Getur \u00fe\u00fa nefnt nokkra \u00e1hrifavalda \u00e1 verk \u00fe\u00edn gegnum \u00e1rin \u00far kvikmynda og myndlistarheiminum?<\/em><\/h4>\nL\u00f6ngu \u00e1\u00f0ur en \u00e9g f\u00f3r \u00ed myndistarn\u00e1m \u00fe\u00e1 st\u00fadera\u00f0i \u00e9g mannfr\u00e6\u00f0i vi\u00f0 H\u00e1sk\u00f3la \u00cdslands. \u00dear f\u00f3r \u00e9g \u00e1 n\u00e1mskei\u00f0 hj\u00e1 Sigurj\u00f3ni Baldri Hafsteinssyni sem var a\u00f0alforsprakkinn a\u00f0 uppgangi sj\u00f3nr\u00e6nnar mannfr\u00e6\u00f0i \u00e1 \u00cdslandi. Sigurj\u00f3n \u00e1tti mj\u00f6g gott safn af heimildarmyndum og \u00fearna opna\u00f0ist fyrir m\u00e9r heimur \u00feeirra. \u00c1\u00f0ur haf\u00f0i \u00e9g einungis s\u00e9\u00f0 sj\u00f3nvarpsheimildarmyndir \u00e1 R\u00daV og haf\u00f0i ekki hugmynd um tilur\u00f0 og snilld skapandi heimildarmynda. Einkum er m\u00e9r minnist\u00e6\u00f0ar myndirnar Grey Gardens eftir Maysles br\u00e6\u00f0ur og Titicut Follies eftir Wiseman. Vi\u00f0 horf\u00f0um l\u00edka \u00e1 magna\u00f0 verk um !Kung f\u00f3lki\u00f0 \u00ed Namib\u00edu eftir Robert Marshall og svo au\u00f0vita\u00f0 fr\u00f6nsku hef\u00f0ina l\u00edka, Jean Rouch og Cinema verit\u00e9. \u00c9g ger\u00f0i tilraun \u00ed anda cinema verit\u00e9 \u00ed kj\u00f6lfari\u00f0 en er \u00ed dag mun formfastari \u00ed n\u00e1lgun. Me\u00f0 \u00fev\u00ed meina \u00e9g a\u00f0 \u00fe\u00f3 svo a\u00f0 sk\u00f6punarferli\u00f0 s\u00e9 ranns\u00f3knart\u00e6ki\u00f0 \u00ed sj\u00e1lfri s\u00e9r \u00fe\u00e1 fer fram mikil ranns\u00f3kn og undirb\u00faningur \u00e1\u00f0ur en r\u00e1\u00f0ist er \u00ed ger\u00f0 sj\u00e1lfs verksins, \u00feannig a\u00f0 \u00e9g er komin ansi n\u00e1l\u00e6gt kjarnanum \u00feegar hin endalega myndataka hefst.<\/em><\/p>\n[\/et_pb_text][et_pb_image src=“https:\/\/artzine.is\/wp-content\/uploads\/2017\/01\/14572834_10154299209308600_8718345106253173421_n.jpg“ show_bottom_space=“off“ align=“center“ force_fullwidth=“on“ align_tablet=“center“ align_last_edited=“on|desktop“ admin_label=“Image“ _builder_version=“3.23″ animation=“off“ use_border_color=“off“ border_color=“#ffffff“ border_width=“1px“ border_style=“solid“ sticky=“on“ always_center_on_mobile=“on“] [\/et_pb_image][et_pb_text admin_label=“mynda-Text“ _builder_version=“3.27.4″ background_size=“initial“ background_position=“top_left“ background_repeat=“repeat“ use_border_color=“off“ border_style=“solid“]Hulda R\u00f3s \u00e1 32. Warsaw Film Festival 7-16 10 2016 \u00ed Warszaw\/P\u00f3landi. Lj\u00f3smynd:\u00a0Bartek Trzeszkowski<\/strong><\/span>
\n[\/et_pb_text][et_pb_text admin_label=“Text“ _builder_version=“3.27.4″ background_size=“initial“ background_position=“top_left“ background_repeat=“repeat“ use_border_color=“off“ border_style=“solid“]<\/p>\nHva\u00f0 var\u00f0ar myndlist \u00fe\u00e1 \u00f3lst \u00e9g ekki upp \u00ed myndlistarme\u00f0vita\u00f0ri fj\u00f6lskyldu e\u00f0a umhverfi. \u00deegar \u00e9g var um tv\u00edtug haf\u00f0i \u00e9g varla hugmynd um samt\u00edmalist. \u00c9g haf\u00f0i teikna\u00f0 miki\u00f0 sem barn, svona fantas\u00edu en vegna \u00f3insp\u00edrarandi myndmenntarkennslu \u00fe\u00e1 missti \u00e9g \u00e1hugann. \u00dea\u00f0 var \u00feegar \u00e9g var skiptinemi \u00ed Bandar\u00edkjunum a\u00f0 \u00e9g t\u00f3k myndlistar\u00e1fanga og \u00feegar kennarinn minn valdi abstrakt teikningu eftir mig til a\u00f0 vera b\u00f3kak\u00e1pa \u00e1 lj\u00f3\u00f0ab\u00f3k nemenda fatta\u00f0i \u00e9g a\u00f0 \u00feetta g\u00e6ti veri\u00f0 lei\u00f0 fyrir mig. \u00cd kj\u00f6lfari\u00f0 t\u00f3k \u00e9g kv\u00f6ldn\u00e1mskei\u00f0 \u00ed myndlist og af-l\u00e6r\u00f0i \u00fear allt sem \u00e9g haf\u00f0i l\u00e6rt \u00ed myndmennt og f\u00f3r ‘a\u00f0 sj\u00e1’ aftur. \u00dea\u00f0 var mikil frelsun. \u00dea\u00f0 var um \u00feetta leyti sem \u00e9g uppg\u00f6tva\u00f0i Sigur\u00f0 Gu\u00f0mundsson \u00e1 safni \u00ed Amsterdam. \u00cd safnaversluninni var safn p\u00f3stkorta me\u00f0 lj\u00f3smyndaverkum hans. \u00dearna var hann a\u00f0 gera einfalt en mj\u00f6g h\u00famor\u00edskt ‘l\u00e1tbrag\u00f0’ e\u00f0a ‘gesture’ sem hann nefndi ‘Situations’ og h\u00f6f\u00f0u margslugnar v\u00edsanir. \u00c9g var\u00f0 alveg dolfallinn og \u00feessi p\u00f3stkort fylgdu m\u00e9r n\u00e6sta \u00e1ratuginn \u00feanga\u00f0 \u00feau gengu s\u00e9r til h\u00fa\u00f0ar. \u00dea\u00f0 voru \u00feessi verk sem kynntu mig fyrir samt\u00edmalist og voru innbl\u00e1stur fyrir mig a\u00f0 l\u00e6ra myndlist \u00e1ratug s\u00ed\u00f0ar.<\/em><\/p>\nAkk\u00farat n\u00fana held \u00e9g ekki vatni yfir sj\u00f3nvarps\u00fe\u00e1ttar\u00f6\u00f0um myndlistarmannsins Grayson Perry \u00e1 Channel 4 \u00ed Bretlandi. \u00cd r\u00f6\u00f0unum gefur hann mj\u00f6g a\u00f0gengilega mynd af ranns\u00f3knarferlinum sem hann gengur \u00ed gegnum \u00ed undirb\u00faningi a\u00f0 ger\u00f0 verka sinna sem eru leirkerasm\u00ed\u00f0 og veggteppi a\u00f0allega. Ranns\u00f3knin sj\u00e1lf, sem er samf\u00e9lagsleg st\u00fad\u00eda me\u00f0 \u00e1herslu \u00e1 sj\u00f3nr\u00e6n t\u00e1kn sem mi\u00f0la ni\u00f0urst\u00f6\u00f0u Graysons \u00e1 tilteknum samf\u00e9lagsh\u00f3p e\u00f0a fyrirb\u00e6ri, ver\u00f0ur hluti af verkinu og gefur \u00fev\u00ed auki\u00f0 gildi. \u00deetta minnir soldi\u00f0 \u00e1 Sophie Calle sem er annar \u00e1hrifavaldur en er mun a\u00f0gengilegra. M\u00e9r finnst a\u00f0 samt\u00edmalistin ver\u00f0i a\u00f0 teygja sig soldi\u00f0 \u00fat \u00far s\u00ednum el\u00edtukassa og til f\u00f3lksins til \u00feess a\u00f0 h\u00fan geti bl\u00f3mstra\u00f0 sem t\u00e6ki til samf\u00e9lagsbreytinga. Kvikmyndaformi\u00f0 kemur \u00fear sterkt inn \u00ed. \u00dea\u00f0 hefur annan og brei\u00f0ari \u00e1horfendah\u00f3p en galler\u00ed e\u00f0a safn jafnvel. Steve McQueen hefur eflaust n\u00e1\u00f0 lengst allra myndlistarmanna a\u00f0 n\u00e1 til fj\u00f6ldans me\u00f0 mynd sinni ’12 Years A Slave’ og \u00f6\u00f0rum meginstraumsmyndum en \u00fear finnst m\u00e9r hann reyndar hafa stigi\u00f0 langt skref fr\u00e1 myndlistarhugsun og er meira a\u00f0 nota klass\u00edska kvikmyndalega fr\u00e1s\u00f6gn. \u00c9g er mikill a\u00f0d\u00e1andi fyrri myndlistarverka hans, s\u00e9rstaklega v\u00edde\u00f3verkanna sem voru \u00e1 Feneyjartv\u00ed\u00e6ringnum \u00e1ri\u00f0 2009.<\/em><\/p>\n[\/et_pb_text][et_pb_image src=“https:\/\/artzine.is\/wp-content\/uploads\/2017\/01\/KeepFrozenPart3_48hourperformance-Photo-Lisa_Matthys_3442-1.jpg“ show_bottom_space=“off“ align=“center“ force_fullwidth=“on“ align_tablet=“center“ align_last_edited=“on|desktop“ admin_label=“Image“ _builder_version=“3.23″ animation=“off“ use_border_color=“off“ border_color=“#ffffff“ border_width=“1px“ border_style=“solid“ sticky=“on“ always_center_on_mobile=“on“] [\/et_pb_image][et_pb_text admin_label=“mynda-Text“ _builder_version=“3.27.4″ background_size=“initial“ background_position=“top_left“ background_repeat=“repeat“ use_border_color=“off“ border_style=“solid“]48-t\u00edma gj\u00f6rningur l\u00f6ndunarmanna \u00ed Leipzig. Lj\u00f3smynd: Lisa Matthys.<\/span><\/span><\/strong><\/span>
\n[\/et_pb_text][et_pb_text admin_label=“Text“ _builder_version=“3.27.4″ background_size=“initial“ background_position=“top_left“ background_repeat=“repeat“ use_border_color=“off“ border_style=“solid“]<\/p>\nHvernig s\u00e9r\u00f0 \u00fe\u00fa fyrir \u00fe\u00e9r samband myndlistar og kvikmynda? Hvernig telur \u00fe\u00fa a\u00f0 \u00feessi tengsl hafi komi\u00f0 fram \u00ed \u00feinni listsk\u00f6pun?<\/em><\/h4>\nKvikmyndaform er eins og hvert anna\u00f0 form sem myndlistarma\u00f0ur getur nota\u00f0. \u00c9g skil vel a\u00f0 \u00fea\u00f0 s\u00e9u \u00e1kve\u00f0in form, t\u00e6kni e\u00f0a efni sem krefjast algerrar tileinkunnar listamannsins a\u00f0 \u00fev\u00ed \u00e1kve\u00f0na formi e\u00f0a efni, til d\u00e6mis eins og margir listm\u00e1larar gera e\u00f0a einstakir sk\u00falpt\u00faristar sem vinna bara \u00ed \u00e1kve\u00f0i\u00f0 efni eins og til d\u00e6mis Grayson Perry sem einbeitir s\u00e9r fyrst og fremst a\u00f0 leirmunum. \u00dea\u00f0 er l\u00edka \u00e1kve\u00f0in tilhneiging innan listmarka\u00f0ar a\u00f0 setja listamenn \u00ed \u00e1kve\u00f0in h\u00f3lf hva\u00f0 var\u00f0ar efnisnotkun e\u00f0a vi\u00f0fangsefni svo au\u00f0veldara s\u00e9 a\u00f0 ‘branda’ listamanninn. Hinsvegar er \u00e9g meira spennt fyrir frelsinu \u00fear sem hugmyndin er megnm\u00e1li\u00f0 og \u00fatf\u00e6rslan krefst samstarfs vi\u00f0 fj\u00f6lda s\u00e9rfr\u00e6\u00f0inga \u00ed hinum \u00fdmsu t\u00e6kni, efni og formum. Einnig er \u00e9g spennt fyrir samf\u00e9lagslegri \u00fe\u00e1ttt\u00f6ku \u00fear sem \u00e9g sj\u00e1lf kemst \u00fat fyrir listheimsbl\u00f6\u00f0runa og tek f\u00f3lk utan hennar inn \u00ed ferli\u00f0 \u00e1 einn e\u00f0a annan h\u00e1tt. \u00dea\u00f0 finnst m\u00e9r spennandi og engin \u00e1st\u00e6\u00f0a til a\u00f0 \u00fatloka kvikmyndaformi\u00f0 frekar en sk\u00falpt\u00far e\u00f0a innsetningu. Kvikmyndaformi\u00f0 krefst mikillar samvinnu og heimildarmyndaformi\u00f0 enn frekar. Svo er \u00fea\u00f0 \u00feannig a\u00f0 \u00ed kvikmyndask\u00f3lum dagsins \u00ed dag \u00fe\u00e1 l\u00e6ra nemendur \u00e1kve\u00f0na form\u00falu, \u00e1hersla er l\u00f6g\u00f0 \u00e1 sterka narrat\u00edvu og karakter uppbyggingu. \u00deetta er eins konar form\u00fala sem gengur vel til a\u00f0 vinna ver\u00f0laun \u00e1 kvikmyndah\u00e1t\u00ed\u00f0um e\u00f0a f\u00e1 dreifingu \u00ed st\u00f3ru kvikmyndah\u00fasunum og s\u00f6lu \u00ed sj\u00f3nvarp. \u00dea\u00f0 er l\u00edtil \u00e1hersla l\u00f6g\u00f0 \u00e1 tilraunamennsku e\u00f0a opna n\u00e1lgun sem er akk\u00farat \u00fea\u00f0 sem er kennt \u00ed myndlistarsk\u00f3lum. M\u00e9r finnst yfirleitt mest spennandi \u00feegar myndlistarmennta\u00f0ir listamenn reyna a\u00f0 halda \u00feessari opnu n\u00e1lgun \u00feegar \u00feeir vinna vi\u00f0 kvikmyndir og \u00fe\u00e1 er \u00fatkoman oft spennandi. \u00c9g er mj\u00f6g spennt fyrir a\u00f0 sj\u00e1 verk Melanie Bonajo, myndlistarkonu sem \u00e9g hef fylgst me\u00f0 lengi. H\u00fan var a\u00f0 frums\u00fdna heimildarmyndina ‘Progress vs. Regress’ \u00e1 st\u00e6rstu heimildarmyndah\u00e1ti\u00f0 Evr\u00f3pu IDFA \u00ed Amsterdam. M\u00e9r s\u00fdnist \u00e1 \u00f6llu a\u00f0 \u00fear hafi h\u00fan fari\u00f0 mj\u00f6g \u00f3hef\u00f0bundnar lei\u00f0ir \u00ed n\u00e1lgun sinni \u00e1 vi\u00f0fangsefninu. Um daginn s\u00e1 \u00e9g magna\u00f0a mynd eftir s\u00e6nska myndlistarmanninn Johannes Nyholm ‘The Giant’ sem f\u00e9kk mig til a\u00f0 gr\u00e1ta hreinlega. H\u00fan snerti mig dj\u00fapt. Bara n\u00fana \u00ed vikunni h\u00fan a\u00f0 vinna s\u00e6nsku ‘Eddu’ ver\u00f0launin sem besta kvikmynd og besta handrit. \u00dea\u00f0 v\u00e6ri gaman a\u00f0 sj\u00e1 hvort B\u00ed\u00f3 Parad\u00eds s\u00fdni mynd Melanie. \u00dea\u00f0 er svo margt spennandi a\u00f0 gerast.<\/em><\/p>\n[\/et_pb_text][et_pb_image src=“https:\/\/artzine.is\/wp-content\/uploads\/2017\/01\/IMG_7647.jpg“ show_bottom_space=“off“ align=“center“ force_fullwidth=“on“ align_tablet=“center“ align_last_edited=“on|desktop“ admin_label=“Image“ _builder_version=“3.23″ animation=“off“ use_border_color=“off“ border_color=“#ffffff“ border_width=“1px“ border_style=“solid“ sticky=“on“ always_center_on_mobile=“on“] [\/et_pb_image][et_pb_text admin_label=“mynda-Text“ _builder_version=“3.27.4″ background_size=“initial“ background_position=“top_left“ background_repeat=“repeat“ use_border_color=“off“ border_style=“solid“]Fr\u00e1 myndlistars\u00fdningunni \u00ed Listasafni ASI. Lj\u00f3smynd: Dennis Helm<\/strong><\/span>
