Bj\u00f6rk: \u00de\u00fa ert me\u00f0 BA gr\u00e1\u00f0u \u00ed myndlist fr\u00e1 LH\u00cd, hvernig kvikna\u00f0i \u00e1huginn \u00e1 s\u00fdningarstj\u00f3rnun?<\/em><\/strong><\/p>\n Helena:<\/strong> \u00c1hugi minn kvikna\u00f0i \u00feegar \u00e9g bj\u00f3 \u00ed Amsterdam \u00fear sem \u00e9g f\u00f3r \u00ed meistaran\u00e1m \u00ed myndlist. \u00dear stofna\u00f0i \u00e9g \u00e1samt 7 listam\u00f6nnum s\u00fdningar\u00fdmi \u00fear sem vi\u00f0 settum upp sams\u00fdningar \u00f3l\u00edkra listamanna. \u00dea\u00f0 var h\u00e1lfgert match-making, og \u00e9g naut \u00feess mj\u00f6g a\u00f0 kynna listamenn hvert fyrir \u00f6\u00f0ru og b\u00faa til n\u00fd samt\u00f6l \u00ed uppsetningu \u00fat fr\u00e1 verkunum \u00feeirra. Stuttu s\u00ed\u00f0ar flutti \u00e9g til London einmitt til a\u00f0 fara \u00ed n\u00e1m \u00ed s\u00fdningastj\u00f3rnun. \u00c9g held a\u00f0 \u00e9g hafi \u00e1tta\u00f0 mig \u00e1 a\u00f0 m\u00e9r fyndist mest spennandi a\u00f0 taka \u00fe\u00e1tt \u00ed a\u00f0 setja fram s\u00f6gur annarra, \u00fear sem m\u00e9r fannst br\u00fdnni \u00fe\u00f6rf \u00e1 a\u00f0 koma \u00feeim \u00e1 framf\u00e6ri \u00fe\u00f3 a\u00f0 r\u00f6ddin m\u00edn hyrfi ekkert. \u00deessi hugsun var samt ekki n\u00fd, en \u00e9g haf\u00f0i dvali\u00f0 sem unglingur \u00ed Vestur- og Austur Afr\u00edku og Su\u00f0vestur-As\u00edu og kynnst s\u00f6gum sem \u00e9g heyr\u00f0i aldrei \u00ed vestr\u00e6nu samf\u00e9lagi. Mig langa\u00f0i alltaf til a\u00f0 koma \u00f3l\u00edkum sj\u00f3narhornum \u00e1 framf\u00e6ri en fann a\u00f0 \u00fea\u00f0 var ekki mitt hlutverk \u00ed listinni minni. \u00dea\u00f0 er svo st\u00f3rt og erfitt vi\u00f0fangsefni og \u00e9g yfirgaf \u00fea\u00f0 \u00e1 me\u00f0an \u00e9g var \u00ed LH\u00cd \u00fev\u00ed \u00e9g vissi ekki hvernig \u00e9g g\u00e6ti beytt r\u00f6dd minni. En \u00feetta eru vi\u00f0fangsefni sem \u00e9g velti fyrir m\u00e9r sem s\u00fdningarstj\u00f3ri.<\/p>\n S\u00fdning \u00fe\u00edn fjallar me\u00f0al annars um kynjamisr\u00e9tti og rasisma, \u00ed verki Tabita Rezaire er h\u00fan \u00ed samtali vi\u00f0 vestr\u00e6na heiminn sem gerir tilraun til a\u00f0 bi\u00f0jast fyrirgefningar \u00e1 n\u00fdlenduveldi kap\u00edtalismans og hv\u00edtrar forr\u00e9ttindahyggju. Hvar sta\u00f0setur \u00fe\u00fa \u00feig \u00ed \u00feessu samtali?<\/em><\/strong><\/p>\n \u00c9g er a\u00f0 finna minn sta\u00f0 \u00ed \u00feessu \u00f6llu. Eitt af hlutverkum m\u00ednum sem manneskja sem n\u00fdtur margra forr\u00e9ttinda er a\u00f0 n\u00fdta \u00fe\u00e1 st\u00f6\u00f0u til \u00feess a\u00f0 b\u00faa til sta\u00f0 fyrir samr\u00e6\u00f0ur.