Saga Judith er um margt merkileg. H\u00fan er tv\u00edburi, f\u00e6ddist me\u00f0 Downs-heilkenni og \u00f3lst upp \u00ed g\u00f3\u00f0u yfirl\u00e6ti hj\u00e1 fj\u00f6lskyldu sinni til sj\u00f6 \u00e1ra aldurs. \u00deegar formleg sk\u00f3laganga hennar \u00e1tti a\u00f0 hefjast \u00fereytti h\u00fan munnleg pr\u00f3f og \u00fe\u00f3tti ekki h\u00e6f til a\u00f0 ganga \u00ed almennan sk\u00f3la. Fj\u00f6lskyldu hennar var r\u00e1\u00f0lagt af l\u00e6knum a\u00f0 senda hana fr\u00e1 s\u00e9r \u00e1 h\u00e6li, sem var r\u00e1\u00f0 \u00feess t\u00edma og \u00feeirrar samf\u00e9lagsger\u00f0ar sem \u00fe\u00e1 var. Judith gat l\u00edti\u00f0 tj\u00e1\u00f0 sig og \u00fea\u00f0 uppg\u00f6tva\u00f0ist ekki fyrr en seint \u00e1 \u00e6vi hennar a\u00f0 h\u00fan var heyrnalaus! H\u00fan var sumsagt sett heyrnarlaus \u00ed munnlegt pr\u00f3f \u00fear sem ni\u00f0urst\u00f6\u00f0ur \u00e1ttu a\u00f0 segja til um greind hennar og var \u00ed kj\u00f6lfari\u00f0 einangru\u00f0 \u00e1 stofnun st\u00f3ran hluta af l\u00edfi s\u00ednu. \u00c1 h\u00e6linu f\u00e9kk h\u00fan f\u00e1 t\u00e6kif\u00e6ri, einangra\u00f0ist og var n\u00e1nast afskrifu\u00f0.<\/p>\n
Eftir l\u00e1t foreldra hennar \u00feegar Judith var komin \u00e1 fimmtugsaldur bau\u00f0 systir Judith henni a\u00f0 flytja til s\u00edn til Kaliforn\u00edu \u00e1 sv\u00e6\u00f0i\u00f0 \u00ed kringum San Francisco.\u00a0Judith h\u00f3f \u00fe\u00e1 a\u00f0 s\u00e6kja listmi\u00f0st\u00f6\u00f0ina Creative Growth<\/a> sem sta\u00f0sett var n\u00e1l\u00e6gt heimili \u00feeirra. Creative Growth er listmi\u00f0st\u00f6\u00f0 og galler\u00ed \u00ed Oakland \u00ed Kaliforn\u00edu me\u00f0 afar fj\u00f6lbreytta starfsemi og marga listamenn \u00e1 s\u00ednum sn\u00e6rum. \u00dear er dag\u00fej\u00f3nusta \u00fear sem f\u00f3lk getur komi\u00f0 og unni\u00f0 a\u00f0 list sinni, allur efnivi\u00f0ur er \u00e1 sta\u00f0num og lei\u00f0beinendur eru myndlistaf\u00f3lk. Mi\u00f0st\u00f6\u00f0in a\u00f0sto\u00f0ar f\u00f3lk vi\u00f0 a\u00f0 koma verkum s\u00ednum \u00e1 framf\u00e6ri og kemur \u00e1 samstarfi vi\u00f0 listaf\u00f3lk og h\u00f6nnu\u00f0i, \u00fear er reki\u00f0 faglegt galler\u00ed og mi\u00f0st\u00f6\u00f0in sinnir umbo\u00f0sst\u00f6rfum fyrir listaf\u00f3lki\u00f0.