Myndbands\/kvikmyndaverki\u00f0 Hafi\u00f0<\/em> er upprunalega fr\u00e1 \u00e1rinu 1991. Ange Leccia hefur s\u00fdnt verki\u00f0 m\u00f6rgum sinnum og \u00e1 mismunandi h\u00e1tt en framsetning \u00feess tekur i\u00f0ulega mi\u00f0 af a\u00f0st\u00e6\u00f0um. Verki\u00f0 er tv\u00edskipt, annars vegar s\u00fdnir \u00fea\u00f0 hv\u00edtar \u00f6ldur brotna \u00ed s\u00edbylju \u00e1 svartri str\u00f6nd. Sj\u00f3narhorni\u00f0 er l\u00edkt og \u00e1horfandinn sv\u00edfi \u00ed lausu lofti beint ofan vi\u00f0 fl\u00e6\u00f0arm\u00e1li\u00f0 og horfi ni\u00f0ur, myndinni er s\u00ed\u00f0an varpa\u00f0 upp \u00e1 skj\u00e1 e\u00f0a tjald, \u00feannig a\u00f0 \u00f6ldurnar sem skr\u00ed\u00f0a inn \u00e1 sandinn birtast l\u00f3\u00f0r\u00e9ttar, \u00fe\u00e6r r\u00edsa og hn\u00edga og minna \u00e1 fjallstoppa.<\/p>\n \u00deessi \u00fe\u00f6glu myndskei\u00f0 eru s\u00ed\u00f0an brotin upp me\u00f0 stuttum myndskei\u00f0um sem eru anna\u00f0 hvort \u00far smi\u00f0ju Leccia e\u00f0a tekin \u00far kvikmyndum \u00feekktra leikstj\u00f3ra eins og t.d. Jean Luc Godard. \u00deessi myndskei\u00f0 eru hlj\u00f3\u00f0sett \u00e1 \u00fdmsan h\u00e1tt, sumum fylgir su\u00f0 Super-8 myndav\u00e9lar, \u00f6\u00f0rum poppt\u00f3nlist fr\u00e1 unglings\u00e1rum listamannsins, e\u00f0a hlj\u00f3\u00f0mynd vi\u00f0komandi kvikmyndar \u00fea\u00f0an sem broti\u00f0 er fengi\u00f0 a\u00f0 l\u00e1ni. Leccia hefur l\u00edka s\u00fdnt eing\u00f6ngu myndskei\u00f0i\u00f0 af \u00f6ldum \u00e1 str\u00f6nd sem sj\u00e1lfst\u00e6tt verk undir sama nafni. Saman mynda \u00feessir \u00fe\u00e6ttir gr\u00edpandi verk sem sei\u00f0ir og la\u00f0ar \u00e1horfandann til s\u00edn.<\/p>\n \u00c1hrif Japansfer\u00f0ar<\/em><\/strong><\/span><\/p>\n \u00c1horfandanum er bo\u00f0i\u00f0 til s\u00e6tis \u00ed h\u00e1lfr\u00f6kkvu\u00f0um sal. \u00c1 tjaldinu brotna hv\u00edtar \u00f6ldurnar \u00ed s\u00edbylju \u00e1 sv\u00f6rtum sandinum, r\u00edsa og hn\u00edga \u00e1 v\u00edxl, \u00ed \u00feeim h\u00e6ga, reglubundna takti sem hafinu er eiginlegur, n\u00e1tt\u00faran andar. Hafi\u00f0<\/em> er gert \u00e1 Kors\u00edku, \u00e6skusl\u00f3\u00f0um listamannsins, eftir dv\u00f6l hans \u00ed Japan. Myndbandi\u00f0 er teki\u00f0 upp \u00e1 str\u00f6ndinni sem hann heims\u00f3tti reglulega me\u00f0 foreldrum s\u00ednum \u00ed \u00e6sku. \u00cd Japan kynntist Leccia Shinto-hef\u00f0inni, sem \u00e1 r\u00e6tur s\u00ednar a\u00f0 rekja allt aftur til 8. aldar, og hann hefur sagt a\u00f0 Hafi\u00f0<\/em> hef\u00f0i ekki or\u00f0i\u00f0 til \u00e1n Japansfer\u00f0arinnar. \u00cd Japan er Shinto ekki beinl\u00ednis