{"id":2047,"date":"2016-06-25T09:00:13","date_gmt":"2016-06-25T09:00:13","guid":{"rendered":"http:\/\/artzine.is\/?p=2047"},"modified":"2021-02-10T05:48:24","modified_gmt":"2021-02-10T05:48:24","slug":"list-og-listmarkadir-london-kaupmannahofn-og-reykjavik-ii-hluti","status":"publish","type":"post","link":"https:\/\/artzine.is\/?p=2047","title":{"rendered":"List og listmarka\u00f0ir: London, Kaupmannah\u00f6fn og Reykjav\u00edk II. Hluti"},"content":{"rendered":"

[et_pb_section fb_built=“1″ fullwidth=“on“ admin_label=“Section“ _builder_version=“3.22″][et_pb_fullwidth_image src=“https:\/\/artzine.is\/wp-content\/uploads\/2016\/06\/2-eink.jpg“ admin_label=“Fullwidth Image“ _builder_version=“3.0.87″ animation=“off“ use_border_color=“off“ border_color=“#ffffff“ border_style=“solid“] [\/et_pb_fullwidth_image][\/et_pb_section][et_pb_section fb_built=“1″ admin_label=“section“ _builder_version=“3.22″][et_pb_row admin_label=“row“ _builder_version=“3.25″ background_size=“initial“ background_position=“top_left“ background_repeat=“repeat“][et_pb_column type=“4_4″ _builder_version=“3.25″ custom_padding=“|||“ custom_padding__hover=“|||“][et_pb_post_title meta=“off“ featured_image=“off“ admin_label=“Post Title“ _builder_version=“3.0.87″ title_font=“Lato|on|||“ title_font_size=“35px“ title_all_caps=“on“ parallax=“on“ parallax_method=“off“ use_border_color=“off“ border_color=“#ffffff“ border_width=“1px“ border_style=“solid“ parallax_effect=“on“] [\/et_pb_post_title][et_pb_text admin_label=“Text“ _builder_version=“3.27.4″ background_size=“initial“ background_position=“top_left“ background_repeat=“repeat“ use_border_color=“off“ border_color=“#ffffff“ border_style=“solid“]<\/p>\n

Sta\u00f0setning galler\u00edsins<\/strong><\/h2>\n

\u00cd \u00feessari grein er sj\u00f3num beint a\u00f0 listm\u00f6rku\u00f0um \u00ed \u00feremur mj\u00f6g \u00f3l\u00edkum borgum, Kaupmannah\u00f6fn, London og Reykjav\u00edk. H\u00e9r notar greinarh\u00f6fundur stundum heiti\u00f0 COLORE sem er heiti samsett \u00far n\u00f6fnum \u00feessara \u00feriggja borga. St\u00e6r\u00f0armunur og sta\u00f0setning \u00feeirra \u00ed fj\u00f6l\u00fej\u00f3\u00f0legu listumhverfi \u00e1samt listr\u00e6nni s\u00fdn galleristanna \u00fdtir undir \u00fe\u00e1 sko\u00f0un a\u00f0 drifkraftur \u00feeirra s\u00e9 listin sj\u00e1lf en ekki vi\u00f0skipti. Hvers vegna skyldi nokkur hafa \u00e1huga \u00e1 \u00fev\u00ed a\u00f0 opna galler\u00ed \u00ed Reykjav\u00edk og sta\u00f0setja galler\u00ed utan vi\u00f0 m\u00f3tu\u00f0 menningarlei\u00f0akerfi borga \u00e1 bor\u00f0 vi\u00f0 London og Kaupmannah\u00f6fn?<\/strong><\/p>\n

\u00c1 me\u00f0an efnahagslegt a\u00f0dr\u00e1ttarafl h\u00f6fu\u00f0borga skiptir m\u00e1li \u00fe\u00e1 er samt sem \u00e1\u00f0ur sami hugsj\u00f3naeldurinn og bjarts\u00fdnin \u00e1 bak vi\u00f0 \u00fea\u00f0 a\u00f0 finna galler\u00edinu sta\u00f0 og rekur einstaklinga til a\u00f0 stofna galler\u00ed. Galler\u00edin \u00ed Valby og \u00e1 \u00cdslandsbryggju \u00ed Kaupmannah\u00f6fn voru til d\u00e6mis ekki stofnu\u00f0 til a\u00f0 au\u00f0ga sta\u00f0bundna borgarmenningu me\u00f0 list e\u00f0a koma \u00e1 f\u00f3t hverfis listami\u00f0st\u00f6\u00f0vum. \u00cd \u00feessum tilvikum \u00e1kv\u00e1\u00f0u galleristar a\u00f0 taka \u00e1 \u00feessum st\u00f6\u00f0um til a\u00f0 leitast vi\u00f0 a\u00f0 finna upp n\u00fdja tegund galler\u00eda sem selja n\u00fdja list.<\/p>\n

\u00c1 \u00feessum st\u00f6\u00f0um, fjarri ys og \u00feys mi\u00f0borgarinnar var h\u00e6gt a\u00f0 gera myndlist og galler\u00ed mun eftirs\u00f3knarver\u00f0ari og framandlegri. \u00cd Kaupmannah\u00f6fn ger\u00f0ust \u00feessar breytingar samhli\u00f0a \u00fev\u00ed sem \u00e1tti s\u00e9r sta\u00f0 \u00ed Austur-London um og eftir \u00e1ri\u00f0 2000. Hinsvegar var Reykjav\u00edk ekki n\u00e6gilega st\u00f3r til a\u00f0 h\u00e6gt v\u00e6ri a\u00f0 byggja upp listr\u00e6na ,,gagnmenningu\u2018\u2018 af sama tagi. \u00cd Reykjav\u00edk reyndu galleristar a\u00f0 auka ver\u00f0m\u00e6ti myndlistar me\u00f0 \u00fev\u00ed a\u00f0 n\u00fdta s\u00e9r b\u00fa\u00f0arglugga verslunarg\u00f6tunnar. Listfyirt\u00e6ki \u00ed hli\u00f0arg\u00f6tum og verksmi\u00f0jubyggingum London og Kaupmannahafnar h\u00f6f\u00f0u \u00fea\u00f0 hlutverk a\u00f0 au\u00f0ga n\u00fdja list og gera hana framandi \u00e1 me\u00f0an myndlistarfyrirt\u00e6ki \u00ed ja\u00f0arborginni Reykjav\u00edk fylgdust a\u00f0 \u00ed mi\u00f0borginni og vi\u00f0 helstu verslunarg\u00f6tuna, Laugaveg.<\/p>\n

Breytingar \u00e1 galler\u00edsv\u00e6\u00f0um \u00ed Kaupmannah\u00f6fn ur\u00f0u a\u00f0 hluta til vegna samvinnu, \u00fe\u00f3 hver galleristi fyrir sig hef\u00f0i s\u00ednar pers\u00f3nulegu \u00e1st\u00e6\u00f0ur fyrir \u00fev\u00ed a\u00f0 flytja \u00e1 \u00feessa sta\u00f0i og hver og einn t\u00falka\u00f0i galler\u00edi\u00f0 \u00e1 sinn pers\u00f3nulega h\u00e1tt. \u00dearna voru \u00e1 fer\u00f0inni brautry\u00f0jendur og a\u00f0rir einstaklingar sem voru s\u00ed\u00f0ur en svo bundnir af hugmyndinni um samf\u00e9lag galler\u00eda. Robin Klassnik stofnandi og eigandi\u00a0Matt\u00b4s Gallery<\/i>\u00a0lag\u00f0i til d\u00e6mis miki\u00f0 upp\u00far \u00fev\u00ed a\u00f0 skilja sig fr\u00e1 \u00f6\u00f0rum galler\u00edum og taka samf\u00e9lag vi\u00f0 listamann fram yfir galler\u00edin.[1]<\/span><\/a>\u00a0Samt sem \u00e1\u00f0ur lag\u00f0i hann \u00f3hj\u00e1kv\u00e6milega til hugmyndarinnar um East End galler\u00edsenu.<\/p>\n