<\/p>\n Til a\u00f0 byrja me\u00f0 naut Judith s\u00edn ekkert s\u00e9rstaklega vel en komst s\u00ed\u00f0an a\u00f0 \u00ed smi\u00f0ju \u00fear sem veri\u00f0 var a\u00f0 vinna me\u00f0 garn og \u00fatsaum. \u00dear kvikna\u00f0i \u00e1hugi hennar og h\u00fan f\u00f3r a\u00f0 vinna a\u00f0 sk\u00falpt\u00farum, \u00fer\u00edv\u00ed\u00f0um verkum, sem hafa marka\u00f0 spor \u00ed listas\u00f6gunni. Inni \u00ed verkunum kom h\u00fan fyrir alls konar hlutum og d\u00f3ti sem h\u00fan fann og hafa s\u00e9st \u00feegar verkin eru gegnuml\u00fdst. \u00dea\u00f0 eru s\u00f6gur af \u00fev\u00ed a\u00f0 hlutir hafi horfi\u00f0 fr\u00e1 f\u00f3lki eins og veski og t\u00f6skur sem eru n\u00fa hluti af \u00feessum listaverkum.<\/p>\n Verk hennar v\u00f6ktu strax mikla athygli og \u00fe\u00e1 sem \u201eoutsider\u201c listaverk eftir \u201eoutsider\u201c listamann \u00ed \u201eoutsider\u201c listheiminum (MacGregor J.M., 1999. Siebers 2006). En \u00fea\u00f0 breyttist eftir a\u00f0 hr\u00f3\u00f0ur hennar barst \u00fat. \u00c1 heimas\u00ed\u00f0u<\/a> Judithar og systur hennar Joyce Scott segir a\u00f0 verk Judithar endurspegli ekki samhengi vi\u00f0 r\u00edkjandi menningu og s\u00e9u afar einstaklingsbundin, \u00fe\u00f3 \u00f6\u00f0lu\u00f0ust \u00feau og h\u00fan sj\u00e1lf fyrst vi\u00f0urkenningu innan \u201eoutsider\u201c listheimsins. Me\u00f0 t\u00edmanum hefur \u00e1hersla \u00e1 sker\u00f0ingu hennar og f\u00f6tlun dofna\u00f0 og or\u00f0i\u00f0 a\u00f0 ne\u00f0anm\u00e1lsgrein \u00ed l\u00edfss\u00f6gu hennar sem heims\u00feekktur og markver\u00f0ur listama\u00f0ur (Hidden worlds, e.d.).\u00a0Verk hennar hafa \u00f6\u00f0last sj\u00e1lfst\u00e6tt l\u00edf sem merkilegt innlegg \u00ed listas\u00f6guna, einu sinni skilgreind \u00e1 ja\u00f0rinum en n\u00fana einnig vi\u00f0tekin \u00e1 almennan h\u00e1tt sem list. \u00c1 s\u00ed\u00f0ustu \u00e1rum hafa verk hennar veri\u00f0 s\u00fdnd v\u00ed\u00f0a um heim og eru \u00ed eigu \u00feekktra og virtra safna.<\/p>\n Saga Judithar er \u00fe\u00f3 ekki almenn \u00feegar kemur a\u00f0 a\u00f0gengi verka listaf\u00f3lks me\u00f0 \u00feroskah\u00f6mlun inn \u00e1 almennan vettvang. Siebers (2006) veltir \u00fev\u00ed fyrir s\u00e9r hva\u00f0 \u00feurfi a\u00f0 breytast \u00feegar kemur a\u00f0 \u00fev\u00ed a\u00f0 skilja og me\u00f0taka list til \u00feess a\u00f0 verk Judithar og annarra s\u00e9u me\u00f0tekin \u00ed listas\u00f6gunni. Hann nefnir a\u00f0 enn s\u00e9u listnj\u00f3tendur uppteknir af tilgangi listamannsins me\u00f0 verki s\u00ednu og af \u00fev\u00ed hver uppruni listaverksins s\u00e9. S\u00fdn \u00feeirra sem f\u00e1st vi\u00f0 f\u00f6tlun og fagurfr\u00e6\u00f0i (e. disability aesthetics) s\u00e9 a\u00f0 leggja \u00e1herslu \u00e1 a\u00f0 l\u00edkamleg f\u00f6tlun og \u00feroskah\u00f6mlun (e. mental difference) hafi miki\u00f0 gildi \u00ed sj\u00e1lfu s\u00e9r. Jafnframt a\u00f0 s\u00fa s\u00fdn geti breytt vi\u00f0tekinni s\u00fdn og haft \u00feau \u00e1hrif\u00a0 a\u00f0 f\u00f3lk kunni a\u00f0 meta \u00fe\u00e1tt f\u00f6tlunar \u00ed n\u00fat\u00edmalist og ja\u00f0arlist og taki \u00fe\u00e1tt \u00ed endurmati \u00e1 fagurfr\u00e6\u00f0ilegum vi\u00f0mi\u00f0um og smekk \u00feeim sem \u00fatilokar fatla\u00f0 f\u00f3lk.<\/p>\n [\/et_pb_text][et_pb_gallery gallery_ids=“1909,1911,1969,1973″ show_title_and_caption=“off“ show_pagination=“off“ admin_label=“Gallery“ _builder_version=“3.0.87″ use_border_color=“off“ border_color=“#ffffff“ border_style=“solid“] [\/et_pb_gallery][et_pb_text admin_label=“Text“ _builder_version=“3.27.4″ background_size=“initial“ background_position=“top_left“ background_repeat=“repeat“ custom_margin=“-20px|||“ custom_padding=“-20px|||“ use_border_color=“off“ border_color=“#ffffff“ border_style=“solid“]<\/p>\n V\u00edsir a\u00f0 samruna<\/strong><\/p>\n \u00c1ri\u00f0 2013 var Feneyjartv\u00ed\u00e6ringurinn haldinn \u00ed 55 sinn. Feneyjartv\u00ed\u00e6ringurinn,\u00a0La Biennale di Venezia, <\/em>er stofnun sem hefur fr\u00e1 upphafi lagt \u00e1herslu \u00e1 n\u00fat\u00edmamyndlist, ranns\u00f3knir og n\u00fdjar stefnur \u00ed myndlist. \u00c1 tveggja \u00e1ra fresti skipuleggur stofnunin al\u00fej\u00f3\u00f0legar s\u00fdningar sem eru virtar \u00e1 heimsv\u00edsu (La Biennale, e.d.).<\/p>\n S\u00fdningarstj\u00f3ri tv\u00ed\u00e6ringsins 2013, Massimiliano Gioni, vann \u00e1 vissan h\u00e1tt \u00fat fr\u00e1 \u00feessari hugmynd Auriti og var \u00feessi st\u00f3ra s\u00fdning hugmyndafr\u00e6\u00f0ilegt afkv\u00e6mi hugmynda Auriti. \u00c1 s\u00fdningunni voru verk fj\u00f6lda listamanna s\u00fdnd og \u00feeir kynntir \u00e1n formerkja um \u00fea\u00f0 \u00e1 hva\u00f0a vettvangi \u00feeir h\u00f6f\u00f0u veri\u00f0 s\u00fdndir \u00e1\u00f0ur e\u00f0a hvernig \u00feeir h\u00f6f\u00f0u veri\u00f0 skilgreindir. Tali\u00f0 er a\u00f0 virkilega hafi veri\u00f0 reynt a\u00f0 afm\u00e1 m\u00f6rkin me\u00f0 \u00feessari s\u00fdningu og var \u00fea\u00f0 markviss tilgangur s\u00fdningarstj\u00f3rans a\u00f0 for\u00f0ast skilgreiningar um \u201eoutsider\/insider\u201c sem andst\u00e6\u00f0a p\u00f3la (Il plazzo enciclopedico<\/em>, 2013).