\n[\/et_pb_text][et_pb_text admin_label=“Text“ _builder_version=“3.27.4″ background_size=“initial“ background_position=“top_left“ background_repeat=“repeat“ use_border_color=“off“ border_style=“solid“]<\/p>\nFyrir mig \u00fe\u00e1 var \u00e9g byrju\u00f0 a\u00f0 gera heimildarmyndir \u00fat fr\u00e1 kynnum m\u00ednum \u00e1 sj\u00f3nr\u00e6nni mannfr\u00e6\u00f0i \u00e1\u00f0ur en \u00e9g h\u00f3f n\u00e1m \u00ed myndlist. \u00c9g held \u00feeir hafi teki\u00f0 mig inn \u00ed LHI \u00e1 grundvelli \u00feess a\u00f0 \u00fea\u00f0 haf\u00f0i ver\u00f0 vakning \u00ed myndlistargeiranum \u00e1 m\u00f6guleikum heimildarmyndager\u00f0ar sem listr\u00e6ns tj\u00e1ningarforms. \u00deeir vildu sj\u00e1 hva\u00f0 myndi gerast me\u00f0 a\u00f0 hleypa m\u00e9r a\u00f0.<\/em><\/p>\nHva\u00f0 veldur \u00fev\u00ed a\u00f0 \u00fe\u00fa velur einn mi\u00f0ilinn fram yfir hinn \u00feegar \u00fe\u00fa f\u00e6r\u00f0 hugmynd a\u00f0 verki?<\/em><\/h4>\nN\u00fa eru um \u00e1ratugur sem \u00e9g hef starfa\u00f0 sem myndlistarma\u00f0ur \u00feannig a\u00f0 \u00e9g hef talsver\u00f0a reynslu \u00ed rekstur myndlistarst\u00fad\u00ed\u00f3s. \u00deetta er mj\u00f6g miki\u00f0 hark. \u00dea\u00f0 sem helst stendur \u00ed vegi fyrir ger\u00f0 st\u00f3rra innsetninga og fl\u00f3kinna v\u00edde\u00f3verka er a\u00f0 \u00e1 \u00cdslandi skortir sterkan framlei\u00f0slusj\u00f3\u00f0 fyrir myndlistarverk. Myndlistarsj\u00f3\u00f0ur kom inn eins og gu\u00f0s gj\u00f6f og \u00e9g var svo heppin a\u00f0 f\u00e1 einn st\u00e6rsta styrk sem gefin hefur veri\u00f0 strax \u00fearna \u00ed upphafi og ger\u00f0i hann m\u00e9r kleift a\u00f0 standa straum af kostna\u00f0i vi\u00f0 ger\u00f0ar b\u00f3kar um myndlistarranns\u00f3kn m\u00edna Keep Frozen en heimildarmyndin Keep Frozen er hluti af ranns\u00f3knarverkefninu. \u00dea\u00f0 var \u00feannig a\u00f0 \u00e9g f\u00e9kk st\u00f3ran norr\u00e6nan styrk \u00fear sem var krafist m\u00f3tframlags \u00far heimasj\u00f3\u00f0i til a\u00f0 leysa \u00fat styrkinn og \u00fev\u00ed var bara ekki anna\u00f0 h\u00e6gt en a\u00f0 gefa m\u00e9r styrk. Myndlistarsj\u00f3\u00f0ur ger\u00f0i m\u00e9r \u00fearna kleift a\u00f0 taka \u00fe\u00e1tt \u00ed hinu al\u00fej\u00f3\u00f0lega m\u00f3tframlagskerfi. \u00deetta var eftir a\u00f0 m\u00e9r haf\u00f0i oftar en einusinni veri\u00f0 neita\u00f0 um listamannalaun til a\u00f0 stunda ranns\u00f3knina og fj\u00e1rmagna s\u00fdningarverkefni tengd henni.<\/em><\/p>\n[\/et_pb_text][et_pb_text admin_label=“plakat-Text“ _builder_version=“3.27.4″ background_size=“initial“ background_position=“top_left“ background_repeat=“repeat“ use_border_color=“off“ border_style=“solid“]<\/p>\n
![](\"https:\/\/artzine.is\/wp-content\/uploads\/2017\/02\/plakat1.jpg\")
\u00dea\u00f0 var \u00ed raun styrkur fr\u00e1 kvikmyndasj\u00f3\u00f0i fyrir ger\u00f0 heimildarmyndarinnar og \u00feessi b\u00f3kaframlei\u00f0slustyrkur sem ger\u00f0i m\u00e9r kleift a\u00f0 taka st\u00f3rt st\u00f6kk \u00ed ranns\u00f3kninni. \u00de\u00e1 haf\u00f0i \u00e9g til d\u00e6mis framleitt s\u00fdningu fyrir Listah\u00e1t\u00ed\u00f0 \u00ed Reykjav\u00edk fyrir takmarka\u00f0\u00a0f\u00e9. Myndband sem s\u00fdnt var \u00e1 s\u00fdningunni var gert fyrir g\u00f3\u00f0vilja myndat\u00f6kumanns \u00e1 heimildarmyndinni og me\u00f0 \u00feeim t\u00e6kjum sem veri\u00f0 var a\u00f0 nota vi\u00f0 ger\u00f0 heimildarmyndarinnar. Vi\u00f0 notu\u00f0um t\u00e6kif\u00e6ri\u00f0 fyrst vi\u00f0 h\u00f6f\u00f0um gr\u00e6jurnar og f\u00f3lki\u00f0. Gu\u00f0mundur \u00ed Listam\u00f6nnum ger\u00f0i m\u00e9r st\u00f3rgrei\u00f0a, samband listamanna \u00ed Berl\u00edn l\u00e9t mig f\u00e1 \u00f3keypis lj\u00f3smyndast\u00fad\u00ed\u00f3 og svo m\u00e6tti telja. \u00d6nnur s\u00fdning sem \u00e9g haf\u00f0i gert \u00e1\u00f0ur \u00ed Listasafni Reykjav\u00edkur var framleitt fyrir styrk fr\u00e1 \u00fe\u00fdska myndlistarsj\u00f3\u00f0num. \u00dea\u00f0 hef\u00f0i ekki veri\u00f0 s\u00e9ns a\u00f0 gera 10 r\u00e1sa v\u00edde\u00f3verk fyrir hundra\u00f0 \u00fe\u00fasund kallinn sem \u00e9g f\u00e9kk fr\u00e1 LR. \u00deetta var \u00e1\u00f0ur en Myndlistarsj\u00f3\u00f0ur kom til. \u00dea\u00f0 er mj\u00f6g mi\u00f0ur a\u00f0 s\u00ed\u00f0an Myndlistarsj\u00f3\u00f0ur byrja\u00f0i \u00fe\u00e1 hafa styrkupph\u00e6\u00f0irnar fyrir einstaka verkefni minnka\u00f0 svo um munar og eru raun or\u00f0in jafnh\u00e1ar og sm\u00e1styrkirnir sem h\u00e6gt var a\u00f0 f\u00e1 \u00e1\u00f0ur hj\u00e1 Myndstefi til d\u00e6mis.<\/em><\/p>\n\u00deetta er hreinskilna svari\u00f0 sem m\u00e9r \u00feykir vi\u00f0 h\u00e6fi a\u00f0 gefa h\u00e9r\u00a0til a\u00f0 gefa sk\u00fdra mynd af \u00e1standinu. Umr\u00e6\u00f0a um \u00feessi m\u00e1l er nau\u00f0synleg. \u00c9g er langt fr\u00e1 \u00fev\u00ed a\u00f0 vera ein \u00ed \u00feessum sporum. Listamenn \u00feurfa me\u00f0 \u00fatsj\u00f3narsemi a\u00f0 laga sig a\u00f0 \u00e1standinu sem getur komi\u00f0 ni\u00f0ur \u00e1 endanlegri \u00fatkomu. \u00c1 me\u00f0an framlei\u00f0slustyrkir til myndlistar standa \u00e1 svona veikum grunni \u00fe\u00e1 er ekki h\u00e6gt a\u00f0 tala um raunverulegt val.<\/em><\/p>\n[\/et_pb_text][et_pb_text admin_label=“Text“ _builder_version=“3.27.4″ background_size=“initial“ background_position=“top_left“ background_repeat=“repeat“ use_border_color=“off“ border_style=“solid“]<\/p>\n
Hver er s\u00fdn \u00fe\u00edn \u00e1 kvikmyndir sem listform og \u00fat fr\u00e1 hverju telur\u00f0u megi helst meta listr\u00e6nt gildi \u00feeirra?<\/em><\/h4>\nUppruna kvikmyndalistarinnar m\u00e1 rekja til \u00feess a\u00f0 menn vildu skr\u00e1setja raunveruleikann. \u00deannig a\u00f0 ‘heimildarmyndin’ er \u00ed raun undanfari leikinna kvikmynda. \u00dea\u00f0 var ekki fyrr en \u00e1 3. \u00e1ratugnum sem fari\u00f0 var a\u00f0 draga l\u00ednur og or\u00f0i\u00f0 ‘documenttary’ var\u00f0 til. Meginstraumsmyndir eru \u00ed raun og veru af\u00fereying e\u00f0a \u00e1kve\u00f0inn fl\u00f3tti fr\u00e1 raunveruleikanum og \u00fev\u00ed hafa \u00fe\u00e6r kannski meira gildi sem skemmtun en listr\u00e6nt. \u00cd m\u00ednum augum er kraftur myndlistar a\u00f0 finna \u00ed v\u00edsun hennar \u00ed raunveruleikann, e\u00f0a d\u00edal\u00f3g hennar vi\u00f0 umhverfi sitt, ekki \u00ed fl\u00f3tta fr\u00e1 raunveruleikanum. \u00de\u00e1 erum vi\u00f0 eins og \u00e9g segi komin \u00fat \u00ed af\u00fereyingu sem er megintilgangur meginstraumskvikmynda. \u00deannig s\u00e9 \u00e9g uppruna kvikmyndalistar sem \u00ed raun uppruna \u00e1kve\u00f0ins myndlistarforms me\u00f0 talsvert miki\u00f0 listr\u00e6nt gildi \u00fe\u00f3 svo a\u00f0 \u00e1berandi angar hennar hafi s\u00ed\u00f0ar \u00fer\u00f3ast \u00ed a\u00f0ra \u00e1tt, \u00ed \u00e1tt a\u00f0 af\u00fereyingu. Sj\u00e1lf hef \u00e9g fengist vi\u00f0 tvenns konar hreyfimyndalistform, v\u00edde\u00f3verki\u00f0 og heimildarmyndaformi\u00f0. \u00c9g hef n\u00e1lgast \u00feessi form \u00e1 \u00f3l\u00edkan h\u00e1tt og tala h\u00e9r um heimildarmyndaformi\u00f0.<\/p>\n
\u00dea\u00f0 er erfitt a\u00f0 tala um heimildarmyndir sem s\u00e9rstakann flokk\u00a0\u00fev\u00ed \u00fe\u00e6r eru svo \u00f3tr\u00falega \u00f3l\u00edkar innbyr\u00f0is. \u00dea\u00f0 er bara ein tegund heimildarmynda sem g\u00e6tu talist hafa listr\u00e6nt gildi og \u00fea\u00f0 eru svokalla\u00f0ar skapandi heimildarmyndir sem m\u00e9r finnst reyndar frekar gl\u00f6tu\u00f0 nafngift.<\/p>\n
\u00deessi verk byggja \u00e1 mj\u00f6g l\u00f6ngu ranns\u00f3knarferli og helgun a\u00f0 vi\u00f0fangsefninu og \u00fatf\u00e6rslan er h\u00f6fundaverk e\u00f0a \u00e1kve\u00f0in s\u00fdn h\u00f6fundar \u00e1 efni\u00f0. \u00dea\u00f0 er \u00f3l\u00edkt til d\u00e6mis sj\u00f3nvarpheimildarmyndinni sem er \u00e6tla\u00f0 a\u00f0 mi\u00f0la einhver konar ‘sannleika’ sem talinn er vera hlutlaus og einnig leggja fram sv\u00f6r sem eiga a\u00f0 vera algild. Hafa fyrst og fremst uppl\u00fdsingagildi. \u00c9g hef litla tr\u00fa \u00e1 sl\u00edku. ‘Hlutlaus’ sannleikur er alltaf s\u00fdn \u00feess sem hefur valdi\u00f0, \u00feess sem hefur skapa\u00f0 \u00feann str\u00faktur \u00fear\u00a0sem sagan er s\u00f6g\u00f0. \u00c9g held a\u00f0 til a\u00f0 meta hvort heimildarmynd s\u00e9 myndlist e\u00f0a eitthva\u00f0 anna\u00f0 \u00fearf a\u00f0 sko\u00f0a hvatann a\u00f0 baki ger\u00f0ar heimildarmyndarinnar. S\u00e9 h\u00fan ger\u00f0 \u00ed \u00fe\u00e1gu einhvers m\u00e1lsta\u00f0ar e\u00f0a sem fr\u00e9ttask\u00fdring hefur h\u00fan auglj\u00f3slega ekki listr\u00e6nt gildi. \u00dea\u00f0 getur l\u00edka skipt m\u00e1li hver bakgrunnur h\u00f6fundar er. Hann \u00fearf ekki endilega a\u00f0 vera mennta\u00f0ur \u00ed myndlist en \u00fearf a\u00f0 starfa \u00ed samhengi samt\u00edmalistar \u2013 hann \u00fearf a\u00f0 hafa \u00fea\u00f0 v\u00e6gi a\u00f0 myndin ver\u00f0i sta\u00f0sett innan myndlistarumr\u00e6\u00f0u.<\/p>\n
