eins og \u00ed Mus\u00e9e d’Orsay safninu, MOMA og v\u00ed\u00f0ar, a\u00f0 \u00fea\u00f0 hefur veri\u00f0 erfitt fyrir konur \u00ed \u00feessum geira eins og annars sta\u00f0ar. \u00dea\u00f0 sem hefur hj\u00e1lpa\u00f0 m\u00e9r og drifi\u00f0 mig \u00e1fram er a\u00f0 \u00e9g hef alltaf haft sterkar kvenfyrirmyndir eins og Louise Bourgeois<\/strong>, Frida Kahlo<\/strong>, Kiki Smith<\/strong>, Pipilotte Rist<\/strong> og Georgia O\u00b4Keeffe<\/strong>. \u00c9g hef leita\u00f0 \u00ed \u00feessar fyrirmyndir og \u00fe\u00e6r hafa leitt mig \u00e1fram.<\/p>\n

Hvort viltu l\u00e1ta kalla \u00feig lj\u00f3smyndara e\u00f0a myndlistarmann sem vinnur me\u00f0 lj\u00f3smyndina sem mi\u00f0il?<\/strong><\/em><\/p>\n

\u00c9g held \u00ed \u00feennan titil, \u201elj\u00f3smyndari“ vegna \u00feess a\u00f0 \u00feegar \u00e9g kom heim fr\u00e1 Bandar\u00edkjunum \u00fe\u00e1 h\u00e9lt f\u00f3lk a\u00f0 \u00e9g v\u00e6ri fj\u00f6lskyldulj\u00f3smyndari e\u00f0a st\u00fad\u00ed\u00f3lj\u00f3smyndari. \u00deegar ma\u00f0ur segist vera lj\u00f3smyndari \u00ed Bandar\u00edkjunum \u00fe\u00e1 hugsa menn oftast um \u00fea\u00f0 \u00fat fr\u00e1 listr\u00e6num \u00e1herslum. \u00dear er \u00feetta flokka\u00f0 \u00ed annars vegar listr\u00e6na lj\u00f3smyndun (e. Fine Art photography) og hins vegar augl\u00fdsingalj\u00f3smyndun (e. Commercial photography). Lj\u00f3smyndin er mj\u00f6g mikilv\u00e6gur mi\u00f0ill \u00ed n\u00fat\u00edmasamf\u00e9lagi \u00f3ha\u00f0 \u00fev\u00ed hvort h\u00fan er fr\u00e9ttalj\u00f3smynd, myndlistarmi\u00f0ill e\u00f0a anna\u00f0. \u00c9g vil a\u00f0 lj\u00f3smyndarar sem vinna \u00ed myndlistarheiminum geti kalla\u00f0 sig lj\u00f3smyndara alveg eins og a\u00f0rir kalla sig m\u00e1lara. \u00deessi skilgreiningarumr\u00e6\u00f0a er reyndar mj\u00f6g \u00edslensk og \u00e9g upplifi \u00feetta ekki erlendis. Vi\u00f0 vorum \u00ferj\u00e1r sem hlutu EIKON<\/em> ver\u00f0launin og \u00fear er \u00e9g eini \u201elj\u00f3smyndarinn“ – og \u00e9g er stolt af \u00fev\u00ed.<\/p>\n

Hva\u00f0 er \u00e1 d\u00f6finni hj\u00e1 \u00fe\u00e9r \u00e1 n\u00e6stunni? <\/strong><\/em><\/p>\n

\u00c9g hef s\u00fdnt miki\u00f0 erlendis undanfarin \u00e1r og \u00e1 d\u00f6finni eru fleiri s\u00fdningar \u00e1 erlendri grundu. \u00c9g ver\u00f0 me\u00f0 myndar\u00f6\u00f0ina Vanished Summer<\/em><\/strong> \u00e1 s\u00fdningunni Nature as playground<\/em><\/strong> \u00ed Lj\u00f3smyndasafninu \u00ed Seoul \u00ed K\u00f3reu \u00ed sumar og me\u00f0 n\u00fd verk \u00e1 Cyclone 3<\/em> \u00ed Forum Box sem er st\u00f3rt listamannareki\u00f0 r\u00fdmi \u00ed Helsinki, og svo er \u00fea\u00f0 EIKON<\/strong> s\u00fdningin \u00ed V\u00ednarborg og s\u00fdning \u00ed „FLUSS“ Schloss<\/strong> \u00ed Wolkersdorf me\u00f0 austurr\u00edskum konseptlistam\u00f6nnum \u00ed mars.<\/p>\n

\u00c9g er l\u00edka a\u00f0 s\u00fdningarst\u00fdra, \u00e1samt \u00fev\u00ed a\u00f0 kenna \u00ed Myndlistask\u00f3lanum og Lj\u00f3smyndask\u00f3lanum. \u00dea\u00f0 er gaman a\u00f0 geta blanda\u00f0 allri \u00feessari vinnu saman. \u00c9g f\u00e9kk listamannalaun \u00e1 s\u00ed\u00f0asta \u00e1ri, sem var fr\u00e1b\u00e6rt. Listamannalaunin n\u00fdtast mj\u00f6g vel og gera manni kleift a\u00f0 vinna \u00e1n \u00feess a\u00f0 vera a\u00f0 hugsa um hva\u00f0an tekjurnar koma. Starf myndlistarmannsins getur veri\u00f0 einmanalegt og \u00fea\u00f0 hentar m\u00e9r a\u00f0 vinna vi\u00f0 anna\u00f0 \u00ed bland vi\u00f0 eigin sk\u00f6pun, eins og kennslu, s\u00fdningarstj\u00f3rn og \u00f6nnur verkefni.<\/p>\n

Vi\u00f0 l\u00e1tum \u00feetta vera lokaor\u00f0in. artzine \u00feakkar Katr\u00ednu Elvarsd\u00f3ttur fyrir spjalli\u00f0 og \u00f3skar henni g\u00f3\u00f0s gengis.<\/p>\n

