{"id":1090,"date":"2016-05-10T23:00:25","date_gmt":"2016-05-10T23:00:25","guid":{"rendered":"http:\/\/artzine.is\/?p=1090"},"modified":"2021-02-13T09:45:11","modified_gmt":"2021-02-13T09:45:11","slug":"list-og-listmarkadir-i-hluti","status":"publish","type":"post","link":"https:\/\/artzine.is\/?p=1090","title":{"rendered":"List og listmarka\u00f0ir I. Hluti"},"content":{"rendered":"

[et_pb_section fb_built=“1″ fullwidth=“on“ _builder_version=“4.8.2″ _module_preset=“default“][et_pb_fullwidth_image src=“https:\/\/artzine.is\/wp-content\/uploads\/2016\/05\/london_art_fair_0.jpg“ title_text=“london_art_fair_0″ _builder_version=“4.8.2″ _module_preset=“default“ width=“100%“][\/et_pb_fullwidth_image][\/et_pb_section][et_pb_section fb_built=“1″ admin_label=“section“ _builder_version=“3.22″][et_pb_row admin_label=“row“ _builder_version=“3.25″ background_size=“initial“ background_position=“top_left“ background_repeat=“repeat“][et_pb_column type=“4_4″ _builder_version=“3.25″ custom_padding=“|||“ custom_padding__hover=“|||“][et_pb_post_title meta=“off“ date_format=“j.m. Y“ featured_image=“off“ _builder_version=“4.7.7″ title_font=“|300||on|||||“ title_text_align=“center“ title_font_size=“40px“ title_letter_spacing=“1px“ background_color=“rgba(255,255,255,0)“ parallax=“on“ parallax_method=“off“ max_width=“100%“ title_font_size_tablet=“30px“ title_font_size_phone=“26px“ title_font_size_last_edited=“on|phone“ parallax_effect=“on“ module_bg_color=“rgba(255,255,255,0)“ use_border_color=“off“ border_color=“#ffffff“ border_style=“solid“ global_module=“3887″ saved_tabs=“all“][\/et_pb_post_title][et_pb_text admin_label=“Text“ _builder_version=“4.8.2″ background_size=“initial“ background_position=“top_left“ background_repeat=“repeat“ hover_enabled=“0″ use_border_color=“off“ border_color=“#ffffff“ border_style=“solid“ sticky_enabled=“0″]<\/p>\n

London, Kaupmannah\u00f6fn og Reykjav\u00edk<\/strong><\/h2>\n

Doktorsritger\u00f0 m\u00edn Commercial Galleries in Copenhagen, London and Reykjav\u00edk: a comparative study of the formations, contexts and interactions of galleries founded between 1985 and 2002<\/em>, er samanbur\u00f0ar ranns\u00f3kn \u00e1 samhengi og samskiptaferlum gallerista og s\u00f6lu galler\u00eda \u00ed Austur-London (East End), \u00cdslandsbryggju \u00ed Kaupmannah\u00f6fn og Reykjav\u00edk \u00e1 ofangreindu \u00e1rabili. Hvatinn a\u00f0 ranns\u00f3kninni var velgengni ,,YBA\u2018\u2018 h\u00f3psins \u00e1 Bretlandi og skyndileg sprenging \u00ed fj\u00f6lda samt\u00edmalista galler\u00eda \u00ed Austur-London. \u00deessi umskipti ors\u00f6ku\u00f0u bylgjuhreyfingar um gj\u00f6rvallan listheiminn og skyndilegum s\u00fdnileika s\u00f6lugaller\u00eda og gallerista. \u00deetta efni haf\u00f0i a\u00f0 mestu veri\u00f0 l\u00e1ti\u00f0 afskiptalaust af menningar- og safnafr\u00e6\u00f0ingum og skapa\u00f0i \u00fev\u00ed s\u00f3knarf\u00e6ri fyrir ranns\u00f3kn sem myndi leggja grunn a\u00f0 n\u00fdjum skilningi \u00e1 \u00feessum mikilv\u00e6gu menningarsrofnunum.<\/strong><\/p>\n