[\/et_pb_text][et_pb_image src=“https:\/\/artzine.is\/wp-content\/uploads\/2017\/01\/IMG_7664.jpg“ show_bottom_space=“off“ align=“center“ force_fullwidth=“on“ align_tablet=“center“ align_last_edited=“on|desktop“ admin_label=“Image“ _builder_version=“3.23″ animation=“off“ use_border_color=“off“ border_color=“#ffffff“ border_width=“1px“ border_style=“solid“ sticky=“on“ always_center_on_mobile=“on“] [\/et_pb_image][et_pb_text admin_label=“mynda-Text“ _builder_version=“3.27.4″ background_size=“initial“ background_position=“top_left“ background_repeat=“repeat“ use_border_color=“off“ border_style=“solid“]Fr\u00e1 myndlistars\u00fdningunni \u00ed Listasafni ASI. Lj\u00f3smynd: Dennis Helm<\/strong><\/span>
\n[\/et_pb_text][et_pb_text admin_label=“Text“ _builder_version=“3.27.4″ background_size=“initial“ background_position=“top_left“ background_repeat=“repeat“ use_border_color=“off“ border_style=“solid“]<\/p>\nA\u00f0 m\u00ednu mati er \u00fea\u00f0 sem gerir heimildamyndaformi\u00f0 spennandi eins og \u00e9g stunda \u00fea\u00f0 eru spurningarnar sem vakna vi\u00f0 ger\u00f0 og framsetningu heimildarmynda. \u00deetta eru listr\u00e6nar spurningar um samband veruleika og framsetningar e\u00f0a sta\u00f0h\u00e6finga um hva\u00f0 s\u00e9 raunveruleikinn; spurningar um e\u00f0li sannleikans og hlutleysis og m\u00f6guleika \u00feess a\u00f0 \u00fea\u00f0 s\u00e9 \u00ed raun og veru til sannleikur e\u00f0a hlutleysi; spurningar um samband sannleika\/hlutleysis og framsetningar. \u00deetta eru l\u00edka mj\u00f6g mikilv\u00e6gar samf\u00e9lagslegar og p\u00f3lit\u00edskar spurningar sem eiga miki\u00f0 erindi vi\u00f0 samt\u00edma okkar. \u00c9g gekk mj\u00f6g langt \u00ed \u00feessari ranns\u00f3kn me\u00f0 Keep Frozen verkefni\u00f0 \u00fear sem \u00e9g framleiddi b\u00e6\u00f0i heimildarmynd \u00ed fullri lengd fyrir kvikmyndah\u00fas og 3-ja r\u00e1sa v\u00edde\u00f3verk \u00ed risast\u00e6r\u00f0 fyrir st\u00f3rt s\u00fdningarr\u00fdmi. Vide\u00f3verki\u00f0 var byggt \u00e1 uppt\u00f6ku \u00e1\u00a0gj\u00f6rningi sem vi\u00f0fangsefni heimildarmyndarinnar, \u00fe.e. hafnarverkamennirnir, fr\u00f6mdu \u00ed sama s\u00fdningarr\u00fdmi og v\u00edde\u00f3verki\u00f0 var s\u00ed\u00f0an s\u00fdnt \u00ed. \u00dearna var semsagt sama vi\u00f0fang flutt \u00e1 milli 3ja mi\u00f0la og skapa\u00f0 samtal \u00fear \u00e1 milli.<\/em><\/p>\nVerufr\u00e6\u00f0ilegar, \u00feekkingarfr\u00e6\u00f0ilegar og formfr\u00e6\u00f0ilegar spurningar vakna sj\u00e1lfkrafa. \u00deessar spurningar eru l\u00edka allar listr\u00e6nar. Fyrir m\u00e9r er myndlist fyrst og fremst heimspeki og formfr\u00e6\u00f0i sem getur haft \u00e1hrif til samf\u00e9lagslegra hr\u00e6ringa. Ef heimildarmynd er notu\u00f0 sem listr\u00e6nt form geri \u00e9g kr\u00f6fu um a\u00f0 h\u00fan s\u00e9 opin og veki spurningar \u00ed sta\u00f0 \u00feess a\u00f0 svara \u00feeim.<\/em><\/p>\nTelur \u00fe\u00fa a\u00f0 stafr\u00e6na \u00fer\u00f3un s\u00ed\u00f0ustu \u00e1ra hafi haft einhver \u00e1hrif \u00e1 \u00fea\u00f0 hvernig m\u00f6rkin milli myndlistar og kvikmyndalistarinnar hafa runni\u00f0 saman? Hefur \u00fer\u00f3unin stafr\u00e6nnar uppt\u00f6ku og s\u00fdningat\u00e6kni haft \u00e1hrif \u00e1 verk \u00fe\u00edn \u00ed myndlist og kvikmyndager\u00f0?<\/em><\/h4>\nMyndlistin og kvikmyndalistin skildu aldrei a\u00f0 fullu a\u00f0 skiptum. Tilraunakennd n\u00e1lgun \u00e1 kvikmyndalistina t\u00f3k s\u00e9r p\u00e1su \u00ed nokkra \u00e1ratugi en vakna\u00f0i til lifsins me\u00f0 tilkomu v\u00edde\u00f3t\u00e6kninnar og myndbandalistin var\u00f0 til sem grein \u00e1 7. \u00e1ratugnum. \u00dea\u00f0 ruddi brautina fyrir kostna\u00f0arminni verkefni og meiri leik en var m\u00f6gulegt me\u00f0 d\u00fdrum filmum. \u00dear sem myndlistarmenn voru byrja\u00f0ir a\u00f0 grubbla \u00ed heimildarmyndager\u00f0 \u00e1\u00f0ur en stafr\u00e6n t\u00e6kni var\u00f0 \u00fatbreidd m\u00e6tti kannski halda a\u00f0 \u00fea\u00f0 hafi veri\u00f0 v\u00eddeot\u00e6knin sem haf\u00f0i raunveruleg \u00e1hrif \u00ed a\u00f0 brj\u00f3ta m\u00f6rkin ni\u00f0ur hafi \u00feau veri\u00f0 til sta\u00f0ar og \u00fe\u00e1 myndi \u00e9g halda a\u00f0 \u00fea\u00f0 hafi veri\u00f0 r\u00f6kr\u00e9tt framhald af tilraunamennsku \u00ed v\u00edde\u00f3list. \u00dea\u00f0 er \u00fea\u00f0 langt s\u00ed\u00f0an \u00feetta var. S\u00ed\u00f0an \u00e1 7. \u00e1ratugnum hefur fari\u00f0 fram heilmikil endursko\u00f0un \u00e1 \u00fev\u00ed sem var or\u00f0i\u00f0 a\u00f0 hef\u00f0bundinni heimildarmyndager\u00f0 og v\u00edde\u00f3list, gj\u00f6rningalist, heimildarmyndager\u00f0 og konseptlist t\u00f3ku a\u00f0 renna saman en \u00fea\u00f0 var fyrir daga stafr\u00e6nnar t\u00e6kni.\u00a0\u00a0 Undanfarin 30 \u00e1r hefur veri\u00f0 \u00ed gangi \u00e1kve\u00f0in tilraunamennska \u00ed sambandi vi\u00f0 \u00fea\u00f0 hvernig n\u00e1lgast eigi samf\u00e9lagsleg m\u00e1l og m\u00e1 kannski l\u00edkja t\u00edmabilinu vi\u00f0 fyrstu \u00e1ratugi kvikmyndalistar \u00feegar einnig var miki\u00f0 um tilraunamennsku en me\u00f0 \u00fea\u00f0 a\u00f0 markmi\u00f0i a\u00f0 negla ni\u00f0ur \u00e1kve\u00f0na form\u00falu sem virka\u00f0i ‘best’ og var\u00f0 ‘klass\u00edsk’ a\u00f0fer\u00f0arfr\u00e6\u00f0i \u00ed meginstraums kvikmyndager\u00f0.<\/em><\/p>\n[\/et_pb_text][et_pb_image src=“https:\/\/artzine.is\/wp-content\/uploads\/2017\/01\/Kulturstiftung-compilation-2.jpg“ show_bottom_space=“off“ align=“center“ force_fullwidth=“on“ align_tablet=“center“ align_last_edited=“on|desktop“ admin_label=“Image“ _builder_version=“3.23″ animation=“off“ use_border_color=“off“ border_color=“#ffffff“ border_width=“1px“ border_style=“solid“ sticky=“on“ always_center_on_mobile=“on“] [\/et_pb_image][et_pb_text admin_label=“mynda-Text“ _builder_version=“3.27.4″ background_size=“initial“ background_position=“top_left“ background_repeat=“repeat“ use_border_color=“off“ border_style=“solid“]Lj\u00f3smyndar\u00f6\u00f0in \u2018Artist as Worker\u2019 fr\u00e1 2014. Var s\u00fdnd \u00ed heild sinni \u00ed \u00deoku \u00e1 Listah\u00e1t\u00ed\u00f0 \u00ed Reykjav\u00edk sama \u00e1r en ein myndanna hefur einnig veri\u00f0 s\u00fdnd sem risast\u00f3rt augl\u00fdsingaskilti vi\u00f0 fj\u00f6lfarna g\u00f6tu \u00ed Dresden \u00ed \u00de\u00fdskalandi.<\/strong><\/span>
\n[\/et_pb_text][et_pb_text admin_label=“Text“ _builder_version=“3.27.4″ background_size=“initial“ background_position=“top_left“ background_repeat=“repeat“ use_border_color=“off“ border_style=“solid“]<\/p>\n\u00dea\u00f0 m\u00e1 vera a\u00f0 tilkoma stafr\u00e6nnar t\u00e6kni hafi hra\u00f0a\u00f0 \u00fer\u00f3uninni. N\u00fd t\u00e6kni veldur alltaf breytingum, b\u00e6\u00f0i efnislega og \u00ed sambandi vi\u00f0 magn og einnig fagurfr\u00e6\u00f0i. Stafr\u00e6n \u00fer\u00f3un hefur olli\u00f0 algeru offl\u00e6\u00f0i\u00a0af data og \u00fe\u00e1 myndr\u00e6nu data sem hefur haft afgerandi \u00e1hrif \u00e1 \u00fe\u00e6r kynsl\u00f3\u00f0ir sem \u00f3lust upp \u00e1 10. \u00e1ratugnum og s\u00ed\u00f0ar. Dreifingarlei\u00f0ir eru l\u00edka a\u00f0rar og opnari og e.t.v. minni \u00fe\u00f6rf \u00e1 stu\u00f0ningi eldri kynsl\u00f3\u00f0a, meistara, til a\u00f0 f\u00e1 a\u00f0gengi a\u00f0 \u00e1horfendum. \u00dea\u00f0 skapar \u00e1kve\u00f0i\u00f0 brot \u00ed fagurfr\u00e6\u00f0i a\u00f0 \u00feurfa ekki a\u00f0 rei\u00f0a sig \u00e1 g\u00f3\u00f0vilja eldri kynsl\u00f3\u00f0a. \u00cd fyrstu haf\u00f0i \u00fea\u00f0 \u00e1hrif a\u00f0 ekki \u00feurfti a\u00f0 kaupa d\u00fdra filmu og rei\u00f0a sig \u00e1 mj\u00f6g d\u00fdr t\u00e6ki. H\u00e6gt var a\u00f0 fara \u00fat og bara taka eitthva\u00f0 upp \u00e1n undrb\u00fanings e\u00f0a \u00e1kve\u00f0innar hugmyndar. \u00deetta var h\u00e6gt strax \u00e1 10. \u00e1ratugnum me\u00f0 analog teipum eins og Mini-DV. \u00c9g byrja\u00f0i sj\u00e1lf a\u00f0 vinna \u00e1 analog mini-DV sp\u00f3lur. \u00de\u00e6r voru ekki mj\u00f6g d\u00fdrar og voru spila\u00f0ar inn \u00e1 t\u00f6lvur en hr\u00e1efni\u00f0 var geymt \u00e1 sp\u00f3lunum og s\u00ed\u00f0ar jafnvel \u00e1 VHS sp\u00f3lum . \u00deetta var cinema-verit\u00e9 ‘observational’ myndir \u00fear sem vi\u00f0 fylgdum eftir vi\u00f0fangsefnunum og t\u00f3kum upp miki\u00f0 efni sem vi\u00f0 s\u00ed\u00f0an unnum \u00far. Kj\u00f6tborg var tekin \u00e1 Digi-Betu fyrir um 10 \u00e1rum s\u00ed\u00f0an. Enn\u00fe\u00e1 anal\u00f3g sp\u00f3la sem teki\u00f0 var \u00e1 og \u00e1kve\u00f0in s\u00e9rfr\u00e6\u00f0i\u00feekking sem \u00feurfti til og vi\u00f0 vorum me\u00f0 \u00e1kve\u00f0nar hugmyndir og handrit sem vi\u00f0 unnum samkv\u00e6mt og t\u00f3kum ekki upp n\u00e6rri eins miki\u00f0 efni. \u00dea\u00f0 hentar m\u00e9r betur a\u00f0 vera me\u00f0 vel m\u00f3ta\u00f0a hugmynd \u00e1\u00f0ur en \u00e9g tek upp.<\/em><\/p>\n\u00dea\u00f0 er li\u00f0inn s\u00e1 t\u00edmi \u00fear sem teki\u00f0 er upp endalaust af stafr\u00e6nu efni \u00fear sem \u00fea\u00f0 er svo ‘\u00f3d\u00fdrt’. Ef mi\u00f0a\u00f0 er vi\u00f0 a\u00f0 n\u00e1 \u00e1kve\u00f0num g\u00e6\u00f0um \u00fe\u00e1 krefst notkun stafr\u00e6nnar t\u00e6kni einnig aga \u00ed vinnubr\u00f6g\u00f0um. G\u00f3\u00f0ar v\u00e9lar taka upp efni sem er mj\u00f6g \u00feungt hva\u00f0 var\u00f0ar g\u00edgab\u00e6tanotkun og har\u00f0ir diskar eru d\u00fdrir. Utanumhald \u00e1 stafr\u00e6nu efni kallar \u00e1 starfsf\u00f3lk og svo framvegis. \u00dea\u00f0 er heilmikil s\u00e9rh\u00e6f\u00f0 \u00feekking sem kemur a\u00f0 \u00e1 mismunandi stigum stafr\u00e6nnar vinnslu. En j\u00fa vissulega, til d\u00e6mis \u00ed undirb\u00faningi og ranns\u00f3kn er mj\u00f6g\u00a0\u00fe\u00e6gilegt a\u00f0 geta sj\u00e1lfur teki\u00f0 upp efni, sko\u00f0a\u00f0 \u00fea\u00f0 \u00e1n mikillar fyrirhafnar og klippt saman \u00ed t\u00f6lvunni sinni.