tr\u00faarbr\u00f6g\u00f0 heldur hef\u00f0 sem \u00e1 s\u00e9r sterkar r\u00e6tur. H\u00fan birtist \u00ed \u00f3tal hofum v\u00ed\u00f0s vegar um landi\u00f0 sem Japanar heims\u00e6kja oft, \u00feanga\u00f0 s\u00e6kja \u00feeir s\u00e1larr\u00f3 og hj\u00e1lp \u00e1 erfi\u00f0um stundum. \u00cd Shinto-hofunum upplifir f\u00f3lk sterka tengingu vi\u00f0 n\u00e1tt\u00faruna, fri\u00f0 og \u00f6ryggi. Hofi\u00f0 upphefur n\u00e1tt\u00faruna sem heilaga, og Shinto-hof \u00feurfa ekki endilega a\u00f0 vera byggingar, \u00feau geta l\u00edka veri\u00f0 foss, klettur, tr\u00e9 e\u00f0a fjall. \u00deessi tilfinning gagnvart heilagleika n\u00e1tt\u00farunnar haf\u00f0i sterk \u00e1hrif \u00e1 Leccia. \u00cd verkinu n\u00e1lgast hann str\u00f6ndina og n\u00e1tt\u00faruna \u00e1 vissan h\u00e1tt sem heilagan sta\u00f0 og fyrir viki\u00f0 ver\u00f0ur listaverki\u00f0 sj\u00e1lft l\u00edkt og sta\u00f0ur sem \u00e1horfandinn gengur inn \u00ed og tengist.<\/p>\n Milli myndbandslistar og kvikmyndalistar<\/em><\/strong><\/span><\/p>\n \u00cd Hafinu<\/em> birtast sk\u00fdrt tengsl listamannsins vi\u00f0 kvikmyndir. A\u00f0 loknu listn\u00e1mi me\u00f0 \u00e1herslu \u00e1 m\u00e1lverk og lj\u00f3smyndun lag\u00f0i Leccia stund \u00e1 n\u00e1m \u00ed kvikmyndafr\u00e6\u00f0i \u00ed Par\u00eds \u00e1 \u00e1ttunda \u00e1ratug s\u00ed\u00f0ustu aldar, kvikmyndami\u00f0illinn heilla\u00f0i hann meira en m\u00e1lverki\u00f0. \u00c1 l\u00f6ngum ferli s\u00ednum hefur Ange Leccia gert \u00f3tal myndbandsverk sem einnig m\u00e6tti kalla stuttmyndir, og hefur nefnt kvikmyndager\u00f0armenn \u00e1 bor\u00f0 vi\u00f0 Jean-Luc Godard, Paolo Pasolini og Michelangelo Antonioni sem \u00e1hrifavalda vi\u00f0 upphaf ferils s\u00edns. Upp \u00far mi\u00f0ri 20. \u00f6ld \u00e1tti s\u00e9r sta\u00f0 bylting \u00ed franskri kvikmyndager\u00f0, k\u00f6llu\u00f0 N\u00fdbylgjan. Stefna N\u00fdbylgjunnar var s\u00fa a\u00f0 kvikmyndin yr\u00f0i listr\u00e6nn tj\u00e1ningarmi\u00f0ill \u00e1 bor\u00f0 vi\u00f0 m\u00e1lverki\u00f0 og sk\u00e1lds\u00f6guna, mi\u00f0ill \u00fear sem listama\u00f0ur tj\u00e1ir tilfinningar s\u00ednar. T\u00e6kni N\u00fdbylgjunnar f\u00f3lst me\u00f0al annars \u00ed uppbroti fr\u00e1sagnarinnar, brotakenndum klippingum og l\u00f6ngum t\u00f6kum, en \u00feessir \u00fe\u00e6ttir eru einnig s\u00fdnilegir \u00ed Hafinu.<\/em> H\u00e9r eins og \u00ed fleiri verkum er \u00e1herslan mj\u00f6g sterk \u00e1 sj\u00f3nr\u00e6na \u00fe\u00e6tti, liti, birtu, stemningu frekar en l\u00ednulaga fr\u00e1s\u00f6gn, en \u00fe\u00f3 segja sum verkanna s\u00f6gur.