Ranns\u00f3knir og \u00fatgefnar b\u00e6kur um gallerista og galler\u00ed eru fj\u00f6lbreyttar og innihalda b\u00e6\u00f0i almenna og s\u00e9rh\u00e6f\u00f0a s\u00fdn \u00e1 gallerista sem \u00f3\u00fearfa me\u00f0almenni sem r\u00fain eru sk\u00f6punarh\u00e6fileikum. \u00cd margra augum eru \u00feeir ekkert anna\u00f0 en s\u00e9rh\u00e6f\u00f0ar b\u00fa\u00f0arlokur \u00ed \u00fej\u00f3nustu yfirst\u00e9ttarinnar sem hafa \u00f3merkilegt stu\u00f0ningshlutverk. Sj\u00f3a\u00f0ri gagnr\u00fdnendur hafa liti\u00f0 \u00e1 gallerista sem feimulegt sams\u00e6risf\u00f3lk og si\u00f0lausar af\u00e6tur: nau\u00f0synlega en \u00f3ge\u00f0felda kap\u00edtalista sem notf\u00e6ra s\u00e9r s\u00f6luv\u00e6nleika myndlistar fremur en a\u00f0 vera merki um frumkv\u00f6\u00f0lastarf og sk\u00f6punarh\u00e6fileika. \u00cd gagnr\u00fdnu mati s\u00ednu \u00e1 galleristum hafa b\u00e6\u00f0i listamenn og fr\u00e6\u00f0imenn haft tilhneigingu til a\u00f0 l\u00edta \u00e1 s\u00f6lugaller\u00ed \u00e1 grundvelli marka\u00f0smisnotkunar og hagfr\u00e6\u00f0i. Af \u00feeim s\u00f6kum eru galleristar faldir leikarar \u00ed umr\u00e6\u00f0um um listheima sem bygg\u00f0ir eru upp af r\u00e9tth\u00e6rri \u00fe\u00e1tttakendum \u00e1 bor\u00f0 vi\u00f0 listamenn, s\u00fdningarstj\u00f3ra, fr\u00e6\u00f0imenn, gagnr\u00fdnendur, safnara og fleiri. Jafnvel \u00ed almennu lesefni um stefnum\u00e1l stj\u00f3rnvalda, \u00e6sandi list, sams\u00e6riskenningar, h\u00e1tt ver\u00f0, smygl og falsanir ber l\u00edti\u00f0 \u00e1 galleristum. A\u00f0 \u00feessu gefnu er \u00feessari ranns\u00f3kn \u00e6tla\u00f0 a\u00f0 l\u00edta \u00e1 \u00feessa listheima fr\u00e1 fersku sj\u00f3narhorni og kynna til s\u00f6gunnar d\u00fdpri lestur \u00e1 galleristanum.<\/p>\n

Mikilv\u00e6gasta uppg\u00f6tvun \u00feessarar ranns\u00f3knar hva\u00f0 \u00feetta var\u00f0ar er a\u00f0 benda \u00e1 a\u00f0 galleristar l\u00edta \u00e1 fyrirt\u00e6ki s\u00edn \u00e1 afar listr\u00e6num forsendum: \u00feeir l\u00edta \u00e1 galler\u00ed s\u00edn l\u00edkt og listama\u00f0ur \u00e1 eigin innsetningu. \u00c1 fremur \u00f3v\u00e6ntan h\u00e1tt skortir gallerista oft vi\u00f0skiptalega inns\u00fdn, en \u00ed sta\u00f0 \u00feess fylgja \u00feeir sinni eigin skapandi listr\u00e6nu s\u00fdn. \u00deeir eiga ekki einv\u00f6r\u00f0ungu \u00fe\u00e1 \u00f3sk heitasta a\u00f0 galler\u00edgestir kaupi list heldur einnig a\u00f0 \u00feeir sj\u00e1i listr\u00e6nar innsetningar \u00feeirra; galler\u00edin sem myndverk \u00ed sj\u00e1lfum s\u00e9r. \u00deessi galler\u00ed gera ekki einfalda og yfirbor\u00f0slega kr\u00f6fu um st\u00edl \u00fev\u00ed margir galleristar hafa dj\u00fapa tilfinningu fyrir \u00fev\u00ed sem \u00feeir gera. A\u00f0 hluta til \u00e1 \u00feetta r\u00e6tur a\u00f0 rekja til \u00fe\u00e1ttt\u00f6ku \u00feeirra \u00ed framvar\u00f0arsveit listr\u00e6ns frumkv\u00f6\u00f0lastarfs og \u00feeirri sk\u00f6punarg\u00e1fu sem f\u00f3lgin er \u00ed \u00fev\u00ed a\u00f0 bera kennsl \u00e1 listr\u00e6nar n\u00fdungar. \u00cd heimi sem er samhli\u00f0a listr\u00e6num \u00e1rangri listamanna eru galleristar a\u00f0 virkja list \u00ed samf\u00e9laginu og leggja sinn skerf til almennrar vi\u00f0urkenningar \u00e1 sj\u00f3nlistum. \u00deeir eru gagnr\u00fdnir \u00e1 listamenn og tengsl \u00feeirra eru bygg\u00f0 \u00e1 gagnkv\u00e6mu fl\u00e6\u00f0i fremur en a\u00f0 galleristinn s\u00e9 af\u00e6ta.<\/p>\n

\u00cd ranns\u00f3kninni er leitast vi\u00f0 komast handan ofur-einf\u00f6ldunar \u00e1 galleristum me\u00f0 samanbur\u00f0ar greiningu \u00e1 galleristum \u00ed mis st\u00f3rum og mis einanguru\u00f0um evr\u00f3pskum borgum og \u00e1 \u00f3l\u00edkum stigum fj\u00f6l\u00fej\u00f3\u00f0legra samskipta. \u00cd og \u00e1 milli \u00feessara samhangandi \u00fe\u00e1tta hefur \u00feessi ranns\u00f3kn leita\u00f0 eftir f\u00ednger\u00f0ari fr\u00e1s\u00f6gn af samb\u00fdli listamanna og gallerista \u00fear sem b\u00e1\u00f0ir a\u00f0ilar deila me\u00f0 s\u00e9r hugmyndinni um n\u00fdungar. H\u00e9r eru \u00e1 fer\u00f0inni \u2013 andst\u00e6tt kenningum Bourdieus sem lag\u00f0i miki\u00f0 til vi\u00f0varandi vantrausts \u00e1 galleristum[1]<\/a> \u2013 sameiginlegur \u00e1hugi \u00e1 gagnkv\u00e6mum stu\u00f0ningi og sk\u00f6punarkrafti gallerista og listaamanna.<\/p>\n