<\/em><\/p>\nN\u00fdjasta stafr\u00e6na \u00fer\u00f3unin var tilkoma DCP t\u00e6kninnar sem \u00fe\u00fdddi st\u00f6\u00f0lun \u00e1 s\u00fdningart\u00e6kni. \u00dea\u00f0 ger\u00f0 allt au\u00f0veldara en \u00e1\u00f0ur \u00feurfti alls konar lagf\u00e6ringar og a\u00f0laganir fyrir hverja einustu s\u00fdningu (\u00fea\u00f0 var mikill munur \u00e1 litum, birtu, g\u00e6\u00f0um v\u00f6rpunar og spilara o.sfrv.) B\u00ed\u00f3h\u00fas \u00feurftu hinsvegar a\u00f0 kaupa mj\u00f6g d\u00fdr t\u00e6ki til a\u00f0 geta spila\u00f0 myndir og m\u00f6rg sm\u00e6rri art-house b\u00ed\u00f3h\u00fas duttu \u00fat. \u00c1 \u00cdslandi eru litlu b\u00ed\u00f3h\u00fasin \u00fat \u00e1 landi or\u00f0in a\u00f0 geymslum e\u00f0a eitthva\u00f0 anna\u00f0. Til samanbur\u00f0ar m\u00e1 nefna a\u00f0 \u00ed Berl\u00edn er mikil hef\u00f0 fyrir litlum kannski 60 s\u00e6ta hverfisb\u00ed\u00f3h\u00fasum og Berl\u00ednarborg br\u00e1st vi\u00f0 me\u00f0 a\u00f0 styrkja \u00feessi b\u00ed\u00f3h\u00fas \u00ed kaupum \u00e1 DCP gr\u00e6jum. \u00dea\u00f0 bjarga\u00f0i \u00feessari menningu. \u00c1 hinn b\u00f3ginn \u00fe\u00e1 eru myndir n\u00fana litgreindar fyrir DCP og erfi\u00f0ara a\u00f0 vera spontant og s\u00fdna \u00e1 alternat\u00edv st\u00f6\u00f0um sem eru ekki me\u00f0 DCP gr\u00e6jur \u00fear sem f\u00f3k venst \u00fev\u00ed a\u00f0 hafa \u00e1kve\u00f0in g\u00e6\u00f0i. \u00deannig \u00fearf a\u00f0 litgreina og a\u00f0laga b\u00edomyndir s\u00e9rstaklega fyrir s\u00fdningargr\u00e6jur \u00ed s\u00f6fnum me\u00f0 mismunandi g\u00e6\u00f0i af spilum og v\u00f6rpum og \u00fea\u00f0 er kostna\u00f0arsamt og \u00e1h\u00e6ttusamt.<\/em><\/p>\n[\/et_pb_text][et_pb_image src=“https:\/\/artzine.is\/wp-content\/uploads\/2017\/01\/KF-still-3.jpg“ show_bottom_space=“off“ align=“center“ force_fullwidth=“on“ align_tablet=“center“ align_last_edited=“on|desktop“ admin_label=“Image“ _builder_version=“3.23″ animation=“off“ use_border_color=“off“ border_color=“#ffffff“ border_width=“1px“ border_style=“solid“ sticky=“on“ always_center_on_mobile=“on“] [\/et_pb_image][et_pb_text admin_label=“mynda-Text“ _builder_version=“3.27.4″ background_size=“initial“ background_position=“top_left“ background_repeat=“repeat“ use_border_color=“off“ border_style=“solid“]<\/p>\n
Stilla \u00far Keep Frozen.<\/span><\/strong><\/div>\n[\/et_pb_text][et_pb_text admin_label=“Text“ _builder_version=“3.27.4″ background_size=“initial“ background_position=“top_left“ background_repeat=“repeat“ use_border_color=“off“ border_style=“solid“]<\/p>\n
Hva\u00f0a m\u00e1li skiptir s\u00fdningarsta\u00f0urinn fyrir listaverki\u00f0? Kallar kvikmyndah\u00fasi\u00f0 fram \u00f6nnur vi\u00f0br\u00f6g\u00f0 og n\u00e6r \u00fea\u00f0 ef til vill til annars \u00e1horfendah\u00f3ps en galler\u00fdi\u00f0?<\/em><\/h4>\nSkemmtileg spurning. \u00c9g sko\u00f0a einmitt \u00feessa spurningu \u00ed Keep Frozen verkefninu. Keep Frozen heimildarmyndin er s\u00e9rstaklega b\u00fain til fyrir myrkva\u00f0an kvikmyndasal. \u00c1horfendur eru \u00ed myrkvu\u00f0um sal \u00ed kvikmyndah\u00fasi og eru pass\u00edvari. \u00deessi alltumlykjandi tilfinning e\u00f0a \u00e1hrif er l\u00edka h\u00e6gt a\u00f0 n\u00e1 \u00ed myrkru\u00f0um s\u00fdningarsal me\u00f0 st\u00f3ru margr\u00e1sa v\u00edde\u00f3verki sem s\u00fdnt er \u00e1 st\u00f3rum fl\u00f6tum. \u00cd hinu s\u00ed\u00f0arnefnda hefur \u00e1horfandi samt meira val \u00e1 \u00fev\u00ed hvernig og \u00ed hva\u00f0a r\u00f6\u00f0 hann tekur inn s\u00f6guna e\u00f0a mynd\/hlj\u00f3\u00f0efni\u00f0. Stundum reyndar ekki me\u00f0 hlj\u00f3\u00f0 \u00fear sem \u00fea\u00f0 hefur \u00fe\u00e1 eiginleika a\u00f0 ver\u00f0a meira allr\u00e1\u00f0andi \u00ed r\u00fdmi en mynd. S\u00fdningarsta\u00f0ur, innri skipun \u00ed r\u00fdmi, st\u00e6r\u00f0 s\u00fdningarflatar, birta, allt hefur \u00feetta \u00e1hrif.<\/em><\/p>\nKvikmyndah\u00fasi\u00f0 er l\u00edka sta\u00f0sett annars sta\u00f0ar \u00ed menningunni og \u00fea\u00f0 eru annars konar v\u00e6ntingar og kr\u00f6fur en \u00ed s\u00fdningars\u00f6lum galler\u00eda og safna og verkin eru metin \u00e1 \u00f3l\u00edkan h\u00e1tt. Vi\u00f0t\u00f6kur spretta af \u00f3l\u00edkum mei\u00f0i. \u00dea\u00f0 er einn helsti galli galler\u00eda a\u00f0 \u00feau starfa \u00ed tengslum vi\u00f0 listmarka\u00f0 og \u00e1horfendah\u00f3pur \u00feeirra vel efna\u00f0 og oft \u00e1 t\u00ed\u00f0um f\u00f3lk af \u00e1kve\u00f0inni st\u00e9tt e\u00f0a me\u00f0 mikla menntun. Svona horfir \u00feetta vi\u00f0 m\u00e9r eftir a\u00f0 hafa b\u00fai\u00f0 lengi \u00ed Berl\u00edn \u00fear sem galler\u00edumhverfi\u00f0 er al\u00fej\u00f3\u00f0legt. S\u00f6fn eiga vi\u00f0 s\u00f6mu takmarkanir a\u00f0 str\u00ed\u00f0a en \u00ed minna m\u00e6li og \u00fear sem s\u00f6fn eru almenningseign \u00fe\u00e1 er oft leitast vi\u00f0 a\u00f0 n\u00e1 til brei\u00f0ari h\u00f3ps me\u00f0 alls konar dagskr\u00e1. S\u00f6fn eru \u00fev\u00ed opnari og meira \u00fe\u00e1tttakendur \u00ed samf\u00e9laginu og l\u00fd\u00f0r\u00e6\u00f0islegri en galler\u00ed. Kvikmyndah\u00fas er kannski ekki opinbert r\u00fdmi, \u00feau eru \u00ed eigu einhvers, einkaa\u00f0ila e\u00f0a samtaka, en \u00feau tilheyra af\u00fereyingarmenningu og \u00fea\u00f0 er mun brei\u00f0ari h\u00f3pur sem s\u00e6kir \u00feau og \u00fev\u00ed l\u00edklegra a\u00f0 n\u00e1 til fleiri en s\u00f6fn e\u00f0a galler\u00ed. Hinsvegar er m\u00f6gueiki \u00e1 fl\u00f3kinni margslunginni umr\u00e6\u00f0u og skilningi \u00e1 verkinu minni og \u00fear koma s\u00f6fn og galler\u00ed sterkt inn. \u00deau eru vettvangur meiri \u00edgrundunar og eru \u00fev\u00ed mikilv\u00e6gir sem s\u00fdningarsta\u00f0ir.<\/em><\/p>\n[\/et_pb_text][et_pb_image src=“https:\/\/artzine.is\/wp-content\/uploads\/2017\/01\/booklet.jpg“ show_bottom_space=“off“ align=“center“ force_fullwidth=“on“ align_tablet=“center“ align_last_edited=“on|desktop“ admin_label=“Image“ _builder_version=“3.23″ animation=“off“ use_border_color=“off“ border_color=“#ffffff“ border_width=“1px“ border_style=“solid“ sticky=“on“ always_center_on_mobile=“on“] [\/et_pb_image][et_pb_text admin_label=“mynda-Text“ _builder_version=“3.27.4″ background_size=“initial“ background_position=“top_left“ background_repeat=“repeat“ use_border_color=“off“ border_style=“solid“]<\/p>\n
‘\u00c1ri\u00f0 2015 kom \u00fat b\u00f3k um listranns\u00f3knarverkefni\u00f0 Keep Frozen. Var \u00fatg\u00e1fan styrkt af Norr\u00e6nu Menningarg\u00e1ttinni og Myndlistarsj\u00f3\u00f0i. H\u00fan f\u00e6st \u00ed Mengi \u00ed Reykjav\u00edk og \u00ed Menningarmi\u00f0st\u00f6\u00f0inni Skaftfelli \u00e1 Sey\u00f0isfir\u00f0i.’<\/span><\/strong><\/div>\n[\/et_pb_text][et_pb_text admin_label=“Text“ _builder_version=“3.27.4″ background_size=“initial“ background_position=“top_left“ background_repeat=“repeat“ use_border_color=“off“ border_style=“solid“]<\/p>\n
Getur \u00fe\u00fa nefnt listaverk e\u00f0a kvikmynd sem \u00fe\u00fa telur a\u00f0 einkenni togstreituna \u00e1 milli kvikmynda og myndlistar a\u00f0 einhverju leyti?<\/em><\/h4>\n\u00dea\u00f0 er \u00e1hugavert a\u00f0 vins\u00e6lustu verk myndlistarmanna, sbr. Steve McQueen og annarra, hafa teki\u00f0 upp mj\u00f6g klass\u00edskar fr\u00e1sagnaa\u00f0fer\u00f0ir umfram opna n\u00e1lgun myndlistar. \u00c9g held a\u00f0 \u00e1 baki liggi ekki einungis listr\u00e6nt val e\u00f0a au\u00f0veldara a\u00f0gengi a\u00f0 \u00e1horfendum heldur einnig a\u00f0gengi a\u00f0 fj\u00e1rmagni. \u00deegar vi\u00f0 horfum \u00e1 heimildarmyndir til d\u00e6mis \u00fe\u00e1 er sta\u00f0an s\u00fa \u00ed dag a\u00f0 \u00fe\u00e6r sem nj\u00f3ta mestrar velgengni \u00fe\u00e1 eru \u00fea\u00f0 myndir sem hafa \u00fev\u00ed mi\u00f0ur sagt skili\u00f0 vi\u00f0 heimildarmyndir sem listform e\u00f0a tj\u00e1ningarform og teki\u00f0 upp einfaldari og ‘latari’ lei\u00f0ir til framsetningar. \u00deessar myndir einkennast af ‘talandi hausum’ og myndskreytingu \u00e1 milli hausa. \u00de\u00e1 er vi\u00f0talsefni\u00f0 nota\u00f0 \u00f3breytt sem efnivi\u00f0ur \u00ed sj\u00f3nr\u00e6nni framsetningu. Anna\u00f0 efni myndskreytir \u00fea\u00f0 sem hinn talandi haus er a\u00f0 tala um. \u00deetta framsetningarform er r\u00edkjandi \u00ed heimildarmyndager\u00f0 \u00ed dag. A\u00f0rar r\u00edkjandi a\u00f0fer\u00f0ir eru a\u00f0 r\u00f6dd sveimi yfir myndefninu og segi s\u00f6guna fr\u00e1 einu sj\u00f3narhorni, textar sem segja \u00e1horfandanum hvar og hven\u00e6r efni\u00f0 var teki\u00f0 upp e\u00f0a hver \u00fea\u00f0 er sem er a\u00f0 tala hverju sinni, og senur \u00fear sem myndav\u00e9lin eltir ann\u00f0ahvort kvikmyndager\u00f0amanninn sj\u00e1lfan e\u00f0a vi\u00f0fangefni hans. \u00c9g held a\u00f0 \u00feannig s\u00e9 heimildarmyndager\u00f0 kennd \u00ed dag \u00ed kvikmyndask\u00f3lum og a\u00f0fer\u00f0in er s\u00ed\u00f0an styrkt af fj\u00e1rveitingum kvikmyndasj\u00f3\u00f0anna og smekk sj\u00f3nvarpsst\u00f6\u00f0va.<\/em><\/p>\n\u00dea\u00f0 m\u00e1 heldur ekki gleyma a\u00f0 sumir komast upp me\u00f0 a\u00f0 f\u00e1 fj\u00e1rmagn til heimildarmyndager\u00f0ar \u00e1n formlegrar menntunar \u00ed kvikmyndager\u00f0\u00a0e\u00f0a myndlist og hafa litla alhli\u00f0a \u00feekkingu \u00e1 mismunandi a\u00f0fer\u00f0um og framsetningum og hafa einungis horft \u00e1 r\u00edkjandi form \u00ed sj\u00f3nvarpi e\u00f0a \u00e1 kvikmyndah\u00e1t\u00ed\u00f0um. \u00dea\u00f0 v\u00e6ri mun erfi\u00f0ara a\u00f0 f\u00e1 fj\u00e1rmagn til leikinna myndar \u00e1n nokkurar reynslu e\u00f0a menntunar en einungis \u00e1huga \u00e1 vi\u00f0fangsefninu. Listamenn eins og Harun Farocki byrju\u00f0u \u00ed sj\u00f3nvarpi \u00e1 7. \u00e1ratugnum \u00feegar sj\u00f3nvarp var vettvangur tilraunamennsku en fluttu sig s\u00ed\u00f0an yfir \u00ed samt\u00edmalist \u00feegar sj\u00f3nvarpsefni var\u00f0 einfaldara og fom\u00falukenndara. \u00deetta er sorgleg \u00fer\u00f3un og \u00fearna geta myndlistarmenn, sem ekki hafa hloti\u00f0 kvikmyndask\u00f3la\u00fej\u00e1lfun, komi\u00f0 sterkt inn og veitt vi\u00f0spyrnu. Myndlistarsk\u00f3lar \u00fej\u00e1lfa nemendur \u00ed gagnr\u00fdnni hugsun og hugsun utan kassans. \u00dea\u00f0 er meginmarki\u00f0 myndlistarsk\u00f3la e\u00f0a \u00e6tti allavega a\u00f0 vera \u00fea\u00f0. Kvikmyndasj\u00f3\u00f0irnir og h\u00e1t\u00ed\u00f0arnar \u00feurfa a\u00f0 styrkja annars konar n\u00e1lgun en \u00feessa r\u00edkjandi. Markmi\u00f0i\u00f0 \u00e6tti a\u00f0 vera \u00fe\u00e1tttaka \u00ed opnu samtali en ekki a\u00f0 vinna ver\u00f0laun eins og vi\u00f0 s\u00e9um \u00ed \u00ed\u00fer\u00f3ttakeppni. Til d\u00e6mis v\u00e6ri d\u00e1samlegt ef Kvikmyndasj\u00f3\u00f0ur veitti f\u00e9 \u00ed s\u00e9rst\u00f6k tilraunaverkefni eins og til d\u00e6mis Kvikmyndasj\u00f3\u00f0urinn \u00ed Berl\u00edn gerir. \u00dear er r\u00fdmi fyrir \u00f3hef\u00f0bundar n\u00e1lganir \u00e1 heimildarmyndaformi\u00f0 og kvikmyndaformi\u00f0 almennt og ekki m\u00e1 gleyma a\u00f0 st\u00e6rri margr\u00e1sa v\u00edde\u00f3verk eru oft fj\u00e1rm\u00f6gnu\u00f0 af\u00a0sl\u00edkum sj\u00f3\u00f0um. \u00c9g held a\u00f0 \u00fea\u00f0 s\u00e9 fyrst og fremst fj\u00e1rm\u00f6gnunar\u00e1hersla kvikmyndasj\u00f3\u00f0a sem stoppar myndlistarf\u00f3lk til a\u00f0 gera tilraunakvikmyndir.<\/em><\/p>\nA\u00f0 lokum:<\/p>\n