\u00a0\u00c9g er ekki endilega eing\u00f6ngu a\u00f0 reyna a\u00f0 b\u00faa til svi\u00f0 fyrir a\u00f0rar raddir heldur l\u00edka a\u00f0 b\u00faa til samtali\u00f0. \u00dea\u00f0 er svo d\u00fdrm\u00e6tt. Vi\u00f0 getum ekki teki\u00f0 okkur \u00far \u00feessari samst\u00e6\u00f0u, en \u00fea\u00f0 er mikilv\u00e6gt a\u00f0 staldra vi\u00f0 og hleypa fleiri r\u00f6ddum inn \u00ed samtali\u00f0. A\u00f0 taka inn a\u00f0rar upplifanir og f\u00e1 a\u00f0 endurspegla hvernig vi\u00f0 eigum a\u00f0 haga okkur \u00e1fram. Kannski gerist \u00fea\u00f0 bara n\u00e1tt\u00farlega \u00ed gegnum samtali\u00f0, eins og hva\u00f0 anna\u00f0, \u00fe\u00e1 l\u00e6rir ma\u00f0ur og fer a\u00f0 lifa l\u00edfinu a\u00f0eins \u00f6\u00f0ruv\u00edsi og byrjar a\u00f0 taka tillit til reynslu annarra. \u00dea\u00f0 er kannski byrjunin. \n S\u00fdningin er bygg\u00f0 \u00e1 \u00fatskriftarverkefninu \u00fe\u00ednu fr\u00e1 Central Saint Martins. Hvernig valdir \u00fe\u00fa verkin\/listamennina inn \u00e1 s\u00fdninguna<\/em><\/strong><\/p>\n \u00c9g haf\u00f0i samband vi\u00f0 listamenn sem n\u00fdta sagnager\u00f0 \u00ed verkunum s\u00ednum, og var a\u00f0 leitast eftir s\u00f6gum um fem\u00edn\u00edskar \u00fat\u00f3p\u00edur. S\u00fdningin endurspeglar \u00f3l\u00edkar framt\u00ed\u00f0ars\u00fdnir og \u00feess vegna var mikilv\u00e6gt a\u00f0 \u00fear k\u00e6mu fram fj\u00f6lbreytt sj\u00f3narhorn. Listamennirnir og h\u00f6nnu\u00f0irnir sem eiga verk \u00e1 s\u00fdningunni koma \u00fev\u00ed fr\u00e1 m\u00f6rgum \u00e1ttum; \u00feetta er frekar al\u00fej\u00f3\u00f0legur h\u00f3pur en flestir eiga heima \u00e1 \u00cdslandi. Tv\u00f6 af \u00e1tta verkum s\u00fdningarinnar h\u00f6f\u00f0u veri\u00f0 s\u00fdnd \u00e1\u00f0ur og sem \u00e9g vissi af og t\u00f3k inn \u00ed s\u00fdninguna, en hin verkin voru \u00f6ll s\u00e9rstaklega ger\u00f0 me\u00f0 \u00feessa s\u00fdningu \u00ed huga. Sem s\u00fdningarstj\u00f3ri var st\u00f3r partur af m\u00ednu hlutverki a\u00f0 fara \u00ed st\u00fad\u00ed\u00f3heims\u00f3knir og eiga samt\u00f6l vi\u00f0 listamennina um \u00fer\u00f3un hugmyndanna. \u00dear kom reynsla m\u00edn sem listama\u00f0ur l\u00edka a\u00f0 gagni og vi\u00f0 g\u00e1tum tala\u00f0 um hvernig h\u00e6gt v\u00e6ri a\u00f0 myndgera hugmyndirnar.<\/p>\n S\u00fdningin er miki\u00f0 bygg\u00f0 \u00e1 femin\u00edskum v\u00edsindask\u00e1ldskap. Hva\u00f0an kemur \u00fea\u00f0?<\/em><\/strong><\/p>\n \u00dea\u00f0 var\u00f0 eins konar vitundarvakning hj\u00e1 m\u00e9r \u00feegar \u00e9g \u00e1kva\u00f0 a\u00f0 \u00e9g vildi ekki fara \u00fat \u00ed verkefni nema a\u00f0 \u00fea\u00f0 v\u00e6ri skemmtilegt. M\u00e9r finnst v\u00edsindask\u00e1ldskapur rosalega skemmtilegur og f\u00f3r a\u00f0 athuga hvernig \u00e9g g\u00e6ti n\u00fdtt hann. \u00c9g sko\u00f0a\u00f0i m.a. kenningu sem heitir Space Travel (Lost in Space<\/em> eftir Marleen S Barr<\/strong>) sem fjallar um hvernig vi\u00f0 getum fari\u00f0 inn \u00ed annan heim \u00feegar vi\u00f0 lesum sk\u00e1lds\u00f6gur. \u00dea\u00f0 er \u00f3tr\u00falegt hvernig textinn getur haft svo mikil \u00e1hrif \u00e1 mann a\u00f0 