Ranns\u00f3knin leiddi einnig \u00ed lj\u00f3s breytilegt mikilv\u00e6gi sta\u00f0bundinnar, \u00fej\u00f3\u00f0legrar og al\u00fej\u00f3\u00f0legrar framlei\u00f0slu og samskipti samkv\u00e6mt alj\u00f3\u00f0legri st\u00f6\u00f0u sta\u00f0bundins marka\u00f0ar og raunar st\u00e6r\u00f0 og mikilv\u00e6gi hluta\u00f0eigandi borgar og \u00fej\u00f3\u00f0ar. \u00c1 \u00feessuum grundvelli er bygg\u00f0 s\u00fa hugmynd a\u00f0 r\u00e9tt s\u00e9 a\u00f0 nota fleirt\u00f6lumyndina list heimar. Ranns\u00f3knin hefur \u00fev\u00ed stigi\u00f0 inn \u00ed \u00feessa \u00f3l\u00edku listheima \u00ed \u00feeim tilgangi a\u00f0 sta\u00f0setja og skilja gallerista \u00e1 grundvelli \u00feess a\u00f0 greina vi\u00f0t\u00f6l vi\u00f0 \u00fe\u00e1.<\/p>\n

S\u00fdn galleristans
<\/strong>\u00c1 sama t\u00edma og ritger\u00f0inni er \u00e6tla\u00f0 a\u00f0 gefa sk\u00fdrari mynd af galleristanum er lj\u00f3st a\u00f0 galleristar vinna a\u00f0 \u00fev\u00ed a\u00f0 auka s\u00fdnileika listamanna fremur en sinn eigin s\u00fdnileika. \u00deannig hafa galleristar lagt fram mikilv\u00e6gan skerf til menningarumhverfis sem sn\u00fdst um listamenn. \u00deetta er mikilv\u00e6gur \u00fe\u00e1ttur \u00ed listr\u00e6nni s\u00fdn gallerista; fyrir utan \u00fea\u00f0 a\u00f0 skapa s\u00ednar eigin galler\u00ed innsetningar, sn\u00fdst s\u00fdn \u00feeirra um a\u00f0 framlei\u00f0a listamenn og kynna \u00fe\u00e1 eins v\u00ed\u00f0a og m\u00f6gulegt er.<\/p>\n

\u00deessi vi\u00f0skiptalegu og s\u00fdningarstj\u00f3ralegu \u00e1hugam\u00e1l eru \u00ed huga danska galleristans Nicholai Wallner sameining listr\u00e6nnar sk\u00f6punar og skapandi vi\u00f0skipta.[2]<\/a> Og, l\u00edkt og East-End galleristinn Andrew Mummery minnir \u00e1 \u00fe\u00e1 b\u00faa listamennirnir til listina sem s\u00fdnd er \u00ed galler\u00edinu[3]<\/a> sem a\u00f0 auki s\u00fdnir a\u00f0 galler\u00edi\u00f0 er afkv\u00e6mi skapandi samruna sem byggir \u00e1 h\u00e6fileikum galleristans til a\u00f0 byggja upp samskiptanet innan galler\u00edheimsins, \u00e1 listkaupstefnum og \u00ed fj\u00f6lmi\u00f0lum. \u00c1 \u00feennan h\u00e1tt eru galler\u00ed \u00fatkoman \u00far skapandi samruna.<\/p>\n

Hugmynd Wallners um ,,skapandi vi\u00f0skipti\u2018\u2018 vir\u00f0ist vera r\u00e9tt \u00fear sem galleristarnir sem r\u00e6tt var vi\u00f0 vir\u00f0ast ekki hafa veri\u00f0 fyllilega me\u00f0vita\u00f0ir um st\u00f6\u00f0u listmarka\u00f0arins \u00feegar \u00feeir stofnu\u00f0u galler\u00ed s\u00edn. \u00de\u00f3 nokkrir galleristanna muni eftir kreppu e\u00f0a lifnandi marka\u00f0i um \u00fea\u00f0 leyti sem \u00feeir stofnu\u00f0u galler\u00edin haf\u00f0i s\u00fa vitneskja engin \u00e1hrif \u00e1 \u00e1kvar\u00f0anir um stofnun galler\u00edanna \u00feeirra. \u00der\u00e1tt fyrir \u00feetta hafa nokkur galler\u00edana n\u00e1\u00f0 a\u00f0 vaxa og dafna og or\u00f0i\u00f0 s\u00fdnileg \u00ed fj\u00f6l\u00fej\u00f3\u00f0legu samhengi. Til a\u00f0 n\u00e1 \u00feessum \u00e1rangri hlj\u00f3ta galleristarnir a\u00f0 hafa haft einhvern skilning \u00e1 \u00fev\u00ed hvernig listmarka\u00f0urinn virkar, jafnvel \u00fe\u00f3 ekki v\u00e6ri nema \u00f3beint. Meirihluti galleristanna \u00e1 \u00cdslandsbryggju[4]<\/a> \u00ed Kaupmannah\u00f6fn og Edda J\u00f3sd\u00f3ttir[5]<\/a> \u00ed i8 fundu flj\u00f3tt \u00fe\u00f6rf fyrir \u00fea\u00f0 a\u00f0 byggja upp marka\u00f0 erlendis og kynna al\u00fej\u00f3\u00f0legan h\u00f3p listamanna. \u00deatta var vegna \u00feess a\u00f0 sta\u00f0bundni marka\u00f0urinn myndi aldrei hafa bur\u00f0i til a\u00f0 standa undir framt\u00ed\u00f0ar markmi\u00f0um \u00feeirra. \u00deessar breytingar \u00fdta undir \u00fe\u00e1 s\u00fdn a\u00f0 pers\u00f3nuleg l\u00f6ngun og og sk\u00f6punarkraftur eru drifkraftur fars\u00e6ls galler\u00eds fremur en n\u00e1kv\u00e6m marka\u00f0sk\u00f6nnun og vi\u00f0skipta\u00e1\u00e6tlun. Eini galleristinn sem nefndi vi\u00f0skipta\u00e1\u00e6tlun var \u00de\u00f3ra \u00de\u00f3risd\u00f3ttir, en \u00fea\u00f0 var \u00feegar h\u00fan s\u00e1 framm\u00e1 a\u00f0 \u00feurfa a\u00f0 loka og h\u00fan neytti allra brag\u00f0a til a\u00f0 finna fj\u00e1rhagslegan bakhjarl og for\u00f0a \u00feannig galler\u00edinu fr\u00e1 lokun.[6]<\/a><\/p>\n