\u00cd Reykjav\u00edk var anna\u00f0 upp\u00e1 teningnum. P\u00e9tur Arason nefnir liti\u00f0 samf\u00e9lag \u00feegar hann rak\u00a0S\u00fdningarr\u00fdmi\u00f0 \u00f6nnur h\u00e6\u00f0<\/i>\u00a0\u00e1 Laugavegi 37 fr\u00e1 1992-1997 og v\u00edsar \u00fear til N\u00fdlistasafnsins<\/i> sem var handan vi\u00f0 horni\u00f0, vi\u00f0 Vatnsst\u00edg 3.[2]<\/span><\/a>\u00a0Galleristar \u00ed Reykjav\u00edk taka \u00e1 sta\u00f0setningum me\u00f0 hags\u00fdni a\u00f0 lei\u00f0arlj\u00f3si, e\u00f0a sinni eigin s\u00f6gu og fj\u00f6lskyldu sinnar eins og Edda J\u00f3nsd\u00f3ttir \u00ed\u00a0i8\u00a0<\/i>ger\u00f0i[3]<\/span><\/a>, e\u00f0a me\u00f0 \u00fev\u00ed a\u00f0 uppg\u00f6tva m\u00f6guleika sem f\u00f3lgnir eru \u00ed sta\u00f0setningu og nafni galler\u00eds eins og \u00de\u00f3ra \u00de\u00f3risd\u00f3ttir ger\u00f0i var\u00f0andi Galler\u00ed Hlemm<\/i>. \u00cd litlu samf\u00e9lagi galler\u00eda voru galleristar st\u00f6\u00f0ugt minntir \u00e1 \u00fea\u00f0 hva\u00f0 ger\u00f0i \u00fe\u00e1 og galler\u00edin fr\u00e1brug\u00f0in \u00f6\u00f0rum galler\u00edum fremur en a\u00f0 l\u00edta \u00e1 sig sem hluta af samf\u00e9lagi galler\u00eda. Galleristarnir \u00ed Reykjav\u00edk voru og eru raunar enn keppinautar \u00fear sem hver og einn tiheyrir og r\u00e6ktar sinn eigin listheim. \u00cd London og Kaupmannah\u00f6fn var\u00f0 galler\u00edsenan fr\u00e9ttn\u00e6m vegna samspils n\u00fdrrar listar og n\u00fdrrar sta\u00f0setningar. \u00deessar a\u00f0st\u00e6\u00f0ur voru ekki til sta\u00f0ar \u00ed Reykjav\u00edk. Borgin var ekki n\u00e6gilega st\u00f3r til a\u00f0 geta bori\u00f0 galler\u00edsenu \u00e1 s\u00f6mu forsendum og st\u00f3rborgirnar. \u00cd hinum borgunum vir\u00f0ast galleristarnir hafa lagt meira til menningarlegrar tilvistar borganna en vi\u00f0skiptalegrar. A\u00f0 virkja list \u00e1 \u00f3numdum st\u00f6\u00f0um \u00ed borgunum var mikilv\u00e6gur hlekkur \u00ed \u00fev\u00ed a\u00f0 gera \u00feetta m\u00f6gulegt. \u00c1 \u00feennan h\u00e1tt, og \u00fer\u00e1tt fyrir meinta vi\u00f0urkenningu st\u00f3\u00f0u galleristarnir utan \u00feess sem a\u00f0rir bogarb\u00faar a\u00f0h\u00f6f\u00f0ust. L\u00edkt og \u00f6nnur verslunarfyrirt\u00e6ki fluttu \u00feessi galler\u00ed inn \u00ed hverfi og \u00feau komu og f\u00f3ru; borgarhluti var endurskapa\u00f0ur fyrir tilstilli galler\u00eda og dag einn yr\u00f0i hann n\u00fdttur \u00e1 annan h\u00e1tt.<\/p>\n

Galler\u00ed taka \u00fe\u00e1tt \u00ed t\u00edmabundinni samr\u00e6\u00f0u sem \u00e1 s\u00e9r sta\u00f0 \u00ed s\u00edkviku menningarlandslagi borgarinnar. Eins og \u00f6nnur athafnasemi eru galler\u00edin \u00fe\u00e1tttakendur \u00ed \u00fev\u00ed umhverfi sem \u00feau eru sta\u00f0sett \u00ed. Max Wigram eigandi\u00a0MW Projects<\/i>\u00a0telur a\u00f0 galler\u00edin hagn\u00fdti s\u00e9r einkenni borgarl\u00edfsins til a\u00f0 skapa fl\u00f3kin, l\u00edfleg f\u00e9lagsleg samskipti.[4]<\/span><\/a>\u00a0Af \u00feessum \u00e1st\u00e6\u00f0um ver\u00f0ur raunveruleg samvinna m\u00f6guleg. D\u00e6mi um \u00feetta eru samr\u00e6md opnunarpart\u00ed \u00e1 \u00cdslandsbryggju og \u00feverborgarlegt verkefni \u00cdslandsbryggju galleristans Nils St\u00e6rk,\u00a0Yours Truly<\/i>, \u00ed samvinnu vi\u00f0 fyrirt\u00e6ki \u00ed mi\u00f0borg Kaupmannahafnar \u00e1ri\u00f0 2003. \u00cd East End var\u00a0F-EST<\/i>\u00a0\u00fer\u00f3a\u00f0asta galler\u00edsamvinnan og h\u00fan var m\u00f6guleg vegna hins \u00f3venjulega listr\u00e6na au\u00f0s sem byggst haf\u00f0i upp \u00ed hverfinu s\u00ed\u00f0an \u00e1 7. \u00e1ratugnum.<\/p>\n

Kaupmannah\u00f6fn og Reykjav\u00edk haf\u00f0i ekki tekist a\u00f0 l\u00edkja eftir \u00feessu. \u00d3l\u00edkt hinum borgunum g\u00e6tir nokku\u00f0 meiri innilokunarkenndar \u00ed Reykjav\u00edk. \u00cd \u00feessu umhverfi hafa galleristar ekki s\u00f6mu skapandi m\u00f6guleikana og eru st\u00f6\u00f0ugt uppteknir af \u00fev\u00ed hva\u00f0 hin gller\u00edin eru a\u00f0 gera. Samt sem \u00e1\u00f0ur hafa \u00feau \u00e1 sinn h\u00e1tt sami\u00f0 um sinn sta\u00f0 innan menningarlegs lei\u00f0akerfis borgarinnar og \u00feeirrar starfsemi sem \u00fear fer fram \u00fe\u00f3 stundum s\u00e9 \u00fea\u00f0 a\u00f0eins um stundarsakir. Sem van\u00fer\u00f3a\u00f0ur \u00fe\u00e9ttb\u00fdliskjarni \u00fear til eftir seinni heimsstyrj\u00f6ld var Reykjav\u00edk yngsta borgin sem var ranns\u00f6ku\u00f0 og sm\u00e6\u00f0in \u00e1tti \u00fe\u00e1tt \u00ed menningarlegri einagrun og m\u00f3tun sta\u00f0bundins listmarka\u00f0ar.<\/p>\n