<\/p>\n \u00dea\u00f0 sem vir\u00f0ist vera a\u00f0 gerast \u00ed \u00e1kve\u00f0num hlutum listheimsins, b\u00e6\u00f0i \u00ed Evr\u00f3pu og \u00ed Bandar\u00edkjunum, er a\u00f0 m\u00f6rkin \u00e1 milli \u00feessara p\u00f3la eru sumssta\u00f0ar a\u00f0 dofna. \u00cd auknum m\u00e6li eru \u201eoutsider\u201c listamenn farnir a\u00f0 s\u00fdna \u00e1 almennum og virtum s\u00fdningum eins og Feneyjatv\u00ed\u00e6ringnum, Documenta og The Carnegie International. Outsider Art Fair er st\u00f3r h\u00e1t\u00ed\u00f0 \u00fear sem \u201eoutsider\u201c list er kynnt og er h\u00fan haldin b\u00e6\u00f0i \u00ed New York og Par\u00eds. \u00c1 vors\u00fdningu Outsider Art Fair \u00e1ri\u00f0 2014 voru s\u00fdnd verk listamanna fr\u00e1 48 al\u00fej\u00f3\u00f0legum galler\u00edum (Outsider art fair, e.d.). \u00cd fyrsta sinn fr\u00e1 stofnun hennar \u00e1ri\u00f0 1993 var h\u00fan haldin samhli\u00f0a h\u00e1t\u00ed\u00f0inni Frieze Art Fair sem er samb\u00e6rileg vi\u00f0 \u00e1\u00f0urnefndar h\u00e1t\u00ed\u00f0ir en \u00fear eru s\u00fdnd verk listamanna sem eru kynntir \u00e1 vegum 190 galler\u00eda (Frieze art fair, e.d.).<\/p>\n \u00cd vi\u00f0tali bla\u00f0amanns, Frank, \u00ed Huffington Post vi\u00f0 n\u00fdjan eiganda Outsider Art Fair, Andrew Edlin,\u00a0er r\u00e6tt um a\u00f0 gj\u00e1in \u00e1 milli \u201eoutsider\u201c listamanna og \u00feeirra sem eru vi\u00f0urkenndir \u00ed hinum almenna listheimi s\u00e9 a\u00f0 minnka. Edlin talar \u00ed vi\u00f0talinu um hversu mikla umfj\u00f6llun verk \u00e1 h\u00e1t\u00ed\u00f0inni f\u00e1i og a\u00f0 umr\u00e6\u00f0an sn\u00faist um a\u00f0 verkin eigi skili\u00f0 a\u00f0 vera sko\u00f0u\u00f0 \u00ed samhengi vi\u00f0 almenna n\u00fat\u00edmamyndlist. Hann undirstrikar a\u00f0 \u00e6 minni \u00e1hersla s\u00e9 l\u00f6g\u00f0 \u00e1 skilgreiningar og merkimi\u00f0a \u00e1 hva\u00f0 s\u00e9 \u201eoutsider\u201c og hva\u00f0 s\u00e9 meginstraumur (e. mainstream) innan listheimsins (Frank, 2014). \u00deetta og \u00fea\u00f0 sem s\u00e9st me\u00f0 a\u00f0gengi verka Judith Scott inn \u00ed almennu senuna er til marks um \u00e1kve\u00f0inn samruna, e\u00f0a hi\u00f0 minnsta vir\u00f0ist vera samtal og endursko\u00f0un \u00ed gangi. \u00c1 me\u00f0an sta\u00f0an sumssta\u00f0ar \u00ed Evr\u00f3pu og Bandar\u00edkjunum er \u00feessi er sta\u00f0an \u00f6nnur \u00e1 \u00cdslandi. M\u00f6gulega s\u00f6kum sm\u00e6\u00f0ar listasenunar og listmarka\u00f0arins h\u00e9r. Sta\u00f0an er s\u00fa a\u00f0 \u00feeir sem falli\u00f0 geta undir \u201eoutsider\u201c\u00a0skilgreininguna e\u00f0a teljast vera \u00e1 ja\u00f0rinum stendur enn \u00ed dag f\u00e6rri t\u00e6kif\u00e6ri til bo\u00f0a til a\u00f0 s\u00fdna og fleiri hindranir eru \u00ed vegi \u00feeirra vilji \u00feeir byggja upp feril \u00ed listum.