{"id":13126,"date":"2022-03-24T17:00:33","date_gmt":"2022-03-24T17:00:33","guid":{"rendered":"https:\/\/artzine.is\/?p=13126"},"modified":"2022-04-06T11:01:52","modified_gmt":"2022-04-06T11:01:52","slug":"it-is-probably-just-a-question-of-provoking-the-loud-encounter","status":"publish","type":"post","link":"https:\/\/artzine.is\/?p=13126","title":{"rendered":"It is probably just a question of provoking the loud encounter,  la rencontre bruyante"},"content":{"rendered":"<p>[et_pb_section fb_built=&#8220;1&#8243; fullwidth=&#8220;on&#8220; _builder_version=&#8220;4.8.2&#8243; _module_preset=&#8220;default&#8220; global_colors_info=&#8220;{}&#8220;][et_pb_fullwidth_code _builder_version=&#8220;4.14.7&#8243; _module_preset=&#8220;default&#8220; global_colors_info=&#8220;{}&#8220;]<iframe loading=\"lazy\" title=\"YouTube video player\" src=\"https:\/\/www.youtube.com\/embed\/HYh0wkTMB5Q\" width=\"560\" height=\"315\" frameborder=\"0\" allowfullscreen=\"allowfullscreen\"><\/iframe>[\/et_pb_fullwidth_code][\/et_pb_section][et_pb_section fb_built=&#8220;1&#8243; custom_padding_last_edited=&#8220;on|desktop&#8220; admin_label=&#8220;Section&#8220; _builder_version=&#8220;3.22&#8243; custom_padding=&#8220;||0px|&#8220; custom_padding_tablet=&#8220;50px|0|50px|0&#8243; custom_padding_phone=&#8220;&#8220; transparent_background=&#8220;off&#8220; padding_mobile=&#8220;off&#8220; make_fullwidth=&#8220;off&#8220; use_custom_width=&#8220;off&#8220; width_unit=&#8220;on&#8220; global_colors_info=&#8220;{}&#8220;][et_pb_row _builder_version=&#8220;4.6.6&#8243; _module_preset=&#8220;default&#8220; global_colors_info=&#8220;{}&#8220;][et_pb_column type=&#8220;4_4&#8243; _builder_version=&#8220;4.6.6&#8243; _module_preset=&#8220;default&#8220; global_colors_info=&#8220;{}&#8220;][et_pb_post_title meta=&#8220;off&#8220; date_format=&#8220;j.m. Y&#8220; featured_image=&#8220;off&#8220; _builder_version=&#8220;4.6.6&#8243; title_font=&#8220;|300|||||||&#8220; title_text_align=&#8220;center&#8220; title_font_size=&#8220;45px&#8220; title_letter_spacing=&#8220;1px&#8220; background_color=&#8220;rgba(255,255,255,0)&#8220; parallax=&#8220;on&#8220; parallax_method=&#8220;off&#8220; max_width=&#8220;100%&#8220; parallax_effect=&#8220;on&#8220; module_bg_color=&#8220;rgba(255,255,255,0)&#8220; use_border_color=&#8220;off&#8220; border_color=&#8220;#ffffff&#8220; border_style=&#8220;solid&#8220; global_colors_info=&#8220;{}&#8220;][\/et_pb_post_title][\/et_pb_column][\/et_pb_row][et_pb_row _builder_version=&#8220;4.9.4&#8243; background_size=&#8220;initial&#8220; background_position=&#8220;top_left&#8220; background_repeat=&#8220;repeat&#8220; width=&#8220;70%&#8220; module_alignment=&#8220;center&#8220; global_colors_info=&#8220;{}&#8220;][et_pb_column type=&#8220;4_4&#8243; _builder_version=&#8220;3.25&#8243; custom_padding=&#8220;|||&#8220; global_colors_info=&#8220;{}&#8220; custom_padding__hover=&#8220;|||&#8220;][et_pb_text _builder_version=&#8220;4.14.7&#8243; background_size=&#8220;initial&#8220; background_position=&#8220;top_left&#8220; background_repeat=&#8220;repeat&#8220; width=&#8220;70%&#8220; module_alignment=&#8220;center&#8220; hover_enabled=&#8220;0&#8243; global_colors_info=&#8220;{}&#8220; sticky_enabled=&#8220;0&#8243;]<\/p>\n<h2 