<\/p>\n Myndbrotin sem brj\u00f3ta upp s\u00edbylju \u00f6ldur\u00f3tsins eru nokku\u00f0 \u00f3l\u00edk innbyr\u00f0is. \u00deau eru b\u00e6\u00f0i sk\u00f6pun Ange Leccio og \u201efundin myndbrot\u201c \u00far kvikmyndum. \u00cd m\u00f6rgum \u00feeirra leikur s\u00f3lin st\u00f3rt hlutverk, \u00fea\u00f0 m\u00e1 l\u00edka segja a\u00f0 verki\u00f0 \u00ed heild s\u00fdni ekki hva\u00f0 s\u00edst samspil hafs og s\u00f3lar. S\u00f3lin varpar \u00fdmist sterkum lit, glampa e\u00f0a er blindandi. Nokkur innskotanna s\u00fdna andlit ungra kvenna e\u00f0a st\u00falkna, \u00fe\u00e6r tj\u00e1 sig ekki heldur eru \u00fe\u00f6glar, \u00e1horfandinn varpar s\u00ednum eigin hugsunum yfir \u00e1 \u00fe\u00e6r. Sum andlitin v\u00edsa sk\u00fdrt til \u00e1kve\u00f0inna m\u00e1lverka. Til d\u00e6mis minnir andlit konu me\u00f0 loku\u00f0 augu undir vatnsyfirbor\u00f0i \u00e1 m\u00e1lverk John Everett Millais af Opheliu, en Leccia hefur gert fleiri en eitt myndbandsverk af kvenandliti undir vatni. Myndskei\u00f0i\u00f0 af \u00f6ldur\u00f3tinu tengist l\u00edka s\u00f6gu m\u00e1lverksins, h\u00e9r birtast \u00f6ldurnar eins og fj\u00f6ll sem r\u00edsa og hn\u00edga og minna \u00e1 m\u00e1lverk fr\u00e1 r\u00f3mant\u00edska t\u00edmanum. S\u00fa sterka mynd sem skapast \u00feegar \u00e1horfandinn horfir \u00e1 Hafi\u00f0<\/em> tengist l\u00edka hugmynd r\u00f3mant\u00edkurinnar um sambandi manns og n\u00e1tt\u00faru. En Leccia segir einmitt \u00a0a\u00f0 listaverk ver\u00f0i til vi\u00f0 \u00e1horf; \u00e1n \u00e1horfandans er listaverki\u00f0 ekki til.<\/p>\n Eil\u00edf\u00f0in er fundin<\/em><\/strong><\/span><\/p>\n Ange Leccia notar oft kvikmyndabrot fr\u00e1 \u00f6\u00f0rum, \u00ed anda svokalla\u00f0rar \u201eappropriation\u201c-stefnu, \u00fear sem listamenn ganga \u00ed smi\u00f0ju annarra og endurn\u00fdta eitthva\u00f0 af verkum \u00feeirra, setja \u00feau fram \u00e1 n\u00fdjan h\u00e1tt og \u00ed n\u00fdju samhengi. H\u00e9r notar hann m.a. brot \u00far kvikmynd Jean Luc Godard, Pierrot le Fou<\/em>, fr\u00e1 \u00e1rinu 1965, Leccia s\u00fdnir lokasprengingu myndarinnar endurtekna me\u00f0 hvelli \u00ed s\u00edfellu. Einnig notar Leccia brot \u00far hlj\u00f3\u00f0setningu s\u00f6mu myndar, \u00fear sem leikarar hv\u00edsla upphafserindi lj\u00f3\u00f0sins Eil\u00edf\u00f0arinnar<\/em> eftir Arthur Rimbaud: \u201eElle est retrouv\u00e9e. Quoi? \u2013 L\u00b4Eternit\u00e9.\/C\u00b4est la mer all\u00e9e.\u201c , en \u00ed lj\u00f3\u00f0inu segir Rimbaud eil\u00edf\u00f0ina birtast \u00fear sem s\u00f3lin merlar \u00e1 hafinu.