ma\u00f0ur hverfi inn \u00ed a\u00f0ra ver\u00f6ld. \u00c9g vildi athuga hvernig vi\u00f0 g\u00e6tum gert \u00feetta \u00ed raunveruleikanum, hvernig h\u00e6gt v\u00e6ri a\u00f0 skapa \u00feessa tilfinningu svo a\u00f0 listama\u00f0urinn g\u00e6ti b\u00fai\u00f0 til einhvers konar heim e\u00f0a sn\u00fai\u00f0 upp \u00e1 einhverjar reglur…<\/p>\n \u00cd London s\u00e1 \u00e9g svo Tarek Lakhrissi<\/strong> v\u00edde\u00f3verki\u00f0, Out of the blue<\/em>, \u00fea\u00f0 var fyrsta s\u00fdningin sem \u00e9g s\u00e1 eftir a\u00f0 \u00e9g flutti til London, \u00feannig a\u00f0 \u00fea\u00f0 hefur \u00f6rugglega haft \u00e1hrif og seti\u00f0 \u00ed m\u00e9r.<\/p>\n Hva\u00f0a v\u00edsindask\u00e1ldskaparh\u00f6fundar h\u00f6f\u00f0u mest \u00e1hrif \u00e1 \u00feig?<\/em><\/strong><\/p>\n Sk\u00e1ldsagan eftir Ursula Le Guin<\/strong>, Left Hand of Darkness<\/em>, var st\u00f3r partur af fr\u00e6\u00f0inni sem \u00e9g nota\u00f0i, m\u00e9r finnst svo skemmtilegt a\u00f0 geta nota\u00f0 v\u00edsindask\u00e1ldskap og sk\u00e1ldskap yfirh\u00f6fu\u00f0 sem fr\u00e6\u00f0i. \u00dear ver\u00f0 \u00e9g fyrir miklum innbl\u00e6stri fr\u00e1 Donna Haraway<\/strong>, sem er pr\u00f3fessor emerita vi\u00f0 deild S\u00f6gu mannsandans og deild femin\u00edskra fr\u00e6\u00f0a (History of Consciousness Department og Feminist Studies Department) \u00ed H\u00e1sk\u00f3la Kaliforn\u00edu \u00ed Santa Cruz. H\u00fan \u00e1 \u00fea\u00f0 til a\u00f0 n\u00fdta sk\u00e1ldskap \u00ed akadem\u00edskum ranns\u00f3knum s\u00ednum \u00fear sem h\u00fan veltir v\u00f6ngum yfir framt\u00ed\u00f0inni. Og svo au\u00f0vita\u00f0 Octavia Butler, h\u00fan og Ursula h\u00f3fu eiginlega \u00feessa bylgju af femin\u00edskum v\u00edsindask\u00e1ldskap \u00e1 \u00e1ttunda \u00e1ratugnum.<\/p>\n Hvernig finnst \u00fe\u00e9r a\u00f0 v\u00edsindask\u00e1ldskapur geti haft \u00e1hrif \u00e1 raunveruleikann? <\/em>\u00a0<\/strong><\/p>\n \u00deetta er t\u00e6kif\u00e6ri til a\u00f0 b\u00faa til \u00fat\u00f3p\u00edu. En \u00fea\u00f0 er erfitt a\u00f0 \u00edmynda s\u00e9r heim \u00e1n \u00feess a\u00f0 byggja hann \u00e1 heiminum sem vi\u00f0 b\u00faum \u00ed. \u00dea\u00f0 er alltaf einhver kontrast, e\u00f0a akk\u00farat \u00f6fugt vi\u00f0 \u00fea\u00f0 sem vi\u00f0 \u00feekkjum. En \u00ed \u00feessum \u00fat\u00f3p\u00edsku heimum er frelsi til a\u00f0 s\u00fdna hvernig hlutirnir g\u00e6tu veri\u00f0 \u00f6\u00f0ruv\u00edsi. Eins og \u00ed Star Trek<\/em>, \u00fear sem t.d. fyrsti \u201einterracial\u201c kossinn \u00e1tti s\u00e9r sta\u00f0 \u00ed sj\u00f3nvarpi \u00e1ri\u00f0 1964. Nichelle Nichols<\/strong> sem l\u00e9k \u00ed Star Trek starfa\u00f0i s\u00ed\u00f0ar hj\u00e1 NASA vi\u00f0 a\u00f0 r\u00e1\u00f0a konur og f\u00f3lk \u00far minnihlutah\u00f3pum til stofnunarinnar. H\u00fan r\u00e9\u00f0i t.d. fyrstu konuna, fyrstu sv\u00f6rtu konuna og annan svarta karlmanninn til a\u00f0 ver\u00f0a geimfarar. N\u00fana hlj\u00f3mar \u00feetta kannski sj\u00e1lfsagt, en \u00fea\u00f0 var \u00fea\u00f0 ekki \u00e1 s\u00ednum t\u00edma! Og m\u00e9r finnst gaman a\u00f0 hugsa til \u00feess a\u00f0 v\u00edsindask\u00e1ldskapur hafi haft \u00e1hrif.