style=\"text-align: center;\">Louane Lelu-Ribaimont<\/h2>\n<p style=\"text-align: center;\"><em>\u201cWe must learn to be at home in the quivering tension of the in-<\/em><br \/><em>between. No other home is available. In-between nature and culture, in-between biology and Philosophy, in-between the human and everything we ram ourselves up against, everything we desperately shield ourselves from, everything we throw ourselves into, wrecked and recklessly, watching, amazed, as our skins become thinner\u201d<\/em><\/p>\n<p style=\"text-align: center;\"><em><span style=\"font-size: small;\">Astrida Neimasis &#8211; Hydrofemenism, or on becoming bodies of water \/chapter 6; Ecotone<\/span><\/em><\/p>\n<p><strong>S\u00fdningarstj\u00f3rar\/curators: <\/strong><em>D\u00edana Gylfad\u00f3ttir, Louane Lelu-Ribaimont<\/em><\/p>\n<p><strong>English below:<\/strong><\/p>\n<p class=\"p1\">Verki\u00f0 s\u00fdnir m\u00e1lmpl\u00f6tu sem hefur veri\u00f0 h\u00f6mru\u00f0 til a\u00f0 skapa l\u00edfr\u00e6n form. Platan er sta\u00f0sett utandyra \u00ed landslaginu, \u00ed snj\u00f3num, \u00fear sem n\u00e1tt\u00farulegt lj\u00f3s fellur \u00e1 hana og l\u00fdsir hana upp. Vi\u00f0 sj\u00e1um skugga af l\u00edkama sem reynir a\u00f0 mynda tengsl vi\u00f0 formin og fanga \u00feau. Skugginn getur \u00ed raun ekki n\u00e1\u00f0 formunum, hann getur a\u00f0eins floti\u00f0 eftir yfirbor\u00f0inu. Verki\u00f0 fjallar um r\u00fdmi \u00fear sem samfundur og tengsl milli landslags, l\u00edkama og efnis eiga s\u00e9r sta\u00f0. \u00dea\u00f0 fjallar um skynjun \u00e1 l\u00edkamlegum samskiptum vi\u00f0 n\u00e1tt\u00faru, r\u00fdmi og efni sem l\u00e6tur okkur \u00edhuga hvernig vi\u00f0 erum tengd \u00feessum \u00fe\u00e1ttum.<\/p>\n<p class=\"p1\">\u00dea\u00f0 er spurning um a\u00f0 kalla eftir fl\u00e6\u00f0i, a\u00f0 skapa fl\u00e6\u00f0i milli okkar og r\u00fdmis, landlags, efnis og hluta og vera opin fyrir \u00fev\u00ed umhverfi sem vi\u00f0 b\u00faum \u00ed og \u00fev\u00ed sem b\u00fdr \u00ed okkur. \u00cd verkinu er leitast vi\u00f0 a\u00f0 vera \u00e1 br\u00faninni, <i>la lisi\u00e9re<\/i>, og b\u00fd\u00f0ur \u00e1horfendum a\u00f0 ganga \u00e1 l\u00ednunni, landam\u00e6runum, ja\u00f0rinum, \u00e1 sv\u00e6\u00f0i umbreytinga. \u00deessi samfundur \u00fe\u00e1tta s\u00fdnir okkur st\u00f6\u00f0ugt fl\u00e6\u00f0i og vi\u00f0varandi samtal milli \u00feeirra, \u00fear sem \u00feeir tengjast hver \u00f6\u00f0rum. Me\u00f0 \u00fev\u00ed a\u00f0 mynda samband og reyna a\u00f0 tengjast umhverfi okkar, getum vi\u00f0 s\u00e9\u00f0 sk\u00fdrar hvernig mismunandi \u00fe\u00e6ttir koma saman sem heild.<\/p>\n<p><strong>Um listamanninn:<\/strong><\/p>\n<p class=\"p1\"><strong>Louane Lelu-Ribaimont<\/strong> (Angers \u2013 2001)<span class=\"Apple-converted-space\">\u00a0 <\/span>er a\u00f0 vinna a\u00f0 BA gr\u00e1\u00f0u \u00ed listum vi\u00f0 Myndlistarsk\u00f3lann \u00ed Nantes (Beux-Arts de Nantes) og hefur \u00e1kve\u00f0i\u00f0 a\u00f0 verja vor\u00f6nninni 2022 vi\u00f0 n\u00e1m \u00ed Listah\u00e1sk\u00f3la \u00cdslands. Verk hennar er marglaga athugun \u00e1 l\u00edkamlegum tengslum og birtist \u00ed gegnum margs konar mi\u00f0la. H\u00fan kannar l\u00edkama sem b\u00fdr \u00ed heiminum, fl\u00e6\u00f0ir um \u00ed r\u00fdmi og hreyfingu og ber vitni um l\u00edkamsminni sem blandast skynjun, hugmyndum og myndum. \u00deegar h\u00fan gengur um kannar h\u00fan ferla og lei\u00f0ir sem \u00e6tla\u00f0 er a\u00f0 gr\u00edpa og r\u00e6\u00f0a n\u00fdjar upplifanir sem vi\u00f0 rekumst \u00e1 \u00ed umhverfi okkar.