<\/p>\n Ange Leccia hefur tala\u00f0 s\u00e9rstaklega um \u00fe\u00e1tt l\u00f6\u00f0ursins \u00ed Hafinu<\/em>. Hv\u00edtfyssandi \u00f6ldurnar birta m\u00f6rk lands og sj\u00e1var, og \u00feau eru s\u00edbreytileg, eins og landam\u00e6ri sem f\u00e6rast til \u00ed s\u00edfellu. \u00cd \u00feessum s\u00edbreytilegu skilum milli lands og sj\u00e1var birtist starf listamannsins, segir Leccia, hann s\u00e6kir fram og h\u00f6rfar \u00ed list sinni. Hann l\u00edtur ennfremur \u00e1 hv\u00edtt l\u00f6\u00f0ri\u00f0 eins og au\u00f0a bla\u00f0s\u00ed\u00f0u, hv\u00edtan skj\u00e1, m\u00f3tt\u00e6kilegan fyrir hugsunum \u00e1horfandans. \u00deannig m\u00e1 l\u00edta \u00e1 Hafi\u00f0 sem eins konar r\u00fdmi, m\u00f3tt\u00e6kilegt fyrir ahorfandann, sta\u00f0 til a\u00f0 l\u00e1ta hugann hvarfla og l\u00e1ta sig dreyma, um lei\u00f0 og verki\u00f0 kemur \u00e1 \u00f3vart me\u00f0 \u00f3v\u00e6ntum myndum og hlj\u00f3\u00f0mynd.<\/p>\n Ange Leccia er f\u00e6ddur \u00e1 Kors\u00edku \u00e1ri\u00f0 1952. Hann b\u00fdr og starfar \u00ed Par\u00eds og \u00e1 Kors\u00edku. List hans hefur veri\u00f0 s\u00fdnd \u00e1 s\u00f6fnum v\u00ed\u00f0a um heim, \u00a0til d\u00e6mis \u00ed Guggenheim-safninu \u00ed New York, \u00ed Pompidou-safninu \u00ed Par\u00eds, \u00ed Mus\u00e9e d\u00b4art moderne de la Ville de Paris og \u00e1 st\u00f3rum al\u00fej\u00f3\u00f0legum s\u00fdningum \u00e1 bor\u00f0 vi\u00f0 Dokumenta \u00ed Kassel og Tv\u00ed\u00e6ringnum \u00ed Feneyjum. S\u00ed\u00f0an 2001 hefur Ange Leccia veri\u00f0 forst\u00f6\u00f0uma\u00f0ur ranns\u00f3knarmi\u00f0st\u00f6\u00f0varinnar Pavillon Neuflize OBC \u00ed Palais de Tokyo, Par\u00eds.<\/p>\n S\u00fdningin \u00ed Listasafni \u00cdslands stendur til 4. febr\u00faar 2018.<\/p>\n Ragna Sigur\u00f0ard\u00f3ttir<\/em><\/p>\n Greinin er ger\u00f0 \u00ed samstarfi vi\u00f0 Listasafn \u00cdslands. [\/et_pb_text][\/et_pb_column][\/et_pb_row][\/et_pb_section]<\/p>\n","protected":false},"excerpt":{"rendered":" N\u00fa s\u00fdnir Listasafn \u00cdslands \u00feekkta myndbandsinnsetningu, Hafi\u00f0 eftir franska listamanninn Ange Leccia. Verki\u00f0 hefur veri\u00f0 sett upp \u00e1 risast\u00f3rum skj\u00e1 \u00ed \u00f6\u00f0rum enda s\u00fdningarsalarins, eins og kvikmynd \u00e1 tjaldi. \u00deetta er vel vi\u00f0 h\u00e6fi \u00fev\u00ed Ange Leccia hefur fr\u00e1 upphafi ferils s\u00edns s\u00f3tt \u00e1hrif til kvikmynda, en listama\u00f0urinn kom sj\u00e1lfur hinga\u00f0 til lands og t\u00f3k […]<\/p>\n","protected":false},"author":22,"featured_media":5719,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_et_pb_use_builder":"on","_et_pb_old_content":" N\u00fa s\u00fdnir Listasafn \u00cdslands \u00feekkta