\u00a0\u00c1str\u00ed\u00f0ur Magn\u00fasd\u00f3ttir<\/em><\/p>\n

\n

A\u00f0almynd me\u00f0 grein var tekin vi\u00f0\u00a0opnun s\u00fdningarinnar \u00ed Kunstlerhaus V\u00ednarborg 15 febr\u00faar 2018.<\/p>\n

Allar lj\u00f3smyndir me\u00f0 grein birtar me\u00f0 leyfi Katr\u00ednar Elvarsd\u00f3ttur.<\/p>\n

N\u00e1nari uppl\u00fdsingar:
\nkatrinelvarsdottir.com
\n<\/a>katrinelvarsdottir.blogspot.is
\n<\/a>www.eikon.at<\/a><\/p>\n

[\/et_pb_text][\/et_pb_column][\/et_pb_row][\/et_pb_section]<\/p>\n","protected":false},"excerpt":{"rendered":"

Katr\u00edn Elvarsd\u00f3ttir lj\u00f3smyndari og myndlistarma\u00f0ur er f\u00e6dd \u00e1ri\u00f0 1964 \u00e1 \u00cdsafir\u00f0i. Katr\u00edn lauk BA gr\u00e1\u00f0u \u00ed fr\u00f6nsku vi\u00f0 H\u00e1sk\u00f3la \u00cdslands 1988. H\u00fan stunda\u00f0i n\u00e1m \u00ed lj\u00f3smyndun vi\u00f0 Brevard Community Collage \u00e1 \u00e1runum 1988-1990 og lauk BFA pr\u00f3fi fr\u00e1 Art Institute \u00ed Boston \u00e1ri\u00f0 1993. Katr\u00edn hefur haldi\u00f0 margar einkas\u00fdningar h\u00e9rlendis og erlendis og er ein […]<\/p>\n","protected":false},"author":14,"featured_media":6180,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_et_pb_use_builder":"on","_et_pb_old_content":"

Katr\u00edn Elvarsd\u00f3ttir lj\u00f3smyndari og myndlistarma\u00f0ur er f\u00e6dd \u00e1ri\u00f0 1964 \u00e1 \u00cdsafir\u00f0i. Katr\u00edn lauk BA gr\u00e1\u00f0u \u00ed fr\u00f6nsku vi\u00f0 H\u00e1sk\u00f3la \u00cdslands 1988. H\u00fan stunda\u00f0i n\u00e1m \u00ed lj\u00f3smyndun vi\u00f0 Brevard Community Collage \u00e1 \u00e1runum 1988-1990 og lauk BFA pr\u00f3fi fr\u00e1 Art Institute \u00ed Boston \u00e1ri\u00f0 1993. Katr\u00edn hefur haldi\u00f0 margar einkas\u00fdningar h\u00e9rlendis og erlendis og er ein af stofnendum F\u00cdSL, f\u00e9lags \u00edslenskra samt\u00edmalj\u00f3smyndara. N\u00fdveri\u00f0 hlaut Katr\u00edn EIKON Award (45+)<\/em> ver\u00f0launin. Ver\u00f0launin voru veitt \u00ed V\u00ednarborg og verndari ver\u00f0launanna er go\u00f0s\u00f6gnin og fem\u00ednistinn Valie Export.<\/strong><\/p>

Bla\u00f0akona artzine k\u00edkti \u00ed heims\u00f3kn til Katr\u00ednar<\/strong> og spur\u00f0i hana \u00fat \u00ed myndlistina, EIKON<\/em><\/strong> ver\u00f0launin og st\u00f6\u00f0u konunnar \u00ed samt\u00edmalj\u00f3smyndun.<\/p>

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Af hverju myndlist og hva\u00f0 var\u00f0 til \u00feess a\u00f0 lj\u00f3smyndin var\u00f0 \u00feinn mi\u00f0ill \u00ed myndlistinni?<\/strong><\/em><\/p>

\u00c9g var \u00ed H\u00e1sk\u00f3la \u00cdslands a\u00f0 l\u00e6ra fr\u00f6nsku og \u00fatskrifa\u00f0ist \u00fea\u00f0an \u00feegar \u00e9g var 23 \u00e1ra. \u00deann vetur f\u00f3r \u00e9g \u00e1 lj\u00f3smyndan\u00e1mskei\u00f0 \u00ed I\u00f0nsk\u00f3lanum \u00fear sem \u00feessi mikli \u00e1hugi \u00e1 lj\u00f3smyndun vakna\u00f0i. \u00c9g keypti m\u00e9r myndav\u00e9l og f\u00f3r a\u00f0 taka lj\u00f3smyndir \u00e1 sama t\u00edma og \u00e9g var a\u00f0 kl\u00e1ra BA ritger\u00f0ina \u00ed fr\u00f6nskunni. \u00c9g f\u00f3r s\u00ed\u00f0an til Fl\u00f3r\u00edda \u00ed hef\u00f0bundi\u00f0 lj\u00f3smyndan\u00e1m og \u00fatskrifast \u00fea\u00f0an \u00e1ri\u00f0 1990. \u00deetta var fr\u00e1b\u00e6rt n\u00e1m og \u00fear var lagt miki\u00f0 upp \u00far t\u00e6kni. Deildarstj\u00f3rinn var me\u00f0 meistaragr\u00e1\u00f0u \u00ed myndlist fr\u00e1 Art Institute \u00ed Chicago. Hann haf\u00f0i fram\u00farstefnulega s\u00fdn og vi\u00f0 nutum g\u00f3\u00f0s af \u00fev\u00ed. A\u00f0 \u00fev\u00ed loknu s\u00f3tti \u00e9g um \u00ed Art Institute of Boston \u00fear sem var l\u00f6g\u00f0 mikil \u00e1hersla \u00e1 myndlist. \u00c9g valdi lj\u00f3smyndun sem a\u00f0alfag en \u00e9g \u00feurfti a\u00f0 taka skyldu\u00e1fanga eins og m\u00f3delteikningu, v\u00edde\u00f3kvikmyndager\u00f0, lj\u00f3smyndafr\u00e6\u00f0i og mikla listas\u00f6gu sem m\u00e9r fannst mj\u00f6g skemmtileg.<\/p>

