English text below<\/p>\n
Listasafni\u00f0 \u00e1 Akureyri \/Akureyri Art Museum, 19. mars – 29. ma\u00ed<\/em><\/p>\n F\u00f3lk \/ People<\/strong><\/p>\n \u00c9g leit vi\u00f0 \u00ed Listasafninu \u00e1 Akureyri \u00e1 d\u00f6gunum og hitti\u00a0Hlyn Hallsson safnstj\u00f3ra og s\u00fdningarstj\u00f3ra yfirstandandi s\u00fdningar F\u00f3lk\/People. Hann leiddi mig inn hugsunina \u00e1 bak vi\u00f0 s\u00fdninguna, \u00ed hugarheim \u00feeirra listamanna sem \u00fear s\u00fdna og d\u00fdpka\u00f0i skilning minn \u00e1 verkum \u00feeirra. Me\u00f0fylgandi myndband er einskonar skr\u00e1ning \u00e1 \u00feessari heims\u00f3kn og er unni\u00f0 s\u00e9rstaklega fyrir artzine.\u00a0<\/strong><\/p>\n S\u00fdningarstj\u00f3ri\/Curator: Hlynur Hallsson<\/strong><\/p>\n Listamenn\/Artists: <\/strong><\/p>\n S\u00fdningunni l\u00fdkur \u00feann 29. ma\u00ed 2016.<\/em><\/p>\n Bestu \u00feakkir fyrir \u00e1hugaver\u00f0a s\u00fdningu.<\/strong><\/p>\n Arna G. Valsd\u00f3ttir<\/em><\/p>\n <\/p>\n \u00cd s\u00fdningarskr\u00e1 segir:<\/em><\/p>\n Hvernig birtumst vi\u00f0 \u00e1 myndum? Hva\u00f0a mynd f\u00e6r f\u00f3lk af okkur? Hver erum vi\u00f0? S\u00fdningin F\u00f3lk \/ People<\/em> segir \u00e1horfandanum s\u00f6gur af f\u00f3lki og gefur inns\u00fdn \u00ed verk sj\u00f6 listamanna sem allir vinna me\u00f0 lj\u00f3smyndir \u00e1 \u00f3l\u00edkan h\u00e1tt. \u00c1 d\u00f6gum sj\u00e1lfsmyndanna (e. selfie) hafa portrettmyndir \u00f6\u00f0last n\u00fdja merkingu og h\u00e9r gefur a\u00f0 l\u00edta f\u00f3lk \u00ed \u00f3l\u00edkum a\u00f0st\u00e6\u00f0um s\u00e9\u00f0 me\u00f0 augum \u00f3l\u00edkra listamanna \u00ed gegnum linsur fj\u00f6lbreyttra myndav\u00e9la.<\/p>\n Listamennirnir sj\u00f6 eiga \u00fea\u00f0 sameiginlegt a\u00f0 vinna me\u00f0 lj\u00f3smyndir \u00fe\u00f3 a\u00f0 vi\u00f0fangsefni\u00f0 \u201ef\u00f3lk\u201c s\u00e9 ef til vill ekki \u00fea\u00f0 fyrsta sem okkur dettur \u00ed hug \u00feegar vi\u00f0 sko\u00f0um sum verka \u00feeirra.\u00a0Barbara Probst<\/strong>\u00a0(f. 1964) tekur myndir af a\u00f0st\u00e6\u00f0um \u00e1 n\u00e1kv\u00e6mlega sama sek\u00fandubroti. Sm\u00e1atri\u00f0i og heildarmynd gefur \u00e1horfandanum heillandi yfirs\u00fdn \u00ed a\u00f0st\u00e6\u00f0ur \u00e1 g\u00f6tuhorni Manhattan.\u00a0Hallger\u00f0ur Hallgr\u00edmsd\u00f3ttir<\/strong>\u00a0(f. 1984) myndar ungt f\u00f3lk \u00ed dagrenningu \u00e1 bj\u00f6rtum sumarmorgnum \u00ed Reykjav\u00edk. Ungt f\u00f3lk sem ef til vill er a\u00f0 lj\u00faka deginum e\u00f0a a\u00f0 hefja n\u00fdjan. \u00cd verkum\u00a0Hrafnkels Sigur\u00f0ssonar<\/strong>\u00a0(f. 1963) skynjum vi\u00f0 n\u00e6rveru f\u00f3lks \u00e1n \u00feess a\u00f0 sj\u00e1 \u00fea\u00f0. Blautir sj\u00f3stakkar \u00ed sk\u00e6rum litum gefa til kynna erfi\u00f0isvinnu vi\u00f0 misj\u00f6fn skilyr\u00f0i. \u00cd myndum\u00a0Hrefnu Har\u00f0ard\u00f3ttur<\/strong>\u00a0(f. 1954) m\u00e1 sj\u00e1 athafnakonur \u00e1 s\u00ednum eftirl\u00e6tissta\u00f0. Konur sem eiga margt sameiginlegt en hafa \u00fe\u00f3 \u00f3l\u00edkan bakgrunn b\u00e6\u00f0i b\u00f3kstaflega og hugl\u00e6gt.