myndbandsinnsetningu, Hafi\u00f0<\/em> eftir franska listamanninn Ange Leccia. Verki\u00f0 hefur veri\u00f0 sett upp \u00e1 risast\u00f3rum skj\u00e1 \u00ed \u00f6\u00f0rum enda s\u00fdningarsalarins, eins og kvikmynd \u00e1 tjaldi. \u00deetta er vel vi\u00f0 h\u00e6fi \u00fev\u00ed Ange Leccia hefur fr\u00e1 upphafi ferils s\u00edns s\u00f3tt \u00e1hrif til kvikmynda, en listama\u00f0urinn kom sj\u00e1lfur hinga\u00f0 til lands og t\u00f3k \u00fe\u00e1tt \u00ed uppsetningu s\u00fdningarinnar.<\/strong><\/p> Myndbands\/kvikmyndaverki\u00f0 Hafi\u00f0<\/em> er upprunalega fr\u00e1 \u00e1rinu 1991. Ange Leccia hefur s\u00fdnt verki\u00f0 m\u00f6rgum sinnum og \u00e1 mismunandi h\u00e1tt en framsetning \u00feess tekur i\u00f0ulega mi\u00f0 af a\u00f0st\u00e6\u00f0um. Verki\u00f0 er tv\u00edskipt, annars vegar s\u00fdnir \u00fea\u00f0 hv\u00edtar \u00f6ldur brotna \u00ed s\u00edbylju \u00e1 svartri str\u00f6nd. Sj\u00f3narhorni\u00f0 er l\u00edkt og \u00e1horfandinn sv\u00edfi \u00ed lausu lofti beint ofan vi\u00f0 fl\u00e6\u00f0arm\u00e1li\u00f0 og horfi ni\u00f0ur, myndinni er s\u00ed\u00f0an varpa\u00f0 upp \u00e1 skj\u00e1 e\u00f0a tjald, \u00feannig a\u00f0 \u00f6ldurnar sem skr\u00ed\u00f0a inn \u00e1 sandinn birtast l\u00f3\u00f0r\u00e9ttar, \u00fe\u00e6r r\u00edsa og hn\u00edga og minna \u00e1 fjallstoppa. \u00deessi \u00fe\u00f6glu myndskei\u00f0 eru s\u00ed\u00f0an brotin upp me\u00f0 stuttum myndskei\u00f0um sem eru anna\u00f0 hvort \u00far smi\u00f0ju Leccia e\u00f0a tekin \u00far kvikmyndum \u00feekktra leikstj\u00f3ra eins og t.d. Jean Luc Godard. \u00deessi myndskei\u00f0 eru hlj\u00f3\u00f0sett \u00e1 \u00fdmsan h\u00e1tt, sumum fylgir su\u00f0 Super-8 myndav\u00e9lar, \u00f6\u00f0rum poppt\u00f3nlist fr\u00e1 unglings\u00e1rum listamannsins, e\u00f0a hlj\u00f3\u00f0mynd vi\u00f0komandi kvikmyndar \u00fea\u00f0an sem broti\u00f0 er fengi\u00f0 a\u00f0 l\u00e1ni. Leccia hefur l\u00edka s\u00fdnt eing\u00f6ngu myndskei\u00f0i\u00f0 af \u00f6ldum \u00e1 str\u00f6nd sem sj\u00e1lfst\u00e6tt verk undir sama nafni. Saman mynda \u00feessir \u00fe\u00e6ttir gr\u00edpandi verk sem sei\u00f0ir og la\u00f0ar \u00e1horfandann til s\u00edn.<\/p> \u00c1hrif Japansfer\u00f0ar<\/em><\/p> \u00c1horfandanum er bo\u00f0i\u00f0 til s\u00e6tis \u00ed h\u00e1lfr\u00f6kkvu\u00f0um sal. \u00c1 tjaldinu brotna hv\u00edtar \u00f6ldurnar \u00ed s\u00edbylju \u00e1 sv\u00f6rtum sandinum, r\u00edsa og hn\u00edga \u00e1 v\u00edxl, \u00ed \u00feeim h\u00e6ga, reglubundna takti sem hafinu er eiginlegur, n\u00e1tt\u00faran andar. Hafi\u00f0<\/em> er gert \u00e1 