\u00deegar \u00e9g \u00fatskrifa\u00f0ist haf\u00f0i \u00e9g mikinn \u00e1huga \u00e1 t\u00edskulj\u00f3smyndun, en \u00fea\u00f0 var ekki vins\u00e6lt me\u00f0al helstu kennara minna. \u00deeim fannst \u00feetta yfirbor\u00f0skenndur heimur og voru alltaf a\u00f0 vara mig vi\u00f0 neikv\u00e6\u00f0u hli\u00f0unum. \u00c9g f\u00f3r til Par\u00edsar \u00ed eitt sumar og vann sem t\u00edskulj\u00f3smyndari. \u00c9g haf\u00f0i mikinn \u00e1huga \u00e1 t\u00edmaritum - listr\u00e6num t\u00edskut\u00edmaritum eins og Interview<\/em> - og m\u00e9r fannst \u00feetta spennandi heimur. \u00cd myndlist er ma\u00f0ur svo miki\u00f0 einn en \u00ed t\u00edskulj\u00f3smyndun er ma\u00f0ur aldrei einn. \u00dear er teymisvinna sem getur veri\u00f0 mj\u00f6g gefandi og skemmtileg. \u00cd Boston \u00e1tta\u00f0i \u00e9g mig \u00fe\u00f3 flj\u00f3tt \u00e1 \u00fev\u00ed a\u00f0 a\u00f0 \u00feessi heimur sn\u00e9rist a\u00f0 miklu leyti um a\u00f0 selja, \u00ed sta\u00f0 \u00feess a\u00f0 sn\u00faast um sk\u00f6punina. F\u00f3lk gat veri\u00f0 mj\u00f6g d\u00f3nalegt og margar af fyrirs\u00e6tunum veikar af \u00e1tr\u00f6skun. \u00deessi heimur var a\u00f0 m\u00f6rgu leyti erfi\u00f0ur eins og b\u00fai\u00f0 var a\u00f0 segja m\u00e9r, en \u00e9g haf\u00f0i \u00e1huga \u00e1 a\u00f0 b\u00faa til minn eigin skapandi heim og f\u00f3r til Danmerkur \u00fear sem \u00e9g vann sem t\u00edskulj\u00f3smyndari \u00ed r\u00fam tv\u00f6 \u00e1r. \u00dea\u00f0 er s\u00ed\u00f0an flj\u00f3tlega eftir a\u00f0 \u00e9g flyt til New York \u00e1ri\u00f0 1999 a\u00f0 myndlistin tekur yfir. Ser\u00edan M\u00f3rar<\/em> er unnin \u00e1 \u00feeim t\u00edma og \u00e9g s\u00fdndi \u00feau verk \u00e1 m\u00f6rgum st\u00f6\u00f0um \u00ed Bandar\u00edkjunum.<\/p>

\u00dea\u00f0 hafa veri\u00f0 gefin \u00fat m\u00f6rg b\u00f3kverk me\u00f0 lj\u00f3smyndum \u00fe\u00ednum \u00fear sem \u00fe\u00fa ert a\u00f0 vinna me\u00f0 \u00f6\u00f0rum listam\u00f6nnum. Eru b\u00f3kverkin mikilv\u00e6gur hluti af myndlistarferlinu?<\/strong><\/em><\/p>

S\u00fdning er eitt og b\u00f3kverk anna\u00f0. \u00dea\u00f0 er gaman a\u00f0 vinna me\u00f0 graf\u00edskum h\u00f6nnu\u00f0um vi\u00f0 ger\u00f0 b\u00f3kverka, vinna vi\u00f0 a\u00f0 velja \u00far og ra\u00f0a saman, og \u00fea\u00f0 er \u00ed raun tenging vi\u00f0 t\u00edmarita\u00e1hugann. \u00dea\u00f0 er au\u00f0velt a\u00f0 fer\u00f0ast me\u00f0 b\u00e6kur og senda \u00fe\u00e6r \u00fat \u00ed heim. \u00deetta er falleg og skemmtileg lei\u00f0 til a\u00f0 koma lj\u00f3smyndunum \u00e1 framf\u00e6ri. \u00c9g hef veri\u00f0 heppin me\u00f0 dreifingara\u00f0ila. Crymogea<\/em> \u00fatg\u00e1fa hefur fengi\u00f0 al\u00fej\u00f3\u00f0lega dreifingu og \u00ferj\u00e1r b\u00e6kur, Equivocal,<\/em> Double Happiness<\/em> og Vanished Summer<\/em>, eru gefnar \u00fat af \u00feeim. \u00c9g er me\u00f0 enska titla \u00e1 \u00f6llum verkunum og \u00fea\u00f0 er me\u00f0vita\u00f0 til \u00feess a\u00f0 n\u00e1 til brei\u00f0ari h\u00f3ps. B\u00e6kurnar eru seldar og s\u00fdndar \u00fat um allan heim.<\/p>

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Hva\u00f0 er \u00fea\u00f0 sem rekur \u00feig \u00e1fram \u00ed listsk\u00f6puninni?<\/strong><\/em><\/p>