\u00dea\u00f0 liggur \u00ed hlutarins e\u00f0li a\u00f0 mikilv\u00e6gur hluti \u00feessa skapandi verkefnis er frambo\u00f0 \u00e1 frams\u00e6kinni list og listam\u00f6nnum. Galleristar \u00fearfnast \u00feessa \u00ed vi\u00f0leitni sinni til skilja sig fr\u00e1 \u00f6\u00f0rum og skapa s\u00e9r listr\u00e6na s\u00e9rst\u00f6\u00f0u og \u00e1 \u00feennan h\u00e1tt a\u00f0 marka s\u00e9r r\u00fdmi \u00ed sta\u00f0bundnum, \u00fej\u00f3\u00f0legum og al\u00fej\u00f3\u00f0legum listheimum. Me\u00f0 \u00feessu vir\u00f0ast \u00feeir b\u00faa yfir bjarts\u00fdni sem ja\u00f0rar vi\u00f0 a\u00f0 vera einfeldningsleg og blind.<\/p>\n

Hva\u00f0 var\u00f0ar s\u00fdn, \u00fe\u00e1 er ekki h\u00e6gt a\u00f0 skilja galler\u00edin einungis \u00ed efnahagslegu tilliti. \u00cd rauninni vir\u00f0ist sannari lestur \u00e1 l\u00f6ngunum \u00feessara gallerista vera f\u00f3lgin \u00ed listr\u00e6num sk\u00f6punarkrafti. \u00deeir b\u00faa yfir \u00f6llum draum\u00f3rum listamanna \u00fe\u00f3tt flestir beini \u00feessum frumkrafti \u00ed kynningar og uppbyggingu tengslanets. Me\u00f0 \u00feessum a\u00f0fer\u00f0um telja \u00feeir sig hafa grundvallar hlutverk var\u00f0andi \u00fea\u00f0 a\u00f0 auka skilning og \u00feekkingu \u00e1 list.<\/p>\n

<\/a>Greinin er bygg\u00f0\u00a0\u00e1 doktorsritger\u00f0 h\u00f6fundarins.<\/strong><\/p>\n

Mynd fr\u00e1 London Art Fair 2016, fengin a\u00f0 l\u00e1ni fr\u00e1\u00a0blouinartinfo.com<\/h6>\n

Eftir Dr. Magn\u00fas Gestsson<\/em><\/p>\n

<\/a><\/p>\n

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    \n
  1. Pierre Bourdieu, The Field of Cultural Production: Essays on Art and Literature. Ritstj\u00f3rn og ritun inngangs Randal Johnson (Cambridge: Polity Press, 1993), bls. 75.<\/em><\/li>\n
  2. Vi\u00f0tal h\u00f6fundar vi\u00f0 Nicholai Wallner 10. apr\u00edl 2003.<\/em><\/li>\n
  3. Vi\u00f0tal h\u00f6fundar vi\u00f0 Andrew Mummery 22. ma\u00ed 2003<\/em><\/li>\n
  4. Um og upp\u00far \u00e1rinu 2000 var\u00f0 til h\u00f3pur galler\u00eda \u00e1 \u00cdslandsbryggju sem fl\u00fa\u00f0u mi\u00f0borg Kaupmannahafnar og fundu \u00f3d\u00fdrt h\u00fasn\u00e6\u00f0i utan hinnar hef\u00f0bundnu mi\u00f0ju listheimsins og \u00fdttu \u00feannig undir hugmyndina um a\u00f0 \u00fea\u00f0 v\u00e6ru margir listheimar.<\/em><\/li>\n
  5. Vi\u00f0tal h\u00f6fundar vi\u00f0 Eddu J\u00f3nsd\u00f3ttur 20. mars 2003.<\/em><\/li>\n
  6. Vi\u00f0tal h\u00f6fundar vi\u00f0 \u00de\u00f3ru \u00de\u00f3risd\u00f3ttur 18. mars 2003.<\/em><\/li>\n<\/ol>\n