Kors\u00edku, \u00e6skusl\u00f3\u00f0um listamannsins, eftir dv\u00f6l hans \u00ed Japan. Myndbandi\u00f0 er teki\u00f0 upp \u00e1 str\u00f6ndinni sem hann heims\u00f3tti reglulega me\u00f0 foreldrum s\u00ednum \u00ed \u00e6sku. \u00cd Japan kynntist Leccia Shinto-hef\u00f0inni, sem \u00e1 r\u00e6tur s\u00ednar a\u00f0 rekja allt aftur til 8. aldar, og hann hefur sagt a\u00f0 Hafi\u00f0<\/em> hef\u00f0i ekki or\u00f0i\u00f0 til \u00e1n Japansfer\u00f0arinnar. \u00cd Japan er Shinto ekki beinl\u00ednis tr\u00faarbr\u00f6g\u00f0 heldur hef\u00f0 sem \u00e1 s\u00e9r sterkar r\u00e6tur. H\u00fan birtist \u00ed \u00f3tal hofum v\u00ed\u00f0s vegar um landi\u00f0 sem Japanar heims\u00e6kja oft, \u00feanga\u00f0 s\u00e6kja \u00feeir s\u00e1larr\u00f3 og hj\u00e1lp \u00e1 erfi\u00f0um stundum. \u00cd Shinto-hofunum upplifir f\u00f3lk sterka tengingu vi\u00f0 n\u00e1tt\u00faruna, fri\u00f0 og \u00f6ryggi. Hofi\u00f0 upphefur n\u00e1tt\u00faruna sem heilaga, og Shinto-hof \u00feurfa ekki endilega a\u00f0 vera byggingar, \u00feau geta l\u00edka veri\u00f0 foss, klettur, tr\u00e9 e\u00f0a fjall. \u00deessi tilfinning gagnvart heilagleika n\u00e1tt\u00farunnar haf\u00f0i sterk \u00e1hrif \u00e1 Leccia. \u00cd verkinu n\u00e1lgast hann str\u00f6ndina og n\u00e1tt\u00faruna \u00e1 vissan h\u00e1tt sem heilagan sta\u00f0 og fyrir viki\u00f0 ver\u00f0ur listaverki\u00f0 sj\u00e1lft l\u00edkt og sta\u00f0ur sem \u00e1horfandinn gengur inn \u00ed og tengist.<\/p> Milli myndbandslistar og kvikmyndalistar<\/em><\/p> \u00cd Hafinu<\/em> birtast sk\u00fdrt tengsl listamannsins vi\u00f0 kvikmyndir. A\u00f0 loknu listn\u00e1mi me\u00f0 \u00e1herslu \u00e1 m\u00e1lverk og lj\u00f3smyndun lag\u00f0i Leccia stund \u00e1 n\u00e1m \u00ed kvikmyndafr\u00e6\u00f0i \u00ed Par\u00eds \u00e1 \u00e1ttunda \u00e1ratug s\u00ed\u00f0ustu aldar, kvikmyndami\u00f0illinn heilla\u00f0i hann meira en m\u00e1lverki\u00f0. \u00c1 l\u00f6ngum ferli s\u00ednum hefur Ange Leccia gert \u00f3tal myndbandsverk sem einnig m\u00e6tti kalla stuttmyndir, og hefur nefnt kvikmyndager\u00f0armenn \u00e1 bor\u00f0 vi\u00f0 Jean-Luc Godard, Paolo Pasolini og Michelangelo Antonioni sem \u00e1hrifavalda vi\u00f0 upphaf ferils s\u00edns. Upp \u00far mi\u00f0ri 20. \u00f6ld \u00e1tti s\u00e9r sta\u00f0 bylting \u00ed franskri kvikmyndager\u00f0, k\u00f6llu\u00f0 N\u00fdbylgjan. Stefna N\u00fdbylgjunnar var s\u00fa a\u00f0 kvikmyndin yr\u00f0i listr\u00e6nn tj\u00e1ningarmi\u00f0ill \u00e1 bor\u00f0 vi\u00f0 m\u00e1lverki\u00f0 og sk\u00e1lds\u00f6guna, mi\u00f0ill \u00fear sem listama\u00f0ur tj\u00e1ir tilfinningar s\u00ednar. T\u00e6kni N\u00fdbylgjunnar f\u00f3lst me\u00f0al annars \u00ed uppbroti fr\u00e1sagnarinnar, brotakenndum klippingum og l\u00f6ngum t\u00f6kum, en \u00feessir \u00fe\u00e6ttir eru einnig s\u00fdnilegir \u00ed Hafinu.