\u00dea\u00f0 er \u00fe\u00f6rfin fyrir a\u00f0 segja s\u00f6gu og f\u00e1 f\u00f3lk til a\u00f0 \u00edmynda s\u00e9r hva\u00f0 s\u00e9 veri\u00f0 a\u00f0 fjalla um. \u00c9g gef eitthva\u00f0 \u00ed skyn en segi ekki allt. \u00c1horfandinn getur s\u00ed\u00f0an fyllt \u00ed ey\u00f0urnar og b\u00fai\u00f0 til s\u00edna eigin s\u00f6gu. \u00c9g hef a\u00f0allega veri\u00f0 fyrir \u00e1hrifum fr\u00e1 kvikmyndum og b\u00f3kmenntum. Leikstj\u00f3rinn David Lynch<\/strong> hefur haft mikil \u00e1hrif \u00e1 mig, alveg s\u00ed\u00f0an \u00e9g s\u00e1 fyrstu myndina hans Eraserhead.<\/em> \u00deau \u00e1hrif eru s\u00fdnileg \u00ed myndar\u00f6\u00f0inni M\u00f3rar<\/em> og fleiri verkum eftir mig. B\u00f3k Gyr\u00f0is El\u00edassonar<\/strong> Sand\u00e1rb\u00f3k<\/em> haf\u00f0i \u00e1hrif \u00e1 ser\u00eduna Horfi\u00f0 sumar<\/em> og titillinn kemur \u00far sm\u00e1s\u00f6gu eftir hann. B\u00f3kin segir fr\u00e1 fr\u00e1skildum m\u00e1lara sem sest a\u00f0 \u00ed hj\u00f3lh\u00fdsabygg\u00f0 og hyggst einbeita s\u00e9r a\u00f0 \u00fev\u00ed a\u00f0 m\u00e1la tr\u00e9. \u00c9g var byrju\u00f0 a\u00f0 taka myndir \u00e1 hj\u00f3lh\u00fdsasv\u00e6\u00f0um \u00e1\u00f0ur en \u00e9g las b\u00f3kina, en h\u00e9lt \u00e1fram a\u00f0 mynda hj\u00f3lh\u00fdsi eftir \u00fea\u00f0. Harpa \u00c1rnad\u00f3ttir myndlistama\u00f0ur kom \u00ed heims\u00f3kn \u00e1 vinnustofuna m\u00edna stuttu s\u00ed\u00f0ar og vi\u00f0 f\u00f3rum a\u00f0 r\u00e6\u00f0a um verkin og b\u00f3kina hans Gyr\u00f0is. Harpa f\u00e9kk hugmyndina a\u00f0 s\u00fdningunni. \u00c9g kraf\u00f0ist \u00feess a\u00f0 h\u00fan yr\u00f0i s\u00fdningarstj\u00f3ri, h\u00fan var treg til \u00ed byrjun en f\u00e9llst \u00e1 a\u00f0 lokum. Vi\u00f0 unnum \u00feetta saman og \u00far var s\u00fdningin Horfi\u00f0 sumar<\/em> \u00ed AS\u00cd \u00e1ri\u00f0 2013.<\/p>

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N\u00fa hafa \u00fdmsir fr\u00e6\u00f0imenn og h\u00f6fundar tj\u00e1\u00f0 sig um lj\u00f3smyndina og sannleiksgildi hennar. Hva\u00f0 finnst \u00fe\u00e9r um sannleiksgildi lj\u00f3smynda? Er lj\u00f3smyndin sannari eftirmynd af raunveruleikanum en til d\u00e6mis m\u00e1lverki\u00f0 eins og Susan Sontag vildi meina?<\/strong><\/em><\/p>

\u00dea\u00f0 eru \u00feessi einst\u00f6ku augnablik sem ma\u00f0ur n\u00e6r me\u00f0 lj\u00f3smyndinni og oft er \u00fea\u00f0 eitthva\u00f0 sem ekki er h\u00e6gt a\u00f0 endurtaka. Lj\u00f3smyndin \u00ed m\u00ednu tilviki er raunveruleikinn. \u00deetta er raunverulegur heimur \u00fev\u00ed \u00e9g b\u00fd aldrei neitt til \u00ed st\u00fad\u00ed\u00f3i. \u00c9g t\u00falka \u00fea\u00f0 sem er til og b\u00fd til \u00e1kve\u00f0inn heim me\u00f0 vali \u00e1 sj\u00f3narhorni, l\u00fdsingu og myndbyggingu. \u00c9g leita a\u00f0 hlutum sem tengjast \u00e1kve\u00f0inni nostalg\u00edu, eitthva\u00f0 sem \u00e9g tengi vi\u00f0 \u00far minni bernsku e\u00f0a t\u00edmatengdum atbur\u00f0um. Oftast er f\u00f3lk a\u00f0 taka myndir af \u00fev\u00ed sem er til, og \u00e9g geri \u00fea\u00f0, en \u00e9g er samt a\u00f0 opna \u00e1 einhverja t\u00falkun e\u00f0a a\u00f0ra m\u00f6guleika, n\u00fdja s\u00f6gu e\u00f0a annan raunveruleika.<\/p>

Tj\u00f6ld af \u00fdmsu tagi koma gjarnan fyrir \u00ed verkum \u00fe\u00ednum; gluggatj\u00f6ld og leiktj\u00f6ld. Hva\u00f0 standa tj\u00f6ldin fyrir?<\/strong><\/em><\/p>

Tj\u00f6ldin v\u00edsa \u00ed svo margt. Eins og til d\u00e6mis \u00feegar ma\u00f0ur stendur fyrir framan tjaldi\u00f0 og \u00edmyndar s\u00e9r hva\u00f0 leynist \u00fear \u00e1 bakvi\u00f0. Svo er \u00fea\u00f0 fagurfr\u00e6\u00f0in. Rau\u00f0i liturinn. Tj\u00f6ldin eru l\u00edka tilv\u00edsun \u00ed leikh\u00fasi\u00f0 og leikh\u00fastj\u00f6ld. Svo fann \u00e9g \u00feessi gulu tj\u00f6ld \u00e1 \u00cdtal\u00edu sem eru miki\u00f0 \u00ed Equivocal<\/em> ser\u00edunni. S\u00f3lin sk\u00edn \u00ed gegnum \u00feessi gulu tj\u00f6ld. Hva\u00f0 er fyrir innan og hva\u00f0 er fyrir utan? \u00deetta eru tveir heimar, tj\u00f6ldin eru eins og skil \u00e1 milli tveggja heima.<\/p>