<\/p>\n \u00deetta er fyrsta s\u00fdningin \u00fe\u00edn eftir \u00fatskrift. Var mikil pressa \u00e1 s\u00fdningunni til a\u00f0 endurspegla \u00feig sem s\u00fdningarstj\u00f3ra?<\/em><\/strong><\/p>\n \u00dea\u00f0 var svo fr\u00e1b\u00e6rt t\u00e6kif\u00e6ri a\u00f0 geta veri\u00f0 me\u00f0 fyrsta verkefni\u00f0 mitt eftir \u00fatskrift \u00ed Kling og Bang<\/em>. Mig langa\u00f0i a\u00f0 gera allt! En svo \u00e1tta\u00f0i \u00e9g mig \u00e1 a\u00f0 s\u00fdningin ver\u00f0ur ekki betri eftir \u00fev\u00ed sem meira er \u00e1 henni, a\u00f0 \u00fea\u00f0 er betra a\u00f0 skammta hlutina ni\u00f0ur og leyfa skilabo\u00f0unum sem \u00e9g a\u00f0 vil koma \u00e1 framf\u00e6ri a\u00f0 koma sk\u00fdrt fram. A\u00f0 \u00fev\u00ed s\u00f6g\u00f0u \u00fe\u00e1 er alveg \u00f3tr\u00falega margt \u00ed gangi og margir listamenn sem koma a\u00f0 s\u00fdningunni!<\/p>\n Kom eitthva\u00f0 \u00e1 \u00f3vart \u00ed ferlinu?<\/em><\/strong><\/p>\n \u00dea\u00f0 var \u00f6rugglega ferli\u00f0 a\u00f0 verkinu hennar \u00de\u00f3reyjar sem kom skemmtilegast \u00e1 \u00f3vart. Barinn hennar, Pitstop for a dream<\/em>. \u00c9g haf\u00f0i n\u00e1lgast \u00de\u00f3reyju me\u00f0 a\u00f0 f\u00e1 bj\u00f3r fyrir opnunina. Vi\u00f0 f\u00f3rum svo a\u00f0 tala um a\u00f0 h\u00fan myndi gera s\u00e9rstakan bj\u00f3r fyrir s\u00fdninguna og svo koll af kolli og hugmyndirnar st\u00e6kku\u00f0u og st\u00e6kku\u00f0u \u00fear til a\u00f0 bj\u00f3rinn var or\u00f0inn a\u00f0 listaverki \u00e1 s\u00fdningunni.<\/p>\n Haf\u00f0i heimsfaraldurinn \u00e1hrif \u00e1 s\u00fdninguna?<\/em><\/strong><\/p>\n Hann haf\u00f0i mj\u00f6g mikil \u00e1hrif, s\u00fdningin \u00e1tti fyrst a\u00f0 vera \u00ed okt\u00f3ber og var seinka\u00f0 um marga m\u00e1nu\u00f0i. Vi\u00f0 \u00fea\u00f0 fengu s\u00fdningin og verkin a\u00f0 st\u00e6kka, \u00fea\u00f0 vannst meiri t\u00edmi til a\u00f0 vinna verkin og tala um verkin. Svo kom n\u00fdtt samkomubann nokkrum d\u00f6gum fyrir opnun en \u00fe\u00e1 var svo skemmtilegt hvernig verk \u00de\u00f3reyjar haf\u00f0i \u00fer\u00f3ast \u00fev\u00ed \u00fea\u00f0 er alltaf bj\u00f3r \u00ed bo\u00f0i \u00e1 s\u00fdningunni eins og \u00fea\u00f0 s\u00e9 eil\u00edf opnun.<\/p>\n \u00deetta verk er sm\u00e1 icebreaker, l\u00edka, \u00fev\u00ed \u00fe\u00fa \u00fearft a\u00f0 f\u00e1 a\u00f0sto\u00f0 fr\u00e1 einhverjum \u00f6\u00f0rum vi\u00f0 a\u00f0 d\u00e6la bj\u00f3rnum og \u00fe\u00e1 ertu kannski b\u00fain a\u00f0 opna samtal sem getur \u00e1tt s\u00e9r sta\u00f0 \u00ed gegnum s\u00fdninguna. Svo er l\u00edka skemmtilegt a\u00f0 f\u00f3lk geti upplifa\u00f0 s\u00fdninguna \u00e1 h\u00e6gara hra\u00f0a, me\u00f0 f\u00e6rra f\u00f3lk \u00ed kringum sig, verkin eru mj\u00f6g st\u00f3r og innihalda oft langar narrat\u00edvur og \u00fe\u00e1 er gott a\u00f0 hafa t\u00edma til a\u00f0 sko\u00f0a \u00feau.