Ranns\u00f3knin s\u00fdnir a\u00f0 sta\u00f0setningar galler\u00edanna haf\u00f0i engin \u00e1hrif \u00e1 \u00fea\u00f0 hvort einhver tiltekin tegund myndlistar er framleidd \u00ed e\u00f0a fyrir galler\u00edi\u00f0. Hugmynda- og \u201eready made\u201c list \u00e1samt innsetningum h\u00f6f\u00f0u \u00f6\u00f0last nokkurn sess \u00ed East End \u00e1\u00f0ur en galler\u00edin komu \u00feanga\u00f0 \u00fear sem hverfi\u00f0 var \u00feegar or\u00f0i\u00f0 a\u00f0 listamanna gett\u00f3i og haf\u00f0i svo veri\u00f0 fr\u00e1 \u00fev\u00ed \u00e1 7. \u00e1ratugi 20. aldar \u00feegar listamenn byrju\u00f0u a\u00f0 leigja \u00fear \u00f3d\u00fdrar vinnustofur. \u00cd Kaupmannah\u00f6fn voru hugmyndalist, \u201eready mades\u201c og innsetningar flutt \u00fat \u00e1 \u00cdslandsbryggju og til Valby vegna \u00feess a\u00f0 \u00fea\u00f0 var s\u00fa list sem galleristunum l\u00edka\u00f0i vi\u00f0 og h\u00fan passa\u00f0i ekki inn\u00ed fremur gamaldags galler\u00edin vi\u00f0 Bredgade \u00fear sem n\u00fdjasta n\u00fdtt var enn\u00fe\u00e1\u00a0N\u00fdja m\u00e1lverki\u00f0<\/i>. Mi\u00f0borg Reykjav\u00edkur bau\u00f0 upp \u00e1 fremur \u00edhaldsama og a\u00f0gengilega list \u00feegar liti\u00f0 er til\u00a0Galler\u00eds Foldar<\/i>\u00a0\u00fe\u00f3 vissulega hef\u00f0i veri\u00f0 miki\u00f0 um frams\u00e6kna list \u00ed i8<\/i>, Einn Einn<\/i>, Galler\u00ed Hlemmi<\/i> og\u00a0S\u00fdningarr\u00fdminu \u00f6nnur h\u00e6\u00f0<\/i>\u00a0en hugmyndalist og \u201eready mades\u201c h\u00f6f\u00f0u veri\u00f0 \u00e1 fer\u00f0inni s\u00ed\u00f0an \u00e1 sj\u00f6unda \u00e1ratuginum en \u00e1n nokkurrar marka\u00f0shlutdeildar \u00feegar ranns\u00f3knin f\u00f3r fram og \u00fea\u00f0 sama \u00e1 vi\u00f0 um innsetningar.<\/p>\n

Tengsl East End vi\u00f0 listframlei\u00f0slu er einst\u00f6k \u00e1 me\u00f0al borganna sem rannsaka\u00f0ar voru og eykur \u00fea\u00f0 enn \u00e1 mikilv\u00e6gi \u00feess borgarhluta. East End var\u00f0 mikilv\u00e6g uppspretta sk\u00f6punarkrafts og endurn\u00fdjunar vegna langrar s\u00f6gu menningarlegrar fj\u00f6lbreytni og mj\u00f6g mikils s\u00fdnileika listamanna og galler\u00eda. \u00c1ri\u00f0 2000 var\u00f0 galler\u00edsprenging \u2013\u00feensla langt umfram \u00fe\u00e1 st\u00f6\u00f0ugu fj\u00f6lgun galler\u00eda sem haf\u00f0i \u00e1tt s\u00e9r sta\u00f0 \u00ed London \u00e1 undangengnum \u00e1ratugum. \u00cd \u00feessu skapandi umhverfi spruttu upp galler\u00ed sem vi\u00f0br\u00f6g\u00f0 vi\u00f0 \u00f6\u00f0rum galler\u00edum \u00e1 alveg s\u00e9rstakan h\u00e1tt m.a. hva\u00f0 var\u00f0ar \u00fea\u00f0 a\u00f0 s\u00fdna \u00fea\u00f0 ferskasta og frumlegasta \u00e1 framandi sl\u00f3\u00f0um.<\/p>\n

Galler\u00edsv\u00e6\u00f0in \u00ed Kaupmannah\u00f6n ur\u00f0u l\u00edfleg og \u00feekkjanleg samf\u00e9l\u00f6g vegna \u00feess a\u00f0 brautry\u00f0jendur v\u00f6ldu \u00f3l\u00edklegustu sta\u00f0ina \u00ed borginni. B\u00e6\u00f0i \u00fear og \u00ed London dr\u00f3gust galleristar og listamenn a\u00f0 b\u00f3hem\u00edskum m\u00f6guleikum \u00f3d\u00fdrs leiguh\u00fasn\u00e6\u00f0is \u00ed i\u00f0na\u00f0arhverfum. Hinsvegar gengu galleristar \u00ed East End inn \u00e1 \u00e1takasv\u00e6\u00f0i sem \u00feegar var m\u00f3ta\u00f0 og g\u00e1tu be\u00f0i\u00f0 eftir vi\u00f0skiptavinum \u00ed krafti \u00feess a\u00f0 allra lei\u00f0ir liggja til London. Frams\u00e6knir galleristar \u00ed Kaupmannah\u00f6fn og Reykjav\u00edk ur\u00f0u hinsvegar a\u00f0 leggja meira \u00e1 sig til a\u00f0 finna vi\u00f0skiptavini, m.a. me\u00f0 \u00fev\u00ed a\u00f0 s\u00e6kja listkaupstefnur erlendis.<\/p>\n

\u00deegar fari\u00f0 er um COLORE borgirnar og \u00feau listr\u00fdmi sem \u00fear er a\u00f0 finna skynjar f\u00f3lk a\u00f0 \u00fea\u00f0 fylgir fastm\u00f3tu\u00f0um menningarlei\u00f0um sem var\u00f0a\u00f0ar eru s\u00f6fnum, galler\u00edum og \u00f6\u00f0rum \u00e1m\u00f3ta st\u00f6\u00f0um. \u00dea\u00f0 er hinsvegar a\u00f0eins \u00feegar galler\u00ed flytja fr\u00e1 m\u00f3tu\u00f0um borgarhverfum a\u00f0 \u00f3venjulegar brautir ver\u00f0a til. \u00cd \u00feessum n\u00fdju einstaklingsbundnu og l\u00fd\u00f0r\u00e6\u00f0islegu galler\u00edhverfum h\u00f6fu\u00f0borganna geta listneytendur b\u00fai\u00f0 til pers\u00f3nulegar lei\u00f0ir og byggt upp eigin tengsl. \u00deessi sk\u00f6punarkraftur er s\u00e9rstaklega \u00e1berandi \u00ed hinni f\u00e6ranlegu galler\u00edinnsetningu arkitektsins Angela Diamandidou,\u00a0EC Art<\/i>\u00a0vegna \u00feess a\u00f0 h\u00fan b\u00fdr til n\u00fdjar lei\u00f0ir fyrir listvini me\u00f0 \u00fev\u00ed a\u00f0 opna galler\u00ed \u00e1 s\u00edfellt n\u00fdjum st\u00f6\u00f0um auk \u00feess a\u00f0 leggja sitt af m\u00f6rkum til endurn\u00fdjunar \u00e1 borgarlandslaginu. \u00c1 \u00feennan h\u00e1tt s\u00e9r h\u00fan og bendir \u00e1 m\u00f6guleika borgarlandslagsins fr\u00e1 n\u00fdju sj\u00f3narhorni.<\/p>\n