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\u00de\u00fa hlaust \u00e1 d\u00f6gunum afar \u00e1hugaver\u00f0a vi\u00f0urkenningu; EIKON ver\u00f0launin fyrir kvenlistamenn sem komnar eru yfir 45 \u00e1ra aldurinn. Valie Export er verndari verkefnisins. Seg\u00f0u okkur a\u00f0eins fr\u00e1 \u00feessum ver\u00f0launum.<\/strong><\/em><\/p>

\u00a0<\/strong>\u00c9g s\u00e1 ver\u00f0launin augl\u00fdst og \u00feekkti til t\u00edmaritsins. EIKON<\/em> t\u00edmariti\u00f0 er mj\u00f6g vanda\u00f0 austur\u00edskt t\u00edmarit sem er gefi\u00f0 \u00fat \u00e1 ensku og \u00fe\u00fdsku. \u00dea\u00f0 sem m\u00e9r fannst \u00e1hugavert var a\u00f0 \u00feessi ver\u00f0laun eru ekki fyrir ungar og upprennandi listakonur heldur fyrir evr\u00f3pskar konur sem eru or\u00f0nar 45 \u00e1ra og sem eru a\u00f0 vinna me\u00f0 lj\u00f3smyndina sem mi\u00f0il e\u00f0a \u00ed n\u00fdmi\u00f0lum (e. New Media).<\/p>

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\u00derj\u00e1r konur hlutu ver\u00f0launin, Gabriele Rothemann<\/strong>, Susan MacWilliam<\/strong> og \u00e9g. Ver\u00f0launaafhendingin var \u00ed V\u00ednarborg \u00ed n\u00f3vember og gefi\u00f0 var \u00fat t\u00edmarit \u00e1 ensku og \u00fe\u00fdsku \u00fear sem birtar voru myndir og texti um hverja okkar. Listfr\u00e6\u00f0ingurinn Lucas German<\/strong> og s\u00fdningarstj\u00f3ri hj\u00e1 Kunshalle \u00ed V\u00ednarborg skrifa\u00f0i textann sem birtist me\u00f0 m\u00ednum verkum \u00ed t\u00edmaritinu. Myndin \u00e1 fors\u00ed\u00f0unni er \u00far ser\u00edunni Horfi\u00f0 sumar<\/em> og er tekin \u00e1 hj\u00f3lh\u00fdsasv\u00e6\u00f0i \u00fear sem einhver haf\u00f0i \u00e1kve\u00f0i\u00f0 a\u00f0 b\u00faa til tj\u00f6rn \u00far sv\u00f6rtu plasti, me\u00f0 vatni \u00ed og svartri plast\u00f6nd. Fors\u00ed\u00f0umyndin er kannski ekki l\u00fdsandi fyrir \u00fea\u00f0 sem \u00e9g hef veri\u00f0 a\u00f0 gera, og \u00fe\u00f3, \u00e9g er a\u00f0 fjalla um hvernig ma\u00f0urinn upplifir n\u00e1tt\u00faruna og hvernig \u00feetta mannger\u00f0a blandast vi\u00f0 n\u00e1tt\u00faruna.<\/p>

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N\u00fa \u00ed febr\u00faar var opnu\u00f0 st\u00f3r s\u00fdning \u00ed Kustlerhaus 1050 \u00ed V\u00ednarborg me\u00f0 verkum okkar sem hlutu EIKON<\/em> ver\u00f0launin. \u00dear s\u00fdni \u00e9g verk \u00far myndar\u00f6\u00f0unum Vanished Summer<\/em> og Equivocal<\/em>, \u00e1samt n\u00fdrra verki sem \u00e9g kalla Solar Eclipse Shadow<\/em> sem er varpa\u00f0 \u00e1 vegg \u00ed dimmum sal. Vi\u00f0 \u00fea\u00f0 a\u00f0 varpa verkinu myndast \u00f6\u00f0ruv\u00edsi stemmning en ef lj\u00f3smyndirnar v\u00e6ru birtar \u00ed ramma \u00ed hef\u00f0bundnu r\u00fdmi.<\/p>

Tekur \u00fe\u00fa myndir \u00fe\u00ednar \u00e1 filmu e\u00f0a stafr\u00e6nt?<\/strong><\/em><\/p>

\u00c9g vinn eins og filmulj\u00f3smyndari \u00fev\u00ed \u00e9g l\u00e6r\u00f0i \u00e1 filmu og kann \u00fe\u00e1 t\u00e6kni. \u00c9g skipti yfir \u00ed stafr\u00e6na t\u00e6kni \u00feegar \u00e9g byrja\u00f0i \u00e1 b\u00f3kinni Equivocal<\/em> \u00e1ri\u00f0 2007. \u00c9g hugsa samt eins og \u00feegar unni\u00f0 er me\u00f0 filmu \u00fe\u00f3 \u00e9g s\u00e9 a\u00f0 vinna stafr\u00e6nt. \u00c9g tek f\u00e1ar myndir og \u00e9g legg miki\u00f0 upp \u00far \u00fev\u00ed a\u00f0 velja hvern ramma vel \u00fev\u00ed \u00e9g vil ekki \u00feurfa a\u00f0 velja \u00far of m\u00f6rgum r\u00f6mmum eftir a\u00f0 myndat\u00f6ku l\u00edkur.<\/p>