<\/p>\n Mun verkefni\u00f0 \u00fer\u00f3ast \u00e1fram?<\/strong><\/em><\/p>\n J\u00e1! \u00cd \u00fatg\u00e1fu. Plani\u00f0 var a\u00f0 gefa \u00fat b\u00f3k \u00ed s\u00ed\u00f0ustu viku s\u00fdningarinnar, \u00fea\u00f0 fresta\u00f0ist a\u00f0eins en h\u00fan er n\u00e1nast tilb\u00fain. B\u00f3kin er unnin \u00e1 svipa\u00f0an h\u00e1tt og s\u00fdningin; \u00ed henni taka \u00fe\u00e1tt listamennirnir sem eiga verk \u00e1 s\u00fdningunni, og fleiri listamenn og rith\u00f6fundar sem eru a\u00f0 vinna \u00e1 svipu\u00f0u bili, milli raunveruleika og fantas\u00edu. B\u00f3kin er meira framhald af s\u00fdningunni \u00feannig a\u00f0 samtali\u00f0 heldur \u00e1fram. H\u00fan er h\u00f6nnu\u00f0 af Gr\u00e9tu \u00deorkelsd\u00f3ttir<\/strong> og \u00e9g og \u00c1str\u00ed\u00f0ur J\u00f3nsd\u00f3ttir<\/strong> erum ritstj\u00f3rar. H\u00fan mun koma \u00fat \u00ed \u00ed byrjun hausts.<\/p>\n Hva\u00f0 er frammundan?<\/strong><\/em><\/p>\n Um \u00feessar mundir er \u00e9g a\u00f0 bj\u00f3\u00f0a mig fram sem formann N\u00fdlistasafnsins<\/em>. \u00c9g er \u00f3tr\u00falega spennt fyrir \u00fev\u00ed hlutverki og langar m.a. a\u00f0 halda \u00e1fram a\u00f0 \u00fdta undir fj\u00f6lbreytileika \u00ed s\u00fdningahaldi. \u00dea\u00f0 er svo margt \u00e1hugavert a\u00f0 gerast og mikil gr\u00f3ska \u00ed myndlist \u00e1 \u00cdslandi og \u00e9g hlakka til a\u00f0 taka \u00fe\u00e1tt \u00ed a\u00f0 koma fleiri s\u00f6gum og sj\u00f3narhornum \u00e1 framf\u00e6ri.<\/p>\n Bj\u00f6rk Hrafnsd\u00f3ttir<\/em><\/p>\n S\u00fdningin opna\u00f0i 30. mars og stendur til 9. ma\u00ed 2021.<\/strong><\/p>\n Lj\u00f3smyndari: Blair Alexander Massie<\/p>\n [\/et_pb_text][\/et_pb_column][\/et_pb_row][et_pb_row _builder_version=“4.9.4″ background_enable_color=“off“ background_color_gradient_direction=“108deg“ background_size=“initial“ background_position=“top_left“ background_repeat=“repeat“ max_width=“1000px“ module_alignment=“center“ custom_padding=“20px|10px|10px|10px|false|false“ border_width_all=“1px“ border_color_all=“#000000″ locked=“off“][et_pb_column type=“4_4″ _builder_version=“4.9.4″ custom_padding=“|||“ custom_padding__hover=“|||“][et_pb_text admin_label=“Footnote“ _builder_version=“4.9.4″ text_font_size=“13px“ header_6_text_align=“center“ header_6_line_height=“1.4em“ width=“100%“ module_alignment=“center“ custom_margin=“-13px|||||“ custom_padding=“||0px|||“]<\/p>\n The interview is part of a collaboration between Artzine and a new MA in Curatorial Practice at the Iceland University of the Arts.