En \u00edr\u00f3n\u00edan \u00ed \u00feessu er ef til vill s\u00fa a\u00f0 framlei\u00f0sla \u00feessara listr\u00fdma \u2013 s\u00e9rstaklega \u00ed London og Kaupmannah\u00f6fn \u2013 gefur einnig til kynna l\u00f6ngun galleristanna til a\u00f0 l\u00e1gmarka of n\u00e1i\u00f0 samband vi\u00f0 almenning og a\u00f0ra sem ekki koma \u00ed s\u00e9rst\u00f6kum listr\u00e6num tilgangi e\u00f0a til a\u00f0 kaupa verk. \u00deeir sem heims\u00f3ttu n\u00fdju galler\u00edhverfin \u00ed \u00feessum tveimur borgum uppg\u00f6tvu\u00f0u aldrei m\u00f6rg \u00feessara galler\u00eda vegna \u00feess a\u00f0 \u00feau h\u00f6f\u00f0u ekki b\u00fa\u00f0arglugga sem sneru \u00fat a\u00f0 g\u00f6tunni. \u00c1 \u00feennan h\u00e1tt ver\u00f0a galler\u00ed einkaheimur innv\u00edg\u00f0ra og \u00f3skiljanleg \u00f6llum \u00f6\u00f0rum og galleristarnir geta for\u00f0ast \u00f3velkomna umfer\u00f0 gesta og \u00feess \u00ed sta\u00f0 tryggt heims\u00f3knir gesta sem hafa raunverulegan \u00e1huga \u00e1 \u00fev\u00ed sem galler\u00edi\u00f0 hefur a\u00f0 bj\u00f3\u00f0a. \u00cd \u00feessu samhengi f\u00f3r l\u00edti\u00f0 fyrir galler\u00edunum \u00e1 \u00cdslandsbryggju og \u00ed Valby vegna \u00feess a\u00f0 \u00feau voru \u00ed bakg\u00f6r\u00f0um og \u00e1 efri h\u00e6\u00f0um gamalla v\u00f6ruh\u00fasa. H\u00e9rna er s\u00e9rstaklega \u00e1tt vi\u00f0\u00a0Gimm and Eis<\/i>,\u00a0Nils St\u00e6rk<\/i>, og\u00a0Gallery Nicolai Wallner<\/i>\u00a0\u00e1 \u00cdslansdsbryggju og galler\u00ed Christian Chapelle,\u00a0Mogadishni<\/i>\u00a0\u00ed Valby. Af \u00cdslandsbryggju galler\u00edunum var \u00fea\u00f0 einungis\u00a0Gallery Christina Wilson<\/i>, sem var \u00e1 jar\u00f0h\u00e6\u00f0 me\u00f0 st\u00f3rum inns\u00fdnis glugga \u00fe\u00f3 hann sneri a\u00f0 bakgar\u00f0i. Hli\u00f0arg\u00f6tu\u00edmyndin er einnig afgerandi fyrir London \u00fe\u00f3 h\u00e6gt v\u00e6ri a\u00f0 sko\u00f0a s\u00fdningar \u00ed\u00a0Vertig<\/i>o,\u00a0de Souza<\/i>\u00a0and\u00a0Mummery<\/i>\u00a0\u00ed gegnum glugga \u00e1 jar\u00f0h\u00e6\u00f0 \u00feegar vi\u00f0t\u00f6lin f\u00f3ru fram vori\u00f0 2003. \u00cd Reykjav\u00edk var hinsvegar l\u00f6g\u00f0 \u00e1hersla \u00e1 a\u00f0 galler\u00edin v\u00e6ru s\u00fdnileg fr\u00e1 g\u00f6tunni a\u00f0 undanskyldu galler\u00edi P\u00e9turs Arasonar,\u00a0Annarri h\u00e6\u00f0<\/i>.<\/p>\n

S\u00fdnileiki galler\u00eda \u00fear sem \u00feau eru sta\u00f0sett gefur til kynna \u00fer\u00f3unarstig listmarka\u00f0arins \u00ed COLORE borgunum. \u00dev\u00ed \u00fer\u00f3a\u00f0ri og st\u00e6rri sem borgin er \u00feeim mun au\u00f0veldara er a\u00f0 f\u00e6ra marka\u00f0inn fyrir frams\u00e6kna list fr\u00e1 vi\u00f0urkenndum mi\u00f0l\u00e6gum galler\u00ed g\u00f6tum og gera \u00feannig s\u00f6gu galler\u00eda einnig a\u00f0 s\u00f6gu s\u00e9rstakra n\u00fdrra listheima. \u00dev\u00ed er h\u00e9r einnig um a\u00f0 r\u00e6\u00f0a tilf\u00e6rslu fr\u00e1 a\u00f0gengilegri mi\u00f0b\u00e6jarmenningu til i\u00f0nv\u00e6ddrar \u00fathverfamenningar \u00fear sem hli\u00f0runin gerir list a\u00f0gengilega og \u00e1hugaver\u00f0a fyrir \u00fe\u00e1 sem eru inni en einnig framandi og \u00f3a\u00f0gengilega \u00feeim sem eru utan vi\u00f0 h\u00f3pinn sem tilheyrir hringnum. Dyrnar a\u00f0 \u00feessum f\u00f6ldu r\u00fdmum eru t\u00e1kn fyrir afgerandi s\u00e1lfr\u00e6\u00f0ilegan \u00fer\u00f6skuld og \u00fea\u00f0 \u00fearf dirfsku til a\u00f0 ganga inn. Hinsvegar er gesturinn velkominn \u00feegar hann hefur tekist \u00e1 vi\u00f0 dyrnar og jafnvel hringt dyrabj\u00f6llu til a\u00f0 komast inn. \u00dea\u00f0 er fl\u00f3kin f\u00e9lagsleg landafr\u00e6\u00f0i a\u00f0 verki milli ytra r\u00fdmisins og sta\u00f0setningar \u00feess innan borgarmarkanna og \u00feessa einkalega en vinsamlega innri galler\u00ed heims. \u00cd \u00feessu einkennilega borgarumhverfi geta \u00feeir sem \u00fea\u00f0 vilja or\u00f0i\u00f0 hluti af galler\u00edumhverfinu. \u00deeir \u00feurfa ekki anna\u00f0 en a\u00f0 opna dyrnar og ganga inn \u00ed \u00feennan heim. \u00deeir sem halda sig utan dyra eru ekki me\u00f0: \u00deeir eru utangar\u00f0s. Hluta\u00f0eigandi hafa l\u00fd\u00f0r\u00e6\u00f0islegt val um a\u00f0 taka n\u00fdja stefnu e\u00f0a sleppa \u00fev\u00ed.<\/strong><\/p>\n

Myndatexti me\u00f0 einkennismynd:<\/em>
\n<\/i>Christian Chapelle, director of the gallery\u00a0The Leisure Club Mogadishni<\/i>\u00a0\u00ed Kaupmannah\u00f6fn.<\/strong><\/p>\n

,,Opnunars\u00fdning Mogadishni sem s\u00f6lugaller\u00ed \u00ed n\u00f3vember 2001 kalla\u00f0ist ,,Treystir \u00fe\u00fa galleristanum \u00fe\u00ednum\u2019\u2019. \u00c1 s\u00fdningunni var mynd af honum me\u00f0 bl\u00f3mum skreytt balaklava \u00e1 h\u00f6f\u00f0inu. \u2013 h\u00e1\u00f0sk yfirl\u00fdsing um \u00fea\u00f0 hvort nokkur listama\u00f0ur g\u00e6ti treyst honum til a\u00f0 annast s\u00f6lu \u00e1 verkum \u00feeirra. Myndin s\u00fdnir l\u00edka \u00e1 fyndinn h\u00e1tt \u00fe\u00e1 spennu sem oft getur or\u00f0i\u00f0 milli listamanna og galleristans \u00feeirra.\u2019\u2019<\/p>\n

Greinin er bygg\u00f0\u00a0\u00e1 doktorsritger\u00f0 h\u00f6fundarins.<\/strong><\/p>\n

Eftir Dr. Magn\u00fas Gestsson<\/em><\/p>\n

<\/a><\/p>\n

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    \n
  1. Helena Sundstr\u00f6m\u00a0http:\/\/www.mogadishni.com\/2003\/about\/sundstrom.html<\/a>\u00a0(S\u00f3tt 07\/02\/2006)<\/li>\n
  2. [1]<\/a>\u00a0Vi\u00f0tal h\u00f6fundar vi\u00f0 Robin Klassnik<\/em>\u00a020. Ma\u00ed 2003. \u00deegar vi\u00f0tali\u00f0 f\u00f3r fram var galler\u00edi\u00f0 eins langt fr\u00e1 galler\u00ed senunni og hugsast gat, \u00e1 Copperfield Road 42-44, E3 4RR, \u00ed byggingu sem einnig h\u00fdsti vinnustofur listamanna.<\/li>\n
  3. [2]<\/a>\u00a0Vi\u00f0tal h\u00f6fundar vi\u00f0 P\u00e9tur Arason<\/em>, 21, mars 2003.<\/li>\n
  4. [3]<\/a>\u00a0Vi\u00f0tal h\u00f6fundar vi\u00f0 Eddu J\u00f3nsd\u00f3ttur, 20. mars 2003. \u00cd vi\u00f0talinu segir Edda fr\u00e1 \u00fev\u00ed a\u00f0 h\u00fan hafi veri\u00f0 alin upp \u00ed h\u00fasi sem st\u00f3\u00f0 \u00e1 l\u00f3\u00f0inni \u00e1 bak vi\u00f0 galler\u00edi\u00f0 \u00e1 Klapparst\u00edg 33.<\/li>\n
  5. [4]<\/a>\u00a0Vi\u00f0tal h\u00f6fundar vi\u00f0 Max Wigram<\/em>, 22. ma\u00ed 2003.<\/li>\n<\/ol>\n