\u00de\u00fa varst s\u00fdningarh\u00f6fundur s\u00fdningarinnar Betur sj\u00e1 augu \u2013 Lj\u00f3smyndun \u00edslenskra kvenna 1872-2013 sem opnu\u00f0 var \u00ed \u00dej\u00f3\u00f0minjasafninu og Lj\u00f3smyndasafninu \u00e1ri\u00f0 2014. \u00c1 s\u00fdningunni voru til s\u00fdnis lj\u00f3smyndaverk kvenna fr\u00e1 \u00e1rinu 1872 til \u00e1rsins 2013 og var afrakstur tveggja \u00e1ra ranns\u00f3knarvinnu \u00feinnar. Hva\u00f0 var\u00f0 til \u00feess a\u00f0 \u00fe\u00fa f\u00f3rst \u00ed \u00feessa ranns\u00f3knarvinnu og hva\u00f0 kom \u00fe\u00e9r mest \u00e1 \u00f3vart vi\u00f0 ger\u00f0 s\u00fdningarinnar? <\/strong><\/em><\/p>

\u00deetta byrja\u00f0i \u00feannig a\u00f0 \u00e9g f\u00f3r til \u00dej\u00f3\u00f0minjasafnsins me\u00f0 hugmynd a\u00f0 s\u00fdningu. \u00de\u00e1 var \u00c1g\u00fasta Krist\u00f3fersd\u00f3ttir<\/strong> s\u00fdningarstj\u00f3ri \u00fear. Mig langa\u00f0i a\u00f0 setja upp s\u00fdningu me\u00f0 samt\u00edmalj\u00f3smyndum kvenna. Fram a\u00f0 \u00fev\u00ed haf\u00f0i ekki veri\u00f0 miki\u00f0 um s\u00fdningar sem endurspeglu\u00f0u verk kvenna. \u00c1g\u00fastu leist vel \u00e1 hugmyndina en fannst a\u00f0 setja m\u00e6tti hana \u00ed st\u00e6rra samhengi, sko\u00f0a safneignina og lj\u00f3smyndas\u00f6gu kvenna aftur \u00ed t\u00edmann. \u00dea\u00f0 var\u00f0 til \u00feess a\u00f0 vi\u00f0 f\u00f3rum \u00ed samstarf vi\u00f0 Lj\u00f3smyndasafn Reykjav\u00edkur. Inga L\u00e1ra<\/strong> deildarstj\u00f3ri Lj\u00f3smyndasafnsins skrifa\u00f0i \u00f6llum s\u00f6fnum landsins og spur\u00f0i hva\u00f0 \u00feau \u00e6ttu af lj\u00f3smyndaverkum eftir konur.<\/p>

Vi\u00f0 f\u00f3rum s\u00ed\u00f0an og sko\u00f0u\u00f0um \u00feau myndas\u00f6fn sem fundust. \u00c9g sko\u00f0a\u00f0i skr\u00e1r yfir allar s\u00fdningar sem settar hafa veri\u00f0 upp fr\u00e1 1970, og einnig hva\u00f0a konur h\u00f6f\u00f0u haldi\u00f0 \u00e1fram a\u00f0 vinna vi\u00f0 lj\u00f3smyndami\u00f0illinn eftir Listah\u00e1t\u00ed\u00f0 kvenna sem haldin var \u00e1ri\u00f0 1985. \u00de\u00e6r sem h\u00f6f\u00f0u l\u00e1ti\u00f0 mest a\u00f0 s\u00e9r kve\u00f0a endu\u00f0u \u00e1 s\u00fdningunni. \u00derj\u00fa megin vi\u00f0fangsefni voru mest \u00e1berandi \u00ed verkum kvennanna; Landslag og n\u00e1tt\u00fara<\/em>, Portrettmyndir<\/em> og Heimili og fj\u00f6lskyldan<\/em>, og \u00feau ur\u00f0u \u00e1berandi \u00e1 s\u00fdningunni. \u00deegar n\u00e6r kom okkar samt\u00edma valdi \u00e9g konur sem h\u00f6f\u00f0u veri\u00f0 virkar og p\u00f6ssu\u00f0u vi\u00f0 \u00feessi \u00ferj\u00fa vi\u00f0fangsefni sem \u00e9g valdi a\u00f0 s\u00fdna. \u00dea\u00f0 sem kom m\u00e9r mest \u00e1 \u00f3vart \u00ed \u00feessu verkefni var a\u00f0 finna marga d\u00fdrgripi sem enginn haf\u00f0i s\u00e9\u00f0.<\/p>