\u00a0H\u00f6r\u00f0ur Geirsson<\/strong>(f. 1960) notar votpl\u00f6tut\u00e6kni fr\u00e1 lokum 19. aldar til a\u00f0 taka myndir af f\u00f3lki \u00e1 mi\u00f0aldard\u00f6gum \u00e1 G\u00e1sum vi\u00f0 Eyjafj\u00f6r\u00f0 og skapar \u00feannig stemningu li\u00f0ins t\u00edma.\u00a0Ine Lamers<\/strong>\u00a0(f. 1954) myndar konu \u00ed kvikmyndaveri og fjallar um m\u00f6rkin \u00e1 milli veruleika og kvikmyndar.\u00a0Wolfgang Tillmans<\/strong>\u00a0(f. 1968) tekur myndir af f\u00f3lki e\u00f0a l\u00edkamshlutum \u00ed ne\u00f0anjar\u00f0alestum \u00ed London. F\u00f3lk sem er \u00e1 fer\u00f0inni \u00e1 annat\u00edma og tekur jafnvel ekki eftir \u00fev\u00ed a\u00f0 \u00fea\u00f0 s\u00e9 lj\u00f3smynda\u00f0.<\/p>\n A text from the catalog:<\/em><\/p>\n How do we appear in photos? How do others picture us? Who are we? The exhibition F\u00f3lk \/ People tells stories of people and gives insights into the work of seven artists who all take photographs, though each one in a different way. In this era of selfies, portraits have acquired a new meaning. In this exhibition one can see people in various situations, seen through the eyes of different artists and a diversity of camera lenses.<\/p>\n The seven artists all have the common trait of working with photographs even though the subject matter of „people“ may not be the first thing that comes to mind when examining their work.\u00a0Barbara Probst<\/strong> (born 1964) takes photos of situations at the exact same split second. Details and the overall picture gives the viewer a fascinating perspective from a street corner in Manhattan.\u00a0Hallger\u00f0ur Hallgr\u00edmsd\u00f3ttir<\/strong> (born 1984) photographs young people at the brake of dawn on a bright summer morning in Reykjav\u00edk. Young people who are perhaps finishing their day or beginning a new one. In Hrafnkell Sigur\u00f0sson’s<\/strong> (born 1963) work we sense the presence of people in their absence. Wet fishermen’s work-clothes in bright colors suggest hard work in varied conditions. Hrefna Har\u00f0ard\u00f3ttir<\/strong> (born 1954) photographs vibrant women in their favorite places. Women who have a lot in common although with different backgrounds both literally and subjectively. H\u00f6r\u00f0ur Geirsson <\/strong>(born 1960) uses wet plate collodion process, a technique used in the later part of the 19th century, to photograph people at the Medieval Festival in G\u00e1sir, Eyjafj\u00f6r\u00f0ur and thereby captures the ambiance of times gone by. Ine Lamers<\/strong> (born 1954) photographs a woman in a film studio; examining the borders between reality and film. Wolfgang Tillmans<\/strong> (born 1968) photographs people or parts of people on the London subway. People travelling during rush hour, not even noticing that they are being photographed.<\/p>\n","protected":false},"excerpt":{"rendered":" English text below Listasafni\u00f0 \u00e1 Akureyri \/Akureyri Art Museum, 19. mars – 29. ma\u00ed F\u00f3lk \/ People \u00c9g leit vi\u00f0 \u00ed Listasafninu \u00e1 Akureyri \u00e1 d\u00f6gunum og hitti\u00a0Hlyn Hallsson safnstj\u00f3ra og s\u00fdningarstj\u00f3ra yfirstandandi s\u00fdningar F\u00f3lk\/People. Hann leiddi mig inn hugsunina \u00e1 bak vi\u00f0 s\u00fdninguna, \u00ed hugarheim \u00feeirra listamanna sem \u00fear