[\/et_pb_text][et_pb_image src=“https:\/\/artzine.is\/wp-content\/uploads\/2017\/01\/14572834_10154299209308600_8718345106253173421_n.jpg“ show_bottom_space=“off“ align=“center“ force_fullwidth=“on“ align_tablet=“center“ align_last_edited=“on|desktop“ admin_label=“Image“ _builder_version=“3.23″ animation=“off“ use_border_color=“off“ border_color=“#ffffff“ border_width=“1px“ border_style=“solid“ sticky=“on“ always_center_on_mobile=“on“] [\/et_pb_image][et_pb_text admin_label=“mynda-Text“ _builder_version=“3.27.4″ background_size=“initial“ background_position=“top_left“ background_repeat=“repeat“ use_border_color=“off“ border_style=“solid“]Hulda R\u00f3s \u00e1 32. Warsaw Film Festival 7-16 10 2016 \u00ed Warszaw\/P\u00f3landi. Lj\u00f3smynd:\u00a0Bartek Trzeszkowski<\/strong><\/span> Hva\u00f0 var\u00f0ar myndlist \u00fe\u00e1 \u00f3lst \u00e9g ekki upp \u00ed myndlistarme\u00f0vita\u00f0ri fj\u00f6lskyldu e\u00f0a umhverfi. \u00deegar \u00e9g var um tv\u00edtug haf\u00f0i \u00e9g varla hugmynd um samt\u00edmalist. \u00c9g haf\u00f0i teikna\u00f0 miki\u00f0 sem barn, svona fantas\u00edu en vegna \u00f3insp\u00edrarandi myndmenntarkennslu \u00fe\u00e1 missti \u00e9g \u00e1hugann. \u00dea\u00f0 var \u00feegar \u00e9g var skiptinemi \u00ed Bandar\u00edkjunum a\u00f0 \u00e9g t\u00f3k myndlistar\u00e1fanga og \u00feegar kennarinn minn valdi abstrakt teikningu eftir mig til a\u00f0 vera b\u00f3kak\u00e1pa \u00e1 lj\u00f3\u00f0ab\u00f3k nemenda fatta\u00f0i \u00e9g a\u00f0 \u00feetta g\u00e6ti veri\u00f0 lei\u00f0 fyrir mig. \u00cd kj\u00f6lfari\u00f0 t\u00f3k \u00e9g kv\u00f6ldn\u00e1mskei\u00f0 \u00ed myndlist og af-l\u00e6r\u00f0i \u00fear allt sem \u00e9g haf\u00f0i l\u00e6rt \u00ed myndmennt og f\u00f3r ‘a\u00f0 sj\u00e1’ aftur. \u00dea\u00f0 var mikil frelsun. \u00dea\u00f0 var um \u00feetta leyti sem \u00e9g uppg\u00f6tva\u00f0i Sigur\u00f0 Gu\u00f0mundsson \u00e1 safni \u00ed Amsterdam. \u00cd safnaversluninni var safn p\u00f3stkorta me\u00f0 lj\u00f3smyndaverkum hans. \u00dearna var hann a\u00f0 gera einfalt en mj\u00f6g h\u00famor\u00edskt ‘l\u00e1tbrag\u00f0’ e\u00f0a ‘gesture’ sem hann nefndi ‘Situations’ og h\u00f6f\u00f0u margslugnar v\u00edsanir. \u00c9g var\u00f0 alveg dolfallinn og \u00feessi p\u00f3stkort fylgdu m\u00e9r n\u00e6sta \u00e1ratuginn \u00feanga\u00f0 \u00feau gengu s\u00e9r til h\u00fa\u00f0ar. \u00dea\u00f0 voru \u00feessi verk sem kynntu mig fyrir samt\u00edmalist og voru innbl\u00e1stur fyrir mig a\u00f0 l\u00e6ra myndlist \u00e1ratug s\u00ed\u00f0ar.<\/em><\/p>\n Akk\u00farat n\u00fana held \u00e9g ekki vatni yfir sj\u00f3nvarps\u00fe\u00e1ttar\u00f6\u00f0um myndlistarmannsins Grayson Perry \u00e1 Channel 4 \u00ed Bretlandi. \u00cd r\u00f6\u00f0unum gefur hann mj\u00f6g a\u00f0gengilega mynd af ranns\u00f3knarferlinum sem hann gengur \u00ed gegnum \u00ed undirb\u00faningi a\u00f0 ger\u00f0 verka sinna sem eru leirkerasm\u00ed\u00f0 og veggteppi a\u00f0allega. Ranns\u00f3knin sj\u00e1lf, sem er samf\u00e9lagsleg st\u00fad\u00eda me\u00f0 \u00e1herslu \u00e1 sj\u00f3nr\u00e6n t\u00e1kn sem mi\u00f0la ni\u00f0urst\u00f6\u00f0u Graysons \u00e1 tilteknum samf\u00e9lagsh\u00f3p e\u00f0a fyrirb\u00e6ri, ver\u00f0ur hluti af verkinu og gefur \u00fev\u00ed auki\u00f0 gildi. \u00deetta minnir soldi\u00f0 \u00e1 Sophie Calle sem er annar \u00e1hrifavaldur en er mun a\u00f0gengilegra. M\u00e9r finnst a\u00f0 samt\u00edmalistin ver\u00f0i a\u00f0 teygja sig soldi\u00f0 \u00fat \u00far s\u00ednum el\u00edtukassa og til f\u00f3lksins til \u00feess a\u00f0 h\u00fan geti bl\u00f3mstra\u00f0 sem t\u00e6ki til samf\u00e9lagsbreytinga. Kvikmyndaformi\u00f0 kemur \u00fear sterkt inn \u00ed. \u00dea\u00f0 hefur annan og brei\u00f0ari \u00e1horfendah\u00f3p en galler\u00ed e\u00f0a safn jafnvel. Steve McQueen hefur eflaust n\u00e1\u00f0 lengst allra myndlistarmanna a\u00f0 n\u00e1 til fj\u00f6ldans me\u00f0 mynd sinni ’12 Years A Slave’ og \u00f6\u00f0rum meginstraumsmyndum en \u00fear finnst m\u00e9r hann reyndar hafa stigi\u00f0 langt skref fr\u00e1 myndlistarhugsun og er meira a\u00f0 nota klass\u00edska kvikmyndalega fr\u00e1s\u00f6gn. \u00c9g er mikill a\u00f0d\u00e1andi fyrri myndlistarverka hans, s\u00e9rstaklega v\u00edde\u00f3verkanna sem voru \u00e1 Feneyjartv\u00ed\u00e6ringnum \u00e1ri\u00f0 2009.<\/em><\/p>\n [\/et_pb_text][et_pb_image src=“https:\/\/artzine.is\/wp-content\/uploads\/2017\/01\/KeepFrozenPart3_48hourperformance-Photo-Lisa_Matthys_3442-1.jpg“ show_bottom_space=“off“ align=“center“ force_fullwidth=“on“ align_tablet=“center“ align_last_edited=“on|desktop“ admin_label=“Image“ _builder_version=“3.23″ animation=“off“ use_border_color=“off“ border_color=“#ffffff“ border_width=“1px“ border_style=“solid“ sticky=“on“ always_center_on_mobile=“on“] [\/et_pb_image][et_pb_text admin_label=“mynda-Text“ _builder_version=“3.27.4″ background_size=“initial“ background_position=“top_left“ background_repeat=“repeat“ use_border_color=“off“ border_style=“solid“]48-t\u00edma gj\u00f6rningur l\u00f6ndunarmanna \u00ed Leipzig. Lj\u00f3smynd: Lisa Matthys.<\/span><\/span><\/strong><\/span> Kvikmyndaform er eins og hvert anna\u00f0 form sem myndlistarma\u00f0ur getur nota\u00f0. \u00c9g skil vel a\u00f0 \u00fea\u00f0 s\u00e9u \u00e1kve\u00f0in form, t\u00e6kni e\u00f0a efni sem krefjast algerrar tileinkunnar listamannsins a\u00f0 \u00fev\u00ed \u00e1kve\u00f0na formi e\u00f0a efni, til d\u00e6mis eins og margir listm\u00e1larar gera e\u00f0a einstakir sk\u00falpt\u00faristar sem vinna bara \u00ed \u00e1kve\u00f0i\u00f0 efni eins og til d\u00e6mis Grayson Perry sem einbeitir s\u00e9r fyrst og fremst a\u00f0 leirmunum. \u00dea\u00f0 er l\u00edka \u00e1kve\u00f0in tilhneiging innan listmarka\u00f0ar a\u00f0 setja listamenn \u00ed \u00e1kve\u00f0in h\u00f3lf hva\u00f0 var\u00f0ar efnisnotkun e\u00f0a vi\u00f0fangsefni svo au\u00f0veldara s\u00e9 a\u00f0 ‘branda’ listamanninn. Hinsvegar er \u00e9g meira spennt fyrir frelsinu \u00fear sem hugmyndin er megnm\u00e1li\u00f0 og \u00fatf\u00e6rslan krefst samstarfs vi\u00f0 fj\u00f6lda s\u00e9rfr\u00e6\u00f0inga \u00ed hinum \u00fdmsu t\u00e6kni, efni og formum. Einnig er \u00e9g spennt fyrir samf\u00e9lagslegri \u00fe\u00e1ttt\u00f6ku \u00fear sem \u00e9g sj\u00e1lf kemst \u00fat fyrir listheimsbl\u00f6\u00f0runa og tek f\u00f3lk utan hennar inn \u00ed ferli\u00f0 \u00e1 einn e\u00f0a annan h\u00e1tt. \u00dea\u00f0 finnst m\u00e9r spennandi og engin \u00e1st\u00e6\u00f0a til a\u00f0 \u00fatloka kvikmyndaformi\u00f0 frekar en sk\u00falpt\u00far e\u00f0a innsetningu. Kvikmyndaformi\u00f0 krefst mikillar samvinnu og heimildarmyndaformi\u00f0 enn frekar. Svo er \u00fea\u00f0 \u00feannig a\u00f0 \u00ed kvikmyndask\u00f3lum dagsins \u00ed dag \u00fe\u00e1 l\u00e6ra nemendur \u00e1kve\u00f0na form\u00falu, \u00e1hersla er l\u00f6g\u00f0 \u00e1 sterka narrat\u00edvu og karakter uppbyggingu. \u00deetta er eins konar form\u00fala sem gengur vel til a\u00f0 vinna ver\u00f0laun \u00e1 kvikmyndah\u00e1t\u00ed\u00f0um e\u00f0a f\u00e1 dreifingu \u00ed st\u00f3ru kvikmyndah\u00fasunum og s\u00f6lu \u00ed sj\u00f3nvarp. \u00dea\u00f0 er l\u00edtil \u00e1hersla l\u00f6g\u00f0 \u00e1 tilraunamennsku e\u00f0a opna n\u00e1lgun sem er akk\u00farat \u00fea\u00f0 sem er kennt \u00ed myndlistarsk\u00f3lum. M\u00e9r finnst yfirleitt mest spennandi \u00feegar myndlistarmennta\u00f0ir listamenn reyna a\u00f0 halda \u00feessari opnu n\u00e1lgun \u00feegar \u00feeir vinna vi\u00f0 kvikmyndir og \u00fe\u00e1 er \u00fatkoman oft spennandi. \u00c9g er mj\u00f6g spennt fyrir a\u00f0 sj\u00e1 verk Melanie Bonajo, myndlistarkonu sem \u00e9g hef fylgst me\u00f0 lengi. H\u00fan var a\u00f0 frums\u00fdna heimildarmyndina ‘Progress vs. Regress’ \u00e1 st\u00e6rstu heimildarmyndah\u00e1ti\u00f0 Evr\u00f3pu IDFA \u00ed Amsterdam. M\u00e9r s\u00fdnist \u00e1 \u00f6llu a\u00f0 \u00fear hafi h\u00fan fari\u00f0 mj\u00f6g \u00f3hef\u00f0bundnar lei\u00f0ir \u00ed n\u00e1lgun sinni \u00e1 vi\u00f0fangsefninu. Um daginn s\u00e1 \u00e9g magna\u00f0a mynd eftir s\u00e6nska myndlistarmanninn Johannes Nyholm ‘The Giant’ sem f\u00e9kk mig til a\u00f0 gr\u00e1ta hreinlega. H\u00fan snerti mig dj\u00fapt. Bara n\u00fana \u00ed vikunni h\u00fan a\u00f0 vinna s\u00e6nsku ‘Eddu’ ver\u00f0launin sem besta kvikmynd og besta handrit. \u00dea\u00f0 v\u00e6ri gaman a\u00f0 sj\u00e1 hvort B\u00ed\u00f3 Parad\u00eds s\u00fdni mynd Melanie. \u00dea\u00f0 er svo margt spennandi a\u00f0 gerast.