    [\/et_pb_text][\/et_pb_column][\/et_pb_row][\/et_pb_section]<\/p>\n","protected":false},"excerpt":{"rendered":"

    London, Kaupmannah\u00f6fn og Reykjav\u00edk Doktorsritger\u00f0 m\u00edn Commercial Galleries in Copenhagen, London and Reykjav\u00edk: a comparative study of the formations, contexts and interactions of galleries founded between 1985 and 2002, er samanbur\u00f0ar ranns\u00f3kn \u00e1 samhengi og samskiptaferlum gallerista og s\u00f6lu galler\u00eda \u00ed Austur-London (East End), \u00cdslandsbryggju \u00ed Kaupmannah\u00f6fn og Reykjav\u00edk \u00e1 ofangreindu \u00e1rabili. Hvatinn a\u00f0 ranns\u00f3kninni […]<\/p>\n","protected":false},"author":7,"featured_media":1106,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_et_pb_use_builder":"on","_et_pb_old_content":"

    London, Kaupmannah\u00f6fn og Reykjav\u00edk<\/h3>

    Byggt \u00e1 doktorsritger\u00f0 h\u00f6fundarins.<\/span><\/h3>

    Doktorsritger\u00f0 m\u00edn Commercial Galleries in Copenhagen, London and Reykjav\u00edk: a comparative study of the formations, contexts and interactions of galleries founded between 1985 and 2002<\/em>, er samanbur\u00f0ar ranns\u00f3kn \u00e1 samhengi og samskiptaferlum gallersita og s\u00f6lu galler\u00eda \u00ed Austur-London (East End), \u00cdslandsbryggju \u00ed Kaupmannah\u00f6fn og Reykjav\u00edk \u00e1 ofangreindu \u00e1rabili. Hvatinn a\u00f0 ranns\u00f3kninni var velgengni ,,YBA\u2018\u2018 h\u00f3psins \u00e1 Bretalndi og skyndileg sprenging \u00ed fj\u00f6lda samt\u00edmalista galler\u00eda \u00ed Austur-London. \u00deessi umskipti ors\u00f6ku\u00f0u bylgjuhreyfinagar um gj\u00f6rvallan listheiminn og skyndilegum s\u00fdnileika s\u00f6lugaller\u00eda og gallerista. \u00deetta efni haf\u00f0i a\u00f0 mestu veri\u00f0 l\u00e1ti\u00f0 afskiptalaust af menningar- og safnafr\u00e6\u00f0ingum og skapa\u00f0i \u00fev\u00ed s\u00f3knarf\u00e6ri fyrir ranns\u00f3kn sem myndi leggja grunn a\u00f0 n\u00fdjum skilningi \u00e1 \u00feessum mikilv\u00e6gu menningarsrofnunum.<\/strong><\/p>

    Ranns\u00f3knir og \u00fatgefnar b\u00e6kur um gallerista og galler\u00ed eru fj\u00f6lbreyttar og innihalda b\u00e6\u00f0i almenna og s\u00e9rh\u00e6f\u00f0a s\u00fdn \u00e1 gallerista sem \u00f3\u00fearfa me\u00f0almenni sem r\u00fain sk\u00f6punarkrh\u00e6fileikum. \u00cd margra augum eru \u00feeir ekkert anna\u00f0 en s\u00e9rh\u00e6f\u00f0ar b\u00fa\u00f0arlokur \u00ed \u00fej\u00f3nustu yfirst\u00e9ttarinnar sem hafa \u00f3merkilegt stu\u00f0ningshlutverk. Sj\u00f3a\u00f0ri gagnr\u00fdnendur hafa liti\u00f0 \u00e1 gallerista sem feimulegt sams\u00e6risf\u00f3lk og si\u00f0lauar af\u00e6tur: nau\u00f0synlega en \u00f3ge\u00f0felda kap\u00edtalista sem notf\u00e6ra s\u00e9r s\u00f6luv\u00e6nleika myndlistar fremur en a\u00f0 vera merki um frumkv\u00f6\u00f0lastarf og sk\u00f6punarh\u00e6fileika. \u00cd gagnr\u00fdnu mati s\u00ednu \u00e1 galleristum hafa b\u00e6\u00f0i listamenn og fr\u00e6\u00f0imenn haft tilhneigingu til a\u00f0 l\u00edta \u00e1 s\u00f6lugaller\u00ed \u00e1 grundvelli marka\u00f0smisnotkunar og hagfr\u00e6\u00f0i. Af \u00feeim s\u00f6kum eru galleristar faldir leikarar \u00ed umr\u00e6\u00f0um um listheima sem bygg\u00f0ir eru upp af r\u00e9tth\u00e6rri \u00fe\u00e1tttakendum \u00e1 bor\u00f0 vi\u00f0 listamenn, s\u00fdningarstj\u00f3ra, fr\u00e6\u00f0imenn, gagnr\u00fdnendur, safnara og fleiri. Jafnvel \u00ed almennu lesefni um stefnum\u00e1l stj\u00f3rnvalda, \u00e6sandi list, sams\u00e6riskenningar, h\u00e1tt ver\u00f0, smygl og falsanir ber l\u00edti\u00f0 \u00e1 galleristum. A\u00f0 \u00feessu gefnu er \u00feessari ranns\u00f3kn \u00e6tla\u00f0 a\u00f0 l\u00edta \u00e1 \u00feessa listheima fr\u00e1 fersku sj\u00f3narhorni og kynna til s\u00f6gunnar d\u00fdpri lestur \u00e1 galleristanum.<\/p>