s\u00fdna og d\u00fdpka\u00f0i skilning minn […]<\/p>\n","protected":false},"author":10,"featured_media":1474,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_et_pb_use_builder":"off","_et_pb_old_content":" English text below<\/p> Listasafni\u00f0 \u00e1 Akureyri \/Akureyri Art Museum, 19. mars - 29. Ma\u00ed<\/em><\/p> F\u00f3lk \/ People<\/strong><\/p> \u00c9g leit vi\u00f0 \u00ed Listasafninu \u00e1 Akureyri \u00e1 d\u00f6gunum og hitti\u00a0Hlyn Hallsson safnstj\u00f3ra, og s\u00fdningarstj\u00f3ra yfirstandandi s\u00fdningar F\u00f3lk\/People. Hann leiddi mig inn hugsunina \u00e1 bak vi\u00f0 s\u00fdninguna, \u00ed hugarheim \u00feeirra listamanna sem \u00fear s\u00fdna og d\u00fdpka\u00f0i skilning minn \u00e1 verkum \u00feeirra. Me\u00f0fylgandi myndband er einskonar skr\u00e1ning \u00e1 \u00feessari heims\u00f3kn og er unni\u00f0 s\u00e9rstaklega fyrir artzine.\u00a0<\/strong><\/p> S\u00fdningarstj\u00f3ri\/Curator: Hlynur Hallsson<\/strong><\/p> Listamenn\/Artists: <\/strong><\/p> S\u00fdningunni l\u00fdkur \u00feann 29.ma\u00ed 2016.<\/em><\/p> Bestu \u00feakkir fyrir \u00e1hugaver\u00f0a s\u00fdningu.<\/strong><\/p> Arna G. Valsd\u00f3ttir<\/em><\/p> \u00a0<\/p> \u00cd s\u00fdningarskr\u00e1 segir:<\/em><\/p> Hvernig birtumst vi\u00f0 \u00e1 myndum? Hva\u00f0a mynd f\u00e6r f\u00f3lk af okkur? Hver erum vi\u00f0? S\u00fdningin F\u00f3lk \/ People<\/em> segir \u00e1horfandanum s\u00f6gur af f\u00f3lki og gefur inns\u00fdn \u00ed verk sj\u00f6 listamanna sem allir vinna me\u00f0 lj\u00f3smyndir \u00e1 \u00f3l\u00edkan h\u00e1tt. \u00c1 d\u00f6gum sj\u00e1lfsmyndanna (e. selfie) hafa portrettmyndir \u00f6\u00f0last n\u00fdja merkingu og h\u00e9r gefur a\u00f0 l\u00edta f\u00f3lk \u00ed \u00f3l\u00edkum a\u00f0st\u00e6\u00f0um s\u00e9\u00f0 me\u00f0 augum \u00f3l\u00edkra listamanna \u00ed gegnum linsur fj\u00f6lbreyttra myndav\u00e9la.<\/p> Listamennirnir sj\u00f6 eiga \u00fea\u00f0 sameiginlegt a\u00f0 vinna me\u00f0 lj\u00f3smyndir \u00fe\u00f3 a\u00f0 vi\u00f0fangsefni\u00f0 \u201ef\u00f3lk\u201c s\u00e9 ef til vill ekki \u00fea\u00f0 fyrsta sem okkur dettur \u00ed hug \u00feegar vi\u00f0 sko\u00f0um sum verka \u00feeirra.\u00a0Barbara Probst<\/strong>\u00a0(f. 1964) tekur myndir af a\u00f0st\u00e6\u00f0um \u00e1 n\u00e1kv\u00e6mlega sama sek\u00fandubroti. Sm\u00e1atri\u00f0i og heildarmynd gefur \u00e1horfandanum heillandi yfirs\u00fdn \u00ed a\u00f0st\u00e6\u00f0ur \u00e1 g\u00f6tuhorni Manhattan.\u00a0Hallger\u00f0ur Hallgr\u00edmsd\u00f3ttir<\/strong>\u00a0(f. 1984) myndar ungt f\u00f3lk \u00ed dagrenningu \u00e1 bj\u00f6rtum sumarmorgnum \u00ed Reykjav\u00edk. Ungt f\u00f3lk sem ef til vill er a\u00f0 lj\u00faka deginum e\u00f0a a\u00f0 hefja n\u00fdjan. \u00cd verkum\u00a0Hrafnkels Sigur\u00f0ssonar<\/strong>\u00a0(f. 1963) skynjum vi\u00f0 n\u00e6rveru f\u00f3lks \u00e1n \u00feess a\u00f0 sj\u00e1 \u00fea\u00f0. Blautir sj\u00f3stakkar \u00ed sk\u00e6rum litum gefa til kynna erfi\u00f0isvinnu vi\u00f0 misj\u00f6fn skilyr\u00f0i. \u00cd myndum\u00a0Hrefnu Har\u00f0ard\u00f3ttur<\/strong>\u00a0(f. 1954) m\u00e1 sj\u00e1 athafnakonur \u00e1 s\u00ednum eftirl\u00e6tissta\u00f0. Konur sem eiga margt sameiginlegt en hafa \u00fe\u00f3 \u00f3l\u00edkan bakgrunn b\u00e6\u00f0i b\u00f3kstaflega og hugl\u00e6gt.