\"\"\u00c9g f\u00e9kk frj\u00e1lsar hendur vi\u00f0 val \u00e1 verkum og \u00e9g stend me\u00f0 \u00fev\u00ed vali, sem var fagurfr\u00e6\u00f0ilegt, s\u00f6gulegt og pers\u00f3nulegt. \u00deeir voru margir sem h\u00f6f\u00f0u sko\u00f0anir \u00e1 \u00feessu vali - sumar \u00f6ndver\u00f0ar m\u00ednum - en au\u00f0vita\u00f0 er ekki h\u00e6gt a\u00f0 gera \u00f6llum til h\u00e6fis. \u00c9g valdi konur eins og Nicoline Weywadt<\/strong>, sem var fyrsta konan sem kom heim fr\u00e1 n\u00e1mi \u00ed Kaupmannah\u00f6fn og starfa\u00f0i \u00e1 eigin stofu \u00e1 Dj\u00fapavogi fr\u00e1 1872, og au\u00f0vita\u00f0 \u00fe\u00e6r konur sem h\u00f6f\u00f0u veri\u00f0 starfandi lengst \u00e1 t\u00edmabilunu 1870-1930. Katr\u00edn Norgaard Vigf\u00fasson<\/strong> s\u00fdndi landslagsmyndir \u00e1 vors\u00fdningunni \u00ed Charlottenborg 1939. Gagnr\u00fdnendur h\u00e9r heima voru mj\u00f6g neikv\u00e6\u00f0ir \u00ed umfj\u00f6llun sinni \u00e1 \u00feeim verkum, sem var\u00f0 til \u00feess a\u00f0 h\u00fan s\u00fdndi \u00feau aldrei h\u00e9r heima. \u00deetta var karlaheimur og \u00feeim fannst f\u00e1ranlegt a\u00f0 kona v\u00e6ri a\u00f0 s\u00fdna \u00e1 svona virtri s\u00fdningu \u00ed Danm\u00f6rku. Lil\u00fd Tryggvad\u00f3ttir<\/strong> var ein \u00feeirra sem var me\u00f0 fr\u00e1b\u00e6rar myndir en geymdi \u00fe\u00e6r ofan \u00ed sk\u00faffu og s\u00fdndi aldrei. Mig langa\u00f0i a\u00f0 draga verk \u00feessara kvenna fram \u00ed dagslj\u00f3si\u00f0. Karlkynslj\u00f3smyndarar hiku\u00f0u ekki vi\u00f0 a\u00f0 kaupa s\u00e9r n\u00fdja linsu og fara upp \u00e1 fj\u00f6ll og mynda. Konurnar hugsu\u00f0u ekki \u00feannig e\u00f0a leyf\u00f0u s\u00e9r \u00fea\u00f0 ekki, \u00fe\u00e6r s\u00e1u um heimili\u00f0. R\u00f6dd \u00feeirra sem vildu komast a\u00f0 \u00ed lj\u00f3smyndun heyr\u00f0ist ekki \u00ed \u00feessu karlaveldi. Vald\u00eds \u00d3skarsd\u00f3ttir<\/strong> tala\u00f0i einmitt um \u00feetta \u00feegar h\u00fan var \u00ed Vestmannaeyjum a\u00f0 mynda gosi\u00f0. Allir karlkynslj\u00f3smyndar voru farnir og Vald\u00eds n\u00e1\u00f0i myndinni sem rata\u00f0i \u00e1 fors\u00ed\u00f0ur bla\u00f0anna. Karlkynskollegar hennar voru alls ekki \u00e1n\u00e6g\u00f0ir me\u00f0 \u201estelpuna\u201c sem var a\u00f0 trana s\u00e9r \u00fearna fram. Vald\u00eds lag\u00f0i sig virkilega fram, h\u00fan var frumleg og haf\u00f0i miki\u00f0 fram a\u00f0 f\u00e6ra sem lj\u00f3smyndari, skrifa\u00f0i texta og var mj\u00f6g p\u00f3l\u00edt\u00edsk en \u00e1tti ekki upp \u00e1 pallbor\u00f0i\u00f0 \u00e1 \u00feessum t\u00edma vegna kynjamisr\u00e9ttis.<\/p>

Hvernig finnst \u00fe\u00e9r sta\u00f0a konunnar vera \u00ed heimi samt\u00edmalj\u00f3smyndara?<\/strong><\/em><\/p>

\u00c9g hef pers\u00f3nulega aldrei upplifa\u00f0 \u00f3jafnr\u00e9tti innan geirans og m\u00e9r finnst \u00e9g ekki hafa fari\u00f0 \u00e1 mis vi\u00f0 t\u00e6kif\u00e6ri vegna \u00feess a\u00f0 \u00e9g er kona. \u00c9g held a\u00f0 \u00e9g hafi sloppi\u00f0 frekar vel. Au\u00f0vita\u00f0 er \u00feetta karlaheimur, sem endurspeglast til a\u00f0 mynda \u00ed t\u00edskuheiminum og \u00ed \u00fej\u00f3\u00f0f\u00e9laginu \u00f6llu, en \u00e9g hef aldrei upplifa\u00f0 \u00fea\u00f0 \u00e1 eigin skinni. M\u00e9r finnst samt sem \u00e1\u00f0ur sta\u00f0a konunnar innan myndlistar og samt\u00edmalj\u00f3smyndunar alls ekki vera g\u00f3\u00f0, ef liti\u00f0 er til s\u00fdningarinnar \u00ed \u00dej\u00f3\u00f0minjasafninu og \u00fat \u00ed hinn st\u00f3ra heim. \u00dea\u00f0 er greinilegt \u00e1 \u00feessum st\u00f3ru kvennas\u00fdningum sem hafa veri\u00f0 haldnar \u00e1 s\u00f6fnum um allar heim, eins og \u00ed Mus\u00e9e d'Orsay safninu, MOMA og v\u00ed\u00f0ar, a\u00f0 \u00fea\u00f0 hefur veri\u00f0 erfitt fyrir konur \u00ed \u00feessum geira eins og annars sta\u00f0ar. \u00dea\u00f0 sem hefur hj\u00e1lpa\u00f0 m\u00e9r og drifi\u00f0 mig \u00e1fram er a\u00f0 \u00e9g hef alltaf haft sterkar kvenfyrirmyndir eins og Louise Bourgeois<\/strong>, Frida Kahlo<\/strong>, Kiki Smith<\/strong>, Pipilotte Rist<\/strong> og Georgia O\u00b4Keeffe<\/strong>. \u00c9g hef leita\u00f0 \u00ed \u00feessar fyrirmyndir og \u00fe\u00e6r hafa leitt mig \u00e1fram.<\/p>

Hvort viltu l\u00e1ta kalla \u00feig lj\u00f3smyndara e\u00f0a myndlistarmann sem vinnur me\u00f0 lj\u00f3smyndina sem mi\u00f0il?<\/strong><\/em><\/p>