<\/p>\n Margr\u00e9t M. Nor\u00f0dahl<\/em><\/p>\n [\/et_pb_text][et_pb_text admin_label=“heimildir“ _builder_version=“3.27.4″ text_font=“Lato||||“ text_font_size=“11″ background_color=“#efefef“ background_size=“initial“ background_position=“top_left“ background_repeat=“repeat“ custom_padding=“10px|10px|10px|10px“ use_border_color=“off“ border_color=“#ffffff“ border_style=“solid“]Heimildir:<\/p>\n Frank<\/a>, P., (2014, 10. apr\u00edl). Defining outsider art in anticipation of the Outsider art fair. Huffington Post. <\/em>S\u00f3tt af http:\/\/www.huffingtonpost.com\/2014\/04\/10\/outsider-art-fair-2014_n_5093206.html<\/p>\n Frieze art fair. (e.d.). Frieze New York<\/em>. S\u00f3tt af http:\/\/friezenewyork.com\/<\/p>\n Hidden Worlds. (e.d.).\u00a0Judith Scott (1943 \u2013 2005).<\/em>\u00a0<\/em>S\u00f3tt af: http:\/\/www.hidden-worlds.com\/judithandjoycescott\/judith.shtml<\/a><\/p>\n Il plazzo enciclopedico:<\/em> The encyclopedic palace: 55th International Art Exhibition: la biennale di Venezia. <\/em>(2013). [S\u00fdningarskr\u00e1]. Massimiliano Gioni (ritstj\u00f3ri). Feneyjar: Marsilio.<\/p>\n La Biennale. (e.d.). La Biennale di Venezia. <\/em>S\u00f3tt af: http:\/\/www.labiennale.org\/en\/biennale\/organization<\/a><\/p>\n MacGregor, J.M., (1999).\u00a0Metamorphosis, The fiber art of Judith Scott.<\/em>\u00a0<\/em>Oakland: Creative Growth Art center<\/p>\n Outsider art fair. (e.d.). New York 2014. OAF Talks. <\/em>S\u00f3tt af : http:\/\/www.outsiderartfair.com\/fair\/720\/program<\/a><\/p>\n Siebers, T., (2006). Disability Aesthetics. Journal for Cultural and Religious Theory vol. 7 no.2: bls 63 \u2013 73. Tobin Siebers, pr\u00f3fessor \u00ed b\u00f3kmennta- og menningargagnr\u00fdni vi\u00f0 h\u00e1sk\u00f3lann \u00ed Michigan \u00ed Bandar\u00edkjunum, hefur skrifa\u00f0 t\u00f6luvert um f\u00f6tlun og list. \u00cd grein sinni \u201eDisability Aesthetics\u201c veltir hann fyrir s\u00e9r tengslum f\u00f6tlunar og listaverka \u00ed listas\u00f6gunni og mikilv\u00e6gu en duldu hlutverki f\u00f6tlunar \u00ed s\u00f6gulegum verkum. Hann fjallar um \u00e1skorun sem listfr\u00e6\u00f0ingar og listnj\u00f3tendur standi frammi fyrir […]<\/p>\n","protected":false},"author":9,"featured_media":1908,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_et_pb_use_builder":"on","_et_pb_old_content":" Tobin Siebers, pr\u00f3fessor \u00ed b\u00f3kmennta- og menningargagnr\u00fdni vi\u00f0 h\u00e1sk\u00f3lann \u00ed Michigan \u00ed Bandar\u00edkjunum, hefur skrifa\u00f0 t\u00f6luvert um f\u00f6tlun og list. \u00cd grein sinni \u201eDisability