    [\/et_pb_text][\/et_pb_column][\/et_pb_row][\/et_pb_section]<\/p>\n","protected":false},"excerpt":{"rendered":"

    Sta\u00f0setning galler\u00edsins \u00cd \u00feessari grein er sj\u00f3num beint a\u00f0 listm\u00f6rku\u00f0um \u00ed \u00feremur mj\u00f6g \u00f3l\u00edkum borgum, Kaupmannah\u00f6fn, London og Reykjav\u00edk. H\u00e9r notar greinarh\u00f6fundur stundum heiti\u00f0 COLORE sem er heiti samsett \u00far n\u00f6fnum \u00feessara \u00feriggja borga. St\u00e6r\u00f0armunur og sta\u00f0setning \u00feeirra \u00ed fj\u00f6l\u00fej\u00f3\u00f0legu listumhverfi \u00e1samt listr\u00e6nni s\u00fdn galleristanna \u00fdtir undir \u00fe\u00e1 sko\u00f0un a\u00f0 drifkraftur \u00feeirra s\u00e9 listin sj\u00e1lf […]<\/p>\n","protected":false},"author":7,"featured_media":2049,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_et_pb_use_builder":"on","_et_pb_old_content":"

    \u00a0<\/p>

    Sta\u00f0setning galler\u00edsins<\/strong>
    <\/strong><\/h1>

    \u00cd ritger\u00f0inni er sj\u00f3num beint a\u00f0 listm\u00f6rku\u00f0um \u00ed \u00feremur mj\u00f6g \u00f3l\u00edkum borgum. St\u00e6r\u00f0armunur boganna og sta\u00f0setning \u00feeirra \u00ed fj\u00f6l\u00fej\u00f3\u00f0legu list umhverfi \u00fdtir enn frekar undir \u00fe\u00e1 sko\u00f0un a\u00f0 drifkraftur gallerista s\u00e9 listin sj\u00e1lf en ekki vi\u00f0skipti. Hvers vegna skyldi nokkur hafa \u00e1huga \u00e1 \u00fev\u00ed a\u00f0 opna galler\u00ed \u00ed Reykjav\u00edk og sta\u00f0setja galler\u00ed utan vi\u00f0 m\u00f3tu\u00f0 menningarlei\u00f0akerfi borga \u00e1 bor\u00f0 vi\u00f0 London og Kaupmannah\u00f6fn? \u00c1 me\u00f0an efnahagslegt a\u00f0dr\u00e1ttarafl h\u00f6fu\u00f0borga skiptir m\u00e1li \u00fe\u00e1 er samt sem \u00e1\u00f0ur sami hugsj\u00f3naeldurinn og bjarts\u00fdnin \u00e1 bak vi\u00f0 \u00fea\u00f0 a\u00f0 finna galler\u00edinu sta\u00f0 og rekur einstaklinga til a\u00f0 stofna galler\u00ed. Galler\u00edin \u00ed Valby og \u00e1 \u00cdslandsbryggju \u00ed Kaupmannah\u00f6fn voru til d\u00e6mis ekki stofnu\u00f0 til a\u00f0 au\u00f0ga sta\u00f0bundna borgarmenningu me\u00f0 list e\u00f0a koma \u00e1 f\u00f3t hverfis listami\u00f0st\u00f6\u00f0vu. \u00cd \u00feessum tilvikum \u00e1kv\u00e1\u00f0u gallerisar a\u00f0 taka \u00e1 \u00feessum st\u00f6\u00f0um til a\u00f0 leitast vi\u00f0 a\u00f0 finna upp n\u00fdja tegund galler\u00eda sem selja n\u00fdja list. \u00c1 \u00feessum st\u00f6\u00f0um, fjarri ys og \u00feys mi\u00f0borgarinnar var h\u00e6gt a\u00f0 gera myndlist og galler\u00ed mun eftirs\u00f3knarver\u00f0ari. \u00deessar breytingar ger\u00f0ust samhli\u00f0a \u00fev\u00ed sem \u00e1tti s\u00e9r sta\u00f0 \u00ed Austur-London um og eftir \u00e1ri\u00f0 2000. Hinsvegar var Reykjav\u00edk ekki n\u00e6gilega st\u00f3r til a\u00f0 h\u00e6gt v\u00e6ri a\u00f0 byggja upp listr\u00e6na ,,gagnmenningu\u2018\u2018 af sama tagi. \u00cd Reykjav\u00edk reyndu galleristar a\u00f0 auka ver\u00f0m\u00e6ti myndlistar me\u00f0 \u00fev\u00ed a\u00f0 n\u00fdta s\u00e9r b\u00fa\u00f0arglugga verslunarg\u00f6tunnar. \u00c1 sama t\u00edma h\u00f6f\u00f0u menningarfyirt\u00e6ki \u00ed hli\u00f0arg\u00f6tum og verksmi\u00f0juyggingum \u00fea\u00f0 hlutverk a\u00f0 au\u00f0ga n\u00fdja list og gera hana framandi \u00e1 me\u00f0an myndlistarfyrirt\u00e6ki \u00ed ja\u00f0arborginni Reykjav\u00edk fylgdust a\u00f0 \u00ed mi\u00f0borginni og vi\u00f0 helstu verslunarg\u00f6tuna, Laugaveg.
    \u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Breytingar \u00e1 galler\u00ed sv\u00e6\u00f0um \u00ed Kaupmannah\u00f6fn ur\u00f0u a\u00f0 hluta til vegna samvinnu, \u00fe\u00f3 hver galleristi fyrir sig hef\u00f0i s\u00ednar pers\u00f3nulegu \u00e1st\u00e6\u00f0ur fyrir \u00fev\u00ed a\u00f0 flytja \u00e1 \u00feessa sta\u00f0i og hver og einn t\u00faka\u00f0i galler\u00edi\u00f0 \u00e1 sinn pers\u00f3nulega h\u00e1tt. Auk \u00feess voru \u00e1 fer\u00f0inni brautry\u00f0jendur og a\u00f0rir einstaklingar sem voru s\u00ed\u00f0ur en svo bundnir af hugmyndinni um samf\u00e9lag galler\u00eda. Rbin Klassnik stofnandi og eigandi Matt\u00b4s Gallery<\/em> lag\u00f0i til d\u00e6mis miki\u00f0 upp\u00far \u00fev\u00ed a\u00f0 skilja sig fr\u00e1 \u00f6\u00f0rum galler\u00edum og taka samf\u00e9lag vi\u00f0 listamann fram yfir galler\u00edin.    [1]<\/a> Samt sem \u00e1\u00f0ur lag\u00f0i hann \u00f3hj\u00e1kv\u00e6milega til hugmyndarinnar um East End galler\u00ed senu.
    \u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 \u00cd Reykjav\u00edk var anna\u00f0 upp\u00e1 tengingnum. P\u00e9tur Arason nefnir liti\u00f0 samf\u00e9lag \u00feegar hann rak S\u00fdningarr\u00fdmi\u00f0 \u00f6nnur h\u00e6\u00f0<\/em> \u00e1 Laugavegi 37 fr\u00e1 1992-1997 og v\u00edsar \u00fear til N\u00fdlistasafnsins sem var handan vi\u00f0 horni\u00f0, vi\u00f0 Vatnsst\u00edg 3.    [2]<\/a> Galleristar \u00ed Reykjav\u00edk taka \u00e1 sta\u00f0setningum me\u00f0 hags\u00fdni a\u00f0 lei\u00f0arlj\u00f3si, e\u00f0a sinni eigin s\u00f6gu og fj\u00f6lskyldu sinnar eins og Edda J\u00f3nsd\u00f3ttir \u00ed i8 <\/em>ger\u00f0i[3]<\/a>, e\u00f0a me\u00f0 \u00fev\u00ed a\u00f0 uppg\u00f6tva m\u00f6guleika sem f\u00f3lgnir eru \u00ed sta\u00f0setningu galler\u00eds. \u00cd litlu samf\u00e9lagi galler\u00eda voru galleristar st\u00f6\u00f0ugt minntir \u00e1 \u00fea\u00f0 hva\u00f0 ger\u00f0i \u00fe\u00e1 og galler\u00edin fr\u00e1brug\u00f0in \u00f6\u00f0rum galler\u00edum fremur en a\u00f0 l\u00edta \u00e1 sig sem hluta af samf\u00e9lagi galler\u00eda. Galleristarnir voru og eru raunar enn keppinautar. \u00cd London og Kaupmannah\u00f6fn var\u00f0 galler\u00edsenan fr\u00e9ttn\u00e6m vegna samspils n\u00fdrrar listar og n\u00fdrrar sta\u00f0setningar. \u00deessar a\u00f0st\u00e6\u00f0ur voru ekki til sta\u00f0ar \u00ed Reykjav\u00edk. Borgin var ekki n\u00e6gilega st\u00f3r til a\u00f0 geta bori\u00f0 galler\u00edsenu \u00e1 s\u00f6mu forsendum og st\u00f3rborgirnar. \u00cd hinum borgunum vir\u00f0ast galleristarnir