<\/strong><\/p>\n [\/et_pb_text][et_pb_text admin_label=“Footnote“ _builder_version=“4.9.4″ text_font_size=“13px“ header_6_text_align=“center“ header_6_line_height=“1.4em“ width=“100%“ module_alignment=“center“ custom_margin=“-13px|||||“ custom_padding=“||0px|||“]<\/p>\n Vi\u00f0tali\u00f0 er hluti af samstarfsverkefni Artzine og n\u00fdrrar meistaran\u00e1mslei\u00f0ar \u00ed s\u00fdningager\u00f0 vi\u00f0 myndlistardeild Listah\u00e1sk\u00f3la \u00cdslands \u00e1 vor\u00f6nn 2021.<\/strong><\/p>\n [\/et_pb_text][\/et_pb_column][\/et_pb_row][\/et_pb_section]<\/p>\n","protected":false},"excerpt":{"rendered":" S\u00fdningin \u201eFallandi trj\u00e1m liggur margt \u00e1 hjarta“ \u00ed Kling og Bang er fyrsta verkefni Helenu A\u00f0alsteinsd\u00f3ttur sem s\u00fdningarstj\u00f3ri eftir MA n\u00e1m \u00ed London. Listamenn s\u00fdningarinnar eru: Josephine van Schendel, \u00de\u00f3rey Bj\u00f6rk Halld\u00f3rsd\u00f3ttir, B\u00e1ra Bjarnad\u00f3ttir, D\u00fdrfinna Benita Basalan, Tabita Rezaire, Brokat Films, El\u00edn Margot og Tarek Lakhrissi. Bj\u00f6rk Hrafnsd\u00f3ttir hitti Helenu \u00ed Kling og Bang r\u00e6ddi […]<\/p>\n","protected":false},"author":49,"featured_media":11912,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_et_pb_use_builder":"on","_et_pb_old_content":"","_et_gb_content_width":"","_jetpack_memberships_contains_paid_content":false,"footnotes":""},"categories":[10],"tags":[489,889,892,752,895,888,887,893,563,735,534,891,894,890],"class_list":["post-11948","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-vidtol","tag-bara-bjarnadottir","tag-bjork-hrafnsdottir","tag-brokat-films","tag-dyrfinna-benita-basalan","tag-elin-margot","tag-helena-adalseinsdottir","tag-helena-adalsteinsdottir","tag-josephine-van-schendel","tag-kling-bang","tag-kling-and-bang","tag-kling-og-bang","tag-tabita-rezaire","tag-tarek-lakhrissi","tag-thorey-bjork-halldorsdottir"],"yoast_head":"\n![\"\"](\"https:\/\/artzine.is\/wp-content\/uploads\/2021\/04\/Helena04.jpg\")
Helena A\u00f0alsteinsd\u00f3ttir<\/span><\/strong><\/span><\/p>\n
\u00deetta er gott en erfitt samtal til a\u00f0 eiga og eflaust margir a\u00f0 spyrja sig eftir BLM m\u00f3tm\u00e6lin s\u00ed\u00f0asta sumar. \u00dea\u00f0 er virkilega \u00fe\u00f6rf \u00e1 a\u00f0 halda \u00feessari umr\u00e6\u00f0u \u00e1fram og vi\u00f0 eigum langt \u00ed land me\u00f0 a\u00f0 koma \u00e1 jafnr\u00e9tti og koma \u00ed veg fyrir mismunun.<\/p>\n![\"\"](\"https:\/\/artzine.is\/wp-content\/uploads\/2021\/04\/Helena06.jpg\")
Tabita Rezaire, Sorry for Real_Sorrow For…, 2015.<\/span><\/strong><\/span><\/p>\n![\"\"](\"https:\/\/artzine.is\/wp-content\/uploads\/2021\/04\/Helena01.jpg\")
Josephine van Schendel, Dendrianthropic Bodies, 2021<\/span><\/strong><\/span><\/p>\n![\"\"](\"https:\/\/artzine.is\/wp-content\/uploads\/2021\/04\/Helena02.jpg\")
El\u00edn Margot, the end of me, the beginning of you, 2021<\/strong><\/span><\/p>\n
\n