<\/em><\/p>\n [\/et_pb_text][et_pb_image src=“https:\/\/artzine.is\/wp-content\/uploads\/2017\/01\/IMG_7647.jpg“ show_bottom_space=“off“ align=“center“ force_fullwidth=“on“ align_tablet=“center“ align_last_edited=“on|desktop“ admin_label=“Image“ _builder_version=“3.23″ animation=“off“ use_border_color=“off“ border_color=“#ffffff“ border_width=“1px“ border_style=“solid“ sticky=“on“ always_center_on_mobile=“on“] [\/et_pb_image][et_pb_text admin_label=“mynda-Text“ _builder_version=“3.27.4″ background_size=“initial“ background_position=“top_left“ background_repeat=“repeat“ use_border_color=“off“ border_style=“solid“]Fr\u00e1 myndlistars\u00fdningunni \u00ed Listasafni ASI. Lj\u00f3smynd: Dennis Helm<\/strong><\/span> Fyrir mig \u00fe\u00e1 var \u00e9g byrju\u00f0 a\u00f0 gera heimildarmyndir \u00fat fr\u00e1 kynnum m\u00ednum \u00e1 sj\u00f3nr\u00e6nni mannfr\u00e6\u00f0i \u00e1\u00f0ur en \u00e9g h\u00f3f n\u00e1m \u00ed myndlist. \u00c9g held \u00feeir hafi teki\u00f0 mig inn \u00ed LHI \u00e1 grundvelli \u00feess a\u00f0 \u00fea\u00f0 haf\u00f0i ver\u00f0 vakning \u00ed myndlistargeiranum \u00e1 m\u00f6guleikum heimildarmyndager\u00f0ar sem listr\u00e6ns tj\u00e1ningarforms. \u00deeir vildu sj\u00e1 hva\u00f0 myndi gerast me\u00f0 a\u00f0 hleypa m\u00e9r a\u00f0.<\/em><\/p>\n N\u00fa eru um \u00e1ratugur sem \u00e9g hef starfa\u00f0 sem myndlistarma\u00f0ur \u00feannig a\u00f0 \u00e9g hef talsver\u00f0a reynslu \u00ed rekstur myndlistarst\u00fad\u00ed\u00f3s. \u00deetta er mj\u00f6g miki\u00f0 hark. \u00dea\u00f0 sem helst stendur \u00ed vegi fyrir ger\u00f0 st\u00f3rra innsetninga og fl\u00f3kinna v\u00edde\u00f3verka er a\u00f0 \u00e1 \u00cdslandi skortir sterkan framlei\u00f0slusj\u00f3\u00f0 fyrir myndlistarverk. Myndlistarsj\u00f3\u00f0ur kom inn eins og gu\u00f0s gj\u00f6f og \u00e9g var svo heppin a\u00f0 f\u00e1 einn st\u00e6rsta styrk sem gefin hefur veri\u00f0 strax \u00fearna \u00ed upphafi og ger\u00f0i hann m\u00e9r kleift a\u00f0 standa straum af kostna\u00f0i vi\u00f0 ger\u00f0ar b\u00f3kar um myndlistarranns\u00f3kn m\u00edna Keep Frozen en heimildarmyndin Keep Frozen er hluti af ranns\u00f3knarverkefninu. \u00dea\u00f0 var \u00feannig a\u00f0 \u00e9g f\u00e9kk st\u00f3ran norr\u00e6nan styrk \u00fear sem var krafist m\u00f3tframlags \u00far heimasj\u00f3\u00f0i til a\u00f0 leysa \u00fat styrkinn og \u00fev\u00ed var bara ekki anna\u00f0 h\u00e6gt en a\u00f0 gefa m\u00e9r styrk. Myndlistarsj\u00f3\u00f0ur ger\u00f0i m\u00e9r \u00fearna kleift a\u00f0 taka \u00fe\u00e1tt \u00ed hinu al\u00fej\u00f3\u00f0lega m\u00f3tframlagskerfi. \u00deetta var eftir a\u00f0 m\u00e9r haf\u00f0i oftar en einusinni veri\u00f0 neita\u00f0 um listamannalaun til a\u00f0 stunda ranns\u00f3knina og fj\u00e1rmagna s\u00fdningarverkefni tengd henni.<\/em><\/p>\n [\/et_pb_text][et_pb_text admin_label=“plakat-Text“ _builder_version=“3.27.4″ background_size=“initial“ background_position=“top_left“ background_repeat=“repeat“ use_border_color=“off“ border_style=“solid“]<\/p>\n \u00deetta er hreinskilna svari\u00f0 sem m\u00e9r \u00feykir vi\u00f0 h\u00e6fi a\u00f0 gefa h\u00e9r\u00a0til a\u00f0 gefa sk\u00fdra mynd af \u00e1standinu. Umr\u00e6\u00f0a um \u00feessi m\u00e1l er nau\u00f0synleg. \u00c9g er langt fr\u00e1 \u00fev\u00ed a\u00f0 vera ein \u00ed \u00feessum sporum. Listamenn \u00feurfa me\u00f0 \u00fatsj\u00f3narsemi a\u00f0 laga sig a\u00f0 \u00e1standinu sem getur komi\u00f0 ni\u00f0ur \u00e1 endanlegri \u00fatkomu. \u00c1 me\u00f0an framlei\u00f0slustyrkir til myndlistar standa \u00e1 svona veikum grunni \u00fe\u00e1 er ekki h\u00e6gt a\u00f0 tala um raunverulegt val.<\/em><\/p>\n [\/et_pb_text][et_pb_text admin_label=“Text“ _builder_version=“3.27.4″ background_size=“initial“ background_position=“top_left“ background_repeat=“repeat“ use_border_color=“off“ border_style=“solid“]<\/p>\n Uppruna kvikmyndalistarinnar m\u00e1 rekja til \u00feess a\u00f0 menn vildu skr\u00e1setja raunveruleikann. \u00deannig a\u00f0 ‘heimildarmyndin’ er \u00ed raun undanfari leikinna kvikmynda. \u00dea\u00f0 var ekki fyrr en \u00e1 3. \u00e1ratugnum sem fari\u00f0 var a\u00f0 draga l\u00ednur og or\u00f0i\u00f0 ‘documenttary’ var\u00f0 til. Meginstraumsmyndir eru \u00ed raun og veru af\u00fereying e\u00f0a \u00e1kve\u00f0inn fl\u00f3tti fr\u00e1 raunveruleikanum og \u00fev\u00ed hafa \u00fe\u00e6r kannski meira gildi sem skemmtun en listr\u00e6nt. \u00cd m\u00ednum augum er kraftur myndlistar a\u00f0 finna \u00ed v\u00edsun hennar \u00ed raunveruleikann, e\u00f0a d\u00edal\u00f3g hennar vi\u00f0 umhverfi sitt, ekki \u00ed fl\u00f3tta fr\u00e1 raunveruleikanum. \u00de\u00e1 erum vi\u00f0 eins og \u00e9g segi komin \u00fat \u00ed af\u00fereyingu sem er megintilgangur meginstraumskvikmynda. \u00deannig s\u00e9 \u00e9g uppruna kvikmyndalistar sem \u00ed raun uppruna \u00e1kve\u00f0ins myndlistarforms me\u00f0 talsvert miki\u00f0 listr\u00e6nt gildi \u00fe\u00f3 svo a\u00f0 \u00e1berandi angar hennar hafi s\u00ed\u00f0ar \u00fer\u00f3ast \u00ed a\u00f0ra \u00e1tt, \u00ed \u00e1tt a\u00f0 af\u00fereyingu. Sj\u00e1lf hef \u00e9g fengist vi\u00f0 tvenns konar hreyfimyndalistform, v\u00edde\u00f3verki\u00f0 og heimildarmyndaformi\u00f0. \u00c9g hef n\u00e1lgast \u00feessi form \u00e1 \u00f3l\u00edkan h\u00e1tt og tala h\u00e9r um heimildarmyndaformi\u00f0.<\/p>\n \u00dea\u00f0 er erfitt a\u00f0 tala um heimildarmyndir sem s\u00e9rstakann flokk\u00a0\u00fev\u00ed \u00fe\u00e6r eru svo \u00f3tr\u00falega \u00f3l\u00edkar innbyr\u00f0is. \u00dea\u00f0 er bara ein tegund heimildarmynda sem g\u00e6tu talist hafa listr\u00e6nt gildi og \u00fea\u00f0 eru svokalla\u00f0ar skapandi heimildarmyndir sem m\u00e9r finnst reyndar frekar gl\u00f6tu\u00f0 nafngift.<\/p>\n \u00deessi verk byggja \u00e1 mj\u00f6g l\u00f6ngu ranns\u00f3knarferli og helgun a\u00f0 vi\u00f0fangsefninu og \u00fatf\u00e6rslan er h\u00f6fundaverk e\u00f0a \u00e1kve\u00f0in s\u00fdn h\u00f6fundar \u00e1 efni\u00f0. \u00dea\u00f0 er \u00f3l\u00edkt til d\u00e6mis sj\u00f3nvarpheimildarmyndinni sem er \u00e6tla\u00f0 a\u00f0 mi\u00f0la einhver konar ‘sannleika’ sem talinn er vera hlutlaus og einnig leggja fram sv\u00f6r sem eiga a\u00f0 vera algild. Hafa fyrst og fremst uppl\u00fdsingagildi. \u00c9g hef litla tr\u00fa \u00e1 sl\u00edku. ‘Hlutlaus’ sannleikur er alltaf s\u00fdn \u00feess sem hefur valdi\u00f0, \u00feess sem hefur skapa\u00f0 \u00feann str\u00faktur \u00fear\u00a0sem sagan er s\u00f6g\u00f0. \u00c9g held a\u00f0 til a\u00f0 meta hvort heimildarmynd s\u00e9 myndlist e\u00f0a eitthva\u00f0 anna\u00f0 \u00fearf a\u00f0 sko\u00f0a hvatann a\u00f0 baki ger\u00f0ar heimildarmyndarinnar. S\u00e9 h\u00fan ger\u00f0 \u00ed \u00fe\u00e1gu einhvers m\u00e1lsta\u00f0ar e\u00f0a sem fr\u00e9ttask\u00fdring hefur h\u00fan auglj\u00f3slega ekki listr\u00e6nt gildi. \u00dea\u00f0 getur l\u00edka skipt m\u00e1li hver bakgrunnur h\u00f6fundar er. Hann \u00fearf ekki endilega a\u00f0 vera mennta\u00f0ur \u00ed myndlist en \u00fearf a\u00f0 starfa \u00ed samhengi samt\u00edmalistar \u2013 hann \u00fearf a\u00f0 hafa \u00fea\u00f0 v\u00e6gi a\u00f0 myndin ver\u00f0i sta\u00f0sett innan myndlistarumr\u00e6\u00f0u.<\/p>\n [\/et_pb_text][et_pb_image src=“https:\/\/artzine.is\/wp-content\/uploads\/2017\/01\/IMG_7664.jpg“ show_bottom_space=“off“ align=“center“ force_fullwidth=“on“ align_tablet=“center“ align_last_edited=“on|desktop“ admin_label=“Image“ _builder_version=“3.23″ animation=“off“ use_border_color=“off“ border_color=“#ffffff“ border_width=“1px“ border_style=“solid“ sticky=“on“ always_center_on_mobile=“on“] [\/et_pb_image][et_pb_text admin_label=“mynda-Text“ _builder_version=“3.27.4″ background_size=“initial“ background_position=“top_left“ background_repeat=“repeat“ use_border_color=“off“ border_style=“solid“]Fr\u00e1 myndlistars\u00fdningunni \u00ed Listasafni ASI. Lj\u00f3smynd: Dennis Helm<\/strong><\/span> A\u00f0 m\u00ednu mati er \u00fea\u00f0 sem gerir heimildamyndaformi\u00f0 spennandi eins og \u00e9g stunda \u00fea\u00f0 eru spurningarnar sem vakna vi\u00f0 ger\u00f0 og framsetningu heimildarmynda. \u00deetta eru listr\u00e6nar spurningar um samband veruleika og framsetningar e\u00f0a sta\u00f0h\u00e6finga um hva\u00f0 s\u00e9 raunveruleikinn; spurningar um e\u00f0li sannleikans og hlutleysis og m\u00f6guleika \u00feess a\u00f0 \u00fea\u00f0 s\u00e9 \u00ed raun og veru til sannleikur e\u00f0a hlutleysi; spurningar um samband sannleika\/hlutleysis og framsetningar. \u00deetta eru l\u00edka mj\u00f6g mikilv\u00e6gar samf\u00e9lagslegar og p\u00f3lit\u00edskar spurningar sem eiga miki\u00f0 erindi vi\u00f0 samt\u00edma okkar. \u00c9g gekk mj\u00f6g langt \u00ed \u00feessari ranns\u00f3kn me\u00f0 Keep Frozen verkefni\u00f0 \u00fear sem \u00e9g framleiddi b\u00e6\u00f0i heimildarmynd \u00ed fullri lengd fyrir kvikmyndah\u00fas og 3-ja r\u00e1sa v\u00edde\u00f3verk \u00ed risast\u00e6r\u00f0 fyrir st\u00f3rt s\u00fdningarr\u00fdmi. Vide\u00f3verki\u00f0 var byggt \u00e1 uppt\u00f6ku \u00e1\u00a0gj\u00f6rningi sem vi\u00f0fangsefni heimildarmyndarinnar, \u00fe.e. hafnarverkamennirnir, fr\u00f6mdu \u00ed sama s\u00fdningarr\u00fdmi og v\u00edde\u00f3verki\u00f0 var s\u00ed\u00f0an s\u00fdnt \u00ed. \u00dearna var semsagt sama vi\u00f0fang flutt \u00e1 milli 3ja mi\u00f0la og skapa\u00f0 samtal \u00fear \u00e1 milli.<\/em><\/p>\n Verufr\u00e6\u00f0ilegar, \u00feekkingarfr\u00e6\u00f0ilegar og formfr\u00e6\u00f0ilegar spurningar vakna sj\u00e1lfkrafa. \u00deessar spurningar eru l\u00edka allar listr\u00e6nar. Fyrir m\u00e9r er myndlist fyrst og fremst heimspeki og formfr\u00e6\u00f0i sem getur haft \u00e1hrif til samf\u00e9lagslegra hr\u00e6ringa. Ef heimildarmynd er notu\u00f0 sem listr\u00e6nt form geri \u00e9g kr\u00f6fu um a\u00f0 h\u00fan s\u00e9 opin og veki spurningar \u00ed sta\u00f0 \u00feess a\u00f0 svara \u00feeim.