hafa lagt meira til menningarlegrar tilvistar borganna fremur en vi\u00f0skiptalega. A\u00f0 virkja list \u00e1 \u00f3numdum st\u00f6\u00f0um \u00ed borgunum var mikilv\u00e6gur hlekkur \u00ed \u00fev\u00ed a\u00f0 gera \u00feetta m\u00f6gulegt. \u00c1 \u00feennan h\u00e1tt, og \u00fer\u00e1tt fyrir meinta vi\u00f0urkenningu voru galleristarnir fjarri \u00fev\u00ed sem a\u00f0rir bogarb\u00faar a\u00f0h\u00f6f\u00f0ust. \u00c1 sama h\u00e1tt og \u00f6nnur verslunarfyrirt\u00e6ki fluttu \u00feessi galler\u00ed inn \u00ed hverfi og galler\u00edin komu og f\u00f3ru; borgarhluti var endurskapa\u00f0ur fyrir tilstilli galler\u00eda og dag einn yr\u00f0i hann n\u00fdttur \u00e1 annan h\u00e1tt. Galler\u00ed taka \u00fe\u00e1tt \u00ed t\u00edmabundinni samr\u00e6\u00f0u sem \u00e1 s\u00e9r sta\u00f0 \u00ed s\u00edkviku menningarlandslagi borgarinnar. L\u00edkt og \u00f6nnur athafnasemi eru galler\u00edin \u00fe\u00e1tttakendur \u00ed \u00fev\u00ed umhverfi sem \u00feau eru sta\u00f0sett \u00ed. Max Wigram eigandi MW Projects<\/em> telur a\u00f0 galler\u00edin hagn\u00fdti s\u00e9r einkenni borgarl\u00edfsins til a\u00f0 skapa fl\u00f3kin, l\u00edfleg f\u00e9lagsleg samskipti.[4]<\/a> Af \u00feessum \u00e1st\u00e6\u00f0um ver\u00f0ur raunveruleg samvinna m\u00f6guleg. D\u00e6mi um \u00feetta eru samr\u00e6md opnunarpart\u00ed \u00e1 \u00cdslandsbryggju og \u00feverborgarlegt verkefni \u00cdslandsbryggju galleristans Nils St\u00e6rk, Yours Truly<\/em>, \u00ed samvinnu fyrirt\u00e6ki \u00ed mi\u00f0borg Kaupmannah\u00f6fn \u00e1i\u00f0 2003. \u00cd East End var F-EST<\/em> \u00fer\u00f3a\u00f0asta galler\u00edsamvinnan og h\u00fan var m\u00f6guleg vegna \u00f3venjulega listr\u00e6na au\u00f0s sem byggst haf\u00f0i upp s\u00ed\u00f0an \u00e1 7. \u00e1ratugnum. Kupmannah\u00f6fn og Reykjav\u00edk haf\u00f0i ekki tekist a\u00f0 l\u00edkja eftir \u00feessu. \u00d3l\u00edkt hinum borgunum g\u00e6tir nokku\u00f0 meiri innilokunarkenndar \u00ed Reykjav\u00edk. \u00cd \u00feessu umhverfi hafa galleristar ekki s\u00f6mu skapandi m\u00f6guleika og eru st\u00f6\u00f0ugt uppteknir af \u00fev\u00ed hva\u00f0 hin gller\u00edin eru a\u00f0 gera. Samt sem \u00e1\u00f0ur hafa \u00feau \u00e1 sinn h\u00e1tt sami\u00f0 um sinn sta\u00f0 innan menningarlegra ramma og starfsemi \u00ed borginni \u00fe\u00f3 stundum s\u00e9 \u00fea\u00f0 a\u00f0eins um stundarsakir. Sem van\u00fer\u00f3a\u00f0ur \u00fe\u00e9ttb\u00fdliskjarni \u00fear til eftir seinni heimsstyrj\u00f6ld var Reykjav\u00edk yngsta borgin sem var ranns\u00f6ku\u00f0 og \u00fea\u00f0 hl\u00fdtur einnig a\u00f0 eiga \u00fe\u00e1tt \u00ed menningarlegri einagrun og m\u00f3ta sta\u00f0bundinn listmarka\u00f0.
    \u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Ranns\u00f3knin s\u00fdnir a\u00f0 sta\u00f0setningar galler\u00edanna haf\u00f0i engin \u00e1hrif \u00e1 \u00fea\u00f0 hvort einhver tiltekin tegundar myndlist er framleidd \u00ed e\u00f0a fyrir galler\u00edi\u00f0. Hugmynda- og \u201eready made\u201c list \u00e1samt innsetningum h\u00f6f\u00f0u \u00f6\u00f0last nokkurn sess \u00ed East End \u00e1\u00f0ur en galler\u00edin komu \u00feanga\u00f0 \u00fear sem hverfi\u00f0 var \u00feegar or\u00f0i\u00f0 a\u00f0 listamanna gett\u00f3i og haf\u00f0i svo veri\u00f0 fr\u00e1 \u00fev\u00ed \u00e1 7 \u00e1ratugi 20 aldar \u00feegar listamenn byrju\u00f0u a\u00f0 leigja \u00fear vinnustofur. \u00cd Kaupmannah\u00f6fn voru hugmyndalist, \u201eready mades\u201c og innsetningar flutt \u00fat\u00e1 \u00cdslandsbryggju og til Valby vegna \u00feess a\u00f0 \u00fea\u00f0 var s\u00fa list sem galleristunum l\u00edka\u00f0i vi\u00f0 og h\u00fan passa\u00f0i ekki inn\u00ed fremur gamaldags galler\u00edin vi\u00f0 Bredgade \u00fear sem n\u00fdjasta n\u00fdtt var enn\u00fe\u00e1 N\u00fdja m\u00e1lverki\u00f0<\/em>. Mi\u00f0borg Reykjav\u00edkur bau\u00f0 upp \u00e1 fremur \u00edhaldsama og a\u00f0gengilega \u00feegar liti\u00f0 er til Galler\u00eds Foldar<\/em> list \u00fe\u00f3 vissulega hef\u00f0i veri\u00f0 nokku\u00f0 um frams\u00e6kna list \u00ed i8, Einn Einn, og S\u00fdningarr\u00fdminu \u00f6nnur h\u00e6\u00f0<\/em> en hugmyndalist og \u201eready mades\u201c h\u00f6f\u00f0u veri\u00f0 \u00e1 fer\u00f0inni s\u00ed\u00f0an \u00e1 sj\u00f6unda \u00e1ratuginum en \u00e1n nokkurrar marka\u00f0shlutdeildar \u00feegar ranns\u00f3knin f\u00f3r fram og \u00fea\u00f0 sama \u00e1 vi\u00f0 um innsetningar.
    \u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Tengsl East End vi\u00f0 listframlei\u00f0slu er einst\u00f6k \u00e1 me\u00f0al borganna sem rannsaka\u00f0ar voru og eykur \u00fea\u00f0 enn \u00e1 mikilv\u00e6gi \u00feess b\u00e6jarhluta. East End var\u00f0 mikilv\u00e6g uppspretta sk\u00f6punarkrafts og endurn\u00fdjunar vegna langrar s\u00f6gu menningarlegrar fj\u00f6lbreytni og mj\u00f6g mikils s\u00fdnileika listamanna og galler\u00eda. \u00dea\u00f0 var\u00f0 galler\u00ed sprenging \u2013\u00feensla langt umfram \u00fe\u00e1 st\u00f6\u00f0ugu fj\u00f6lgun galler\u00eda sem haf\u00f0i \u00e1tt s\u00e9r sta\u00f0 \u00ed London \u00e1 undangengnum \u00e1ratugum. \u00cd \u00feessu skapandi umhverfi spruttu galler\u00ed upp sem vi\u00f0br\u00f6g\u00f0 vi\u00f0 \u00f6\u00f0rum galler\u00edum \u00e1 alveg s\u00e9rstkan h\u00e1tt m.a. hva\u00f0 var\u00f0ar \u00fea\u00f0 a\u00f0 s\u00fdna \u00fea\u00f0 ferskasta og frumlegasta \u00e1 framandi sl\u00f3\u00f0um.
    \u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Galler\u00edsv\u00e6\u00f0in \u00ed Kaupmannah\u00f6n ur\u00f0u l\u00edfleg og \u00feekkjanleg samf\u00e9l\u00f6g vegna \u00feess a\u00f0 brautry\u00f0jendur v\u00f6ldu \u00f3l\u00edklegustu sta\u00f0ina \u00ed borginni. B\u00e6\u00f0i \u00fear og \u00ed London dr\u00f3gust galleristar og listamenn a\u00f0 b\u00f3hem\u00edskum m\u00f6guleikum \u00f3d\u00fdrs leiguh\u00fasn\u00e6\u00f0is \u00ed i\u00f0na\u00f0arhverfum. Hinsvegar gengu galleristar \u00ed East End inn \u00e1 \u00e1takasv\u00e6\u00f0i sem \u00feegar var m\u00f3ta\u00f0 og g\u00e1tu be\u00f0i\u00f0 eftir vi\u00f0skiptavinum \u00ed krafti \u00feess a\u00f0 allra lei\u00f0ir liggja til London. Frams\u00e6knir galleristar \u00ed Kaupmannah\u00f6fn og Reykjav\u00edk ur\u00f0u hinsvegar a\u00f0 leggja meira \u00e1 sig til a\u00f0 finna vi\u00f0skiptavini.