    Mikilv\u00e6gasta uppg\u00f6tvun \u00feessarar ranns\u00f3knar hva\u00f0 \u00feetta var\u00f0ar er a\u00f0 benda \u00e1 a\u00f0 galleristar l\u00edta \u00e1 fyrirt\u00e6ki s\u00edn \u00e1 afar listr\u00e6num forsendum: \u00feeir l\u00edta \u00e1 galler\u00ed s\u00edn l\u00edkt og listama\u00f0ur \u00e1 eigin innsetningu. \u00c1 fremur \u00f3v\u00e6ntan h\u00e1tt hafa galleristar oft tilhneigingu til a\u00f0 skorta vi\u00f0skiptalega inns\u00fdn, en \u00ed sta\u00f0 \u00feess fylgja \u00feeir sinni eigin skapandi listr\u00e6nu s\u00fdn. \u00deeir eiga ekki einv\u00f6r\u00f0ungu \u00fe\u00e1 \u00f3sk heitasta a\u00f0 galler\u00edgestir kaupi list heldur einnig a\u00f0 \u00feeir sj\u00e1i listr\u00e6nar innsetningar \u00feeirra; galler\u00edin sem myndverk \u00ed sj\u00e1lfum s\u00e9r. \u00deessi galler\u00ed gera ekki einfalda og yfirbor\u00f0slega kr\u00f6fu um st\u00edl \u00fev\u00ed margir galleristar hafa dj\u00fapa tilfinningu fyrir \u00fev\u00ed sem \u00feeir gera. A\u00f0 hluta til \u00e1 \u00feetta r\u00e6tur a\u00f0 rekja til \u00fe\u00e1ttt\u00f6ku \u00feeirra \u00ed framvar\u00f0arsveit listr\u00e6ns frumkv\u00f6\u00f0lastarfs og \u00feeirri sk\u00f6punarg\u00e1fu sem f\u00f3lgin er \u00ed \u00fev\u00ed a\u00f0 bera kennsl \u00e1 listr\u00e6nar n\u00fdungar. \u00cd heimi sem er samhli\u00f0a listr\u00e6num \u00e1rangri listamanna eru galleristar a\u00f0 virkja list \u00ed samf\u00e9laginu og leggja sinn skerf til almennrar vi\u00f0urkennigar \u00e1 sj\u00f3nlistum. \u00deeir eru gagnr\u00fdnir \u00e1 listamenn og tengsl \u00feeirra eru bygg\u00f0 \u00e1 gagnkv\u00e6mu fl\u00e6\u00f0i fremur en a\u00f0 galleristinn s\u00e9 af\u00e6ta.<\/p>

    \u00cd ranns\u00f3kninni er leitast vi\u00f0 komast handan ofur-einf\u00f6ldunar \u00e1 galleristum me\u00f0 samanbur\u00f0ar greiningu \u00e1 galleristum \u00ed mis st\u00f3rum og mis einanguru\u00f0um\u00a0\u00a0 evr\u00f3pskum borgum og \u00e1 \u00f3l\u00edkum stigum fj\u00f6l\u00fej\u00f3\u00f0legra samskipta. \u00cd og \u00e1 milli \u00feessara samhangandi \u00fe\u00e1tta hefur \u00feessi ranns\u00f3kn leita\u00f0 eftir f\u00ednger\u00f0ari fr\u00e1s\u00f6gn af samb\u00fdli listamanna og gallerista \u00fear sem b\u00e1\u00f0ir a\u00f0ilar deila me\u00f0 s\u00e9r hugmyndinni um n\u00fdungar. H\u00e9r eru \u00e1 fer\u00f0inni \u2013 andst\u00e6tt kenningum Bourdieus sem lag\u00f0i miki\u00f0 til vipvarandi vantrausts \u00e1 galleristum\u00a0\u2013 sameiginlegur \u00e1hugi \u00e1 gagnkv\u00e6mum stu\u00f0ningi og sk\u00f6punarkrafti gallerista og listaamanna.<\/p>

    Tanns\u00f3knin leiddi einnig \u00ed lj\u00f3s breytilegt mikilv\u00e6gi sta\u00f0bundinnar, \u00fej\u00f3\u00f0legrar og al\u00fej\u00f3\u00f0legrar framlei\u00f0slu og samskipti samkv\u00e6mt alj\u00f3\u00f0legri st\u00f6\u00f0u sta\u00f0bundins marka\u00f0ar og raunar st\u00e6r\u00f0 og mikilv\u00e6gi hluta\u00f0rigandi borgar og \u00fej\u00f3\u00f0ar. \u00c1 \u00feessuum grundvelli er bygg\u00f0 s\u00fa hugmynd a\u00f0 r\u00e9tt s\u00e9 a\u00f0 nota fleirt\u00f6lumyndina list heimar. Ranns\u00f3knin hefur \u00fev\u00ed stigi\u00f0 in \u00ed \u00feessa \u00f3l\u00edku listheima \u00ed \u00feeim tilgangi a\u00f0 sta\u00f0setja og skilja gallerista \u00e1 grundvelli \u00feess a\u00f0 greina vi\u00f0t\u00f6l vi\u00f0 \u00fe\u00e1.<\/p>