\u00c9g held \u00ed \u00feennan titil, \u201elj\u00f3smyndari\" vegna \u00feess a\u00f0 \u00feegar \u00e9g kom heim fr\u00e1 Bandar\u00edkjunum \u00fe\u00e1 h\u00e9lt f\u00f3lk a\u00f0 \u00e9g v\u00e6ri fj\u00f6lskyldulj\u00f3smyndari e\u00f0a st\u00fad\u00ed\u00f3lj\u00f3smyndari. \u00deegar ma\u00f0ur segist vera lj\u00f3smyndari \u00ed Bandar\u00edkjunum \u00fe\u00e1 hugsa menn oftast um \u00fea\u00f0 \u00fat fr\u00e1 listr\u00e6num \u00e1herslum. \u00dear er \u00feetta flokka\u00f0 \u00ed annars vegar listr\u00e6na lj\u00f3smyndun (e. Fine Art photography) og hins vegar augl\u00fdsingalj\u00f3smyndun (e. Commercial photography). Lj\u00f3smyndin er mj\u00f6g mikilv\u00e6gur mi\u00f0ill \u00ed n\u00fat\u00edmasamf\u00e9lagi \u00f3ha\u00f0 \u00fev\u00ed hvort h\u00fan er fr\u00e9ttalj\u00f3smynd, myndlistarmi\u00f0ill e\u00f0a anna\u00f0. \u00c9g vil a\u00f0 lj\u00f3smyndarar sem vinna \u00ed myndlistarheiminum geti kalla\u00f0 sig lj\u00f3smyndara alveg eins og a\u00f0rir kalla sig m\u00e1lara. \u00deessi skilgreiningarumr\u00e6\u00f0a er reyndar mj\u00f6g \u00edslensk og \u00e9g upplifi \u00feetta ekki erlendis. Vi\u00f0 vorum \u00ferj\u00e1r sem hlutu EIKON<\/em> ver\u00f0launin og \u00fear er \u00e9g eini \u201elj\u00f3smyndarinn\" - og \u00e9g er stolt af \u00fev\u00ed.<\/p>

Hva\u00f0 er \u00e1 d\u00f6finni hj\u00e1 \u00fe\u00e9r \u00e1 n\u00e6stunni? <\/strong><\/em><\/p>

\u00c9g hef s\u00fdnt miki\u00f0 erlendis undanfarin \u00e1r og \u00e1 d\u00f6finni eru fleiri s\u00fdningar \u00e1 erlendri grundu. \u00c9g ver\u00f0 me\u00f0 myndar\u00f6\u00f0ina Vanished Summer<\/em> \u00e1 s\u00fdningunni Nature as playground<\/em> \u00ed Lj\u00f3smyndasafninu \u00ed Seoul \u00ed K\u00f3reu \u00ed sumar og me\u00f0 n\u00fd verk \u00e1 Cyclone 3<\/em> \u00ed Forum Box sem er st\u00f3rt listamannareki\u00f0 r\u00fdmi \u00ed Helsinki, og svo er \u00fea\u00f0 EIKON s\u00fdningin \u00ed V\u00ednarborg og s\u00fdning \u00ed \"FLUSS\" Schloss \u00ed Wolkersdorf me\u00f0 austurr\u00edskum konseptlistam\u00f6nnum \u00ed mars.<\/p>

\u00c9g er l\u00edka a\u00f0 s\u00fdningarst\u00fdra, \u00e1samt \u00fev\u00ed a\u00f0 kenna \u00ed Myndlistask\u00f3lanum og Lj\u00f3smyndask\u00f3lanum. \u00dea\u00f0 er gaman a\u00f0 geta blanda\u00f0 allri \u00feessari vinnu saman. \u00c9g f\u00e9kk listamannalaun \u00e1 s\u00ed\u00f0asta \u00e1ri, sem var fr\u00e1b\u00e6rt. Listamannalaunin n\u00fdtast mj\u00f6g vel og gera manni kleift a\u00f0 vinna \u00e1n \u00feess a\u00f0 vera a\u00f0 hugsa um hva\u00f0an tekjurnar koma. Starf myndlistarmannsins getur veri\u00f0 einmanalegt og \u00fea\u00f0 hentar m\u00e9r a\u00f0 vinna vi\u00f0 anna\u00f0 \u00ed bland vi\u00f0 eigin sk\u00f6pun, eins og kennslu, s\u00fdningarstj\u00f3rn og \u00f6nnur verkefni.<\/p>

Vi\u00f0 l\u00e1tum \u00feetta vera lokaor\u00f0in. artzine \u00feakkar Katr\u00ednu Elvarsd\u00f3ttur fyrir spjalli\u00f0 og \u00f3skar henni g\u00f3\u00f0s gengis.<\/p>

\u00c1str\u00ed\u00f0ur Magn\u00fasd\u00f3ttir<\/em><\/p>

N\u00e1nari uppl\u00fdsingar:<\/p>

katrinelvarsdottir.com<\/a><\/p>

katrinelvarsdottir.blogspot.is<\/a><\/p>

www.eikon.at<\/a><\/p>

\u00a0<\/p>","_et_gb_content_width":"","_jetpack_memberships_contains_paid_content":false,"footnotes":""},"categories":[10],"tags":[372,374,373,370,165,371],"class_list":["post-6061","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-vidtol","tag-eikon-award-45","tag-felags-islenskra-samtimaljosmyndara","tag-fisl","tag-katrin-elvarsdottir","tag-ljosmyndir","tag-ljosmyndun"],"yoast_head":"\nA\u00f0 gefa \u00ed skyn en segja ekki allt - artzine.is<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/artzine.is\/?p=6061\" \/>\n<meta property=\"og:locale\" content=\"is_IS\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"A\u00f0 gefa \u00ed skyn en segja ekki allt - artzine.is\" \/>\n<meta property=\"og:description\" content=\"Katr\u00edn Elvarsd\u00f3ttir lj\u00f3smyndari og myndlistarma\u00f0ur er f\u00e6dd \u00e1ri\u00f0 1964 \u00e1 \u00cdsafir\u00f0i. 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