Aesthetics\u201c veltir hann fyrir s\u00e9r tengslum f\u00f6tlunar og listaverka \u00ed listas\u00f6gunni og mikilv\u00e6gu en duldu hlutverki f\u00f6tlunar \u00ed s\u00f6gulegum verkum. Hann fjallar um \u00e1skorun sem listfr\u00e6\u00f0ingar og listnj\u00f3tendur standi frammi fyrir \u00feegar um er a\u00f0 r\u00e6\u00f0a listaf\u00f3lk me\u00f0 \u00feroskah\u00f6mlun \u00fear sem \u00e6tlun listamannsins me\u00f0 verki s\u00ednu er ekki lj\u00f3s. Verkin eru ger\u00f0 \u00f3h\u00e1\u00f0 m\u00f6gulegri framsetningu og \u00e1n tillits til \u00e1horfandans, listas\u00f6gulegs samhengis og \u00e1n tengsla vi\u00f0 strauma og stefnur \u00ed n\u00fat\u00edmamyndlist. Hann nefnir sem d\u00e6mi verk listakonunar Judith Scott sem hefur skapa\u00f0 s\u00e9r nafn sem \u201eoutsider\u201c listama\u00f0ur en verk hennar hafa fengi\u00f0 mikla athygli og eru n\u00fa s\u00fdnd b\u00e6\u00f0i \u00e1 vettvangi \u201eoutsider\u201c listar sem og \u00e1 almennum vettvangi. Judith skilgreindi sj\u00e1lfa sig ekki sem listamann, h\u00fan f\u00f3r hvorki \u00e1 s\u00f6fn n\u00e9 \u00e6tla\u00f0i s\u00e9r a\u00f0 skapa listaverk \u00ed \u00fev\u00ed almenna samhengi sem \u00fea\u00f0 a\u00f0 skapa listaverk er sett \u00ed (Siebers, 2006).<\/p> Saga Judith er um margt merkileg. H\u00fan er tv\u00edburi, f\u00e6ddist me\u00f0 Downs-heilkenni og \u00f3lst upp \u00ed g\u00f3\u00f0u yfirl\u00e6ti hj\u00e1 fj\u00f6lskyldu sinni til sj\u00f6 \u00e1ra aldurs. \u00deegar formleg sk\u00f3laganga hennar \u00e1tti a\u00f0 hefjast \u00fereytti h\u00fan munnleg pr\u00f3f og \u00fe\u00f3tti ekki h\u00e6f til a\u00f0 ganga \u00ed almennan sk\u00f3la. Fj\u00f6lskyldu hennar var r\u00e1\u00f0lagt af l\u00e6knum a\u00f0 senda hana fr\u00e1 s\u00e9r \u00e1 h\u00e6li, sem var r\u00e1\u00f0 \u00feess t\u00edma og \u00feeirrar samf\u00e9lagsger\u00f0ar sem \u00fe\u00e1 var. Judith gat l\u00edti\u00f0 tj\u00e1\u00f0 sig og \u00fea\u00f0 uppg\u00f6tva\u00f0ist ekki fyrr en seint \u00e1 \u00e6vi hennar a\u00f0 h\u00fan var heyrnalaus! H\u00fan var sumsagt sett heyrnarlaus \u00ed munnlegt pr\u00f3f \u00fear sem ni\u00f0urst\u00f6\u00f0ur \u00e1ttu a\u00f0 segja til um greind hennar og var \u00ed kj\u00f6lfari\u00f0 einangru\u00f0 \u00e1 stofnun st\u00f3ran hluta af l\u00edfi s\u00ednu. \u00c1 h\u00e6linu f\u00e9kk h\u00fan f\u00e1 t\u00e6kif\u00e6ri, einangra\u00f0ist og var n\u00e1nast afskrifu\u00f0.<\/p> Eftir l\u00e1t foreldra hennar \u00feegar Judith var komin \u00e1 fimmtugsaldur bau\u00f0 systir Judith henni a\u00f0 flytja til s\u00edn til Kaliforn\u00edu \u00e1 sv\u00e6\u00f0i\u00f0 \u00ed kringum San Francisco.