    S\u00fdn galleristans<\/strong><\/p>

    \u00c1 sama t\u00edma og ritger\u00f0inni er \u00e6tla\u00f0 a\u00f0 gefa skyri mynd af galleristanum er lj\u00f3st a\u00f0 galleristar vinna a\u00f0 \u00fev\u00ed a\u00f0 auka s\u00fdnileika listamanna fremur en sinn eigin s\u00fdnileika. \u00deannig hafa galleristar lagt fram mikilv\u00e6gan skerf til menningarumhvefis sem snyst um listamenn. \u00deetta er mikilv\u00e6gur \u00fe\u00e1ttur \u00ed listr\u00e6nni syn gallerista; fyrir utan \u00fea\u00f0 a\u00f0 skapa s\u00ednar eigin galler\u00ed innsetningar, sn\u00fdst s\u00fdn \u00feeirra um a\u00f0 framlei\u00f0a listamenn og kynna \u00fe\u00e1 eins v\u00ed\u00f0a og m\u00f6gulegt er.<\/p>

    \u00deessi vi\u00f0skiptalegu og s\u00fdningarstj\u00f3ralegu \u00e1hugam\u00e1leru \u00ed huga danska galleristans Nicholai Wallner sameining listr\u00e6nnar sk\u00f6punar og skapandi vi\u00f0skipta.\u00a0Og, l\u00edkt og East-End galleristinn Andrew Mummery minni \u00e1 \u00fe\u00e1 b\u00faa listamennirnir til listina sem s\u00fdnd er \u00ed galler\u00edinu\u00a0sem a\u00f0 auki s\u00fdnir a\u00f0 galler\u00edi\u00f0 er afkv\u00e6mi skapandi samruna sem byggir \u00e1 h\u00e6fileikum galleristans til a\u00f0 byggja upp samskiptanet innan galler\u00edheimsins,\u00e1 listkaupstefnum og \u00ed fj\u00f6lmi\u00f0lum. \u00c1 \u00feennan h\u00e1tt eru galler\u00ed \u00fatkoman \u00far skapandi samruna.<\/p>

    Hugmynd Wallners um ,,skapandi vi\u00f0skipti\u2018\u2018 vir\u00f0ist vera r\u00e9tt \u00fear sem galleristarnir sem r\u00e6tt var vi\u00f0 vir\u00f0ast ekki hafa veri\u00f0 fyllilega me\u00f0vita\u00f0ir um st\u00f6\u00f0u listmarka\u00f0arins \u00feegar \u00feeir stofnu\u00f0u galler\u00ed s\u00edn. \u00de\u00f3 nokkrir galleristanna muni eftir kreppu e\u00f0a lifnandi marka\u00f0i um \u00fea\u00f0 leyti sem \u00feeir stofnu\u00f0u galler\u00edin haf\u00f0i s\u00fa vitneskja engin \u00e1hrif \u00e1 \u00e1kvar\u00f0anir um stofnun galler\u00edanna \u00feeirra. \u00der\u00e1tt fyrir \u00feetta hafa nokkur galler\u00edna n\u00e1\u00f0 a\u00f0 vaxa og dafna og or\u00f0i\u00f0 s\u00fdnileg \u00ed fj\u00f6l\u00fej\u00f3\u00f0legu samhengi. Til a\u00f0 n\u00e1 \u00feessum \u00e1rangri hlj\u00f3ta galleristarnir a\u00f0 hafa haft einhvern skilning \u00e1 \u00fev\u00ed hvernig listmarka\u00f0urinn virkar, jafnvel \u00fe\u00f3 ekki v\u00e6ri nema \u00f3beint. Meirihluti galleristanna \u00e1 \u00cdslandsbryggju\u00a0\u00ed Kaupmannah\u00f6fn og Edda J\u00f3sd\u00f3ttir\u00a0\u00ed i8 fundu flj\u00f3tt \u00fe\u00f6rf fyrir \u00fea\u00f0 a\u00f0 byggja upp marka\u00f0 erlendis og kynna al\u00fej\u00f3\u00f0legan h\u00f3p listamanna. \u00deatta var vegna \u00feess a\u00f0 sta\u00f0bundni marka\u00f0urinn myndi aldrei hafa bur\u00f0i til a\u00f0 standa undir framt\u00ed\u00f0ar markmi\u00f0um \u00feeirra. \u00deessar breytingar \u00fdta undir \u00fe\u00e1 s\u00fdn a\u00f0 pers\u00f3nuleg l\u00f6ngun og og sk\u00f6punarkraftur eru drifkraftur fars\u00e6ls galler\u00eds fremur en n\u00e1kv\u00e6m marka\u00f0sk\u00f6nnun og vi\u00f0skipta\u00e1\u00e6tlun. Eini galleristinn sem nefndi vi\u00f0skipta\u00e1\u00e6tlun var \u00de\u00f3ra \u00de\u00f3risd\u00f3ttir, en \u00fea\u00f0 var \u00feegar h\u00fan s\u00e1 framm\u00e1 a\u00f0 \u00feurfa a\u00f0 loka og h\u00fan neytti allra brag\u00f0a til a\u00f0 finna fj\u00e1rhagslegan bakhjarl og for\u00f0a \u00feannig galler\u00edinu fr\u00e1 lokun.<\/p>