<\/p>\n<p><strong>S\u00fdningarstj\u00f3rar:<\/strong><\/p>\n<p class=\"p1\"><strong>Louane Lelu-Ribaimont<\/strong> (Angers \u2013 2001)<span class=\"Apple-converted-space\">\u00a0 <\/span>er a\u00f0 vinna a\u00f0 BA gr\u00e1\u00f0u \u00ed listum vi\u00f0 Myndlistarsk\u00f3lann \u00ed Nantes (Beux-Arts de Nantes) og hefur \u00e1kve\u00f0i\u00f0 a\u00f0 verja vor\u00f6nninni 2022 vi\u00f0 n\u00e1m \u00ed Listah\u00e1sk\u00f3la \u00cdslands.<\/p>\n<p class=\"p1\"><strong>D\u00edana Gylfad\u00f3ttir<\/strong> er f\u00e6dd \u00ed Reykjav\u00edk og er \u00e1 \u00f6\u00f0ru \u00e1ri \u00ed Listfr\u00e6\u00f0i vi\u00f0 H\u00e1sk\u00f3la \u00cdslands.<\/p>\n<p>S\u00fdning \u00feessi var m\u00f6guleg vegna stu\u00f0nings fr\u00e1 <a href=\"https:\/\/www.facebook.com\/lemmy101rvk\/\" target=\"_blank\" rel=\"noopener\">Lemmy<\/a> bar<\/p>\n<h6><img loading=\"lazy\" decoding=\"async\" class=\"wp-image-13333 alignnone size-full\" src=\"https:\/\/artzine.is\/wp-content\/uploads\/2022\/03\/Currators.jpg\" alt=\"\" width=\"1016\" height=\"1191\" srcset=\"https:\/\/artzine.is\/wp-content\/uploads\/2022\/03\/Currators.jpg 1016w, https:\/\/artzine.is\/wp-content\/uploads\/2022\/03\/Currators-980x1149.jpg 980w, https:\/\/artzine.is\/wp-content\/uploads\/2022\/03\/Currators-480x563.jpg 480w\" sizes=\"(min-width: 0px) and (max-width: 480px) 480px, (min-width: 481px) and (max-width: 980px) 980px, (min-width: 981px) 1016px, 100vw\" \/>S\u00fdningarstj\u00f3rarnir\u00a0 \/ The curators: D\u00edana Gylfad\u00f3ttir, Louane Lelu-Ribaimont<\/h6>\n<h6><img loading=\"lazy\" decoding=\"async\" class=\"wp-image-13339 alignnone size-full\" src=\"https:\/\/artzine.is\/wp-content\/uploads\/2022\/03\/InstallationView.jpg\" alt=\"\" width=\"2048\" height=\"1410\" srcset=\"https:\/\/artzine.is\/wp-content\/uploads\/2022\/03\/InstallationView.jpg 2048w, https:\/\/artzine.is\/wp-content\/uploads\/2022\/03\/InstallationView-1280x881.jpg 1280w, https:\/\/artzine.is\/wp-content\/uploads\/2022\/03\/InstallationView-980x675.jpg 980w, https:\/\/artzine.is\/wp-content\/uploads\/2022\/03\/InstallationView-480x330.jpg 480w\" sizes=\"(min-width: 0px) and (max-width: 480px) 480px, (min-width: 481px) and (max-width: 980px) 980px, (min-width: 981px) and (max-width: 1280px) 1280px, (min-width: 1281px) 2048px, 100vw\" \/>Innstallation view<\/h6>\n<h6><img loading=\"lazy\" decoding=\"async\" class=\"wp-image-13340 alignnone size-full\" src=\"https:\/\/artzine.is\/wp-content\/uploads\/2022\/03\/Opening.jpg\" alt=\"\" width=\"1273\" height=\"955\" srcset=\"https:\/\/artzine.is\/wp-content\/uploads\/2022\/03\/Opening.jpg 1273w, https:\/\/artzine.is\/wp-content\/uploads\/2022\/03\/Opening-980x735.jpg 980w, https:\/\/artzine.is\/wp-content\/uploads\/2022\/03\/Opening-480x360.jpg 480w\" sizes=\"(min-width: 0px) and (max-width: 480px) 480px, (min-width: 481px) and (max-width: 980px) 980px, (min-width: 981px) 1273px, 100vw\" \/>From the opening.