\u00a0Judith h\u00f3f \u00fe\u00e1 a\u00f0 s\u00e6kja listmi\u00f0st\u00f6\u00f0ina Creative Growth<\/a> sem sta\u00f0sett var n\u00e1l\u00e6gt heimili \u00feeirra. Creative Growth er listmi\u00f0st\u00f6\u00f0 og galler\u00ed \u00ed Oakland \u00ed Kaliforn\u00edu me\u00f0 afar fj\u00f6lbreytta starfsemi og marga listamenn \u00e1 s\u00ednum sn\u00e6rum. \u00dear er dag\u00fej\u00f3nusta \u00fear sem f\u00f3lk getur komi\u00f0 og unni\u00f0 a\u00f0 list sinni, allur efnivi\u00f0ur er \u00e1 sta\u00f0num og lei\u00f0beinendur eru myndlistaf\u00f3lk. Mi\u00f0st\u00f6\u00f0in a\u00f0sto\u00f0ar f\u00f3lk vi\u00f0 a\u00f0 koma verkum s\u00ednum \u00e1 framf\u00e6ri og kemur \u00e1 samstarfi vi\u00f0 listaf\u00f3lk og h\u00f6nnu\u00f0i, \u00fear er reki\u00f0 faglegt galler\u00ed og mi\u00f0st\u00f6\u00f0in sinnir umbo\u00f0sst\u00f6rfum fyrir listaf\u00f3lki\u00f0.<\/p> Til a\u00f0 byrja me\u00f0 naut Judith s\u00edn ekkert s\u00e9rstaklega vel en komst s\u00ed\u00f0an a\u00f0 \u00ed smi\u00f0ju \u00fear sem veri\u00f0 var a\u00f0 vinna me\u00f0 garn og \u00fatsaum. \u00dear kvikna\u00f0i \u00e1hugi hennar og h\u00fan f\u00f3r a\u00f0 vinna a\u00f0 sk\u00falpt\u00farum, \u00fer\u00edv\u00ed\u00f0um verkum, sem hafa marka\u00f0 spor \u00ed listas\u00f6gunni. Inni \u00ed verkunum kom h\u00fan fyrir alls konar hlutum og d\u00f3ti sem h\u00fan fann og hafa s\u00e9st \u00feegar verkin eru gegnuml\u00fdst. \u00dea\u00f0 eru s\u00f6gur af \u00fev\u00ed a\u00f0 hlutir hafi horfi\u00f0 fr\u00e1 f\u00f3lki eins og veski og t\u00f6skur sem eru n\u00fa hluti af \u00feessum listaverkum.<\/p>![\"veniceencyclopediabig\"](\"https:\/\/artzine.is\/wp-content\/uploads\/2016\/06\/veniceencyclopediabig.jpg\")
Me\u00f0fram hef\u00f0bundnum s\u00fdningarsk\u00e1lum s\u00fdningarinnar \u00e1ri\u00f0 2013, \u00fear sem hver \u00fej\u00f3\u00f0 \u00e1tti einn fulltr\u00faa, var st\u00f3r s\u00fdning \u00fear sem l\u00e6r\u00f0ir og leiknir s\u00fdndu saman verk s\u00edn. Lykillistama\u00f0ur s\u00fdningarinnar var \u00edtalski listama\u00f0urinn Marino Auriti sem er \u00ed flokki \u00feeirra sem taldir eru til \u201eoutsider\u201c listamanna. Hann vann alla s\u00edna \u00e6vi a\u00f0 hugmyndum um heildarsafn allra safna, n\u00e1nast eins og raungert internet, teikna\u00f0i \u00fea\u00f0 og ger\u00f0i \u00ed \u00fer\u00edv\u00eddd og var\u00f0 safni\u00f0 sj\u00e1lft afar st\u00f3rt a\u00f0 umfangi.<\/p>\n
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