<\/em> H\u00e9r eins og \u00ed fleiri verkum er \u00e1herslan mj\u00f6g sterk \u00e1 sj\u00f3nr\u00e6na \u00fe\u00e6tti, liti, birtu, stemningu frekar en l\u00ednulaga fr\u00e1s\u00f6gn, en \u00fe\u00f3 segja sum verkanna s\u00f6gur.<\/p> Myndbrotin sem brj\u00f3ta upp s\u00edbylju \u00f6ldur\u00f3tsins eru nokku\u00f0 \u00f3l\u00edk innbyr\u00f0is. \u00deau eru b\u00e6\u00f0i sk\u00f6pun Ange Leccio og \u201efundin myndbrot\u201c \u00far kvikmyndum. \u00cd m\u00f6rgum \u00feeirra leikur s\u00f3lin st\u00f3rt hlutverk, \u00fea\u00f0 m\u00e1 l\u00edka segja a\u00f0 verki\u00f0 \u00ed heild s\u00fdni ekki hva\u00f0 s\u00edst samspil hafs og s\u00f3lar. S\u00f3lin varpar \u00fdmist sterkum lit, glampa e\u00f0a er blindandi. Nokkur innskotanna s\u00fdna andlit ungra kvenna e\u00f0a st\u00falkna, \u00fe\u00e6r tj\u00e1 sig ekki heldur eru \u00fe\u00f6glar, \u00e1horfandinn varpar s\u00ednum eigin hugsunum yfir \u00e1 \u00fe\u00e6r. Sum andlitin v\u00edsa sk\u00fdrt til \u00e1kve\u00f0inna m\u00e1lverka. Til d\u00e6mis minnir andlit konu me\u00f0 loku\u00f0 augu undir vatnsyfirbor\u00f0i \u00e1 m\u00e1lverk John Everett Millais af Opheliu, en Leccia hefur gert fleiri en eitt myndbandsverk af kvenandliti undir vatni. Myndskei\u00f0i\u00f0 af \u00f6ldur\u00f3tinu tengist l\u00edka s\u00f6gu m\u00e1lverksins, h\u00e9r birtast \u00f6ldurnar eins og fj\u00f6ll sem r\u00edsa og hn\u00edga og minna \u00e1 m\u00e1lverk fr\u00e1 r\u00f3mant\u00edska t\u00edmanum. S\u00fa sterka mynd sem skapast \u00feegar \u00e1horfandinn horfir \u00e1 Hafi\u00f0<\/em> tengist l\u00edka hugmynd r\u00f3mant\u00edkurinnar um sambandi manns og n\u00e1tt\u00faru. En Leccia segir einmitt \u00a0a\u00f0 listaverk ver\u00f0i til vi\u00f0 \u00e1horf; \u00e1n \u00e1horfandans er listaverki\u00f0 ekki til.<\/p> Eil\u00edf\u00f0in er fundin<\/em><\/p> Ange Leccia notar oft kvikmyndabrot fr\u00e1 \u00f6\u00f0rum, \u00ed anda svokalla\u00f0rar \u201eappropriation\u201c-stefnu, \u00fear sem listamenn ganga \u00ed smi\u00f0ju annarra og endurn\u00fdta eitthva\u00f0 af verkum \u00feeirra, setja \u00feau fram \u00e1 n\u00fdjan h\u00e1tt og \u00ed n\u00fdju samhengi. H\u00e9r notar hann m.a. brot \u00far kvikmynd Jean Luc Godard, Pierrot le Fou<\/em>, fr\u00e1 \u00e1rinu 1965, Leccia s\u00fdnir lokasprengingu myndarinnar endurtekna me\u00f0 hvelli \u00ed s\u00edfellu. Einnig notar Leccia brot \u00far hlj\u00f3\u00f0setningu s\u00f6mu myndar, \u00fear sem leikarar hv\u00edsla upphafserindi lj\u00f3\u00f0sins Eil\u00edf\u00f0arinnar<\/em> eftir Arthur Rimbaud: \u201eElle est retrouv\u00e9e. Quoi? \u2013 L\u00b4Eternit\u00e9.