<\/h6>\n<hr \/>\n<p>The work shows a metal plate which was hammered to create organic shapes. The plate is placed outside in the landscape, in the snow, where natural light falls on the metal and illuminates it. There is a shadow of a body interacting with the shapes, trying to grasp them. The shadow can\u2018t really catch the forms, it can only glide on the surface. The work is about a space where meeting and interaction between landscape, body and material happens. It is about perception of our bodily communication with nature, spaces and materials that leaves us wondering how we are related to these elements. It is a question of calling on the porosity. Making our skin porous to spaces, landscapes, matters, objects. Being porous to what we inhabit and what inhabits us.<\/p>\n<p class=\"p1\">The work is about creating the meeting and provoking the fresh eyes; eyes that ask questions. Lines are thin between the elements, and not everything is clearly readable. It isn&#8217;t quite a sculpture, not quite a landscape, and not quite a body either. Nonetheless, the whole produces the one : the encounter.<\/p>\n<p class=\"p1\"><strong><i>Le tout cr\u00e9e l\u2019un, ou plut\u00f4t l\u2019un<\/i><i>e\u00a0<\/i><i>:\u00a0<\/i><i>la\u00a0<\/i><\/strong><i><strong>rencontre.<\/strong>\u00a0<\/i><\/p>\n<p class=\"p1\">It is a project that seeks to inhabit the edge,\u00a0<i>la lisi\u00e8re<\/i>, and invites its observers to walk along the line, the border, the periphery, the ecotone.<\/p>\n<p><strong>About the artist:<\/strong><\/p>\n<p class=\"p1\"><span class=\"s1\"><strong>Louane Lelu\u2013Ribaimont<\/strong> was born in Angers (France-2001) <\/span>Her work is a multilayered exploration of physicality, revealing its essence through a variety of media. She explores a body that inhabits, flows in space and movement and bears witness to a memory body that superimposes perceptions, ideas and figures. As she is walking, she explores lines and passages, intended to catch and discuss new experiences we encounter in our environment.<\/p>\n<p class=\"p1\">Loop video, booklet &#8211; 2022<\/p>\n<p class=\"p1\"><strong>Curators:<\/strong><\/p>\n<p class=\"p1\"><strong>Louane Lelu\u2013Ribaimont<\/strong> (Angers &#8211; 2001) is currently pursuing a BA in ne art from the Beaux-Arts de Nantes and has decided to spend the spring semester 2022 in Iceland University of the Arts.<\/p>\n<p class=\"p1\"><strong>D\u00edana Gylfad\u00f3ttir<\/strong> was born in Reykjav\u00edk and is pursuing her second year studies in art theory at the University of Iceland.<span class=\"Apple-converted-space\">\u00a0<\/span><\/p>\n<hr \/>\n<p>This show was made possible with support from <a href=\"https:\/\/www.facebook.com\/lemmy101rvk\/\" target=\"_blank\" rel=\"noopener\">Lemmy<\/a> bar<\/p>\n<p>[\/et_pb_text][\/et_pb_column][\/et_pb_row][et_pb_row _builder_version=&#8220;4.9.4&#8243; background_enable_color=&#8220;off&#8220; background_color_gradient_direction=&#8220;108deg&#8220; background_size=&#8220;initial&#8220; background_position=&#8220;top_left&#8220; background_repeat=&#8220;repeat&#8220; max_width=&#8220;1000px&#8220; module_alignment=&#8220;center&#8220; custom_padding=&#8220;20px|10px|10px|10px|false|false&#8220; border_width_all=&#8220;1px&#8220; border_color_all=&#8220;#000000&#8243; locked=&#8220;off&#8220; global_colors_info=&#8220;{}&#8220;][et_pb_column