    \u00dea\u00f0 liggur \u00ed hlutarins e\u00f0li a\u00f0 mikilv\u00e6gur hluti \u00feessa skapandi verkefnis er frambo\u00f0 \u00e1 frams\u00e6kinni list og listam\u00f6nnum. Galleristar \u00fearfnast \u00feessa \u00ed vi\u00f0leitni sinni til skilja sig fr\u00e1 \u00f6\u00f0rum og skapa s\u00e9r listr\u00e6na s\u00e9rst\u00f6\u00f0u og \u00e1 \u00feernnan h\u00e1tt a\u00f0 marka s\u00e9r r\u00fdmi \u00ed sta\u00f0bundnum, \u00fej\u00f3\u00f0legum og al\u00fej\u00f3\u00f0legum listheimum. Me\u00f0 \u00feessu vir\u00f0ast \u00feeir b\u00faa yfir bjarts\u00fdni sem ja\u00f0rar vi\u00f0 a\u00f0 vera einfeldningsleg og blind.<\/p>

    Hva\u00f0 var\u00f0ar s\u00fdn, \u00fe\u00e1 er ekki h\u00e6gt a\u00f0 skilja galler\u00edi einungis \u00ed efnahagslegu tilliti. \u00cd rauninni vir\u00f0ist sannari lestur \u00e1 l\u00f6ngunum \u00feessara gallerista vera f\u00f3lgin \u00ed listr\u00e6num sk\u00f6punarkrafti. \u00deeir b\u00faa yfir \u00f6llum draum\u00f3rum listamanna \u00fe\u00f3tt flestir beini \u00feessum frumkrafti \u00ed kynningar og uppbyggingu tengslanets. Me\u00f0 \u00feessum a\u00f0fer\u00f0um telja \u00feeir sig hafa grundvallar hlutvark var\u00f0andi \u00fea\u00f0 a\u00f0 auka skilning og \u00feekkingu \u00e1 list.<\/p>

    Mynd fr\u00e1 London Art Fair 2016, fengin a\u00f0 l\u00e1ni fr\u00e1\u00a0blouinartinfo.com<\/h6>

    Eftir Dr. Magn\u00fas Gestsson<\/em><\/p>","_et_gb_content_width":"","_jetpack_memberships_contains_paid_content":false,"footnotes":""},"categories":[11],"tags":[],"class_list":["post-1090","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-umfjollun"],"yoast_head":"\nList og listmarka\u00f0ir I. Hluti - artzine.is<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/artzine.is\/?p=1090\" \/>\n<meta property=\"og:locale\" content=\"is_IS\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"List og listmarka\u00f0ir I. 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Einnig beinist \u00e1hugi hans a\u00f0 samskiptum liststofnana vi\u00f0 vi\u00f0skiptavini s\u00edna og byltingar \u00ed s\u00f6fnum, s\u00f6lugaller\u00edum, listm\u00f6rku\u00f0um og listheimum. Magn\u00fas hefur haldi\u00f0 fyrirlestra og frams\u00f6gur um s\u00f6fn, s\u00f6lugaller\u00ed, myndlistarmarka\u00f0i og listas\u00f6gu vi\u00f0 University of Leicester og De Montfort University \u00ed Leicester. Hann hefur jafnframt veri\u00f0 a\u00f0sto\u00f0ars\u00fdningarstj\u00f3ri vi\u00f0 Embrace Arts, the University of Leicester\u00b4s Arts Centre. Undanfarin \u00e1r hefur Magn\u00fas kennt vi\u00f0 H\u00e1sk\u00f3la \u00cdslands, Listah\u00e1sk\u00f3la \u00cdslands og Myndlistask\u00f3lann \u00ed Reykjav\u00edk auk \u00feess a\u00f0 reka Galler\u00ed Gest \u2013 farandgaller\u00ed og Galler\u00ed 78 \u00ed samvinnu vi\u00f0 Samt\u00f6kin 78. 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Einnig lauk Magn\u00fas doktorpr\u00f3fi \u00ed safna- og galler\u00edfr\u00e6\u00f0um fr\u00e1 University of Leicester \u00e1ri\u00f0 2010, en 31 j\u00fal\u00ed 2009 var\u00f0i hann doktorsritger\u00f0 s\u00edna Commercial Galleries in Copenhagen, London and Reykjav\u00edk: a comparative study of the formations, contexts and interactions of galleries founded between 1985 and 2002. \u00cd ritger\u00f0inni eru galleristar sko\u00f0a\u00f0ir \u00ed samhengi vi\u00f0 kenningar fr\u00e6\u00f0imanna um listheiminn. Ranns\u00f3knin beinist a\u00f0 \u00fev\u00ed hvernig menningarleg ver\u00f0m\u00e6ti ver\u00f0a til \u00ed s\u00f6lugaller\u00edum \u00e1samt samspili menningarumhverfis og athafnasemi gallerista \u00ed borgunum \u00feremur. Gengi\u00f0 er \u00fat fr\u00e1 eflingu myndlistarmarka\u00f0arins \u00ed tengslum vi\u00f0 myndlistarsafnarann Charles Saatchi og svonefnda \u2018Young British Artists\u2019. 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