    \u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 \u00deegar fari\u00f0 er um COLORE borgirnar og \u00feau listr\u00fdmi sem \u00fear er a\u00f0 finna skinjar f\u00f3lk a\u00f0 \u00fea\u00f0 fylgir fast m\u00f3tu\u00f0um menningarlei\u00f0um sem var\u00f0a\u00f0ar eru s\u00f6fnum, galler\u00edum og \u00f6\u00f0rum \u00e1m\u00f3ta st\u00f6\u00f0um. \u00dea\u00f0 er hinsvegar a\u00f0eins \u00feegar galler\u00ed flytja fr\u00e1 m\u00f3tu\u00f0um borgarhverfum a\u00f0 \u00f3venjulegar brautir ver\u00f0a til. \u00cd \u00feessum n\u00fdju einstaklingsbundnu og l\u00fd\u00f0r\u00e6\u00f0islegu galler\u00ed hverfum h\u00f6fu\u00f0borganna geta listneytendur b\u00fai\u00f0 til pers\u00f3nulegar lei\u00f0ir og byggt upp eigin tengsl. \u00deessi sk\u00f6punarkraftur er s\u00e9rstaklega \u00e1berandi \u00ed hinni f\u00e6ranlegu galler\u00ed innsetningu arkitektsins Angela Diamandidou, EC Art<\/em> vegna \u00feess a\u00f0 h\u00fan b\u00fdr til n\u00fdjar lei\u00f0ir fyrir listvini me\u00f0 \u00fev\u00ed a\u00f0 opna galler\u00ed \u00e1 s\u00edfellt n\u00fdjum st\u00f6\u00f0um auk \u00feess a\u00f0 leggja sitt af m\u00f6rkum til endurn\u00fdjunar \u00e1 borgarlandslaginu. \u00c1 \u00feennan h\u00e1tt s\u00e9r h\u00fan og bendir \u00e1 m\u00f6guleika borgarlandslagsins fr\u00e1 n\u00fdju sj\u00f3narhorni.
    \u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 En \u00edr\u00f3n\u00edan \u00ed \u00feessu er ef til vill s\u00fa a\u00f0 framlei\u00f0sla \u00feessara listr\u00fdma \u2013 s\u00e9rstaklega \u00ed London og Kaupmannah\u00f6fn \u2013 gefur einnig til kynna l\u00f6ngun galleristanna til a\u00f0 l\u00e1gmarka of n\u00e1i\u00f0 samband vi\u00f0 almenning og a\u00f0ra sem ekki koma \u00ed s\u00e9rst\u00f6kum listr\u00e6num tilgangi e\u00f0a til a\u00f0 kaupa verk. \u00deeir sem heims\u00f3ttu n\u00fdjugaller\u00edhverfin \u00ed \u00feessum tveimur borgum uppg\u00f6tvu\u00f0u aldrei m\u00f6rg \u00feessara galler\u00eda vegna \u00feess a\u00f0 \u00feau h\u00f6f\u00f0u ekki b\u00fa\u00f0arglugga sem sneru \u00fat a\u00f0 g\u00f6tunni. \u00deetta m\u00e1 reyndar heimf\u00e6ra upp\u00e1 samskonar galler\u00ed \u00ed dag. \u00c1 \u00feennan h\u00e1tt ver\u00f0a galler\u00ed einkaheimur innv\u00edg\u00f0ra og \u00f3skiljanleg \u00f6llum \u00f6\u00f0rum. \u00c1 \u00feennan h\u00e1tt geta galleristarnir for\u00f0ast \u00f3velkomna umfer\u00f0 gesta og \u00feess \u00ed sta\u00f0 tryggt heims\u00f3knir gesta sem hafa raunverulegan \u00e1huga \u00e1 \u00fev\u00ed sem galler\u00edi\u00f0 hefur a\u00f0 bj\u00f3\u00f0a. \u00cd \u00feessu samhengi f\u00f3r l\u00edti\u00f0 fyrir galler\u00edunum \u00e1 \u00cdslandsbryggju og \u00ed Valby vegna \u00feess a\u00f0 \u00feau voru \u00ed bakg\u00f6r\u00f0um og \u00e1 efri h\u00e6\u00f0um gamalla v\u00f6ruh\u00fasa. H\u00e9rna er s\u00e9rstaklega \u00e1tt vi\u00f0 Gimm and Eis<\/em>, Nils St\u00e6rk<\/em>, og Gallery Nicolai Wallner<\/em> \u00e1 \u00cdslansdsbryggju og galler\u00ed Christian Chapelle, Mogadishni<\/em> \u00ed Valby. Af \u00cdslandsbryggju galler\u00edunum var \u00fea\u00f0 einungis Gallery Christina Wilson<\/em>, sem var \u00e1 jar\u00f0h\u00e6\u00f0 me\u00f0 st\u00f3rum inns\u00fdnis glugga \u00fe\u00f3 hann sneri a\u00f0 bakgar\u00f0i. Hli\u00f0arg\u00f6tu\u00edmyndin er einnig afgerandi fyrir London \u00fe\u00f3 h\u00e6gt v\u00e6ri a\u00f0 sko\u00f0a s\u00fdningar \u00ed Vertig<\/em>o, de Souza<\/em> and Mummery<\/em> \u00ed gegnum glugga \u00e1 jar\u00f0h\u00e6\u00f0 \u00feegar vi\u00f0t\u00f6lin f\u00f3ru fram vori\u00f0 2003. \u00cd Reykjav\u00edk var hinsvegar l\u00f6g\u00f0 \u00e1hersla \u00e1 a\u00f0 galler\u00edin v\u00e6ru s\u00fdnileg a\u00f0 undanskyldu galler\u00edi P\u00e9turs Arasonar, Second Floor<\/em>.
    \u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 S\u00fdnileiki galler\u00eda \u00fear sem \u00feau eru sta\u00f0sett gefur til kynna \u00fer\u00f3unarstig listmarka\u00f0arins \u00ed COLORE borgunum. \u00dev\u00ed \u00fer\u00f3a\u00f0ri og st\u00e6rri sem borgin er \u00feeim mun au\u00f0veldara er a\u00f0 fjarl\u00e6gja marka\u00f0inn fyrir frams\u00e6kna list fr\u00e1 vi\u00f0urkenndum mi\u00f0l\u00e6gum galler\u00ed g\u00f6tum og gera \u00feannig s\u00f6gu galler\u00eda einig a\u00f0 s\u00f6gu s\u00e9rstakra n\u00fdrra listheima. \u00dev\u00ed er h\u00e9r einnig um a\u00f0 r\u00e6\u00f0a tilf\u00e6rslu fr\u00e1 a\u00f0gengilegri mi\u00f0b\u00e6jarmenningu til i\u00f0nv\u00e6ddrar \u00fathverfamenningar \u00fear sem hli\u00f0runin gerir list a\u00f0gengilega og \u00e1hugaver\u00f0a fyrir \u00fe\u00e1 sem eru inni en einnig framandi og \u00f3a\u00f0gengilega \u00feeim sem eru utan vi\u00f0 h\u00f3pinn sem tilheyrir hringnum. Dyrnar a\u00f0 \u00feessum f\u00f6ldu r\u00fdmum eru t\u00e1kn fyrir afgerandi s\u00e1lfr\u00e6\u00f0ilegan \u00fer\u00f6skuld og \u00fea\u00f0 \u00fearf dirfsku til a\u00f0 ganga inn. Hinsvegar er gesturinn velkominn \u00feegar hann hefur tekist \u00e1 vi\u00f0 dyrnar og jafnvel hringt dyrabj\u00f6llu og gengi\u00f0 inn. \u00dea\u00f0 er fl\u00f3kin f\u00e9lagsleg landafr\u00e6\u00f0i a\u00f0 verki milli ytra r\u00fdmisins og sta\u00f0setningar \u00feess innan borgarmarkanna og \u00feessa einkalega en vinsamlega innri galler\u00ed heims. \u00cd \u00feessu einkennilega borgarumhverfi geta \u00feeir sem \u00fea\u00f0 vilja or\u00f0i\u00f0 hluti af galler\u00ed umhverfinu. \u00deeir \u00feurfa ekki anna\u00f0 en a\u00f0 opna dyrnar og ganga inn \u00ed \u00feennan heim. \u00deeir sem halda sig utan dyra eru ekki me\u00f0: \u00deeir eru utangar\u00f0s. Hluta\u00f0eigandi hafa l\u00fd\u00f0r\u00e6\u00f0islegt val um a\u00f0 taka n\u00fdja stefnu e\u00f0a sleppa \u00fev\u00ed.<\/p>

