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Höfundur: Erin Honeycutt

The Scale of It All

From screensaver screenshots taken in 2007 by Katrín Agnes Klar to pen plotter drawings on engravings from Baroque 1730 publications by Lukas Kindermann in 2018, Distant Matter, now on view at The Living Art Museum, takes that which is remote and brings it under close inspection. The artists’ first exhibition together on this scale since meeting at the Karlsruhe University of Arts and Design/ZKM ten years ago is vast in its breadth of subject matter and material discourse. It is seemingly difficult to break into, as though your body were being asked to negotiate between the vast scales and...

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Anna Julia’s Serenade

Erindi / Serenade is on exhibit at Hafnarborg Centre of Culture and Fine Art until October 22nd. In the exhibition by Anna Júlía Friðbjörnsdóttir, various elements are taken from sociology, astronomy, poetry, and ecology, into an acknowledgment of the biggest crisis´ currently facing the world. Like a natural scientist who uses poetry to interpret her findings, Anna Júlía looks at ways of addressing climate change and human migration that recognizes human vision. In the following interview, Anna Júlía and I discuss the exhibition and her concern with the synthesization of meaning- from the 19th-century Romantic movement to biometric identity...

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Variations by Dodda Maggý at BERG Contemporary

Dodda Maggý’s exhibition Variations is on view at BERG Contemporary from August 18th to October 21st. The artist was recently awarded the ARoS – Aarhus Art Museum’s Young Talent Award. Using sound and music as departure points, the artist further compounds their intertwining by using rhythm and narrative to engage the senses. Her animated symmetrical compositions explore the experimental possibilities of translating sound into visual form with a technical mastery of the formalities of harmonics and how these form the basic formations of the universe. With a dynamic interplay between the parts and the whole in the image, the...

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Infinite Western

Davíð Örn Halldórsson’s exhibition River únd Bátur was recently on view at Hverfisgallerí. The artist’s gesture of using found objects such as desktops, tables, and shelves for his abstract paintings calls attention to the material’s inherent aesthetic, which is transcended by the artist’s imaginative and worldly expressiveness. The effect breaks down barriers between cultures as it focuses on expressiveness and symbolism. Placed amongst the colorful worlds of his paintings, the artist has spray-painted directly onto the gallery walls a looming gray outline against which a coffin shape rests- as though he is aware of the anguish and precariousness of...

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The Permanent Recycling of Eternal Recurrence

Alicja Kwade’s exhibition, ‘A Trillionth of a Second,’ is on display at i8 Gallery from June 22nd to August 12th, 2017. In glass cases sit what appears to be vase-like structures of an undeterminable age, while the titles of the works suggest wholly different objects altogether. The vase titled Lampe, for example, is composed of ground lamp, epoxy resin, glass, and brass, likewise with Kaminuhr (Table Clock), Computer (PowerMac), and iPhone. Compass needles in A trillionth of a second (I) and clock arms in Ein Monat (November 2017) form wave compositions in flat wall pieces, while a third wall piece in the form...

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