type=&#8220;4_4&#8243; _builder_version=&#8220;4.9.4&#8243; custom_padding=&#8220;|||&#8220; global_colors_info=&#8220;{}&#8220; custom_padding__hover=&#8220;|||&#8220;][et_pb_text admin_label=&#8220;Footnote&#8220; _builder_version=&#8220;4.9.4&#8243; text_font_size=&#8220;13px&#8220; header_6_text_align=&#8220;center&#8220; header_6_line_height=&#8220;1.4em&#8220; width=&#8220;100%&#8220; module_alignment=&#8220;center&#8220; custom_margin=&#8220;-13px|||||&#8220; custom_padding=&#8220;||0px|||&#8220; global_colors_info=&#8220;{}&#8220;]<\/p>\n<p style=\"text-align: center;\"><strong>The interview is part of a collaboration between Artzine and a new MA in Curatorial Practice at the Iceland University of the Arts.<\/strong><\/p>\n<p>[\/et_pb_text][et_pb_text admin_label=&#8220;Footnote&#8220; _builder_version=&#8220;4.9.4&#8243; text_font_size=&#8220;13px&#8220; header_6_text_align=&#8220;center&#8220; header_6_line_height=&#8220;1.4em&#8220; width=&#8220;100%&#8220; module_alignment=&#8220;center&#8220; custom_margin=&#8220;-13px|||||&#8220; custom_padding=&#8220;||0px|||&#8220; global_colors_info=&#8220;{}&#8220;]<\/p>\n<p style=\"text-align: center;\"><strong>Vi\u00f0tali\u00f0 er hluti af samstarfsverkefni Artzine og n\u00fdrrar meistaran\u00e1mslei\u00f0ar \u00ed s\u00fdningager\u00f0 vi\u00f0 myndlistardeild Listah\u00e1sk\u00f3la \u00cdslands \u00e1 vor\u00f6nn 2021.<\/strong><\/p>\n<p>[\/et_pb_text][\/et_pb_column][\/et_pb_row][\/et_pb_section]<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Louane Lelu-Ribaimont \u201cWe must learn to be at home in the quivering tension of the in-between. No other home is available. In-between nature and culture, in-between biology and Philosophy, in-between the human and everything we ram ourselves up against, everything we desperately shield ourselves from, everything we throw ourselves into, wrecked and recklessly, watching, amazed, [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":13221,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_et_pb_use_builder":"on","_et_pb_old_content":"","_et_gb_content_width":"","_jetpack_memberships_contains_paid_content":false,"footnotes":""},"categories":[2],"tags":[],"class_list":["post-13126","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-happyhour-gallery"],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v27.6 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>It is probably just a question of provoking the loud encounter, la rencontre bruyante - artzine.is<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/artzine.is\/?p=13126\" \/>\n<meta property=\"og:locale\" content=\"is_IS\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"It is probably just a question of provoking the loud encounter, la rencontre bruyante - artzine.is\" \/>\n<meta property=\"og:description\" content=\"Louane Lelu-Ribaimont \u201cWe must learn to be at home in the quivering tension of the in-between. 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