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    Christian Chapelle, director of the gallery The Leisure Club Mogadishni<\/em> \u00ed Kau\u00f0mannah\u00f6fn.<\/p>

    ,,Opnunars\u00fdning Mogadishni sem s\u00f6lugaller\u00ed \u00ed n\u00f3vember 2001 kalla\u00f0ist ,,Treystir \u00fe\u00fa galleristanum \u00fe\u00ednum\u2019\u2019. \u00c1 s\u00fdningunni var mynd af honum me\u00f0 bl\u00f3mum skreytt balaklava \u00e1 h\u00f6f\u00f0inu. \u2013 h\u00e1\u00f0sk yfirl\u00fdsing um \u00fea\u00f0 hvort nokkur listama\u00f0ur g\u00e6ti treyst honum til a\u00f0 annast s\u00f6lu \u00e1 verkum \u00feeirra. Myndin s\u00fdnir l\u00edka \u00e1 fyndinn h\u00e1tt \u00fe\u00e1 spennu sem oft getur or\u00f0i\u00f0 milli listamanna og galleristans \u00feeirra.\u2019\u2019<\/p>

    Helena Sundstr\u00f6m http:\/\/www.mogadishni.com\/2003\/about\/sundstrom.html<\/a> (S\u00f3tt 07\/02\/2006)<\/p>

    \u00a0<\/p>

    [1]<\/a> Vi\u00f0tal h\u00f6fundar vi\u00f0 Robin Klassnik<\/em> 20. Ma\u00ed 2003. \u00deegar vi\u00f0tali\u00f0 f\u00f3r fram var galler\u00edi\u00f0 eins langt fr\u00e1 galler\u00ed senunni og hugsast gat, \u00e1 Copperfield Road 42-44, E3 4RR, \u00ed byggingu sem einnig h\u00fdsti vinnustofur listamanna.<\/p>

    [2]<\/a> Vi\u00f0tal h\u00f6fundar vi\u00f0 P\u00e9tur Arason<\/em>, 21, mars 2003.<\/p>

    [3]<\/a> Vi\u00f0tal h\u00f6fundar vi\u00f0 Eddu J\u00f3nsd\u00f3ttur, 20. mars 2003. \u00cd vi\u00f0talinu segir Edda fr\u00e1 \u00fev\u00ed a\u00f0 h\u00fan hafi veri\u00f0 alin upp \u00ed h\u00fasi sem st\u00f3\u00f0 \u00e1 l\u00f3\u00f0inni \u00e1 bak vi\u00f0 galler\u00edi\u00f0 \u00e1 Klapparst\u00edg 33.<\/p>

    [4]<\/a> Vi\u00f0tal h\u00f6fundar vi\u00f0 Max Wigram<\/em>, 22. ma\u00ed 2003.<\/p>","_et_gb_content_width":"","_jetpack_memberships_contains_paid_content":false,"footnotes":""},"categories":[11],"tags":[],"class_list":["post-2047","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-umfjollun"],"yoast_head":"\nList og listmarka\u00f0ir: London, Kaupmannah\u00f6fn og Reykjav\u00edk II. Hluti - artzine.is<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/artzine.is\/?p=2047\" \/>\n<meta property=\"og:locale\" content=\"is_IS\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"List og listmarka\u00f0ir: London, Kaupmannah\u00f6fn og Reykjav\u00edk II. 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Einnig lauk Magn\u00fas doktorpr\u00f3fi \u00ed safna- og galler\u00edfr\u00e6\u00f0um fr\u00e1 University of Leicester \u00e1ri\u00f0 2010, en 31 j\u00fal\u00ed 2009 var\u00f0i hann doktorsritger\u00f0 s\u00edna Commercial Galleries in Copenhagen, London and Reykjav\u00edk: a comparative study of the formations, contexts and interactions of galleries founded between 1985 and 2002. \u00cd ritger\u00f0inni eru galleristar sko\u00f0a\u00f0ir \u00ed samhengi vi\u00f0 kenningar fr\u00e6\u00f0imanna um listheiminn. Ranns\u00f3knin beinist a\u00f0 \u00fev\u00ed hvernig menningarleg ver\u00f0m\u00e6ti ver\u00f0a til \u00ed s\u00f6lugaller\u00edum \u00e1samt samspili menningarumhverfis og athafnasemi gallerista \u00ed borgunum \u00feremur. Gengi\u00f0 er \u00fat fr\u00e1 eflingu myndlistarmarka\u00f0arins \u00ed tengslum vi\u00f0 myndlistarsafnarann Charles Saatchi og svonefnda \u2018Young British Artists\u2019. 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