<\/em><\/p>\n Myndlistin og kvikmyndalistin skildu aldrei a\u00f0 fullu a\u00f0 skiptum. Tilraunakennd n\u00e1lgun \u00e1 kvikmyndalistina t\u00f3k s\u00e9r p\u00e1su \u00ed nokkra \u00e1ratugi en vakna\u00f0i til lifsins me\u00f0 tilkomu v\u00edde\u00f3t\u00e6kninnar og myndbandalistin var\u00f0 til sem grein \u00e1 7. \u00e1ratugnum. \u00dea\u00f0 ruddi brautina fyrir kostna\u00f0arminni verkefni og meiri leik en var m\u00f6gulegt me\u00f0 d\u00fdrum filmum. \u00dear sem myndlistarmenn voru byrja\u00f0ir a\u00f0 grubbla \u00ed heimildarmyndager\u00f0 \u00e1\u00f0ur en stafr\u00e6n t\u00e6kni var\u00f0 \u00fatbreidd m\u00e6tti kannski halda a\u00f0 \u00fea\u00f0 hafi veri\u00f0 v\u00eddeot\u00e6knin sem haf\u00f0i raunveruleg \u00e1hrif \u00ed a\u00f0 brj\u00f3ta m\u00f6rkin ni\u00f0ur hafi \u00feau veri\u00f0 til sta\u00f0ar og \u00fe\u00e1 myndi \u00e9g halda a\u00f0 \u00fea\u00f0 hafi veri\u00f0 r\u00f6kr\u00e9tt framhald af tilraunamennsku \u00ed v\u00edde\u00f3list. \u00dea\u00f0 er \u00fea\u00f0 langt s\u00ed\u00f0an \u00feetta var. S\u00ed\u00f0an \u00e1 7. \u00e1ratugnum hefur fari\u00f0 fram heilmikil endursko\u00f0un \u00e1 \u00fev\u00ed sem var or\u00f0i\u00f0 a\u00f0 hef\u00f0bundinni heimildarmyndager\u00f0 og v\u00edde\u00f3list, gj\u00f6rningalist, heimildarmyndager\u00f0 og konseptlist t\u00f3ku a\u00f0 renna saman en \u00fea\u00f0 var fyrir daga stafr\u00e6nnar t\u00e6kni.\u00a0\u00a0 Undanfarin 30 \u00e1r hefur veri\u00f0 \u00ed gangi \u00e1kve\u00f0in tilraunamennska \u00ed sambandi vi\u00f0 \u00fea\u00f0 hvernig n\u00e1lgast eigi samf\u00e9lagsleg m\u00e1l og m\u00e1 kannski l\u00edkja t\u00edmabilinu vi\u00f0 fyrstu \u00e1ratugi kvikmyndalistar \u00feegar einnig var miki\u00f0 um tilraunamennsku en me\u00f0 \u00fea\u00f0 a\u00f0 markmi\u00f0i a\u00f0 negla ni\u00f0ur \u00e1kve\u00f0na form\u00falu sem virka\u00f0i ‘best’ og var\u00f0 ‘klass\u00edsk’ a\u00f0fer\u00f0arfr\u00e6\u00f0i \u00ed meginstraums kvikmyndager\u00f0.<\/em><\/p>\n [\/et_pb_text][et_pb_image src=“https:\/\/artzine.is\/wp-content\/uploads\/2017\/01\/Kulturstiftung-compilation-2.jpg“ show_bottom_space=“off“ align=“center“ force_fullwidth=“on“ align_tablet=“center“ align_last_edited=“on|desktop“ admin_label=“Image“ _builder_version=“3.23″ animation=“off“ use_border_color=“off“ border_color=“#ffffff“ border_width=“1px“ border_style=“solid“ sticky=“on“ always_center_on_mobile=“on“] [\/et_pb_image][et_pb_text admin_label=“mynda-Text“ _builder_version=“3.27.4″ background_size=“initial“ background_position=“top_left“ background_repeat=“repeat“ use_border_color=“off“ border_style=“solid“]Lj\u00f3smyndar\u00f6\u00f0in \u2018Artist as Worker\u2019 fr\u00e1 2014. Var s\u00fdnd \u00ed heild sinni \u00ed \u00deoku \u00e1 Listah\u00e1t\u00ed\u00f0 \u00ed Reykjav\u00edk sama \u00e1r en ein myndanna hefur einnig veri\u00f0 s\u00fdnd sem risast\u00f3rt augl\u00fdsingaskilti vi\u00f0 fj\u00f6lfarna g\u00f6tu \u00ed Dresden \u00ed \u00de\u00fdskalandi.<\/strong><\/span> \u00dea\u00f0 m\u00e1 vera a\u00f0 tilkoma stafr\u00e6nnar t\u00e6kni hafi hra\u00f0a\u00f0 \u00fer\u00f3uninni. N\u00fd t\u00e6kni veldur alltaf breytingum, b\u00e6\u00f0i efnislega og \u00ed sambandi vi\u00f0 magn og einnig fagurfr\u00e6\u00f0i. Stafr\u00e6n \u00fer\u00f3un hefur olli\u00f0 algeru offl\u00e6\u00f0i\u00a0af data og \u00fe\u00e1 myndr\u00e6nu data sem hefur haft afgerandi \u00e1hrif \u00e1 \u00fe\u00e6r kynsl\u00f3\u00f0ir sem \u00f3lust upp \u00e1 10. \u00e1ratugnum og s\u00ed\u00f0ar. Dreifingarlei\u00f0ir eru l\u00edka a\u00f0rar og opnari og e.t.v. minni \u00fe\u00f6rf \u00e1 stu\u00f0ningi eldri kynsl\u00f3\u00f0a, meistara, til a\u00f0 f\u00e1 a\u00f0gengi a\u00f0 \u00e1horfendum. \u00dea\u00f0 skapar \u00e1kve\u00f0i\u00f0 brot \u00ed fagurfr\u00e6\u00f0i a\u00f0 \u00feurfa ekki a\u00f0 rei\u00f0a sig \u00e1 g\u00f3\u00f0vilja eldri kynsl\u00f3\u00f0a. \u00cd fyrstu haf\u00f0i \u00fea\u00f0 \u00e1hrif a\u00f0 ekki \u00feurfti a\u00f0 kaupa d\u00fdra filmu og rei\u00f0a sig \u00e1 mj\u00f6g d\u00fdr t\u00e6ki. H\u00e6gt var a\u00f0 fara \u00fat og bara taka eitthva\u00f0 upp \u00e1n undrb\u00fanings e\u00f0a \u00e1kve\u00f0innar hugmyndar. \u00deetta var h\u00e6gt strax \u00e1 10. \u00e1ratugnum me\u00f0 analog teipum eins og Mini-DV. \u00c9g byrja\u00f0i sj\u00e1lf a\u00f0 vinna \u00e1 analog mini-DV sp\u00f3lur. \u00de\u00e6r voru ekki mj\u00f6g d\u00fdrar og voru spila\u00f0ar inn \u00e1 t\u00f6lvur en hr\u00e1efni\u00f0 var geymt \u00e1 sp\u00f3lunum og s\u00ed\u00f0ar jafnvel \u00e1 VHS sp\u00f3lum . \u00deetta var cinema-verit\u00e9 ‘observational’ myndir \u00fear sem vi\u00f0 fylgdum eftir vi\u00f0fangsefnunum og t\u00f3kum upp miki\u00f0 efni sem vi\u00f0 s\u00ed\u00f0an unnum \u00far. Kj\u00f6tborg var tekin \u00e1 Digi-Betu fyrir um 10 \u00e1rum s\u00ed\u00f0an. Enn\u00fe\u00e1 anal\u00f3g sp\u00f3la sem teki\u00f0 var \u00e1 og \u00e1kve\u00f0in s\u00e9rfr\u00e6\u00f0i\u00feekking sem \u00feurfti til og vi\u00f0 vorum me\u00f0 \u00e1kve\u00f0nar hugmyndir og handrit sem vi\u00f0 unnum samkv\u00e6mt og t\u00f3kum ekki upp n\u00e6rri eins miki\u00f0 efni. \u00dea\u00f0 hentar m\u00e9r betur a\u00f0 vera me\u00f0 vel m\u00f3ta\u00f0a hugmynd \u00e1\u00f0ur en \u00e9g tek upp.<\/em><\/p>\n \u00dea\u00f0 er li\u00f0inn s\u00e1 t\u00edmi \u00fear sem teki\u00f0 er upp endalaust af stafr\u00e6nu efni \u00fear sem \u00fea\u00f0 er svo ‘\u00f3d\u00fdrt’. Ef mi\u00f0a\u00f0 er vi\u00f0 a\u00f0 n\u00e1 \u00e1kve\u00f0num g\u00e6\u00f0um \u00fe\u00e1 krefst notkun stafr\u00e6nnar t\u00e6kni einnig aga \u00ed vinnubr\u00f6g\u00f0um. G\u00f3\u00f0ar v\u00e9lar taka upp efni sem er mj\u00f6g \u00feungt hva\u00f0 var\u00f0ar g\u00edgab\u00e6tanotkun og har\u00f0ir diskar eru d\u00fdrir. Utanumhald \u00e1 stafr\u00e6nu efni kallar \u00e1 starfsf\u00f3lk og svo framvegis. \u00dea\u00f0 er heilmikil s\u00e9rh\u00e6f\u00f0 \u00feekking sem kemur a\u00f0 \u00e1 mismunandi stigum stafr\u00e6nnar vinnslu. En j\u00fa vissulega, til d\u00e6mis \u00ed undirb\u00faningi og ranns\u00f3kn er mj\u00f6g\u00a0\u00fe\u00e6gilegt a\u00f0 geta sj\u00e1lfur teki\u00f0 upp efni, sko\u00f0a\u00f0 \u00fea\u00f0 \u00e1n mikillar fyrirhafnar og klippt saman \u00ed t\u00f6lvunni sinni.<\/em><\/p>\n N\u00fdjasta stafr\u00e6na \u00fer\u00f3unin var tilkoma DCP t\u00e6kninnar sem \u00fe\u00fdddi st\u00f6\u00f0lun \u00e1 s\u00fdningart\u00e6kni. \u00dea\u00f0 ger\u00f0 allt au\u00f0veldara en \u00e1\u00f0ur \u00feurfti alls konar lagf\u00e6ringar og a\u00f0laganir fyrir hverja einustu s\u00fdningu (\u00fea\u00f0 var mikill munur \u00e1 litum, birtu, g\u00e6\u00f0um v\u00f6rpunar og spilara o.sfrv.) B\u00ed\u00f3h\u00fas \u00feurftu hinsvegar a\u00f0 kaupa mj\u00f6g d\u00fdr t\u00e6ki til a\u00f0 geta spila\u00f0 myndir og m\u00f6rg sm\u00e6rri art-house b\u00ed\u00f3h\u00fas duttu \u00fat. \u00c1 \u00cdslandi eru litlu b\u00ed\u00f3h\u00fasin \u00fat \u00e1 landi or\u00f0in a\u00f0 geymslum e\u00f0a eitthva\u00f0 anna\u00f0. Til samanbur\u00f0ar m\u00e1 nefna a\u00f0 \u00ed Berl\u00edn er mikil hef\u00f0 fyrir litlum kannski 60 s\u00e6ta hverfisb\u00ed\u00f3h\u00fasum og Berl\u00ednarborg br\u00e1st vi\u00f0 me\u00f0 a\u00f0 styrkja \u00feessi b\u00ed\u00f3h\u00fas \u00ed kaupum \u00e1 DCP gr\u00e6jum. \u00dea\u00f0 bjarga\u00f0i \u00feessari menningu. \u00c1 hinn b\u00f3ginn \u00fe\u00e1 eru myndir n\u00fana litgreindar fyrir DCP og erfi\u00f0ara a\u00f0 vera spontant og s\u00fdna \u00e1 alternat\u00edv st\u00f6\u00f0um sem eru ekki me\u00f0 DCP gr\u00e6jur \u00fear sem f\u00f3k venst \u00fev\u00ed a\u00f0 hafa \u00e1kve\u00f0in g\u00e6\u00f0i. \u00deannig \u00fearf a\u00f0 litgreina og a\u00f0laga b\u00edomyndir s\u00e9rstaklega fyrir s\u00fdningargr\u00e6jur \u00ed s\u00f6fnum me\u00f0 mismunandi g\u00e6\u00f0i af spilum og v\u00f6rpum og \u00fea\u00f0 er kostna\u00f0arsamt og \u00e1h\u00e6ttusamt.<\/em><\/p>\n [\/et_pb_text][et_pb_image src=“https:\/\/artzine.is\/wp-content\/uploads\/2017\/01\/KF-still-3.jpg“ show_bottom_space=“off“ align=“center“ force_fullwidth=“on“ align_tablet=“center“ align_last_edited=“on|desktop“ admin_label=“Image“ _builder_version=“3.23″ animation=“off“ use_border_color=“off“ border_color=“#ffffff“ border_width=“1px“ border_style=“solid“ sticky=“on“ always_center_on_mobile=“on“] [\/et_pb_image][et_pb_text admin_label=“mynda-Text“ _builder_version=“3.27.4″ background_size=“initial“ background_position=“top_left“ background_repeat=“repeat“ use_border_color=“off“ border_style=“solid“]<\/p>\n [\/et_pb_text][et_pb_text admin_label=“Text“ _builder_version=“3.27.4″ background_size=“initial“ background_position=“top_left“ background_repeat=“repeat“ use_border_color=“off“ border_style=“solid“]<\/p>\n Skemmtileg spurning. \u00c9g sko\u00f0a einmitt \u00feessa spurningu \u00ed Keep Frozen verkefninu. Keep Frozen heimildarmyndin er s\u00e9rstaklega b\u00fain til fyrir myrkva\u00f0an kvikmyndasal. \u00c1horfendur eru \u00ed myrkvu\u00f0um sal \u00ed kvikmyndah\u00fasi og eru pass\u00edvari. \u00deessi alltumlykjandi tilfinning e\u00f0a \u00e1hrif er l\u00edka h\u00e6gt a\u00f0 n\u00e1 \u00ed myrkru\u00f0um s\u00fdningarsal me\u00f0 st\u00f3ru margr\u00e1sa v\u00edde\u00f3verki sem s\u00fdnt er \u00e1 st\u00f3rum fl\u00f6tum. \u00cd hinu s\u00ed\u00f0arnefnda hefur \u00e1horfandi samt meira val \u00e1 \u00fev\u00ed hvernig og \u00ed hva\u00f0a r\u00f6\u00f0 hann tekur inn s\u00f6guna e\u00f0a mynd\/hlj\u00f3\u00f0efni\u00f0. Stundum reyndar ekki me\u00f0 hlj\u00f3\u00f0 \u00fear sem \u00fea\u00f0 hefur \u00fe\u00e1 eiginleika a\u00f0 ver\u00f0a meira allr\u00e1\u00f0andi \u00ed r\u00fdmi en mynd. S\u00fdningarsta\u00f0ur, innri skipun \u00ed r\u00fdmi, st\u00e6r\u00f0 s\u00fdningarflatar, birta, allt hefur \u00feetta \u00e1hrif.<\/em><\/p>\n Kvikmyndah\u00fasi\u00f0 er l\u00edka sta\u00f0sett annars sta\u00f0ar \u00ed menningunni og \u00fea\u00f0 eru annars konar v\u00e6ntingar og kr\u00f6fur en \u00ed s\u00fdningars\u00f6lum galler\u00eda og safna og verkin eru metin \u00e1 \u00f3l\u00edkan h\u00e1tt. Vi\u00f0t\u00f6kur spretta af \u00f3l\u00edkum mei\u00f0i. \u00dea\u00f0 er einn helsti galli galler\u00eda a\u00f0 \u00feau starfa \u00ed tengslum vi\u00f0 listmarka\u00f0 og \u00e1horfendah\u00f3pur \u00feeirra vel efna\u00f0 og oft \u00e1 t\u00ed\u00f0um f\u00f3lk af \u00e1kve\u00f0inni st\u00e9tt e\u00f0a me\u00f0 mikla menntun. Svona horfir \u00feetta vi\u00f0 m\u00e9r eftir a\u00f0 hafa b\u00fai\u00f0 lengi \u00ed Berl\u00edn \u00fear sem galler\u00edumhverfi\u00f0 er al\u00fej\u00f3\u00f0legt. S\u00f6fn eiga vi\u00f0 s\u00f6mu takmarkanir a\u00f0 str\u00ed\u00f0a en \u00ed minna m\u00e6li og \u00fear sem s\u00f6fn eru almenningseign \u00fe\u00e1 er oft leitast vi\u00f0 a\u00f0 n\u00e1 til brei\u00f0ari h\u00f3ps me\u00f0 alls konar dagskr\u00e1. S\u00f6fn eru \u00fev\u00ed opnari og meira \u00fe\u00e1tttakendur \u00ed samf\u00e9laginu og l\u00fd\u00f0r\u00e6\u00f0islegri en galler\u00ed. Kvikmyndah\u00fas er kannski ekki opinbert r\u00fdmi, \u00feau eru \u00ed eigu einhvers, einkaa\u00f0ila e\u00f0a samtaka, en \u00feau tilheyra af\u00fereyingarmenningu og \u00fea\u00f0 er mun brei\u00f0ari h\u00f3pur sem s\u00e6kir \u00feau og \u00fev\u00ed l\u00edklegra a\u00f0 n\u00e1 til fleiri en s\u00f6fn e\u00f0a galler\u00ed. Hinsvegar er m\u00f6gueiki \u00e1 fl\u00f3kinni margslunginni umr\u00e6\u00f0u og skilningi \u00e1 verkinu minni og \u00fear koma s\u00f6fn og galler\u00ed sterkt inn. \u00deau eru vettvangur meiri \u00edgrundunar og eru \u00fev\u00ed mikilv\u00e6gir sem s\u00fdningarsta\u00f0ir.