\u00a0H\u00f6r\u00f0ur Geirsson<\/strong>(f. 1960) notar votpl\u00f6tut\u00e6kni fr\u00e1 lokum 19. aldar til a\u00f0 taka myndir af f\u00f3lki \u00e1 mi\u00f0aldard\u00f6gum \u00e1 G\u00e1sum vi\u00f0 Eyjafj\u00f6r\u00f0 og skapar \u00feannig stemningu li\u00f0ins t\u00edma.\u00a0Ine Lamers<\/strong>\u00a0(f. 1954) myndar konu \u00ed kvikmyndaveri og fjallar um m\u00f6rkin \u00e1 milli veruleika og kvikmyndar.\u00a0Wolfgang Tillmans<\/strong>\u00a0(f. 1968) tekur myndir af f\u00f3lki e\u00f0a l\u00edkamshlutum \u00ed ne\u00f0anjar\u00f0alestum \u00ed London. F\u00f3lk sem er \u00e1 fer\u00f0inni \u00e1 annat\u00edma og tekur jafnvel ekki eftir \u00fev\u00ed a\u00f0 \u00fea\u00f0 s\u00e9 lj\u00f3smynda\u00f0.<\/p> A text from the catalog:<\/em><\/p> How do we appear in photos? How do others picture us? Who are we? The exhibition F\u00f3lk \/ People tells stories of people and gives insights into the work of seven artists who all take photographs, though each one in a different way. In this era of selfies, portraits have acquired a new meaning. In this exhibition one can see people in various situations, seen through the eyes of different artists and a diversity of camera lenses.<\/p> The seven artists all have the common trait of working with photographs even though the subject matter of \"people\" may not be the first thing that comes to mind when examining their work.\u00a0Barbara Probst<\/strong> (born 1964) takes photos of situations at the exact same split second. Details and the overall picture gives the viewer a fascinating perspective from a street corner in Manhattan.\u00a0Hallger\u00f0ur Hallgr\u00edmsd\u00f3ttir<\/strong> (born 1984) photographs young people at the brake of dawn on a bright summer morning in Reykjav\u00edk. Young people who are perhaps finishing their day or beginning a new one. In Hrafnkell Sigur\u00f0sson's<\/strong> (born 1963) work we sense the presence of people in their absence. Wet fishermen's work-clothes in bright colors suggest hard work in varied conditions. Hrefna Har\u00f0ard\u00f3ttir<\/strong> (born 1954) photographs vibrant women in their favorite places. Women who have a lot in common although with different backgrounds both literally and subjectively. H\u00f6r\u00f0ur Geirsson <\/strong>(born 1960) uses wet plate collodion process, a technique used in the later part of the 19th century, to photograph people at the Medieval Festival in G\u00e1sir, Eyjafj\u00f6r\u00f0ur and thereby captures the ambiance of times gone by. Ine Lamers<\/strong> (born 1954) photographs a woman in a film studio; examining the borders between reality and film. Wolfgang Tillmans<\/strong> (born 1968) photographs people or parts of people on the London subway. People travelling during rush hour, not even noticing that they are being photographed.<\/p>","_et_gb_content_width":"","_jetpack_memberships_contains_paid_content":false,"footnotes":""},"categories":[1],"tags":[],"class_list":["post-1467","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-uncategorized"],"yoast_head":"\n\n
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