\/C\u00b4est la mer all\u00e9e.\u201c , en \u00ed lj\u00f3\u00f0inu segir Rimbaud eil\u00edf\u00f0ina birtast \u00fear sem s\u00f3lin merlar \u00e1 hafinu.<\/p> Ange Leccia hefur tala\u00f0 s\u00e9rstaklega um \u00fe\u00e1tt l\u00f6\u00f0ursins \u00ed Hafinu<\/em>. Hv\u00edtfyssandi \u00f6ldurnar birta m\u00f6rk lands og sj\u00e1var, og \u00feau eru s\u00edbreytileg, eins og landam\u00e6ri sem f\u00e6rast til \u00ed s\u00edfellu. \u00cd \u00feessum s\u00edbreytilegu skilum milli lands og sj\u00e1var birtist starf listamannsins, segir Leccia, hann s\u00e6kir fram og h\u00f6rfar \u00ed list sinni. Hann l\u00edtur ennfremur \u00e1 hv\u00edtt l\u00f6\u00f0ri\u00f0 eins og au\u00f0a bla\u00f0s\u00ed\u00f0u, hv\u00edtan skj\u00e1, m\u00f3tt\u00e6kilegan fyrir hugsunum \u00e1horfandans. \u00deannig m\u00e1 l\u00edta \u00e1 Hafi\u00f0 sem eins konar r\u00fdmi, m\u00f3tt\u00e6kilegt fyrir hugsunum \u00e1horfandans, sta\u00f0 til a\u00f0 l\u00e1ta hugann hvarfla og l\u00e1ta sig dreyma, um lei\u00f0 og verki\u00f0 kemur \u00e1 \u00f3vart me\u00f0 \u00f3v\u00e6ntum myndum og hlj\u00f3\u00f0mynd.<\/p> Ange Leccia er f\u00e6ddur \u00e1 Kors\u00edku \u00e1ri\u00f0 1952. Hann b\u00fdr og starfar \u00ed Par\u00eds og \u00e1 Kors\u00edku. List hans hefur veri\u00f0 s\u00fdnd \u00e1 s\u00f6fnum v\u00ed\u00f0a um heim, \u00a0til d\u00e6mis \u00ed Guggenheim-safninu \u00ed New York, \u00ed Pompidou-safninu \u00ed Par\u00eds, \u00ed Mus\u00e9e d\u00b4art moderne de la ville de Paris og \u00e1 st\u00f3rum al\u00fej\u00f3\u00f0legum s\u00fdningum \u00e1 bor\u00f0 vi\u00f0 Dokumenta \u00ed Kassel og Tv\u00ed\u00e6ringnum \u00ed Feneyjum. S\u00ed\u00f0an 2001 hefur Ange Leccia veri\u00f0 forst\u00f6\u00f0uma\u00f0ur ranns\u00f3knarmi\u00f0st\u00f6\u00f0varinnar Pavillon Neuflize OBC \u00ed Palais de Tokyo, Par\u00eds. S\u00fdningin \u00ed Listasafni \u00cdslands stendur til 4. febr\u00faar 2018.<\/p>","_et_gb_content_width":"","_jetpack_memberships_contains_paid_content":false,"footnotes":""},"categories":[1],"tags":[332,331,82],"class_list":["post-5660","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-uncategorized","tag-ange-leccia","tag-hafid","tag-listasafn-islands"],"yoast_head":"\n![\"\"](\"http:\/\/artzine.is\/wp-content\/uploads\/2017\/11\/DSC01096-2-1024x701.jpg\")
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Lj\u00f3smyndir: Helga \u00d3skarsd\u00f3ttir.<\/p>\n