<\/em><\/p>\n [\/et_pb_text][et_pb_image src=“https:\/\/artzine.is\/wp-content\/uploads\/2017\/01\/booklet.jpg“ show_bottom_space=“off“ align=“center“ force_fullwidth=“on“ align_tablet=“center“ align_last_edited=“on|desktop“ admin_label=“Image“ _builder_version=“3.23″ animation=“off“ use_border_color=“off“ border_color=“#ffffff“ border_width=“1px“ border_style=“solid“ sticky=“on“ always_center_on_mobile=“on“] [\/et_pb_image][et_pb_text admin_label=“mynda-Text“ _builder_version=“3.27.4″ background_size=“initial“ background_position=“top_left“ background_repeat=“repeat“ use_border_color=“off“ border_style=“solid“]<\/p>\n [\/et_pb_text][et_pb_text admin_label=“Text“ _builder_version=“3.27.4″ background_size=“initial“ background_position=“top_left“ background_repeat=“repeat“ use_border_color=“off“ border_style=“solid“]<\/p>\n \u00dea\u00f0 er \u00e1hugavert a\u00f0 vins\u00e6lustu verk myndlistarmanna, sbr. Steve McQueen og annarra, hafa teki\u00f0 upp mj\u00f6g klass\u00edskar fr\u00e1sagnaa\u00f0fer\u00f0ir umfram opna n\u00e1lgun myndlistar. \u00c9g held a\u00f0 \u00e1 baki liggi ekki einungis listr\u00e6nt val e\u00f0a au\u00f0veldara a\u00f0gengi a\u00f0 \u00e1horfendum heldur einnig a\u00f0gengi a\u00f0 fj\u00e1rmagni. \u00deegar vi\u00f0 horfum \u00e1 heimildarmyndir til d\u00e6mis \u00fe\u00e1 er sta\u00f0an s\u00fa \u00ed dag a\u00f0 \u00fe\u00e6r sem nj\u00f3ta mestrar velgengni \u00fe\u00e1 eru \u00fea\u00f0 myndir sem hafa \u00fev\u00ed mi\u00f0ur sagt skili\u00f0 vi\u00f0 heimildarmyndir sem listform e\u00f0a tj\u00e1ningarform og teki\u00f0 upp einfaldari og ‘latari’ lei\u00f0ir til framsetningar. \u00deessar myndir einkennast af ‘talandi hausum’ og myndskreytingu \u00e1 milli hausa. \u00de\u00e1 er vi\u00f0talsefni\u00f0 nota\u00f0 \u00f3breytt sem efnivi\u00f0ur \u00ed sj\u00f3nr\u00e6nni framsetningu. Anna\u00f0 efni myndskreytir \u00fea\u00f0 sem hinn talandi haus er a\u00f0 tala um. \u00deetta framsetningarform er r\u00edkjandi \u00ed heimildarmyndager\u00f0 \u00ed dag. A\u00f0rar r\u00edkjandi a\u00f0fer\u00f0ir eru a\u00f0 r\u00f6dd sveimi yfir myndefninu og segi s\u00f6guna fr\u00e1 einu sj\u00f3narhorni, textar sem segja \u00e1horfandanum hvar og hven\u00e6r efni\u00f0 var teki\u00f0 upp e\u00f0a hver \u00fea\u00f0 er sem er a\u00f0 tala hverju sinni, og senur \u00fear sem myndav\u00e9lin eltir ann\u00f0ahvort kvikmyndager\u00f0amanninn sj\u00e1lfan e\u00f0a vi\u00f0fangefni hans. \u00c9g held a\u00f0 \u00feannig s\u00e9 heimildarmyndager\u00f0 kennd \u00ed dag \u00ed kvikmyndask\u00f3lum og a\u00f0fer\u00f0in er s\u00ed\u00f0an styrkt af fj\u00e1rveitingum kvikmyndasj\u00f3\u00f0anna og smekk sj\u00f3nvarpsst\u00f6\u00f0va.<\/em><\/p>\n \u00dea\u00f0 m\u00e1 heldur ekki gleyma a\u00f0 sumir komast upp me\u00f0 a\u00f0 f\u00e1 fj\u00e1rmagn til heimildarmyndager\u00f0ar \u00e1n formlegrar menntunar \u00ed kvikmyndager\u00f0\u00a0e\u00f0a myndlist og hafa litla alhli\u00f0a \u00feekkingu \u00e1 mismunandi a\u00f0fer\u00f0um og framsetningum og hafa einungis horft \u00e1 r\u00edkjandi form \u00ed sj\u00f3nvarpi e\u00f0a \u00e1 kvikmyndah\u00e1t\u00ed\u00f0um. \u00dea\u00f0 v\u00e6ri mun erfi\u00f0ara a\u00f0 f\u00e1 fj\u00e1rmagn til leikinna myndar \u00e1n nokkurar reynslu e\u00f0a menntunar en einungis \u00e1huga \u00e1 vi\u00f0fangsefninu. Listamenn eins og Harun Farocki byrju\u00f0u \u00ed sj\u00f3nvarpi \u00e1 7. \u00e1ratugnum \u00feegar sj\u00f3nvarp var vettvangur tilraunamennsku en fluttu sig s\u00ed\u00f0an yfir \u00ed samt\u00edmalist \u00feegar sj\u00f3nvarpsefni var\u00f0 einfaldara og fom\u00falukenndara. \u00deetta er sorgleg \u00fer\u00f3un og \u00fearna geta myndlistarmenn, sem ekki hafa hloti\u00f0 kvikmyndask\u00f3la\u00fej\u00e1lfun, komi\u00f0 sterkt inn og veitt vi\u00f0spyrnu. Myndlistarsk\u00f3lar \u00fej\u00e1lfa nemendur \u00ed gagnr\u00fdnni hugsun og hugsun utan kassans. \u00dea\u00f0 er meginmarki\u00f0 myndlistarsk\u00f3la e\u00f0a \u00e6tti allavega a\u00f0 vera \u00fea\u00f0. Kvikmyndasj\u00f3\u00f0irnir og h\u00e1t\u00ed\u00f0arnar \u00feurfa a\u00f0 styrkja annars konar n\u00e1lgun en \u00feessa r\u00edkjandi. Markmi\u00f0i\u00f0 \u00e6tti a\u00f0 vera \u00fe\u00e1tttaka \u00ed opnu samtali en ekki a\u00f0 vinna ver\u00f0laun eins og vi\u00f0 s\u00e9um \u00ed \u00ed\u00fer\u00f3ttakeppni. Til d\u00e6mis v\u00e6ri d\u00e1samlegt ef Kvikmyndasj\u00f3\u00f0ur veitti f\u00e9 \u00ed s\u00e9rst\u00f6k tilraunaverkefni eins og til d\u00e6mis Kvikmyndasj\u00f3\u00f0urinn \u00ed Berl\u00edn gerir. \u00dear er r\u00fdmi fyrir \u00f3hef\u00f0bundar n\u00e1lganir \u00e1 heimildarmyndaformi\u00f0 og kvikmyndaformi\u00f0 almennt og ekki m\u00e1 gleyma a\u00f0 st\u00e6rri margr\u00e1sa v\u00edde\u00f3verk eru oft fj\u00e1rm\u00f6gnu\u00f0 af\u00a0sl\u00edkum sj\u00f3\u00f0um. \u00c9g held a\u00f0 \u00fea\u00f0 s\u00e9 fyrst og fremst fj\u00e1rm\u00f6gnunar\u00e1hersla kvikmyndasj\u00f3\u00f0a sem stoppar myndlistarf\u00f3lk til a\u00f0 gera tilraunakvikmyndir.<\/em><\/p>\n A\u00f0 lokum:<\/p>\n
\n[\/et_pb_text][et_pb_text admin_label=“Text“ _builder_version=“3.27.4″ background_size=“initial“ background_position=“top_left“ background_repeat=“repeat“ use_border_color=“off“ border_style=“solid“]<\/p>\n
\n[\/et_pb_text][et_pb_text admin_label=“Text“ _builder_version=“3.27.4″ background_size=“initial“ background_position=“top_left“ background_repeat=“repeat“ use_border_color=“off“ border_style=“solid“]<\/p>\nHvernig s\u00e9r\u00f0 \u00fe\u00fa fyrir \u00fe\u00e9r samband myndlistar og kvikmynda? Hvernig telur \u00fe\u00fa a\u00f0 \u00feessi tengsl hafi komi\u00f0 fram \u00ed \u00feinni listsk\u00f6pun?<\/em><\/h4>\n
\n[\/et_pb_text][et_pb_text admin_label=“Text“ _builder_version=“3.27.4″ background_size=“initial“ background_position=“top_left“ background_repeat=“repeat“ use_border_color=“off“ border_style=“solid“]<\/p>\nHva\u00f0 veldur \u00fev\u00ed a\u00f0 \u00fe\u00fa velur einn mi\u00f0ilinn fram yfir hinn \u00feegar \u00fe\u00fa f\u00e6r\u00f0 hugmynd a\u00f0 verki?<\/em><\/h4>\n
\u00dea\u00f0 var \u00ed raun styrkur fr\u00e1 kvikmyndasj\u00f3\u00f0i fyrir ger\u00f0 heimildarmyndarinnar og \u00feessi b\u00f3kaframlei\u00f0slustyrkur sem ger\u00f0i m\u00e9r kleift a\u00f0 taka st\u00f3rt st\u00f6kk \u00ed ranns\u00f3kninni. \u00de\u00e1 haf\u00f0i \u00e9g til d\u00e6mis framleitt s\u00fdningu fyrir Listah\u00e1t\u00ed\u00f0 \u00ed Reykjav\u00edk fyrir takmarka\u00f0\u00a0f\u00e9. Myndband sem s\u00fdnt var \u00e1 s\u00fdningunni var gert fyrir g\u00f3\u00f0vilja myndat\u00f6kumanns \u00e1 heimildarmyndinni og me\u00f0 \u00feeim t\u00e6kjum sem veri\u00f0 var a\u00f0 nota vi\u00f0 ger\u00f0 heimildarmyndarinnar. Vi\u00f0 notu\u00f0um t\u00e6kif\u00e6ri\u00f0 fyrst vi\u00f0 h\u00f6f\u00f0um gr\u00e6jurnar og f\u00f3lki\u00f0. Gu\u00f0mundur \u00ed Listam\u00f6nnum ger\u00f0i m\u00e9r st\u00f3rgrei\u00f0a, samband listamanna \u00ed Berl\u00edn l\u00e9t mig f\u00e1 \u00f3keypis lj\u00f3smyndast\u00fad\u00ed\u00f3 og svo m\u00e6tti telja. \u00d6nnur s\u00fdning sem \u00e9g haf\u00f0i gert \u00e1\u00f0ur \u00ed Listasafni Reykjav\u00edkur var framleitt fyrir styrk fr\u00e1 \u00fe\u00fdska myndlistarsj\u00f3\u00f0num. \u00dea\u00f0 hef\u00f0i ekki veri\u00f0 s\u00e9ns a\u00f0 gera 10 r\u00e1sa v\u00edde\u00f3verk fyrir hundra\u00f0 \u00fe\u00fasund kallinn sem \u00e9g f\u00e9kk fr\u00e1 LR. \u00deetta var \u00e1\u00f0ur en Myndlistarsj\u00f3\u00f0ur kom til. \u00dea\u00f0 er mj\u00f6g mi\u00f0ur a\u00f0 s\u00ed\u00f0an Myndlistarsj\u00f3\u00f0ur byrja\u00f0i \u00fe\u00e1 hafa styrkupph\u00e6\u00f0irnar fyrir einstaka verkefni minnka\u00f0 svo um munar og eru raun or\u00f0in jafnh\u00e1ar og sm\u00e1styrkirnir sem h\u00e6gt var a\u00f0 f\u00e1 \u00e1\u00f0ur hj\u00e1 Myndstefi til d\u00e6mis.<\/em><\/p>\nHver er s\u00fdn \u00fe\u00edn \u00e1 kvikmyndir sem listform og \u00fat fr\u00e1 hverju telur\u00f0u megi helst meta listr\u00e6nt gildi \u00feeirra?<\/em><\/h4>\n
\n[\/et_pb_text][et_pb_text admin_label=“Text“ _builder_version=“3.27.4″ background_size=“initial“ background_position=“top_left“ background_repeat=“repeat“ use_border_color=“off“ border_style=“solid“]<\/p>\nTelur \u00fe\u00fa a\u00f0 stafr\u00e6na \u00fer\u00f3un s\u00ed\u00f0ustu \u00e1ra hafi haft einhver \u00e1hrif \u00e1 \u00fea\u00f0 hvernig m\u00f6rkin milli myndlistar og kvikmyndalistarinnar hafa runni\u00f0 saman? Hefur \u00fer\u00f3unin stafr\u00e6nnar uppt\u00f6ku og s\u00fdningat\u00e6kni haft \u00e1hrif \u00e1 verk \u00fe\u00edn \u00ed myndlist og kvikmyndager\u00f0?<\/em><\/h4>\n
\n[\/et_pb_text][et_pb_text admin_label=“Text“ _builder_version=“3.27.4″ background_size=“initial“ background_position=“top_left“ background_repeat=“repeat“ use_border_color=“off“ border_style=“solid“]<\/p>\nHva\u00f0a m\u00e1li skiptir s\u00fdningarsta\u00f0urinn fyrir listaverki\u00f0? Kallar kvikmyndah\u00fasi\u00f0 fram \u00f6nnur vi\u00f0br\u00f6g\u00f0 og n\u00e6r \u00fea\u00f0 ef til vill til annars \u00e1horfendah\u00f3ps en galler\u00fdi\u00f0?<\/em><\/h4>\n
Getur \u00fe\u00fa nefnt listaverk e\u00f0a kvikmynd sem \u00fe\u00fa telur a\u00f0 einkenni togstreituna \u00e1 milli kvikmynda og myndlistar a\u00f0 einhverju leyti?<\/em><\/h4>\n